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413:, but include street vendors, errand boys, and others who help to fill in the gaps in describing the culture of this time. His work is rich in literary allusion, and he often quotes Japanese classical poetry, but the accompanying illustrations often gently poke fun at the subject.
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257:. Calendars prints of this sort from prior to that year are not unknown but are quite rare, and it is known that Harunobu was close acquaintances or friends with many of the prominent artists and scholars of the period, as well as with several friends of the
384:, Harunobu's personal style was unique in a number of other respects. His figures are all very thin and light; some critics say that all his figures look like children. However, it is these same young girls who epitomize Harunobu's personal style.
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276:(brocade prints). As a result of the wealth and connoisseurship of his samurai patrons, Harunobu exclusively created these prints using the best materials available. Harunobu experimented with better woods for the woodblocks, using
343:(Eight Parlor Views), the patron's name appears on the print along with, or in place of, Harunobu's own. The presence of a patron's name or seal, and especially the omission of that of the artist, was another novel development in
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prints using up to ten different colors on a single sheet of paper. The new technique depended on using notches and wedges to hold the paper in place and keep the successive color printings in register. Harunobu was the first
422:. Though many other artists used the same technique, Harunobu is generally regarded as having used it to the strongest effect. The colored background sets a mood and tone for the entire image.
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describes this as "Harunobu's special province, one in which he surpassed all other
Japanese artists - eternal girlhood in unusual and poetic settings". Though his compositions, like most
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status when they were found to be involved in financing of gambling and other activities; they were exiled from Edo and relocated to Kyoto. At some point, Harunobu became a student of the
89:) in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to
196:
Little is known of
Harunobu's early life; his birthplace and birthdate are unknown, but it is believed he grew up in Kyoto. It is said he was 46 at his death in 1770. Unlike most
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was the use of multiple separate wood blocks in the creation of a single image, an expense afforded through the wealth of his clients. Just 20 years previously, the invention of
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prints, may be said to be fairly simple overall, it is the overall composition that concerned
Harunobu. Unlike many of his predecessors, he did not seek to have the girls'
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actors, reported to have said, "Why should I paint pictures of such trash as Kabuki actors". In a few special cases, notably his famous set of eight prints entitled
214:; this Suzuki accompanied Ieyasu to Edo when the latter had his capital built there. Harunobu's grandfather Shigemitsu and father Shigekazu were stripped of their
762:
Based on the
Chinese legend of Ju Citong (Kikujidô), a young man (shown in the guise of a girl) is forced into exile, having learned the secret of eternal life.
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during these last years of his life, and was widely imitated until, a number of years after his death, his style was eclipsed by that of new artists, including
1248:. Nichibunken Monograph Series. Vol. 4. Translated by Fister, Patricia J. Nichibunken, International Research Center for Japanese Studies. pp. 89–104
320:, unlike their predecessors, were full-color images. As the technique was first used in a calendar, the year of their origin can be traced precisely to 1765.
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Harunobu is also acclaimed as being one of the greatest artists of this period in depicting ordinary urban life in Edo. His subjects are not restricted to
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265:. Harunobu's calendars, which incorporated the calculations of the lunar calendar into their images, would be exchanged at Edo gatherings and parties.
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331:(pictures of beautiful women), actors of Edo and related subjects for the Edo print connoisseur market; however, he did not produce prints of
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Kondo, Ichitaro. Suzuki
Harunobu (Kodansha Library of Japanese Art Vol. 7). Charles E. Tuttle (1956). ASIN: B0007KFY7C
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In 1764, as a result of his social connections, he was chosen to aid these samurai in their amateur efforts to create
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101:, or erotic images. During his lifetime and shortly afterwards, many artists imitated his style. A few, such as
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and over one thousand color prints, along with a number of paintings. He came to be regarded as the master of
105:, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown.
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1150:"Exchange: [Reproduction]: Six Famous Poets: Figures Grouped about a Charcoal Brazier"
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had made it possible to print in three or four colors; Harunobu applied this new technique to
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968:"Suzuki Harunobu, "Courtesan and Kamuro," c. 1765–70 | Kislak Collection of Japanese Prints"
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Many of his prints have a solid, single-color background, created by a technique called
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A courtesan after being absent from a joyful meeting, in which we see a geisha playing
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836:(1978). "Images of the Floating World." Old Saybrook, CT: Konecky & Konecky. p104.
