607:, but he did not have money to bronze it until 1908. However, Robert's first wife refused to buy the bust because it did not adequately portray her husband's personality. Young finally received more commission when he and Lee Greene Richards completed a mural for the Isis Movie Theatre, using themselves as models for the characters. This was the first outside mural done in Utah and the only one done by Young. However, news stories about the murals kept being killed, leading Young to believe there was a conspiracy against realist artists. However, there were few career prospects in the United States, as the art scene was dominated by conservative juries who were unwilling to take a chance on unknown artists and were uninterested in unique or groundbreaking styles. Museums and exhibitionists wanted to showcase academic art and did not want to showcase American art. Consequently, Young found it difficult to sell or exhibit his work in the United States. He found little success during his first five years back in the United States. However, a group of realists called "
852:. The monument was intended to commemorate the 100th anniversary of Brigham Young and the Mormons' arrival in the Salt Lake Valley in 1847. As early as 1935, a committee had been chosen to consider artists' proposals of the monument. Young did extensive research and sketching for the project, confident he would be awarded the chance to create the monument. After lobbying the committee for almost five months, he returned to New York, frustrated that he had not yet secured the project. He decided to lobby U.S. senators from Utah to gained federal funding for the project which offended committee member John D. Giles. Giles told Young that he could not give him a contract because they were waiting on funding from the LDS Church; however, Giles was actually stalling time to find a different artist to complete the project. The committee decided to make the monument proposal a competition, which worried Young because of his experience with the Pioneer Woman Competition.
423:, but his application was denied because he had not graduated high school. Instead, Young worked in a curio shop and a stationery shop to make money for lessons with Harwood. However, he was delayed in attending lessons due to a necessary appendectomy. Harwood was unimpressed by Young, believing that he was a lazy artist and did not work hard. Young's philosophy, however, was that there is no virtue in working hard, but rather thinking hard. Furthermore, Young liked to quickly sketch an observation which he would later turn into a drawing, but being a traditionalist, Harwood viewed this technique as cheating and an "artistic crime". Although Young had not yet sculpted in class, one day, Young and a classmate sculpted the mask of
506:. Unimpressed by the traditional styles taught in Paris, Young did not believe he learned anything at the Académie in France until 1903, when he was able to work more independently and develop his realistic style. He started studying painting and after achieving personal goals painting and after more artistic education from a trip to Italy, he returned to studying sculpture and etching in 1903. Young indicated that one must learn to be thick skinned in class to be able to withstand the criticism of both professors and other students. Most of his instruction in anatomy came from independent study of books. He found that he could not stomach anatomy classes at the
359:(Wally) were born on July 1, 1880; they grew to be successful, a newspaperman and a screenwriter respectively. While ill with appendicitis, his father introduced Young to sculpture by carving objects for him out of wood. For his safety, his father gave him clay to model animals, sparking his interest in art at a young age. Young's father died when he was about seven years old. His father's death provided Young with the motivation to become a successful sculptor. His mother never remarried but was forced to sell the factory for less than half its worth due to financial concerns. Despite this, Agnes was able to provide for the living expenses of her family.
647:. Despite financial troubles, Young married Cecelia Sharp on February 19, 1907. Young had initially seen Sharp while both in Paris where Sharp had been studying piano; they had not yet met and Sharp had to travel back to Utah due to her father's health began to fail. In Utah, they attended the same LDS Church where Sharp's father was a bishop, but they had not yet met because Sharp was five years older than Young. Young and Sharp met in 1906 while Sharp was giving private piano lessons in Salt Lake City and fell in love. Young made a bust of Sharp in 1906. Polished and beautiful, the bust was different than anything he created during his career.
459:. He began using realist techniques; he would look at artistic models quickly and then attempt to draw his or her memorized features. Although Young disliked Bridgeman as an instructor, Young maintained a spot as second in the class. In contrast, Young greatly admired Cox as an instructor. During his time in New York, he suffered from insomnia, which he attempted to remedy by reading Shakespeare and magazines. Young lived on a tight budget and spent most of his time studying or attending art exhibits. After running out of money, Young had to return to Salt Lake City after eight months instead of his intended nine.
