372:
398:
197:
33:
412:
474:
462:
158:
515:
731:
27:
406:
2235:
744:
152:
696:
198:
34:
413:
475:
463:
159:
487:
as the interval between the eighth and ninth harmonics. The minor tone may be derived from the harmonic series as the interval between the ninth and tenth harmonics. The 10:9 minor tone arises in the C
834:" is the 9:8 ratio that corresponds to the tone, is the 3:2 ratio that is associated with the musical fifth, and is the 4:3 ratio associated with the musical fourth. It is common to translate
373:
503:
Notice that in these tuning systems, a third kind of whole tone, even wider than the major tone, exists. This interval of two semitones, with ratio 256:225, is simply called the
820:
238:
The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major.
262:, a major second is the interval between two keys separated by one key, counting white and black keys alike. On a guitar string, it is the interval separated by two
601:) are rarely used with a different meaning. Namely, they are used to indicate the two distinct kinds of whole tone, more commonly and more appropriately called
218:
for more details). For example, the interval from C to D is a major second, as the note D lies two semitones above C, and the two notes are
1956:
1218:
1082:
1238:
1176:
980:
949:
939:
791:
meaning "one eighth"; so it means "one eighth in addition". For example, the natural numbers are 8 and 9 in this relation (
1299:
234:
are notated on adjacent staff positions as well, but consist of a different number of semitones (zero, one, and three).
1014:
1458:
1155:
1125:
1092:
876:
861:
130:
582:) all major seconds have the same size, so there cannot be a distinction between a greater and a lesser tone.
563:
492:
between D & E and G & A, and is "a sharper dissonance" than 9:8. The 9:8 major tone arises in the C
1748:
1728:
1219:"A Manual of Harmony for Use in Music-schools and Seminaries and for Self ... – Oscar Paul – Google Books"
1854:
1860:
1568:
894:
849:
508:
1421:
1384:
1643:
796:
471:, and it is an approximation thereof in other tuning systems, while the minor tone is the 10:9 ratio
336:
2262:
2257:
397:
2267:
2238:
1976:
1915:
1292:
484:
2036:
1513:
772:
1330:
661:(3 semitones) differ by one semitone. Thus, to avoid ambiguity, it is preferable to call them
2031:
1842:
347:
saw it reimagined as a consonance. It is common in many different musical systems, including
2218:
1971:
1878:
1872:
904:
749:
579:
575:
571:
559:
555:
551:
547:
543:
539:
329:
325:
55:
831:, the Pythagoreans hated the number 17 because it separates the 16 from its Epogdoon 18.
312:: 9:8 (about 203.9 cents) and 10:9 (about 182.4 cents). The largest (9:8) ones are called
8:
2001:
1866:
1848:
993:
944:(First published as a Norton paperback. ed.). New York: W. W. Norton. p. 163.
2114:
1551:
1285:
762:
567:
344:
2170:
1060:
1039:
2056:
1996:
1557:
1533:
1521:
1502:
1316:
1172:
1151:
1121:
1088:
976:
945:
872:
857:
436:, in which major seconds occur in two different sizes, the wider of them is called a
223:
2126:
1951:
1896:
1890:
1884:
1788:
1688:
1661:
1545:
1527:
1472:
1466:
1308:
909:
889:
780:
623:
504:
364:
289:
259:
231:
219:
207:
20:
522:
Some equal temperaments also produce major seconds of two different sizes, called
2213:
2094:
1818:
1606:
1496:
1490:
1478:
1115:
429:
309:
305:
215:
172:
140:
113:
2074:
2068:
2062:
1834:
1361:
707:
614:
610:
453:
452:. The difference in size between a major tone and a minor tone is equal to one
433:
425:
340:
321:
243:
211:
103:
514:
2251:
2198:
2047:
1966:
1961:
1907:
1768:
1708:
1594:
1582:
1447:
1410:
1367:
713:
352:
251:
60:
1018:
2165:
2026:
1672:
1429:
994:"Whole step – Definition and More from the Free Merriam-Webster Dictionary"
899:
386:
348:
282:
227:
175:
123:
1084:
The
Complete Idiot's Guide to Music Theory – Michael Miller – Google Books
242:
The major second is the interval that occurs between the first and second
2175:
2006:
1441:
1435:
1404:
1398:
658:
654:
496:
between C & D, F & G, and A & B. This 9:8 interval was named
493:
489:
247:
2208:
2102:
1600:
1259:
730:
653:
number of semitones. They both span 2 semitones, while, for example, a
255:
585:
In any system where there is only one size of major second, the terms
288:
Intervals composed of two semitones, such as the major second and the
267:
2108:
1612:
1117:
Music Theory For
Dummies – Michael Pilhofer, Holly Day – Google Books
941:
How equal temperament ruined harmony : (and why you should care)
405:
26:
2140:
1588:
1336:
828:
743:
634:
497:
382:
360:
191:
93:
151:
2146:
2134:
2120:
1539:
1484:
356:
401:
Origin of large and small seconds and thirds in harmonic series.