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Kurth, Julius. Suzuki
Harunobu. Munchen: R. Piper & Co., 1923. ASIN: B000K0A7DK
920:"From the Harvard Art Museums' collections Woman Running to Escape a Sudden Shower"
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1126:"Search Results: Search Conditions [Suzuki Harunobu]: Collection Database"
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In the late 1760s, Harunobu thus became one of the primary producers of images of
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In addition to the revolutionary innovations that came with the introduction of
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artists, Harunobu used his real name rather than an artist name. He was from a
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style. His work shows evidence of influences from many artists, including
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style. He was an innovator, the first to produce full-color prints (
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93:. Like many artists of his day, Harunobu also produced a number of
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Harunobu's work is held in several museums worldwide, including:
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artist to consistently use more than three colors in each print.
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1174:"Winter Play | Suzuki Harunobu | V&A Search the Collections"
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The most important of
Harunobu's innovations in the creation of
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Suzuki
Harunobu and the Reconsideration of Classical Literature
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Though some scholars assert that
Harunobu was originally from
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His works have also been depicted in topical stamps from the
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The Shunga of Suzuki
Harunobu: Mitate-e and Sexuality in Edo
164:, much of his work, in particular his early work, is in the
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samurai that Harunobu tackled new formats and styles.
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Suzuki Harunobu and the Stylistic Evolution of Shunga
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Between 1765 and 1770, Harunobu created over twenty
1290:. (vol. 3); Tokyo: Kodansha Ltd. 1983.Sisto Pascale
1270:
Images from the Floating World, The Japanese Print.
547:Harunobu's works have been featured three times in
206:family, and had an ancestor who was a retainer of
1229:. Chiang Mai: Cognoscenti Books. ASIN: B00AC2NB8Y
1199:"Five Cardinal Virtues (Series Title) - (2017.6)"
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188:, who may have been Harunobu's direct teacher.
268:These calendar prints would be the very first
235:Harunobu began his career in the style of the
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1225:Forbes, Andrew ; Henley, David (2012).
1040:"Portrait of a Beauty by Suzuki Harunobu ="
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1235:"Explanations of the Illustrations in the
1102:"Suzuki Harunobu and the Culture of Color"
558:1969 16th Universal Postal Union Congress
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16:Japanese ukiyo-e artist (c. 1725 – 1770)
621:, the well known Chinese Buddhist monk
160:, pointing to possible influences from
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713:Intimate scene in an apartment in the
602:Woman Visiting the Shrine in the Night
118:Lovers Beneath an Umbrella in the Snow
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648:Woman Admiring Plum Blossoms at Night
847:"Asian Art Museum Online Collection"
822:Traditional Woodblock Prints of Japa
551:issued by the Japanese post office:
527:University of Michigan Museum of Art
487:Kislak Collection of Japanese Prints
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740:Returning sails of the towel rack,
67: 1725 – 8 July 1770
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634:Young Woman Admiring a Snow Rabbit
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1286:Waterhouse, David B. "Harunobu".
1272:Oxford: Oxford University Press.
398:dominate the viewer's attention.
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824:n, Tokyo: Heiansha, 1978, p. 68
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2037:List of Utagawa school members
1288:Kodansha Encyclopedia of Japan
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571:Federated States of Micronesia
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2569:18th-century Japanese artists
1227:Suzuki Harunobu: 100 Beauties
851:searchcollection.asianart.org
782:looming in silhouette on the
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69:) was a Japanese designer of
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42:
2493:influenced non-Japanese art
549:commemorative postage stamps
537:Virginia Museum of Fine Arts
7:
1367:Japanese woodblock printing
1349:Ukiyo-e schools and artists
944:"Japanese Woodblock Prints"
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507:Nelson-Atkins Museum of Art
497:Museum of Fine Arts, Boston
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512:Philadelphia Museum of Art
492:Metropolitan Museum of Art
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1804:Shunkōsai Fukushū school
1525:Ishikawa Toyonobu school
1515:Ippitsusai Bunchō school
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1315:by Honolulu Museum of Art
1309:by Honolulu Museum of Art
1016:"Travelers at Yatsuhashi"
59:
1303:by Suzuki Harunobu, 1765
1233:Hayakawa, Monta (2001).