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early interest in athletics influenced the subject of his art, as he often sculpted and depicted athletes competing in various sports, the most prominent sport being boxing. He also developed his interest in nature and bird watching which further influenced themes and subjects of his art. His uncle introduced Young to ranch life, in which he became extremely interested. His mother was adamant that he pursue a different career. Although Young did not become a rancher, themes of ranching and the
American West were frequent in his art. Young learned about the art style of
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909:. Young worked on the statues at Weir farm, assisted by Spero Anargyros. The monument was dedicated on July 24, 1947, on the one-hundredth anniversary of Brigham Young's party reaching the Great Salt Lake Valley. It is the largest sculpted monument in Utah. Even though Young was paid $ 50,000 for the monument, he believed that he was owed $ 11,000 extra according to the terms of the contract. He was angry when he was denied the money and eventually became frustrated enough to write to the president of the LDS Church
953:, as his work depicted laborers, immigrants, minorities, the West, and man's interaction with nature. At the time, Young felt isolated by his traditionalist instructors and colleagues who penned Young's work as "dishonest". The size of his work ranged from larger monuments to small sculptures which he typically did in the social realist style. His most recurring subject matter included animals, Native Americans, the boxing ring, ranch life, and laborers. Young greatly admired the work of
773:. Young first met Weir at 1921 at a dinner to discuss plans for the Phillips Memorial Gallery, one of the books for the gallery was intended to be dedicated to Weir's father. When Young returned to Paris to teach and work on his art from 1925 to 1927, they were reacquainted and became friends. After returning to New York, Young proposed marriage to Weir a few times, but she hesitated having never been married and feeling responsibility to care for her aging stepmother.
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engravings. Regardless of his medium of choice, his work is characterized by spontaneity; he often preferred to prepare his work with quick sketches on the scene. He felt this made his work more natural as compared to using a model in the studio. He was fairly commercially successful during his life, though he did not find success until his mid-30s. Large commissions for sculptures from
371:. He created his first sculpture when he was thirteen. At a young age, Young found formal education to be a waste of time. Young said that the only thing he learned that was of any value to him was that he should look at the point where a line would end rather than the point of the pencil. However, despite his disinterest in formal education, he read avidly with favorite authors being
565:, president of the LDS European Church mission at the time, gave Young money to cast some of Young's statues in bronze. During his last two years studying in France, he visited galleries and studios of well-known artists. Continuing to develop his style of realism, Mahonri Young was one of the first young American sculptural realists.
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924:. Dorothy Weir died on May 28, 1947. Young continued to live there after her death. His last major work was for the State of Utah. He created a six-foot monument of Brigham Young seated for the Statuary Hall in the United States Capitol Building. The work was unveiled in Washington, D.C., in 1950. He carved this work at the
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where he was awarded the silver medal. Young's Apache sculptures were unveiled at the
American Museum of Natural History in 1916. Cecelia Sharp died of cancer in 1917 after which Young returned to Paris to continue studying art. He resided in Paris from 1925 to 1927. In Paris, he taught students, one
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to the LDS Church, they were excited about the project, but were unable to fund it. He instead sculpted a frieze to go above the LDS Gymnasium. This was the last project he completed in Utah before he moved to New York. Young felt that he could relate to the styles and the goals of "The Eight", so he
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Although
Mahonri Young was taught the classical style which prevailed in the French art institutes of the time, and was surrounded by colleagues who sought to reject the classical style with impressionistic and post-impressionistic styles, Young was disinterested in depicting idyllic or naturalistic
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or SAGA). The
Society's objective was, as it is today, to advance the fine works of American etchers. Young's six etchings, "Noon", "Ensign Peak", "The Main Digger" (which was listed for $ 18), "Kite Fliers", "Pavers" and "The Sand Pit" were all exhibited at The Brooklyn Society of Etcher's first
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Young and Sharp's first child, Cecelia Agnes Young, known as "Agnes" or "Aggie", was born on April 25, 1908. Continually aware of the revolt of "The Eight", Young traveled to New York in 1908 and 1909 to determine whether he could be successful in New York. After he presented an idea to construct a
