531:
321:
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573:
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92:
388:
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580:
214:
rather than tonics, and only when they are stressed , as by repetition or duration. It cannot be denied that the small number of possible different intervals and nonequivalent chords available in the whole-tone scale results in a soft-edged, neutral kind of sound lacking in tonal contrast.... Since
262:
consisting of the whole-tone scale is not distinct under inversion or more than one transposition. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference in the 'location', or placement, of a
146:
165:
581:
340:
339:
341:
703:
However, these are only the most overt examples of the use of this scale in jazz. A vast number of jazz tunes, including many standards, use augmented chords and their corresponding scales as well, usually to create tension in
578:
387:
247:
2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 or C2. For this reason, the whole-tone scale is also
561:
never loses touch with a diatonic scale for long. Though the whole-tone scale is prominent in much of his music after 1905 when he encountered
Debussy, it serves simply to fit the motifs over
612:
opens with a whole-tone passage both in the orchestral accompaniment and in the vocal line that enters a bar later. Berg also quotes the Bach chorale setting referred to above in his
186:
and because all tones are the same distance apart, "no single tone stands out, the scale creates a blurred, indistinct effect". This effect is especially emphasised by the fact that
579:
398:
In the 19th century, Russian composers went further with melodic and harmonic possibilities of the scale, often to depict the ominous; examples include the endings of the
2112:
2078:
210:
Only two triads are possible, both of them augmented, and...all inversions sound alike. All 'progressions' tend to have the same tonal character. What one hears are
342:
565:. The same motifs return from the whole-tone to the diatonic scale without emphasizing the contrast." The first measures of the second movement of
194:. Indeed, all six tones of a whole-tone scale can be played simply with two augmented triads whose roots are a major second apart. Since they are
2250:
2074:
968:
362:
2426:
912:
284:
2358:
2491:
383:) and the notes of the other are blue (E); chromaticism is accompanied by whole-tone scale melodic progression, as in the bass.
697:
1285:
1066:
1045:
868:
696:'s "One Down, One Up" (1965), is built on two augmented chords arranged in the same simple structure as his earlier tune "
2501:
1686:
1322:
534:
464:
324:
168:
149:
1266:
898:
844:
765:
A prominent example of the whole-tone scale that made its way into pop music are bars two and four of the opening of
310:
2858:
1560:
1547:
17:
639:
2464:
1915:
770:
132:
1454:
1144:
1094:
944:
444:
428:
236:
684:
recorded an arrangement that gives striking coloration to the "abrupt whole-tone lines" of Redman's original.
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1356:
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1399:
482:
2873:
2587:
1514:
1483:
530:
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408:
320:
164:
145:
742:/G whole-tone scale tones will work, the sharpened 11th degree being a G and the flattened 7th being a C
572:
2431:
789:
553:
2868:
2863:
2416:
759:
646:
used the whole-tone scale in the right hand part of the "Preludietto, Fughetta ed
Esercizio" of his
2878:
2700:
2165:
609:
370:
294:
2836:
2670:
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2344:
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2140:
1881:
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1315:
1258:
713:
537:
467:
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350:
327:
171:
152:
936:
930:
2692:
2655:
2645:
2454:
2199:
2161:
2151:
1845:
1466:
1444:
1406:
1086:
1080:
709:
613:
478:(For some short piano pieces written completely in whole-tone scale, see Nos. 1, 6, and 7 from
423:
1136:
301:" (It is enough), beginning it with four notes of the whole-tone scale on the four syllables.
2688:
2245:
2240:
2232:
2171:
1825:
1810:
1805:
1736:
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1389:
632:
and F, which, together with the first note, G, comprise five of the six notes of the scale.)
302:
1128:
522:
141:
scales. A single whole-tone scale can also be thought of as a "six-tone equal temperament".
2696:
2641:
2623:
2618:
2613:
2608:
2603:
2598:
2593:
2578:
2573:
2568:
2563:
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1840:
1757:
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721:
252:
60:
8:
2660:
2633:
2531:
2146:
1908:
1743:
1676:
511:
526:, is almost entirely within one whole-tone scale. The opening measures are shown below.