2203:
2180:
2088:
2082:
1373:
1355:
719:
677:
670:
324:(81:80, or about 21.5 cents). Some equal temperaments, such as
279:
1191:
Royal
Society (Great Britain) (1880, digitized Feb 26, 2008).
1576:
335:
The major second was historically considered one of the most
1277:
1169:
Lou
Harrison: Selected keyboard and chamber music, 1937–1994
1015:"Oxford Dictionaries – Dictionary, Thesaurus, & Grammar"
518:
Comparison, in cents, of intervals at or near a major second
695:
263:
871:. Translated by Frank Cole Babbitt. Kessinger Publishing.
783:
with the ratio 9 to 8. The word is composed of the prefix
500:(meaning 'one eighth in addition') by the Pythagoreans.
332:, also distinguish between a greater and a lesser tone.
1061:"Whole tone | Define Whole tone at Dictionary.com"
1040:"Whole step | Define Whole step at Dictionary.com"
801:
1193:
Proceedings of the Royal
Society of London, Volume 30
799:
617:
are more often and more appropriately referred to as
308:, major seconds can occur in at least two different
320:or lesser tones. Their size differs by exactly one
814:
389:sharper than C, and then by both tones together.
316:or greater tones, the smallest (10:9) are called
19:"Whole tones" redirects here. For the scale, see
2249:
285:, as opposed to larger intervals called skips.
1260:"Proclus : Commentary on Plato's Timaeus"
1187:
1185:
1293:
375:Listen to a major second in equal temperament
1114:Pilhofer, Michael; Day, Holly (2011-02-25).
971:Benward, Bruce & Saker, Marilyn (2003).
854:The Science of Harmonics in Classical Greece
1182:
1113:
1017:. Askoxford.com. 2015-02-11. Archived from
2234:
1300:
1286:
1239:"Plutarch • Isis and Osiris (Part 3 of 5)"
1146:Leta E. Miller, Fredric Lieberman (2006).
509:Five-limit tuning § Size of intervals
317:
313:
483:. The major tone may be derived from the
933:
931:
929:
927:
925:
742:
513:
404:
396:
392:
150:
25:
1203:
1201:
2250:
1658:
1140:
1080:
937:
385:is followed by D, which is a tone 200
1281:
973:Music: In Theory and Practice, Vol. I
922:
1216:
1198:
641:Unlike almost all uses of the terms
459:The major tone is the 9:8 interval
359:, among others. It occurs in both
13:
843:
701:Diagram showing relations between
538:). For instance, this is true for
14:
2279:
2233:
729:
694:
30:Step: major second (major tone)
1252:
1231:
1210:
1161:
815:{\displaystyle {\tfrac {1}{8}}}
1107:
1074:
1053:
1032:
1007:
986:
965:
856:. Cambridge University Press.
1:
1307:
915:
669:(see also greater and lesser
564:twelve-tone equal temperament
270:, it is the interval between
222:on adjacent staff positions.
1195:, p.531. Harvard University.
1167:Leta E. Miller, ed. (1988).
190:) is a second spanning two
7:
1855:septimal chromatic semitone
883:
683:
649:, these intervals span the
10:
2284:
1861:septimal diatonic semitone
1649:(Numbers in brackets refer
1217:Paul, Oscar (2010-05-25).
1063:. Dictionary.reference.com
1042:. Dictionary.reference.com
895:List of meantone intervals
787:- meaning "on top of" and
776:
507:(for further details, see
210:encompassing two adjacent
18:
2231:
2189:
2156:
2045:
2015:
1985:
1942:
1933:
1906:
1833:
1816:
1651:to fractional semitones.)
1644:24-tone equal temperament
1641:
1630:
1567:
1512:
1457:
1420:
1383:
1348:
1315:
975:, p.52. Seventh Edition.
139:
131:12-Tone equal temperament
129:
122:
112:
102:
92:
87:
79:
71:
66:
54:
1081:Miller, Michael (2005).
