417:, her beliefs are clearer in her novels than in her plays, due to constrictions on the patent theatres of Georgian London, though even there she took risks. "Inchbald's life was marked by tensions between, on the one hand, political radicalism, a passionate nature evidently attractive to a number of her admirers, and a love of independence, and on the other hand, a desire for social respectability and a strong sense of the emotional attraction of authority figures." One critic describes the complexity of her writing as "richly textured with strands of resistance, boldness, and libidinal thrills". An example of this contradictory impulse may be seen in her biography when, despite their shared political beliefs, she quarrelled publicly with
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295:(1735–1779), possibly at least in part for protection. Joseph at that time was not well-known, was twice Elizabeth's age, and had two illegitimate sons. The couple did not have children together and the marriage is believed to have had difficulties. The Inchbalds appeared on the stage together for the first time on 4 September 1772 in Shakespeare's
306:'s theatre company that continued for almost four years. In 1776, they moved to France in order for Joseph to learn to paint and Elizabeth to study French. However, they were penniless within a month. They returned to Britain and moved to Liverpool where Inchbald, after joining Joseph Younger's company, met actors
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It was a difficult beginning: some observers thought her stammer affected her performance and the audience's reaction. Furthermore, young and alone, she later described having to defend herself from the sexual advances of stage manager James Dodd and theatre manager John Taylor. Two months after her
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Inchbald had a speech impediment. Focused on acting from a young age, she worked hard to manage her stammer, but her family discouraged an attempt in early 1770 to gain a position at the
Norwich Theatre. That same year her brother George became an actor. Still determined, Inchbald went to London to
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While in the 1920s she was described by one critic as "a charming woman" who was sadly ignorant of
Shakespeare, in recent decades Inchbald has aroused considerable critical interest, particularly among scholars of women's writing. Her two novels have been frequently reprinted and American critic
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While relatively unknown as an actress, after her husband's death
Inchbald went on to become a celebrated playwright and author. Her success as a writer meant she did not need a spouse's financial support, and she did not remarry. Her literary career began with pieces in
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After Joseph
Inchbald's sudden death in June 1779, Inchbald continued to act for several years, in Dublin, London, and elsewhere. Her acting career, only moderately successful, spanned seventeen years. She appeared in many classical roles and in new plays such as
372:. Between 1784 and 1805, nineteen of her comedies, sentimental dramas, and farces, many of them translations from French or German originals, were performed in London theatres. Her first play to be produced was
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She also did considerable editorial and critical work. A four-volume autobiography was destroyed before her death on the advice of her confessor, but she left some of her diaries. The latter are held at the
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Many of the plays she translated were farces, and they were popular with audiences. Over a period of twenty years, she translated one or two pieces a year, one notable example being
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342:. Her gravestone calls her one "whose writings will be cherished while truth, simplicity, and feelings, command public admiration." In 1833, a two-volume
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Codr, Dwight (2008). ""Her failing voice endeavoured, in vain, to articulate": Sense and
Disability in the Novels of Elizabeth Inchbald".
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Elizabeth
Inchbald: England's Principal Woman Dramatist and Independent Woman of Letters in 18th Century London: A Biographical Study
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O'Connell, Michelle (1 December 2012). "Miss Milner's Return from the Crypt: Mourning in
Elizabeth Inchbald's A Simple Story".
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Brown, Deborah (3 April 2012). "Revolutionary
Imaginings in the 1790s: Charlotte Smith, Mary Robinson, Elizabeth Inchbald".
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314:, both of whom became important friends. The Inchbalds later moved to Canterbury and Yorkshire and in 1777 were hired by
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Rushbrook) and her husband John
Simpson (died 1761), a farmer. The family, like several others in the neighbourhood, was
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Women
Playwrights, Politics and Convention: the Case of Elizabeth Inchbald's 'Seditious' Comedy, Every One Has His Fault
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145:, 15 October 1753 – 1 August 1821) was an English novelist, actress, dramatist, and translator. Her two novels,
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Frank, Marci e (1 January 2015). "Melodrama and the Politics of Literary Form in Elizabeth Inchbald Works".
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Bruwick, Frederick (25 June 2013). "Elizabeth Inchbald's Reputation: A Publishing and Reception History".
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968:. Original title of vol. 1:British public characters. Vol. 2. London: R. Phillips. pp. 341–352.
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John Barrell: "May I come to your house to philosophise? The letters of William Godwin Vol 1...",
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Elizabeth Inchbald and her circle; the life story of a charming woman (1753–1821)
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She is probably best known in the twenty-first century for her two novels,
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arrival in London, in June, she agreed to marry a fellow Catholic, actor
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Zall, Paul (22 June 2014). "Elizabeth Inchbald: Sex & Sensibility".
