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Mad Love (1935 film)

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Henry Orlac. Henry denies the request, upset that Stephen did not follow in his line of business as a jeweler. A knife thrown in anger by Stephen misses Henry, but breaks the shop front's window. Gogol meanwhile asks Yvonne for her love, but she refuses. Stephen goes to Gogol's home and demands to know about his hands, and why they throw knives. Gogol suggests that Stephen's problem comes from childhood trauma, but later confirms to his assistant Dr. Wong that Stephen's hands had been Rollo's.
36: 918:, is supposed to be shown at the local theatre in Quaunahuac (Cuernavaca, Mexico) when the characters, the ex-Consul Geoffrey Firmin, his former wife Yvonne and Geoffrey's brother come to be reunited. The film and the novel have many themes in common: a strong feeling of alienation, impossible and desperate love, jealousy, the guilty conscience of the creator compromised with evil. 381:
specific address that night. There, a man with metallic hands and dark glasses claims to be Rollo, brought back to life by Gogol. Rollo explains that Stephen's hands were his, and that Stephen used them to murder Henry. He also claims that Gogol transplanted his (Rollo's) head back onto his body flashing a leather-and-metal neck brace as "proof!"
373:. Gogol later witnesses the execution, along with the American reporter Reagan. Orlac's train crashes later that night, and Yvonne finds her husband with mutilated hands. She takes Stephen to Gogol in an attempt to reconstruct his hands, and Gogol agrees to do so. Gogol uses Rollo's hands for the transplant, and the operation is a success. 354:. As she listens to her husband Stephen Orlac play the piano on the radio, she is greeted by Dr. Gogol, who has seen every show featuring Yvonne, and unaware of her marriage, is aghast to learn that she is moving to England with her husband. Gogol leaves the theater heartbroken, buys the wax figure of Yvonne's character, refers to it as 380:
Gogol then suggests to Yvonne that she get away from Stephen, as the shock has affected his mind and she may be in danger. She angrily rejects Gogol, whose obsession grows. Henry Orlac is murdered, and Stephen receives a note that promises that he will learn the truth about his hands if he goes to a
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recalled difficulty between Freund, Toland and Considine. Drake said that "Freund wanted to be the cinematographer at the same time", and that "You never knew who was directing. The producer was dying to, to tell you the truth, and of course he had no idea of directing." Several titles for the film
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The Orlacs are forced to sell many of their possessions to pay for the surgery, while Stephen finds he is unable to play the piano with his new hands. When a creditor comes to claim the Orlacs' piano, Stephen throws a fountain pen that barely misses his head. Stephen seeks help from his stepfather,
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Stephen returns to Yvonne and explains that his hands are those of Rollo, and that he must turn himself in to the police. A panic-stricken Yvonne goes to Gogol's home, and when he comes home and sheds his disguise, finds him completely mad. Gogol assumes that his statue has come to life, embraces
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as Stephen Orlac. The plot revolves around Doctor Gogol's obsession with actress Yvonne Orlac. When Stephen Orlac's hands are destroyed in a train accident, Yvonne brings them to Gogol, who claims to be able to repair them. As Gogol becomes obsessed to the point that he will do anything to have
547:. Shooting finished on June 8, 1935, one week over schedule. After the initial release, MGM cut about fifteen minutes of scenes from the film. Cut scenes included the surgery to get Rollo's hands, a pre-credit warning scene almost identical to the one in 385:
her, and begins to strangle her. Reagan, Stephen and the police arrive, but are only able to open the observation window. Stephen produces a knife and throws it at Gogol, then finds his way in. Gogol dies as Stephen and Yvonne embrace.
858:, a variant of the theme in which a blind pianist receives implanted eyes whose retinas retain the image of their previous owner's murder. The Quinn Martin anthology TV series, 312:
was Freund's final directorial assignment and Lorre's American film debut. Critics praised Lorre's acting, but the film was unsuccessful at the box office. Film critic
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began to write a "polish-up" of the draft on April 24, 1935. Balderstone went over the dialogue with Lorre in mind, and at points called for the actor to deploy his "
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initially declaring his intention to ban the film. The initial critical reception, however, was focused on praise for Lorre's performance.