938:Duffin, Ross W. (2008).
753:showing Pythagoras with
676:Two major tones equal a
2239:List of pitch intervals
1977:Subminor and supermajor
1916:minor diatonic semitone
1826:refer to pitch ratios.)
1241:. Penelope.uchicago.edu
182:(sometimes also called
2037:Undecimal quarter tone
816:
758:
519:
421:
402:
240:
168:
75:whole tone, whole step
43:
2032:Septimal quarter tone
1843:septimal quarter tone
996:. Merriam-webster.com
817:
746:
517:
456:(about 21.51 cents).
408:
400:
393:Major and minor tones
278:. It is considered a
236:
154:
29:
2219:Incomposite interval
1972:Pythagorean interval
1824:(Numbers in brackets
1332:(Numbers in brackets
905:Pythagorean interval
797:
747:Detail of Raphael's
572:meantone temperament
2002:Pythagorean apotome
1849:septimal third tone
1207:Paul, Oscar (1885)
1021:on October 31, 2007
444:, and the narrower
51:
2115:Septimal semicomma
812:
810:
765:music theory, the
759:
657:(4 semitones) and
568:Pythagorean tuning
520:
422:
409:Lesser tone on D.
403:
345:20th-century music
292:, are also called
169:
155:Minor tone (10:9)
49:
44:
2245:
2244:
2227:
2226:
2057:Pythagorean comma
1997:Pythagorean limma
1929:
1928:
1925:
1924:
1891:supermajor fourth
1867:supermajor second
1812:
1811:
1626:
1625:
1622:
1621:
1334:are the number of
1177:978-0-89579-414-7
981:978-0-07-294262-0
951:978-0-393-33420-3
867:Plutarch (2005).
809:
624:augmented unisons
609:(d3). Similarly,
562:. Conversely, in
355:and music of the
339:intervals of the
266:. In moveable-do
232:augmented seconds
206:). A second is a
149:
148:
2275:
2237:
2236:
2127:Septimal kleisma
1940:
1939:
1897:subminor seventh
1879:supermajor third
1831:
1830:
1819:Just intonations
1804:
1803:
1799:
1796:
1784:
1783:
1779:
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1756:
1744:
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1345:
1328:
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1302:
1295:
1288:
1279:
1278:
1272:
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1269:
1267:
1262:. Philpapers.org
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1111:
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1011:
1005:
1004:
1002:
1001:
990:
984:
969:
963:
962:
960:
958:
935:
910:Whole tone scale
890:Diminished third
823:
821:
819:
818:
813:
811:
802:
778:
750:School of Athens
733:
698:
607:diminished third
505:diminished third
482:
481:
480:
478:
470:
469:
468:
466:
420:
419:
418:
416:
380:
379:
378:
376:
343:, although much
310:frequency ratios
290:diminished third
260:musical keyboard
208:musical interval
205:
204:
203:
201:
166:
165:
164:
162:
52:
48:
46:Musical interval
41:
40:
39:
37:
21:Whole tone scale
16:Musical interval
2283:
2282:
2278:
2277:
2276:
2274:
2273:
2272:
2263:Seconds (music)
2258:Major intervals
2248:
2247:
2246:
2241:
2223:
2185:
2152:
2095:Septimal diesis
2041:
2011:
1981:
1935:
1921:
1902:
1825:
1822:
1808:
1801:
1797:
1794:
1792:
1781:
1777:
1774:
1772:
1761:
1757:
1754:
1752:
1741:
1737:
1734:
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1717:
1714:
1712:
1701:
1697:
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1692:
1681:
1677:
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1666:
1665:
1664:
1660:
1650:
1647:
1634:
1632:
1618:
1563:
1508:
1453:
1416:
1379:
1340:
1335:
1333:
1323:
1321:
1318:
1311:
1306:
1276:
1275:
1265:
1263:
1258:
1257:
1253:
1244:
1242:
1237:
1236:
1232:
1223:
1221:
1215:
1211:
1206:
1199:
1190:
1183:
1166:
1162:
1145:
1141:
1132:
1130:
1128:
1112:
1108:
1099:
1097:
1095:
1079:
1075:
1066:
1064:
1059:
1058:
1054:
1045:
1043:
1038:
1037:
1033:
1024:
1022:
1013:
1012:
1008:
999:
997:
992:
991:
987:
970:
966:
956:
954:
952:
936:
923:
918:
886:
846:
844:Further reading
800:
798:
795:
794:
792:
741:
740:
739:
738:
737:
734:
725:
724:
723:
699:
688:
615:minor semitones
611:major semitones
485:harmonic series
476:
473:
472:
464:
461:
460:
430:just intonation
414:
411:
410:
395:
374:
371:
370:
306:just intonation
216:Interval number
212:staff positions
199:
196:
195:
160:
157:
156:
141:Just intonation
47:
35:
32:
31:
24:
17:
12:
11:
5:
2281:
2271:
2270:
2268:Units of level
2265:
2260:
2243:
2242:
2232:
2229:
2228:
2225:
2224:
2222:
2221:
2216:
2211:
2206:
2201:
2195:
2193:
2187:
2186:
2184:
2183:
2178:
2173:
2168:
2162:
2160:
2154:
2153:
2151:
2150:
2144:
2138:
2131:
2130:
2124:
2118:
2112:
2106:
2099:
2098:
2092:
2089:Greater diesis
2086:
2079:
2078:
2075:Septimal comma
2072:
2069:Holdrian comma
2066:
2063:Syntonic comma
2060:
2053:
2051:
2043:
2042:
2040:
2039:
2034:
2029:
2023:
2021:
2013:
2012:
2010:
2009:
2004:
1999:
1993:
1991:
1983:
1982:
1980:
1979:
1974:
1969:
1964:
1959:
1954:
1948:
1946:
1937:
1931:
1930:
1927:
1926:
1923:
1922:
1920:
1919:
1912:
1910:
1904:
1903:
1901:
1900:
1894:
1888:
1885:subminor fifth
1882:
1876:
1873:subminor third
1870:
1864:
1858:
1852:
1846:
1839:
1837:
1828:
1814:
1813:
1810:
1809:
1807:
1806:
1786:
1766:
1746:
1726:
1706:
1686:
1669:
1667:
1659:
1653:
1636:
1628:
1627:
1624:
1623:
1620:
1619:
1617:
1616:
1610:
1604:
1598:
1592:
1586:
1580:
1573:
1571:
1565:
1564:
1562:
1561:
1555:
1549:
1543:
1537:
1531:
1525:
1518:
1516:
1510:
1509:
1507:
1506:
1500:
1494:
1488:
1482:
1476:
1470:
1463:
1461:
1455:
1454:
1452:
1451:
1445:
1439:
1433:
1426:
1424:
1418:
1417:
1415:
1414:
1408:
1402:
1396:
1389:
1387:
1381:
1380:
1378:
1377:
1371:
1365:
1359:
1352:
1350:
1343:
1325:
1313:
1312:
1305:
1304:
1297:
1290:
1282:
1274:
1273:
1251:
1230:
1209:
1197:
1181:
1160:
1139:
1126:
1106:
1093:
1073:
1052:
1031:
1006:
985:
964:
950:
920:
919:
917:
914:
913:
912:
907:
902:
897:
892:
885:
882:
881:
880:
865:
850:Barker, Andrew
845:
842:
808:
805:
735:
728:
727:
726:
700:
693:
692:
691:
690:
689:
687:
682:
454:syntonic comma
434:5-limit tuning
426:tuning systems
394:
391:
341:diatonic scale
322:syntonic comma
147:
146:
143:
137:
136:
133:
127:
126:
120:
119:
116:
110:
109:
106:
104:Interval class
100:
99:
96:
90:
89:
85:
84:
81:
77:
76:
73:
69:
68:
64:
63:
58:
45:
15:
9:
6:
4:
3:
2:
2280:
2269:
2266:
2264:
2261:
2259:
2256:
2255:
2253:
2240:
2230:
2220:
2217:
2215:
2212:
2210:
2207:
2205:
2202:
2200:
2197:
2196:
2194:
2192:
2188:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2163:
2161:
2159:
2155:
2148:
2145:
2142:
2139:
2136:
2133:
2132:
2128:
2125:
2122:
2119:
2116:
2113:
2110:
2107:
2104:
2101:
2100:
2096:
2093:
2090:
2087:
2084:
2083:Lesser diesis
2081:
2080:
2076:
2073:
2070:
2067:
2064:
2061:
2058:
2055:
2054:
2052:
2050:
2049:
2044:
2038:
2035:
2033:
2030:
2028:
2025:
2024:
2022:
2020:
2019:
2018:Quarter tones
2014:
2008:
2005:
2003:
2000:
1998:
1995:
1994:
1992:
1990:
1989:
1984:
1978:
1975:
1973:
1970:
1968:
1967:Pseudo-octave
1965:
1963:
1960:
1958:
1955:
1953:
1950:
1949:
1947:
1945:
1941:
1938:
1932:
1917:
1914:
1913:
1911:
1909:
1905:
1898:
1895:
1892:
1889:
1886:
1883:
1880:
1877:
1874:
1871:
1868:
1865:
1862:
1859:
1856:
1853:
1850:
1847:
1844:
1841:
1840:
1838:
1836:
1832:
1829:
1827:
1821:
1820:
1815:
1790:
1787:
1770:
1767:
1750:
1747:
1730:
1727:
1710:
1707:
1690:
1687:
1674:
1671:
1670:
1668:
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1127:9781118054444
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1094:9781592574377
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862:9780521879514
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840:as 'tone' ."