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During the summer of 1903, Young returned to Salt Lake City, having run out of money. In Salt Lake City, Young continued to sketch. Fortunately for Young, his mother borrowed enough money for him to spend another two years studying in Paris. In New York, on his way to Paris, Young participated in an
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praised Young's drawings, etchings, and sculpture, he qualified Young's painting as average, suggesting that Young may have commenced painting at too old of an age or perhaps did not approach it with the same effort and care with which he approached his other mediums. Additionally, compared Young's
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from reading magazines, which taught him about form, space, light, and movement in art. An article about Millet convinced Young to quit school, get a job, and take art lessons. Determined to become a sculptor, Young realized that he had not sculpted since he was five years old, so he decided he may
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Young was athletic and participated in baseball and football teams. However, after an injury during a football game, he broke his left arm and after it was incorrectly reset and then rebroken to be properly set, his left arm remained slightly smaller than his right for the entirety of his life. His
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Mahonri Young's career lasted more than fifty years with his works displayed in over fifty museums and galleries in the United States and Europe. Upon his death, his estate constituted 320 pieces of sculpture, 590 oil paintings, 5,500 watercolors, 2,600 prints, and thousands of drawings. Young was
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to the LDS Church. However, he did admire several LDS Church leaders and was proud of his pioneer heritage. Despite his lack of activity in the LDS Church, he lobbied heavily to work on several projects for the church. Largely considered to be his most important artistic work, Young was especially
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were completed in 1903. Young did not agree with the use of models in his sculpting, because he believed it took away from the naturalness of the piece. For his sculptures, he found that sketches and observation over time made for more natural results and a better depiction of motion. He nervously
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said, "Mahonri Young belongs among...those who of the strain of
Michelangelo, Titian, Rubens, Goya, Renoir, and Millet...he is a rare sculptor in America". Young was a member of the American Watercolor Society. In 1940, the Addison Gallery of American Art hosted a retrospective exhibit of Young's
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in Paris for liberal art, were placed in the main gallery, and received critical acclaim. He spent all of his time looking at art in exhibitions or sketching on the street which garnered him criticism from his classmates for being lazy. Young, however, felt that he could learn more by observing
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His family moved into a small house in Salt Lake City where Young began school. At eleven years old, his mother bought him a woodcarving kit from which he carved a four-inch bas relief of Julius Caesar from a fence post. After seeing the piece, a book salesman called him a "genius", leading his
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gave him a spontaneous style that he believed benefited his art. Young excelled in "depicting figures in motion" and "the psychological nuances of gesture". Rather than emphasize light, appearance, and technical skill as had prevailed in traditionalist art, Young preferred to emphasize rhythm,
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and artist. During his lengthy career, he created more than 320 sculptures, 590 oil paintings, 5,500 watercolors, 2,600 prints, and thousands of drawings. However, he is primarily recognized for his sculpture. His work includes landscapes, portraits, busts, life-size sculptures, monuments, and
275:. Young was introduced to art by his father at an early age. He quit school at seventeen years old and worked engraving and portrait making jobs at various newspapers in Salt Lake City to make money for art lessons and for art school in New York and later, Paris. He lived most of his life in
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state government, the LDS Church, and descendants of pioneers. For example, Young wanted pioneer leaders in realistic clothing like they would have worn when entering the Salt Lake Valley on July 24, 1847. However, Young's vision of leaders like
Brigham Young and Heber C. Kimball in
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in Provo, Utah opened a year-long exhibition of
Mahonri Young's work called "Mahonri: A Song of Joys". The Young family donated over 7,000 various works of Young to Brigham Young University. Additionally, the BYU Museum of Art held an exhibition of Young's work during summer 2019.