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wrote that the film was "neither important or particularly compelling ... falls right in the middle between Art and Box Office".
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s reputation has grown over the years, and it is viewed in a more positive light by modern film critics, gaining the status of a
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was not a hit at the box office, and had a small domestic gross of $ 170,000. Its foreign gross was larger, at $ 194,000.
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Actress Yvonne Orlac rests after her final performance at the "Théâtre des Horreurs" (styled after the
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to Paris, where he sees murderer Rollo the Knife Thrower, who is on the way to his execution by
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called him "the greatest living actor". Reviews for the rest of the cast were less positive.
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on early drafts. Producer John W. Considine Jr. assigned the continuity and dialogue to
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with an original translation/adaptation of Renard's story "Les Mains D'Orlac". Writer
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Yvonne, Stephen finds that his new hands have made him into an expert knife thrower.
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look". Balderston continued his re-write three weeks past the start of filming.
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was also suggested, but the studio eventually settled on the original title of
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in 1947, includes many references to the 1935 film, under its Spanish title, "
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includes the episode "A Hand for Sonny Blue", rehashing the theme once again.
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were announced, and on May 22, 1935, MGM announced that the title would be
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said that "Lorre triumphs in a characterization that is sheer horror",
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Hollywood Cauldron: Thirteen Horror Films from the Genre's Golden Age
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Censored Screams: The British Ban on Hollywood Horror in the Thirties
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The Christopher Lee Filmography: All Theatrical Releases, 1948–2003
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Palmer, Rollin (July 26, 1935). "Century Picture Has New Villain".
706:, the film has a 100% approval rating, and a 7.5 critical average. 678: 1445:
Youngkin, Stephen D.; James Bigwood & Raymond Cabana (1982).
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have been much more positive. At the online film review database
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found the film unsatisfactory, but argued that it had influenced
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by MGM/UA in late 1992 in the United States. It was released on
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Barna, John (1986). "Mad Love (1935)". In Jack Sullivan (ed.).
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was released in the United States on July 12, 1935 and, as
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melodrama, an interesting but pretty trivial adventure in
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This article is about the 1935 film. For other uses, see
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The Penguin Encyclopedia of Horror and the Supernatural
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It was directed by 271:) is a 1935 American 97:John W. Considine Jr. 1757:1930s American films 1130:Taylor, John Russell 1103:Johnson, 2006. p.119 1094:Johnson, 2006. p.194 914:. Con Peter Lorre". 491:Florence Crewe-Jones 301:as Yvonne Orlac and 841:Hands of a Stranger 744:Mark of the Vampire 663:, accused director 289:-Ă©migrĂ© film maker 275:, an adaptation of 184:Metro-Goldwyn-Mayer 1732:Films set in Paris 1566:Films directed by 1507:TCM Movie Database 1412:The New York Times 912:Las Manos de Orlac 821:Edmond T. GrĂ©ville 816:The Hands of Orlac 790:The Hands of Orlac 759:, in the six-disc 698:Recent reviews of 628:The New York Times 603:The New York Times 537:The Hands of Orlac 511:John L. Balderston 461:Charles Trowbridge 322:. Cinematographer 282:The Hands of Orlac 268:The Hands of Orlac 265:(also released as 174:Dimitri Z. Tiomkin 60:John L. 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Index

Mad Love

Karl Freund
John L. Balderston
Guy Endore
Les Mains d'Orlac
Maurice Renard
John W. Considine Jr.
Peter Lorre
Frances Drake
Colin Clive
Ted Healy
Sara Haden
Chester A. Lyons
Gregg Toland
Hugh Wynn
Dimitri Z. Tiomkin
Metro-Goldwyn-Mayer
body horror film
Maurice Renard
The Hands of Orlac
German
Karl Freund
Peter Lorre
Frances Drake
Colin Clive
Pauline Kael
Citizen Kane
Gregg Toland
cult classic

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