839:
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827:According to
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773:Ancient Greek
770:
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619:minor seconds
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114:Just interval
111:
107:
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70:
65:
62:
61:minor seventh
59:
57:
53:
38:
28:
22:
2190:
2157:
2143:(0.72 cents)
2137:(1.95 cents)
2117:(13.8 cents)
2111:(10.1 cents)
2105:(19.5 cents)
2097:(35.7 cents)
2091:(62.6 cents)
2085:(41.1 cents)
2077:(27.3 cents)
2071:(22.6 cents)
2065:(21.5 cents)
2059:(23.5 cents)
2046:
2027:Quarter tone
2017:
2016:
1987:
1986:
1943:
1908:Higher-limit
1823:
1817:
1729:major fourth
1673:quarter tone
1648:
1642:
1392:
1331:
1264:. Retrieved
1254:
1243:. Retrieved
1233:
1222:. Retrieved
1212:
1192:
1168:
1163:
1148:Lou Harrison
1147:
1142:
1131:. Retrieved
1116:
1109:
1098:. Retrieved
1083:
1076:
1065:. Retrieved
1055:
1044:. Retrieved
1034:
1023:. Retrieved
1019:the original
1009:
998:. Retrieved
988:
972:
967:
955:. Retrieved
940:
900:Minor second
868:
853:
836:
835:
833:
826:
788:
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767:
766:
760:
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748:
718:
712:
706:
702:
684:
675:
666:
663:greater tone
662:
650:
646:
642:
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632:
628:
622:
618:
606:
603:major second
602:
598:
594:
590:
586:
584:
535:
531:
528:lesser tones
527:
523:
521:
502:
458:
449:
445:
442:greater tone
441:
437:
423:
369:
349:Arabic music
334:
301:
297:
293:
287:
275:
271:
241:
237:
187:
183:
180:major second
179:
176:music theory
170:
80:Abbreviation
50:major second
2176:Millioctave
2158:Measurement
2149:(0.4 cents)
2129:(7.7 cents)
2123:(8.1 cents)
2007:Major limma
1749:minor fifth
1266:25 February
1171:, p.xliii.
763:Pythagorean
736:Translation
708:diatessaron
667:lesser tone
659:minor third
655:major third
591:lesser tone
574:(including
536:minor tones
494:major scale
490:major scale
450:lesser tone
318:minor tones
314:major tones
302:whole steps
298:whole tones
248:major scale
118:9:8 or 10:9
72:Other names
2252:Categories
2209:Semiditone
2103:Diaschisma
1918:(17-limit)
1609:(22 or 23)
1607:fourteenth
1603:(20 or 21)
1601:thirteenth
1597:(18 or 19)
1591:(17 or 18)
1585:(15 or 16)
1579:(13 or 14)
1514:Diminished
1341:interval.)
1322:(post-Bach
1245:2015-02-25
1224:2015-02-25
1133:2015-02-25
1100:2015-02-25
1067:2015-02-25
1046:2015-02-25
1025:2015-02-25
1000:2015-02-25
916:References
633:chromatic
599:minor tone
446:minor tone
438:major tone
432:, such as
365:pentatonic
256:supertonic
224:Diminished
188:whole step
184:whole tone
145:204 or 182
2171:Centitone
2109:Semicomma
1988:Semitones
1952:Microtone
1936:intervals
1613:fifteenth
1459:Augmented
1337:semitones
1309:Intervals
779:) is the
635:semitones
627:(A1), or
621:(m2) and
605:(M2) and
337:dissonant
192:semitones
94:Semitones
2141:Breedsma
1589:eleventh
1569:Compound
1324:Western)
1319:semitone
1150:, p.72.
884:See also
852:(2007).