2725:
2511:
2506:
1750:
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1460:
1308:
962:
705:
290:
264:
80:
2704:
2665:
2540:
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1987:
1769:
1351:
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1140:
1129:
1100:
1090:
1062:
1041:
1023:
1008:
950:
940:
894:
864:
840:
413:
374:
128:
99:; if C=0 then the top stave has even (02468t) and the bottom has odd (13579e) pitches
2730:
557:
is, to quote
William W. Austin, "utterly different". Austin writes, "JanĂĄÄekâs free
2684:
2516:
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2401:
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2294:
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2136:
2128:
2047:
2042:
2032:
1830:
1711:
1671:
1636:
1585:
1449:
1371:
1295:
758:
are two pianists who used the whole-tone scale extensively and creatively. Monk's "
643:
635:
597:
592:
479:
275:; this alteration allows for a greater variety of resources through transposition.
248:
232:
120:
55:
2806:
2446:
2324:
2318:
2312:
2300:
2270:
2099:
2022:
1997:
1992:
1982:
1964:
1706:
1696:
1641:
1621:
1595:
1533:
1366:
1255:
The
Foundations of Rock : From "Blue Suede Shoes" to "Suite: Judy Blue Eyes"
755:
673:
588:
562:
367:
195:
191:
137:
96:
2484:
2459:
2406:
2367:
2282:
2222:
2214:
2194:
2186:
2156:
2062:
1941:
1932:
1901:
1727:
1701:
1651:
1626:
1590:
1476:
1416:
804:
507:
503:
499:
403:
355:
244:
1300:
839:, p. 490. 5th edition revised by Devoto, Mark. W. W. Norton, New York/London.
2852:
2779:
2748:
2521:
2474:
2381:
2276:
2176:
2108:
2089:
2052:
1954:
1835:
1815:
1646:
1556:
1498:
926:
816:
766:
717:
693:
685:
648:
438:
224:
199:
187:
112:
1154:
954:
91:
2743:
2583:
2386:
2118:
2104:
2037:
2027:
1924:
1493:
1471:
1434:
1361:
856:
796:
748:, the enharmonic equivalent of B, the major third in the G dominant chord.
689:
558:
548:
495:
298:
268:
240:
183:
116:
70:
1182:
Harrison, Max (1960) "Gil Evans: the
Arranger as re-composer", article in
1104:
215:
the 1930s...whole-tone harmony...has become one of the platitudes of the "
2831:
2826:
2816:
2411:
2391:
2094:
2084:
2070:
2017:
1974:
1959:
1949:
1876:
1871:
1861:
1800:
1616:
1611:
1580:
1575:
653:
551:'s use of the scale in the bracing opening to the second movement of his
418:
211:
42:
1525:
27:
Scale in which each note is separated from its neighbors by a whole tone
2821:
2790:
1866:
1666:
1488:
1439:
677:
605:
216:
124:
271:
is a primary example, being a whole-tone scale with one note raised a
2811:
2765:
1411:
1331:
751:
681:
259:
1394:
617:
453:
399:
272:
203:
2336:
1290:
1021:"The Childhood of the Whole-Tone Scale", pp. 17-19. H. C. Colles.
1006:
Abraham, Gerald. "The Whole-Tone Scale in
Russian Music", p. 602,
2785:
2735:
1791:
997:(with a missing/implied root) and doesn't include macro analysis.
506:
in France and
Austria and then Russians Glinka and Dargomyzhsky.
306:
762:" (1948) and "Trinkle-Tinkle" (1952) are fine examples of this.
2753:
2469:
2396:
516:
316:, set for four parts. The first four measures are shown below.
95:
The two whole-tone scales as a symmetrical partitioning of the
910:"The Evolution of Twelve-Note Music", p. 56. Oliver Neighbor.
498:
names as the "childhood of the whole-tone scale" the music of
2770:
2758:
1782:
793:
104:
2775:
782:
669:
456:
trimmings." Notes in the whole-tone scale are highlighted.
377:(1832) The notes of one whole-tone scale are colored red (E
198:, whole-tone scales do not give a strong impression of the
1236:"Trinkle-Tinkle" from Cardenas, S. and Sickler, D. (eds.)