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The Cambridge History of English and American Literature in 18 Volumes
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author biography of Elizabeth Inchbald (1753–1821) at www.chawton.org
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Lott, Anna (15 July 1994). "Sexual Politics in Elizabeth Inchbald".
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with her in the lead female role of Selina. In 1780, she joined the
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In October 1772, the couple began a demanding tour in Scotland with
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Elizabeth Inchbald's Reputation: A Publishing and Reception History
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English novelist, actress, dramatist, and translator (1753–1821)
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Mothers of the novel: 100 good women writers before Jane Austen
813:. Eds. Thomas C. Crochunis and Michael Eberle-Sinatra, with an
993:; "Chronology of Elizabeth Inchbald". In: Elizabeth Inchbald:
776:. Eds Thomas C. Crochunis and Michael Eberle-Sinatra, with an
498:"the most elegant English fiction of the eighteenth century".
19:"Inchbald" redirects here. For the British design school, see
1696:. Volume XI. The Period of the French Revolution (1907–21).
23:. For the British architectural and interior designer, see
1542:, Oxford University Press, 2004, accessed 10 November 2006
1430:. Stanford, Calif.: Stanford University Press. pp.
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287:become an actress in April 1772 at the age of 18.
1725:Elizabeth Inchbald (1753–1821), Actress and writer
1701:"Archival material relating to Elizabeth Inchbald"
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346:by James Boaden was published by Richard Bentley.
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2007:18th-century British dramatists and playwrights
433:. This incident was deeply resented by Godwin.
425:made it clear that she had not been married to
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1104:( ed.). London: Pandora. p. 206.
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941:'Wives as they Were, and Maids as they Are'
913:. Gioia Angeletti and Thomas C. Crochunis.
887:. Eds. Thomas C. Crochunis and Susan Hyon.
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421:in 1797, when Wollstonecraft's marriage to
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1467:Elizabeth Inchbald: Actress and Playwright
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512:Mogul Tale; or, The Descent of the Balloon
409:(1796). A political radical and friend of
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1982:People from the Borough of St Edmundsbury
1284:. Ed. Ben P. Robertson. Routledge, 2007.
255:Learn how and when to remove this message
1987:English women dramatists and playwrights
1889:Wives as They Were and Maids as They Are
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390:. Her plays were also produced at the
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1735:: satiric print of Elizabeth Inchbald
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991:. New York: Robert Appleton Company.
726:Collection of Farces and Afterpieces
193:adding citations to reliable sources
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1377:. London, D. O'Connor. p. 111.
1001:(Oxford: OUP, 1988 ), pp. xxxi ff.
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338:and is buried in the churchyard of
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1997:19th-century English women writers
1992:18th-century British women writers
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1536:'Inchbald, Elizabeth (1753–1821)'
1282:The Diaries of Elizabeth Inchbald
979:Herbermann, Charles, ed. (1913).
960:Stephens, Alexander, ed. (1799).
480:Inchbald's novels, in particular
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1596:Resources in other libraries
1572:Resources in other libraries
1159:10.1080/09699082.2012.666422
1058:10.1080/10509585.2013.807630
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2037:Writers of the Romantic era
1727:, National Portrait Gallery
1692:. XII. The Georgian Drama.
1635:(public domain audiobooks)
1629:Works by Elizabeth Inchbald
1620:Works by Elizabeth Inchbald
755:Works by Elizabeth Inchbald
267:Born on 15 October 1753 at
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1785:Appearance Is Against Them
1686:, Beatrice S. Scott's site
1491:Women's Writing, 1778–1838
1193:Eighteenth-Century Fiction
982:"Elizabeth Inchbald"
519:Appearance Is Against Them
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787:by Jonathan Wordsworth .
647:To Marry or Not to Marry
639:The Wise Man of the East
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445:Reception and reputation
344:Memoirs of Mrs. Inchbald
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2022:English stage actresses
808:4 November 2016 at the
714:Critical/editorial work
380:Company and played the
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1873:Everyone Has His Fault
1611:Works by Mrs. Inchbald
1489:Robertson, Fiona, ed.
1424:Castle, Terry (1986).
1270:London Review of Books
1236:Philological Quarterly
1096:Spender, Dale (1987).