837:epogdoos
829:Plutarch
781:interval
777:ἐπόγδοον
768:epogdoon
757:diagram
755:epogdoon
720:diapason
714:diapente
703:epogdoon
685:Epogdoon
629:diatonic
498:epogdoon
383:middle C
381:. Here,
367:scales.
361:diatonic
254:and the
2147:Ragisma
2135:Schisma
2121:Kleisma
1957:5-limit
1863:(15:14)
1857:(21:20)
1851:(28:27)
1845:(36:35)
1835:7-limit
1800:⁄
1789:seventh
1780:⁄
1760:⁄
1740:⁄
1720:⁄
1700:⁄
1680:⁄
1662:Neutral
1635:systems
1595:twelfth
1552:seventh
1503:seventh
1448:seventh
1411:seventh
1349:Perfect
1317:Twelve-
957:28 June
869:Moralia
587:greater
524:greater
357:Balkans
280:melodic
268:solfège
258:. On a
244:degrees
220:notated
173:Western
56:Inverse
2204:Ditone
2191:Others
2181:Savart
2048:Commas
1944:Groups
1893:(10:7)
1689:second
1633:tuning
1558:octave
1534:fourth
1522:second
1485:fourth
1473:second
1467:unison
1430:second
1393:second
1374:octave
1362:fourth
1356:unison
1339:in the
1175:
1154:
1124:
1091:
979:
948:
875:
860:
789:ogdoon
717:, and
678:ditone
671:diesis
570:, and
558:, and
428:using
250:, the
2214:Secor
1962:Comma
1934:Other
1899:(7:4)
1887:(7:5)
1881:(9:7)
1875:(7:6)
1869:(8:7)
1769:sixth
1709:third
1631:Other
1583:tenth
1577:ninth
1546:sixth
1540:fifth
1528:third
1497:sixth
1491:fifth
1479:third
1442:sixth
1436:third
1422:Minor
1405:sixth
1399:third
1385:Major
1368:fifth
822:×8)=9
647:minor
643:major
595:major
580:31-ET
576:19-ET
560:72-ET
556:53-ET
552:41-ET
548:34-ET
544:22-ET
540:15-ET
532:major
387:cents
330:22-ET
326:15-ET
304:. In
300:, or
294:tones
264:frets
252:tonic
246:of a
228:minor
214:(see
186:or a
124:Cents
2199:Wolf
2166:Cent
1615:(24)
1560:(11)
1505:(12)
1499:(10)
1450:(10)
1413:(11)
1376:(12)
1268:2015
1173:ISBN
1152:ISBN
1122:ISBN
1089:ISBN
977:ISBN
959:2017
946:ISBN
873:ISBN
858:ISBN
665:and
651:same
645:and
631:and
613:and
597:and
593:(or
589:and
578:and
534:and
530:(or
526:and
477:play
465:play
448:or,
415:Play
363:and
328:and
283:step
274:and
230:and
200:Play
178:, a
161:Play
88:Size
67:Name
36:Play
1554:(9)
1548:(7)
1542:(6)
1536:(4)
1530:(2)
1524:(0)
1493:(8)
1487:(6)
1481:(5)
1475:(3)
1469:(1)
1444:(8)
1438:(3)
1432:(1)
1407:(9)
1401:(4)
1395:(2)
1370:(7)
1364:(5)
1358:(0)
824:).
793:8+(
785:epi
761:In
673:).
511:).
440:or
424:In
171:In
135:200
2254::
1793:10
1200:^
1184:^
1120:.
1087:.
924:^
775::
711:,
705:,
680:.
638:.
566:,
554:,
550:,
546:,
542:,
351:,
296:,
276:re
272:do
226:,
83:M2
1805:)
1802:2
1798:1
1795:+
1791:(
1785:)
1782:2
1778:1
1775:+
1773:8
1771:(
1765:)
1762:2
1758:1
1755:+
1753:6
1751:(
1745:)
1742:2
1738:1
1735:+
1733:5
1731:(
1725:)
1722:2
1718:1
1715:+
1713:3
1711:(
1705:)
1702:2
1698:1
1695:+
1693:1
1691:(
1685:)
1682:2
1678:1
1675:(
1301:e
1294:t
1287:v
1270:.
1248:.
1227:.
1179:.
1158:.
1136:.
1103:.
1070:.
1049:.
1028:.
1003:.
983:.
961:.
879:.
864:.
807:8
804:1
771:(
194:(
167:.
108:2
98:2
42:.
23:.
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