871:"print | British Museum"
795:
679:Moon rising at Shinagawa
584:
502:National Museum of Korea
373:
2504:Japonaiserie (Van Gogh)
1154:exchange.umma.umich.edu
992:"Search the Collection"
128:Young Man Playing Flute
1435:Harukawa Eizan school
728:Young girl in the snow
561:1981 Philatelic Week (
454:
442:
153:
151:Honolulu Museum of Art
130:
120:
48:
2126:artists and movements
2017:Utagawa Hiroshige III
1372:List of ukiyo-e terms
1130:SUNTORY MUSEUM of ART
1058:art.nelson-atkins.org
924:harvardartmuseums.org
820:Seiichiro Takahashi,
522:Suntory Museum of Art
448:
433:
136:
126:
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91:contemporary beauties
37:
2514:Anglo-Japanese style
2012:Utagawa Hiroshige II
1932:Utagawa Kunisada III
1798:Yanagawa Shigenobu I
1609:Keisai Eisen school
1394:of 17–19th centuries
1237:Fūryū zashiki hakkei
693:Potted trees in snow
555:1957 Philatelic Week
2082:Kobayashi Kiyochika
1947:Utagawa Toyokuni II
1927:Utagawa Kunisada II
1683:Nishimura Shigenaga
1391:Schools and artists
1178:V and A Collections
1106:Portland Art Museum
1020:collections.mfa.org
517:Portland Art Museum
477:Harvard Art Museums
2519:Post-Impressionism
2343:Shōzaburō Watanabe
2002:Utagawa Kuniteru I
1987:Utagawa Yoshitoshi
1967:Utagawa Yoshitsuya
1942:Utagawa Kunimasu I
1912:Utagawa Toyokuni I
1885:Toyohara Kunichika
1808:Shunshosai Hokucho
1673:Nishikawa Sukenobu
1603:Kawamata Tsunemasa
1598:Kawamata Tsuneyuki
1588:Katsukawa Shunkō I
1499:Yanagawa Shigenobu
1489:Katsushika Hokusai
1479:Hishikawa Moronobu
899:brooklynmuseum.org
875:The British Museum
455:
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230:Nishikawa Sukenobu
186:Nishikawa Sukenobu
162:Nishikawa Sukenobu
154:
142:Fashionable, Lusty
131:
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2416:Japanese painting
2318:Sekino Jun'ichirō
2298:Gihachiro Okuyama
2258:Sakuichi Fukazawa
2238:Un'ichi Hiratsuka
2152:Kiyokata Kaburagi
2007:Utagawa Hiroshige
1997:Utagawa Yoshifusa
1992:Utagawa Yoshifuji
1972:Utagawa Yoshitora
1957:Utagawa Kuniyoshi
1855:Torii Kiyomitsu I
1850:Torii Kiyomasu II
1840:Torii Kiyonobu II
1818:Shunbaisai Hokuei
1794:Shigenobu school
1788:Urakusai Nagahide
1763:Yanagawa Nobusada
1753:Shunbaisai Hokuei
1728:Shunkōsai Hokushū
1688:Ishikawa Toyonobu
1679:Nishimura school
1669:Nishikawa school
1583:Katsukawa Shunchō
1578:Katsukawa Shunsen
1573:Katsukawa Shun'ei
1568:Katsukawa Shunshō
1556:Matsuno Chikanobu
1536:Kaigetsudō school
1529:Ishikawa Toyonobu
1519:Ippitsusai Bunchō
1504:Yanagawa Nobusada
1475:Hishikawa school
1429:Furuyama Moromasa
972:web.sas.upenn.edu
948:Hill-Stead Museum
895:"Brooklyn Museum"
482:Hill-Stead Museum
364:Katsukawa Shunshō
354:illustrated books
174:Ishikawa Toyonobu
138:Sexual misconduct
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2574:Shunga by artist
2475:Mochizuki school
2393:Tadashi Nakayama
2253:Yasuhide Kobashi
2192:Takahashi Shōtei
2077:Kobayashi Eitaku
2027:Utagawa Sadafusa
2022:Utagawa Hirokage
1982:Utagawa Yoshiiku
1962:Ryusai Shigeharu
1952:Utagawa Kuniyasu
1937:Utagawa Sadahide
1922:Utagawa Kunisada
1917:Utagawa Kunimasa
1907:Utagawa Toyohiro
1902:Utagawa Toyoharu
1881:Toyohara school
1845:Torii Kiyomasu I
1835:Torii Kiyonobu I
1779:Ryūkōsai school
1703:Okumura Masanobu
1663:Miyagawa Shunsui
1653:Miyagawa Chōshun
1649:Miyagawa school