1082:
Music in the 20th
Century: From Debussy through Stravinsky
692:" (1965), features heavy use of the whole-tone scale, and
1117:
Berg (1928), Sieben Fruhe Lieder, Wien, Universal
Edition
536:
Audio playback is not supported in your browser. You can
466:
Audio playback is not supported in your browser. You can
326:
Audio playback is not supported in your browser. You can
170:
Audio playback is not supported in your browser. You can
151:
Audio playback is not supported in your browser. You can
510:, who had been influenced by Russians, along with other
452:, which is "simply a descending whole-tone scale with
1296:
1195:
Wayne Shorter Jazz Play Along, Milwaukee, Hal Leonard
891:
Berg's Wozzeck: Harmonic Language and Dramatic Design
514:composes made extensive use of whole-tone scales.
263:semitone within the otherwise whole-tone series."
1135:. Cambridge: Cambridge University Press. p.
1027:, vol. 55, no. 851. (January 1, 1914), pp. 16â20.
792:uses the same intervals as the whole-tone scale.
2850:
668:Some early instances of the use of the scale in
656:had used the technique as early as 1831, in the
432:. Further examples can be found in the works of
1330:
1012:, vol. 74, no. 1085. (July 1933), pp. 602â604.
520:, the second piece in Debussy's first book of
2352:
1909:
1541:
1316:
2427:List of intervals in 5-limit just intonation
981:Piston (1987/1941), p. 491. Piston analyses
913:Proceedings of the Royal Musical Association
285:List of pieces that use the whole-tone scale
2359:
2345:
1923:
1916:
1902:
1548:
1534:
1323:
1309:
967:: CS1 maint: location missing publisher (
720:tones would work before resolving to C, a
1555:
1223:from Cardenas, S. and Sickler, D. (eds.)
366:Whole-tone scales created by consecutive
680:âs "Chant of the Weed" (1931). In 1958,
571:
384:
361:
337:
90:
1249:
1038:Music in Theory and Practice: Volume II
119:is separated from its neighbors by the
14:
2851:
1126:
1078:
916:, 81st session (1954â1955), pp. 49â61.
448:. Shown below is the opening theme to
235:called the whole-tone scale his first
2340:
1897:
1529:
1304:
1059:Music: In Theory and Practice, Vol. I
925:
776:
601:to imitate east Asian music styles.
135:whole-tone scales, both six-note or
2366:
638:also uses whole-tone scales in his
24:
1085:. New York: W. W. Norton. p.
591:used whole-tone scales as well as
346:Sheherazade opening, trombone bass
278:
239:. The composer and music theorist
190:built on such scale tones are all
25:
2890:
1279:
1167:Jeremy Nicholas, "Loving Liszt",
658:Grande Fantaisie sur La clochette
61:Degenerate well-formed collection
2502:Ptolemy's intense diatonic scale
576:
293:wrote a melody to the lyrics of
1243:
1230:
1214:
1198:
1189:
1176:
1161:
1120:
1111:
1072:
1051:
1030:
771:You Are the Sunshine of My Life
422:, and the Commander's theme in
1455:Emancipation of the dissonance
1286:The whole tone scale for piano
1131:BartĂłk: Concerto for Orchestra
1015:
1000:
975:
919:
904:
883:
874:
863:, Sixth Brief Edition, p.308.
850:
829:
13:
1:
1357:Mode of limited transposition
822:
616:. The last four notes of the
237:mode of limited transposition
2465:Harry Partch's 43-tone scale
1057:Benward & Saker (2003).
1036:Benward & Saker (2009).
935:. Cambridge, Mass. pp.
835:Piston, Walter (1987/1941).
714:augmented 5th dominant chord
533:
463:
323:
182:The whole-tone scale has no
167:
148:
7:
1515:List of atonal compositions
1484:Quartal and quintal harmony
1291:Whole Tone Scale â Analysis
1079:Austin, William W. (1966).
889:Schmalfeldt, Janet (1983).
880:Piston (1987/1941), p. 492.
810:
353:also used the scale in his
243:calls the whole-tone scale
10:
2895:
2432:List of meantone intervals
1687:Ptolemy's intense diatonic
1209:The Music of John Coltrane
1061:, p. 39. Seventh edition.
1040:, p. 246. Eighth edition.