730:. Tarleton and Young maintained a romantic relationship for a few years. Tarleton, 27 years his junior, confessed her love to Young but refused his many marriage proposals. Their relationship and consistent correspondence came to an end in 1930. In 1923, Young was elected to the
437:. Young was not trained in sculpture and had not sculpted since he was five years old. Despite his lack of experience, his instructors praised his sculptures and his natural talent. However, he would not sculpt again until he studied in Paris. Young saved money earned as a
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Young's mother came from a polygamist marriage in the
Midwestern United States. Though she did not meet her father, Daniel Mackintosh until she was older than one, he died when she was three years old and her mother raised her alone. Young's parents had attended the
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Mahonri Young returned to Utah in 1905, needing to find a way to make a living. Due to his lack of success and financial troubles, Young considered years 1905 to 1910 his "five years of exile". His first commission was a butter sculpture for Frost
Creamery for the
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family to call him "the genius". Due to mediocre grades and always feeling behind his classmates, Young quit school after eighth grade. He spent time reading and studying about art, making friends with other young, aspiring artists. His childhood friends included
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amateur boxing match and broke his thumb which prevented him from sculpting for a few months, so he attempted water coloring instead. He had some modeled drawings hung in the Paris Old Salon, which led him to experiment drawing with more models. His model
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and his family moved to New York in 1910. In New York, Young was a founding member of the
Society of American Etchers. He did not find success until 1912, which was a turning point in his career. In 1911, Young won the Helen Foster Barnett prize for
687:. He visited Arizona, New Mexico, and Utah to get inspiration and then returned to New York to complete the project with his colleague Howard MacCormick. Young was offered some commission to create dioramas for Navajo and Apache tribes as well. The
379:. Early influences from the Mormon families around him led him to be disinterested in maintaining LDS Church activity. Examples of these influences included abuse of the law of plural marriage and excessive piety among church members.
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was unveiled and dedicated on Temple Square on October 1, 1913. A member of the Association of American Painters and Sculptors and because of the similar artistic goals and interests, Young became friends with some members of the
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between 1899 and 1901. In New York, Young was fascinated by the Industrial Revolution and decided that he would make art to reflect the themes of the Industrial Revolution. At the Art Students League, Young took classes with
745:. Young considered this the greatest disappointment of his career. Young's statues of Prize Ring boxer bronzes were shown at the Rehn Galleries in New York in 1928, their first exhibition. In 1929, Young crafted a bronze of
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303:. One of his other well-known works is a statue of Brigham Young which resides at the Statuary Hall at the United States Capitol Building in Washington, D.C. At various times during his career, Young taught at the
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Mahonri Young was versatile in his subject matter and methods, yet his works were united in "powerful elegance". He was proficient in various mediums and techniques such as etching, drawing, watercolor, oil,
561:, but it was never exhibited, and Young destroyed it in 1905. He destroyed some other work that was not accepted to salons. He later admitted regretting destroying his work and never destroyed another piece.
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Young was awarded $ 50,000 to build the monument in 1939 when he was 62 years old. After he was granted the contract, many of the artistic qualities sought by Young were vetoed by representatives from
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of the Quorum of the Twelve Apostles severely reprimanded Young for contacting Smith and Young was never paid the extra $ 11,000. Young resented this alleged contract breach for the rest of his life.
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510:, not because of cadavers, because he had not yet made it to that point in the lectures, but because of the overwhelming stench of un-showered students and sweat which gave him unbearable headaches.
932:. In 1955, Young participated in the Armory Show Commemorative Exhibition in New York City. In January 1957, Young had a serious stroke and in October 1957, he had an ulcer attack. Young died in
495:. Young received extra money to study from his mother who had arranged for a settlement of a part of Brigham Young's estate as well as donations from family and members of the LDS Church.
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was shown at the Metropolitan Museum in New York. In the same year, Young was elected to the National Academy of Design as an Associate. Moreover, in 1912, Young proposed the
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the first Utah artist to have his work displayed in the Metropolitan Museum of Art in New York. Moreover, Young received nearly every award offered to artists in Utah. The
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982:. Though Young vehemently denied it, some critics accused Young of imitating Millet's work. Young's work, particularly his earlier pieces, was also heavily influenced by
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Because Young vowed to never destroy another piece of work, he was devastated when he found his Isis Theatre mural in the dumpster twenty years after he completed it.