1623:Kitagawa Utamaro
1619:Kitagawa school
1594:Kawamata school
1563:Katsukawa school
1546:Kaigetsudō Anchi
1465:Hasegawa school
1445:Harunobu school
1425:Furuyama school
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2378:Chosei Kawakami
2363:Fujimori Shizuo
2328:Hiroyuki Tajima
2283:Yoshitoshi Mori
2278:Matsubara Naoko
2233:Eiichi Kotozuka
2212:Yoshida Hiroshi
2202:Tsuchiya Koitsu
2187:Shiro Kasamatsu
2162:Elizabeth Keith
2142:Hashiguchi Goyō
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2119:
2093:
2062:Toriyama Sekien
1977:Kawanabe Kyōsai
1890:Yōshū Chikanobu
1860:Torii Kiyotsune
1813:Gatōken Shunshi
1699:Okumura school
1693:Suzuki Harunobu
1643:Kitao Shigemasa
1551:Hasegawa Eishun
1541:Kaigetsudō Ando
1485:Hokusai school
1469:Hasegawa Settan
1449:Suzuki Harunobu
1414:Chōbunsai Eishi
1404:Gigadō Ashiyuki
1400:Asayama school
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212:Mikawa Province
208:Tokugawa Ieyasu
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192:Artistic career
178:Kawamata school
170:Torii Kiyomitsu
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2446:Kyoto school
2421:Rinpa school
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2293:Tetsuya Noda
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2124:20th century
2032:Adachi Ginkō
1825:Torii school
1709:Ōoka school
1692:
1613:Keisai Eisen
1448:
1287:
1282:OCLC 5246796
1269:
1250:. Retrieved
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1206:. Retrieved
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1182:. Retrieved
1180:. 2021-01-08
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2431:Akita ranga
2426:Kanō school
2368:Reika Iwami
2263:Masao Maeda
2243:Itow Takumi
2177:Ohara Koson
2147:Itō Shinsui
2067:Ogata Gekkō
2057:Sawa Sekkyō
1748:Hirosada II
1459:Shiba Kōkan
1268:. (1978).
1220:Works cited
790:behind her.
698:Hachi no ki
616:Kanzan and
426:Collections
251: [
182:Kanō school
73:art in the
46: 1750
2548:Categories
2135:Shin-hanga
2115:Yokohama-e
2110:Nagasaki-e
2105:Kamigata-e
1743:Hirosada I
1252:2016-03-25
1208:2021-01-08
1184:2021-01-08
1159:2021-01-08
1135:2021-01-08
1111:2021-01-08
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953:2021-01-08
929:2021-01-08
904:2021-01-08
880:2021-01-08
856:2021-01-08
579:St Vincent
407:courtesans
297:benizuri-e
180:, and the
109:Influences
2498:Japonisme
2273:Maki Haku
2098:By region
1773:Yoshitaki
1628:Tsukimaro
918:Harvard.
715:Yoshiwara
563:se-tenant
381:nishiki-e
317:Nishiki-e
290:nishiki-e
272:nishiki-e
146:Mane'emon
103:Harushige
85:nishiki-e
39:Two girls
1758:Kunimasu
1733:Ashiyuki
778:shamisen
590:Harunobu
419:tsubushi
327:bijin-ga
248:e-goyomi
241:literati
218:hatamoto
149:, 1770,
56:Japanese
19:In this
2491:Ukiyo-e
2464:Nihonga
2409:Related
2384:Others
2052:Sharaku
1768:Shunshi
1362:Ukiyo-e
1355:General
618:Jittoku
391:ukiyo-e
359:ukiyo-e
346:ukiyo-e
311:ukiyo-e
304:ukiyo-e
282:catalpa
228:master
225:ukiyo-e
204:samurai
199:ukiyo-e
77:ukiyo-e
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439:Dancer
437:Kagura
403:geisha
396:kimono
333:kabuki
278:cherry
261:shōgun
176:, the
97:shunga
29:Suzuki
23:, the
2457:Nanga
1242:(PDF)
796:Notes
786:shōji
585:Works
565:pair)
374:Style
255:]
158:Kyoto
60:鈴木 春信
2481:Yōga
1274:ISBN
577:and
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