790:Hindustani classical music
676:'s "In a Mist" (1928) and
436:: the sea king's music in
282:
258:Due to this symmetry, the
2799:
2716:
2679:
2632:
2539:
2530:
2445:
2422:List of musical intervals
2417:Consonance and dissonance
2374:
2263:
2231:
2213:
2185:
2127:
2061:
2010:
1973:
1940:
1931:
1890:
1854:
1720:
1604:
1568:
1507:
1425:
1380:
1342:
1240:, Milwaukee, Hal Leonard.
1227:, Milwaukee, Hal Leonard.
1207:(sheet music, 1991) from
799:has performed this rÄga.
708:or as a substitute for a
371:diminished seventh chords
359:, for strings and horns.
312:O Ewigkeit, du Donnerwort
79:
69:
51:
40:
35:
2166:descending melodic major
2113:descending melodic minor
1238:Thelonious Monk Fakebook
1225:Thelonious Monk Fakebook
1211:, Milwaukee, Hal Leonard
736:is often used in which D
672:writing can be found in
295:Franz Joachim Burmeister
251:and may be considered a
2859:Post-tonal music theory
2141:ascending melodic minor
2079:ascending melodic major
1259:Oxford University Press
932:The Romantic Generation
663:
538:download the audio file
468:download the audio file
375:Op. 28, No. 19: Prelude
328:download the audio file
172:download the audio file
153:download the audio file
2152:Lydian augmented (III)
1925:Modes in Western music
1467:Polymodal chromaticism
1445:Dissonant counterpoint
1407:Second Viennese School
1127:Cooper, David (1996).
861:Music: An Appreciation
710:dominant seventh chord
585:
395:
393:
347:
229:
100:
2689:Temperament ordinaire
2233:Double harmonic scale
2205:Phrygian dominant (V)
2200:Ukrainian Dorian (IV)
1390:Twelve-tone technique
803:is the corresponding
575:
392:
365:
345:
303:Johann Sebastian Bach
208:
131:, there are only two
94:
2492:List of compositions
2246:Hungarian minor (IV)
2172:Half diminished (VI)
2162:Aeolian dominant (V)
1758:17 equal temperament
722:tritone substitution
640:fifth string quartet
253:generated collection
2241:Double harmonic (I)
1173:, April 2011, p. 50
712:. For instance a G
409:Ruslan and Lyudmila
309:to end his cantata
32:
2874:Anhemitonic scales
2726:Chinese musicology
2512:Scale of harmonics
2507:Pythagorean tuning
2455:EulerâFokker genus
2223:Harmonic major (I)
2195:Harmonic minor (I)
1692:Scale of harmonics
1461:Klangfarbenmelodie
620:Berg used are B, C
595:in his 1904 opera
586:
396:
394:
348:
291:Johann Rudolf Ahle
265:Alexander Scriabin
101:
30:
2846:
2845:
2712:
2711:
2334:
2333:
2259:
2258:
2006:
2005:
1795:
1786:
1772:
1770:Escala nordestina
1760:
1753:
1746:
1739:
1682:Phrygian dominant
1523:
1522:
1352:Equal temperament
1067:978-0-07-294262-0
1046:978-0-07-310188-0
1024:The Musical Times
1009:The Musical Times
869:978-0-07-340134-8
777:Non-Western music
610:Seven Early Songs
593:pentatonic scales
582:
569:are shown below.
542:
472:
390:
343:
332:
176:
157:
129:equal temperament
127:. In twelve-tone
89:
88:
16:(Redirected from
2886:
2869:Musical symmetry
2864:Hexatonic scales
2685:Well temperament
2671:Regular diatonic
2537:
2536:
2517:Tonality diamond
2361:
2354:
2347:
2338:
2337:
1938:
1937:
1918:
1911:
1904:
1895:
1894:
1846:Ukrainian Dorian
1789:
1780:
1768:
1756:
1749:
1742:
1735:
1622:Diminished scale
1550:
1543:
1536:
1527:
1526:
1450:Dynamic tonality
1372:Whole tone scale
1325:
1318:
1311:
1302:
1301:
1273:
1272:
1247:
1241:
1234:
1228:
1218:
1212:
1202:
1196:
1193:
1187:
1180:
1174:
1165:
1159:
1158:
1134:
1124:
1118:
1115:
1109:
1108:
1076:
1070:
1055:
1049:
1034:
1028:
1019:
1013:
1004:
998:
996:
995:
994:
984:
979:
973:
972:
966:
958:
929:(January 1995).