607:Everyone Has His Fault
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1825:All on a Summer's Day
1580:By Elizabeth Inchbald
988:Catholic Encyclopedia
722:. 25 vols., 1806–1809
656:, 1792, not performed
559:All on a Summer's Day
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328:The Belle's Stratagem
1857:Next Door Neighbours
1705:UK National Archives
1677:5 March 2016 at the
1661:5 March 2016 at the
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820:3 March 2016 at the
783:3 March 2016 at the
771:4 March 2016 at the
660:A Case of Conscience
591:Next Door Neighbours
455:August von Kotzebues
204:"Elizabeth Inchbald"
189:improve this article
2047:Writers from London
1841:The Child of Nature
1732:I'll Tell You What!
1667:The British Theatre
1528:18 May 2015 at the
1518:Smallwood, Angela.
1493:. Oxford: OUP, 2001
1131:18 May 2015 at the
1124:Smallwood, Angela.
720:The British Theatre
575:The Child of Nature
419:Mary Wollstonecraft
1793:I'll Tell You What
1770:Elizabeth Inchbald
1690:Elizabeth Inchbald
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1502:Elizabeth Inchbald
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1465:Katovich, Megan. "
824:by Danny O'Quinn.
746:Elizabeth Inchbald
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527:I'll Tell You What
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1553:Library resources
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1272:8 September 2011.
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178:This section
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119:Notable works
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89:1 August 1821
88:
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79:Stanningfield
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1897:Lovers' Vows
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815:Introduction
803:The Massacre
801:
792:Lovers' Vows
790:
778:introduction
766:Lovers' Vows
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350:Written work
343:
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318:'s company.
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187:Please help
182:verification
179:
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138:
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128:
122:
91:(1821-08-01)
29:
1977:1821 deaths
1972:1753 births
1387:#References
1086:ODNB entry.
929:Adaptations
492:called her
469:Jane Austen
403:(1791) and
304:West Digges
57: 1796
1966:Categories
1460:References
1405:(4): 567.
1242:(3): 359.
1153:(3): 381.
1052:(4): 467.
759:Faded Page
683:Le Méchant
364:The Artist
336:Kensington
215:newspapers
103:Occupation
96:Kensington
72:1753-10-15
1350:0039-3657
1315:see also
1256:506196606
1248:0031-7977
1221:141937465
1213:0840-6286
1175:162396474
1167:0969-9082
1074:144729463
1066:1050-9585
387:Philaster
298:King Lear
245:June 2023
114:1784–1810
98:, England
81:, England
1675:Archived
1659:Archived
1656:Contents
1647:Archived
1633:LibriVox
1526:Archived
1505:Archived
1450:13158111
1129:Archived
918:Archived
906:Archived
892:Archived
880:Archived
866:Archived
854:Archived
829:Archived
818:Archived
806:Archived
781:Archived
769:Archived
761:(Canada)
477:(1814).
366:and the
748:at the
271:, near
229:scholar
143:Simpson
1952:(1796)
1944:(1791)
1933:Novels
1916:(1805)
1908:(1799)
1900:(1798)
1892:(1797)
1884:(1794)
1876:(1793)
1868:(1792)
1860:(1791)
1852:(1789)
1844:(1788)
1836:(1788)
1828:(1787)
1820:(1787)
1812:(1787)
1804:(1786)
1796:(1785)
1788:(1785)
1718:Images
1555:about
1523:(1793)
1448:
1438:
1358:450886
1356:
1348:
1305:: 262.
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1064:
1005:
997:, ed.
740:Etexts
709:, 1796
701:, 1791
691:Novels
650:, 1805
642:, 1799
634:, 1798
626:, 1797
618:, 1794
610:, 1793
602:, 1792
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586:, 1789
578:, 1788
570:, 1788
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554:, 1787
546:, 1787
538:, 1786
530:, 1785
522:, 1785
514:, 1784
231:
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111:Period
1777:Plays
1605:Sites
1354:JSTOR
1217:S2CID
1171:S2CID
1070:S2CID
948:Notes
507:Plays
502:Works
431:Fanny
236:JSTOR
222:books
141:(née
1446:OCLC
1436:ISBN
1346:ISSN
1286:ISBN
1252:OCLC
1244:ISSN
1209:ISSN
1163:ISSN
1106:ISBN
1062:ISSN
1028:ODNB
1003:ISBN
413:and
208:news
161:Life
151:and
86:Died
64:Born
1665:of
1631:at
1622:at
1613:at
1511:.'
1432:290
1407:doi
1338:doi
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1155:doi
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843:at
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277:née
191:by
1968::
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1036:^
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331:.
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243:(
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74:)
70:(
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