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commissioned a statue of a pioneer woman; he invited twelve artists to submit sculptures to be considered for the monument. Young submitted a sculpture but lost to
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of American sculpture." "Industry" and "Agriculture", a statue of factory worker with tools and a statue of a farmer sharpening his blade, were displayed at the
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was displayed in the New Salon. Young frequently used this man Bovet-Arthur as a model for his work while he was in Paris. Young did a parody piece called
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images and was more concerned with depicting the realities of life that surrounded him. Consequently, Young's work is often associated with
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to Utah. Mahonri Mackintosh was likely the last grandchild born before the death of Brigham Young on August 29 and the last to receive a
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in Salt Lake City. After their marriage, Agnes's mother Ellen moved into their home. Young's twin brothers, Winfield Scott (Winnie) and
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327:". Moriancumer was omitted due to its peculiarity and was, instead, replaced by Mackintosh, his mother's maiden name. His grandfather,
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is characteristic of Rodin's style with its curves and opposing diagonal movements. Young's experience as a sketch artist for the
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American Sculpture in the Metropolitan Museum of Art: Volume II. A Catalogue of Works by Artists Born between 1865 and 1885
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Mahonri Young had a unique relationship with the LDS Church. Since his teenage years, he did not attend church, follow the
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to the LDS Church a second time, stressing the personal importance of the monument to Presiding Bishop of the LDS Church
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as an Academician. In 1924, Young unveiled his Navajo statues at the American Museum of Natural History in New York.
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Following the Seagull contract, Young was offered a contract to create art for a Hopi Indian exhibition for the
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2369:. Xth Olympiade Committee of the Games of Los Angeles, U.S.A. 1932. 1933. pp. 748–765. Archived from
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Rather than attend ninth grade, Young chose to pursue an artistic education under local artist
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exhibition at the Brooklyn Museum, NY in 1916. Also in 1915, he featured nine pieces at the
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Hinton, Wayne K. (Winter 1972), "Mahonri Young and the Church: A View of Mormonism and Art",
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2513:"(still image) Art - Sculpture - Agriculture and Industry (Mahonri M. Young), (1935 - 1945)"
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Born into a family of rich Mormon pioneer heritage, Young was the grandson of the second
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in an article about the American Art Association show. His sculptures were sent to the
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portrait artist, but took his subsequent demotion to an engraver as a blow to his ego.
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chose Young's design in 1939, because it highlighted prominent figures Brigham Young,
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2487:"Sculptures-Agriculture and industry by Mahonri Young, This is the "industry" statue"
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704:. Young disliked abstract art styles. In fact, Young believed the emerging styles of
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A Song of Joys: the biography of Mahonri Mackintosh Young, Sculptor, Painter, Etcher
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was deemed undignified. Instead, pioneer leaders were portrayed in heavy formal
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show in 1903 and achieved great success. His sculptures were featured in the
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called Young "Utah's most famous New York-based artist". According to the
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Mahonri Mackintosh Young was born on August 9, 1877, in Salt Lake City,
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848:. The most artistically significant relief on the monument depicts the
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A biographical history of Mahonri M. Young, a western American artist
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on February 17, 1931 and promptly moved to the Weir family farm in
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that began to appear later in his life were "a greater threat than
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3152:(Ph.D. Thesis). Department of History, Brigham Young University.
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and Young's work often had parallels to that of Dallin's.
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rather than a covered wagon, as in the Fairbanks design.
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1328:
1179:
1177:
1136:
252:(August 9, 1877 – November 2, 1957) was an American
3304:
Members of the American Academy of Arts and Letters
2091:. Deseret News Publishing Company. November 9, 1999
2039:
1946:
1737:
1608:
1596:
1543:
1381:
1288:
549:rather than by working and studying in the studio.
2511:Digital Collections, The New York Public Library.
1555:
1453:
1189:
1121:
1104:
631:Young improved his reputation by making a bust of
264:(LDS Church) were particularly lucrative for him.
1174:
1092:. The Church of Jesus Christ of Latter-day Saints
940:at the Young family plot, next to Cecelia Young.