923:
917:
908:
902:
887:
881:
878:
872:
854:
848:
833:
747:
746:
741:
740:
735:
734:
729:
728:
688:'s composition "
644:Ferruccio Busoni
631:
630:
625:
624:
598:Madama Butterfly
584:
583:
563:augmented chords
391:
382:
381:
344:
233:Olivier Messiaen
227:
192:augmented triads
109:whole-tone scale
56:Maximal evenness
33:
31:Whole-tone scale
29:
21:
18:Whole tone scale
2894:
2893:
2889:
2888:
2887:
2885:
2884:
2883:
2879:Tritonic scales
2849:
2848:
2847:
2842:
2839:(BohlenâPierce)
2807:833 cents scale
2795:
2718:
2708:
2675:
2628:
2526:
2447:Just intonation
2441:
2370:
2368:Musical tunings
2365:
2335:
2330:
2264:Number of tones
2255:
2227:
2209:
2181:
2123:
2057:
2002:
1969:
1927:
1922:
1886:
1850:
1811:Hungarian minor
1806:Hungarian major
1737:Double harmonic
1716:
1707:Synthetic scale
1632:Double harmonic
1600:
1564:
1554:
1524:
1519:
1503:
1427:
1421:
1382:
1376:
1367:Octatonic scale
1344:
1338:
1329:
1282:
1277:
1276:
1269:
1261:. p. 174.
1251:Everett, Walter
1248:
1244:
1235:
1231:
1219:
1215:
1203:
1199:
1194:
1190:
1181:
1177:
1166:
1162:
1147:
1125:
1121:
1116:
1112:
1097:
1077:
1073:
1056:
1052:
1035:
1031:
1020:
1016:
1005:
1001:
993:
990:
989:
988:
986:
982:
980:
976:
960:
959:
947:
924:
920:
909:
905:
888:
884:
879:
875:
855:
851:
834:
830:
825:
813:
779:
756:Thelonious Monk
744:
743:
738:
737:
732:
731:
726:
725:
724:chord such as D
674:Bix Beiderbecke
666:
628:
627:
622:
621:
614:Violin Concerto
589:Giacomo Puccini
577:
544:
543:
541:
474:
473:
471:
434:Rimsky-Korsakov
429:The Stone Guest
385:
379:
378:
338:
334:
333:
331:
287:
281:
279:Classical music
228:
223:
217:Hollywood Style
178:
177:
175:
159:
158:
156:
97:chromatic scale
65:
28:
23:
22:
15:
12:
11:
5:
2892:
2882:
2881:
2876:
2871:
2866:
2861:
2844:
2843:
2841:
2840:
2834:
2829:
2824:
2819:
2814:
2809:
2803:
2801:
2797:
2796:
2794:
2793:
2788:
2783:
2773:
2768:
2763:
2762:
2761:
2756:
2751:
2746:
2738:
2733:
2728:
2722:
2720:
2714:
2713:
2710:
2709:
2683:
2681:
2677:
2676:
2674:
2673:
2668:
2663:
2658:
2653:
2638:
2636:
2630:
2629:
2627:
2626:
2621:
2616:
2611:
2606:
2601:
2596:
2591:
2581:
2576:
2571:
2566:
2561:
2556:
2551:
2545:
2543:
2534:
2528:
2527:
2525:
2524:
2519:
2514:
2509:
2504:
2499:
2494:
2489:
2488:
2487:
2482:
2472:
2467:
2462:
2460:Harmonic scale
2457:
2451:
2449:
2443:
2442:
2440:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2407:Interval ratio
2404:
2399:
2394:
2389:
2384:
2378:
2376:
2372:
2371:
2364:
2363:
2356:
2349:
2341:
2332:
2331:
2329:
2328:
2322:
2316:
2310:
2304:
2298:
2292:
2286:
2280:
2274:
2267:
2265:
2261:
2260:
2257:
2256:
2254:
2253:
2248:
2243:
2237:
2235:
2229:
2228:
2226:
2225:
2219:
2217:
2215:Harmonic major
2211:
2210:
2208:
2207:
2202:
2197:
2191:
2189:
2187:Harmonic minor
2183:
2182:
2180:
2179:
2174:
2169:
2159:
2154:
2149:
2147:Dorian â2 (II)
2144:
2137:Jazz minor (I)
2133:
2131:
2125:
2124:
2122:
2121:
2116:
2102:
2100:Mixolydian (V)
2097:
2092:
2090:Phrygian (III)
2087:
2082:
2067:
2065:
2059:
2058:
2056:
2055:
2050:
2045:
2040:
2035:
2030:
2025:
2020:
2014:
2012:
2008:
2007:
2004:
2003:
2001:
2000:
1998:Hypomixolydian
1995:
1990:
1985:
1979:
1977:
1971:
1970:
1968:
1967:
1962:
1957:
1952:
1946:
1944:
1935:
1929:
1928:
1921:
1920:
1913:
1906:
1898:
1892:
1888:
1887:
1885:
1884:
1879:
1874:
1869:
1864:
1858:
1856:
1852:
1851:
1849:
1848:
1843:
1841:Romanian major
1838:
1833:
1828:
1823:
1818:
1813:
1808:
1803:
1798:
1797:
1796:
1787:
1775:
1774:
1773:
1763:
1762:
1761:
1754:
1747:
1740:
1730:
1724:
1722:
1718:
1717:
1715:
1714:
1709:
1704:
1702:Synthetic mode
1699:
1694:
1689:
1684:
1679:
1674:
1669:
1664:
1662:Harmonic minor
1659:
1657:Harmonic major
1654:
1649:
1644:
1639:
1634:
1629:
1627:Distance model
1624:
1619:
1614:
1608:
1606:
1602:
1601:
1599:
1598:
1593:
1588:
1583:
1578:
1572:
1570:
1566:
1565:
1557:Musical scales
1553:
1552:
1545:
1538:
1530:
1521:
1520:
1518:
1517:
1511:
1509:
1505:
1504:
1502:
1501:
1496:
1491:
1486:
1481:
1480:
1479:
1477:Distance model
1469:
1464:
1457:
1452:
1447:
1442:
1437:
1431:
1429:
1423:
1422:
1420:
1419:
1417:Spectral music
1414:
1409:
1404:
1403:
1402:
1397:
1386:
1384:
1378:
1377:
1375:
1374:
1369:
1364:
1359:
1354:
1348:
1346:
1340:
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1328:
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1320:
1313:
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1298:
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1280:External links
1278:
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974:
945:
927:Rosen, Charles
918:
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873:
849:
827:
826:
824:
821:
820:
819:
812:
809:
778:
775:
769:'s 1972 song "
665:
662:
546:
545:
535:
532:
508:Claude Debussy
492:, from 1907.)
480:V.A. Rebikov's
476:
475:
465:
462:
336:
335:
325:
322:
280:
277:
249:maximally even
245:interval cycle
221:
180:
179:
169:
166:
161:
160:
150:
147:
115:in which each
87:
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2802:
2798:
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2789:
2787:
2784:
2781:
2780:Carnatic raga
2777:
2774:
2772:
2769:
2767:
2764:
2760:
2757:
2755:
2752:
2750:
2749:Turkish makam
2747:
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2737:
2734:
2732:
2729:
2727:
2724:
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2698:
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2678:
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2654:
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2647:
2646:quarter-comma
2643:
2640:
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2625:
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2542:
2538:
2535:
2533:
2529:
2523:
2522:Tonality flux
2520:
2518:
2515:
2513:
2510:
2508:
2505:
2503:
2500:
2498:
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2326:
2323:
2320:
2317:
2314:
2311:
2308:
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2302:
2299:
2296:
2293:
2290:
2287:
2284:
2281:
2278:
2275:
2272:
2269:
2268:
2266:
2262:
2252:
2249:
2247:
2244:
2242:
2239:
2238:
2236:
2234:
2230:
2224:
2221:
2220:
2218:
2216:
2212:
2206:
2203:
2201:
2198:
2196:
2193:
2192:
2190:
2188:
2184:
2178:
2177:Altered (VII)
2175:
2173:
2170:
2167:
2163:
2160:
2158:
2157:Acoustic (IV)
2155:
2153:
2150:
2148:
2145:
2142:
2138:
2135:
2134:
2132:
2130:
2126:
2120:
2119:Locrian (VII)
2117:
2114:
2110:
2109:natural minor
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2080:
2076:
2075:natural major
2072:
2069:
2068:
2066:
2064:
2060:
2054:
2053:Reciting tone
2051:
2049:
2046:
2044:
2041:
2039:
2036:
2034:
2031:
2029:
2026:
2024:
2021:
2019:
2016:
2015:
2013:
2009:
1999:
1996:
1994:
1991:
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1972:
1966:
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1948:
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1936:
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1930:
1926:
1919:
1914:
1912:
1907:
1905:
1900:
1899:
1896:
1893:
1889:
1883:
1882:BohlenâPierce
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1859:
1857:
1853:
1847:
1844:
1842:
1839:
1837:
1834:
1832:
1829:
1827:
1826:Jewish nusach
1824:
1822:
1819:
1817:
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1809:
1807:
1804:
1802:
1799:
1794:
1793:
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1784:
1779:
1778:
1776:
1771:
1767:
1766:
1764:
1759:
1755:
1752:
1748:
1745:
1744:Major Locrian
1741:
1738:
1734:
1733:
1731:
1729:
1726:
1725:
1723:
1721:Ethnic origin
1719:
1713:
1710:
1708:
1705:
1703:
1700:
1698:
1695:
1693:
1690:
1688:
1685:
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1680:
1678:
1677:Major Locrian
1675:
1673:
1670:
1668:
1665:
1663:
1660:
1658:
1655:
1653:
1650:
1648:
1647:Flamenco mode
1645:
1643:
1640:
1638:
1635:
1633:
1630:
1628:
1625:
1623:
1620:
1618:
1615:
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1597:
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1500:
1499:Unified field
1497:
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1365:
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1360:
1358:
1355:
1353:
1350:
1349:
1347:
1341:
1337:
1336:post-tonality
1333:
1326:
1321:
1319:
1314:
1312:
1307:
1306:
1303:
1297:
1294:
1292:
1289:
1287:
1284:
1283:
1270:
1268:9780199718702
1264:
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978:
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928:
922:
915:
914:
907:
900:
899:0-300-02710-9
896:
892:
886:
877:
870:
866:
862:
858:
857:Kamien, Roger
853:
846:
845:0-393-95480-3
842:
838:
832:
828:
818:
817:Altered scale
815:
814:
808:
806:
802:
798:
795:
791:
787:
784:
774:
772:
768:
767:Stevie Wonder
763:
761:
757:
753:
749:
723:
719:
718:altered scale
715:
711:
707:
701:
699:
695:
694:John Coltrane
691:
687:
686:Wayne Shorter
683:
679:
675:
671:
661:
659:
655:
651:
650:
649:An die Jugend
645:
641:
637:
633:
619:
615:
611:
607:
604:The first of
602:
600:
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529:
528:
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512:impressionist
509:
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286:
276:
274:
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266:
261:
256:
254:
250:
246:
242:
238:
234:
231:The composer
226:
225:Walter Piston
220:
218:
213:
207:
205:
201:
197:
193:
189:
185:
173:
163:
162:
154:
144:
143:
142:
140:
139:
134:
133:complementary
130:
126:
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118:
114:
110:
106:
98:
93:
84:
82:
78:
74:
72:
68:
62:
59:
57:
54:
53:
50:
46:
44:
43:pitch classes
39:
34:
19:
2837:Lambda scale
2744:Arabic maqam
2701:Werckmeister
2548:
2532:Temperaments
2251:Oriental (V)
2105:Aeolian (VI)
1988:Hypophrygian
1790:
1781:
1751:Quarter tone
1569:Main Western
1508:Compositions
1494:Tone cluster
1472:Polytonality
1459:
1435:Chromaticism
1428:and concepts
1362:Mystic chord
1254:
1245:
1237:
1232:
1224:
1220:
1216:
1208:
1204:
1200:
1191:
1184:Jazz Monthly
1183:
1178:
1168:
1163:
1130:
1122:
1113:
1081:
1074:
1058:
1053:
1037:
1032:
1022:
1017:
1007:
1002:
977:
931:
921:
911:
906:
890:
885:
876:
860:
852:
836:
831:
800:
797:Mehdi Hassan
785:
780:
764:
750:
702:
667:
657:
647:
634:
603:
596:
587:
566:
559:chromaticism
552:
547:
521:
515:
496:H. C. Colles
494:
487:
483:
477:
450:Scheherazade
449:
445:Scheherazade
443:
442:and also in
437:
427:
424:Dargomyzhsky
417:
407:
397:
373:in Chopin's
356:Musical Joke
354:
349:
311:
299:Es ist genug
288:
269:mystic chord
257:
241:George Perle
230:
212:tone centers
209:
184:leading tone
181:
136:
108:
102:
71:Forte number
2832:Delta scale
2827:Gamma scale
2817:Alpha scale
2719:non-Western
2717:Traditional
2412:Pitch class
2392:Millioctave
2375:Measurement
2095:Lydian (IV)
2085:Dorian (II)
2043:Hypolocrian
2033:Hypoaeolian
1605:Other types
1221:Four in One
1205:Impressions
1186:, February.
760:Four in One
716:in which G
706:turnarounds
698:Impressions
654:Franz Liszt
636:BĂ©la BartĂłk
618:12-tone row
567:Sinfonietta
554:Sinfonietta
484:ĐŃĐ°Đ·ĐŽĐœĐ”ŃŃĐČĐŸ
419:Prince Igor
196:symmetrical
2853:Categories
2822:Beta scale
2800:Non-octave
2791:Tetrachord
2693:Kirnberger
2656:Schismatic
2307:Heptatonic
2295:Pentatonic
2289:Tetratonic
2129:Jazz minor
2071:Ionian (I)
2048:Pentatonic
2023:Hypoionian
1993:Hypolydian
1983:Hypodorian
1965:Mixolydian
1855:Non-octave
1831:Neapolitan
1712:Whole tone
1672:Jazz minor
1637:Enharmonic
1586:Pentatonic
1489:Tone Clock
1440:Cyclic set
1426:Techniques
1381:Genres and
1343:Scales and
1146:0521480043
1096:0393097048
946:0674779339
823:References
678:Don Redman
606:Alban Berg
305:chose the
283:See also:
125:whole tone
81:Complement
41:Number of
2812:A12 scale
2766:Octoechos
2731:ShĂ-Ăšr-lÇ
2680:Irregular
2497:Otonality
2437:Microtone
2325:Chromatic
2319:Decatonic
2313:Octatonic
2301:Hexatonic
2271:Monotonic
1942:Authentic
1933:Gregorian
1697:Symmetric
1642:Enigmatic
1596:Chromatic
1412:Serialism
1332:Atonality
1170:Limelight
963:cite book
752:Art Tatum
682:Gil Evans
490:), Op. 38
406:'s opera
400:overtures
368:secondary
289:In 1662,
260:hexachord
138:hexatonic
36:Qualities
2697:Vallotti
2650:septimal
2642:Meantone
2402:Interval
2283:Tritonic
2063:Diatonic
1955:Phrygian
1821:Japanese
1777:Gamelan
1728:Algerian
1652:Harmonic
1591:Diatonic
1253:(2008).
1155:32626039
955:31710528
893:, p.48.
859:(2008).
811:See also
805:Carnatic
745:♭
739:♭
733:♭
727:♭
629:♭
623:♯
523:Préludes
504:Schubert
488:Une fĂȘte
454:diatonic
380:♭
314:, BWV 60
273:semitone
222:â
204:tonality
121:interval
2786:Slendro
2736:Dastgah
2661:Miracle
2624:96-tone
2619:72-tone
2614:58-tone
2609:53-tone
2604:41-tone
2599:34-tone
2594:31-tone
2584:24-tone
2579:23-tone
2574:22-tone
2569:19-tone
2564:17-tone
2559:15-tone
2554:12-tone
2485:7-limit
2480:5-limit
2277:Ditonic
2038:Locrian
2028:Aeolian
1836:Persian
1816:Istrian
1792:Slendro
1765:Brazil
1732:Arabic
1383:schools
837:Harmony
807:rÄgam.
801:Gopriya
549:JanĂĄÄek
500:Berlioz
414:Borodin
307:chorale
2754:Mugham
2740:Maqam
2634:Linear
2588:pieces
2549:6-tone
2470:Hexany
2397:Savart
2018:Ionian
1975:Plagal
1960:Lydian
1950:Dorian
1345:tuning
1265:
1153:
1143:
1105:504195
1103:
1093:
1065:
1044:
953:
943:
897:
867:
843:
786:Sahera
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