3270:
2387:Evans, Hilary; Gjerde, Arild; Heijmans, Jeroen;
228:
333:the Church of Jesus Christ of Latter-day Saints
262:the Church of Jesus Christ of Latter-day Saints
2363:The Games of the Xth Olympiad Los Angeles 1932
271:of the LDS Church and first Governor of Utah,
820:
498:He studied until 1905, where he studied with
778:Art competitions at the 1932 Summer Olympics
513:Young's most important etching in Paris was
2424:
920:In 1947, Young was elected a member of the
3309:Olympic gold medalists in art competitions
3170:Mahonri M. Young: Retrospective Exhibition
1079:
1077:
1075:
1073:
1071:
1069:
1067:
446:Using the money he saved, he attended the
31:
3197:. Salt Lake City, Utah: Signature Books.
3123:
2706:
2158:
2156:
2154:
1086:"Mahonri Young: Sculptor of His Heritage"
473:as an engraver and did some drawings for
3054:"In the Arena: The Art of Mahonri Young"
986:. Young's sculpture of fighting boxers,
870:
806:
680:was born on July 23, 1911, in New York.
613:
572:
467:In Salt Lake City, Young worked for the
395:
3369:Olympic competitors in art competitions
3299:Art Students League of New York faculty
2904:
1064:
723:Panama–Pacific International Exposition
388:have better luck being an illustrator.
3294:Art Students League of New York alumni
3271:
3164:
3147:
3107:
3058:Brigham Young University Museum of Art
3024:"Celebrating the Art of Mahonri Young"
3009:
2883:
2871:
2856:
2844:
2840:
2828:
2816:
2792:
2777:
2762:
2750:
2685:
2599:
2536:
2249:
2210:
2198:
2165:"Mahonri Mackintosh Young (1877-1957)"
2162:
2151:
2121:
2109:
2021:
2000:
1988:
1976:
1964:
1940:
1886:
1874:
1862:
1847:
1835:
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1799:
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1755:
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1246:
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1019:Brigham Young University Museum of Art
696:and joined them in arranging the 1913
3349:Medalists at the 1932 Summer Olympics
3192:
3111:Dialogue: A Journal of Mormon Thought
3081:
3021:
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2145:
2133:
2077:
2059:"Mahonri Young, 84, An Art Historian"
2045:
2033:
1952:
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1913:
1898:
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1561:
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1387:
1318:
1294:
1231:
1207:
1195:
1183:
1142:
1130:
1115:
1083:
995:balance, movement, form, and design.
757:executive at the time. Young married
392:Salt Lake City and New York education
3314:Artists from Ridgefield, Connecticut
3264:Marriott Library Special Collections
3248:, L. Tom Perry Special Collections,
3015:
2936:
2877:
2638:
2504:
922:American Academy of Arts and Letters
483:and saved enough money to travel to
1237:
718:Society of American Graphic Artists
13:
3260:University of Utah Digital Library
3022:Davis, Norma S. (April 10, 2001).
2991:. American Watercolor Society, Inc
2985:"The AWS and the Women's Movement"
1162:. A&E Television Networks, LLC
943:
685:American Museum of Natural History
462:
419:. He had initially applied to the
307:. Most of Young's work resides at
14:
3385:
3289:American Latter Day Saint artists
3212:
2892:. Deseret News Publishing Company
2716:. L. Tom Perry Special Collection
2620:. Deseret News Publishing Company
1032:Statues of Joseph and Hyrum Smith
882:National Statuary Hall Collection
279:where he became associated with "
3046:
2977:
2930:
2884:Wadley, Carma (April 12, 1998).
2834:
2728:
2632:
2605:
2397:Olympics at Sports-Reference.com
771:Weir Farm National Historic Site
227:
205:
3359:Sculptors from New York (state)
3334:20th-century American sculptors
3329:American social realist artists
3241:Smithsonian American Art Museum
3195:Mahonri Young: His Life and Art
3174:Addison Gallery of American Art
2886:"Life and Art of Mahonri Young"
2479:
2453:
2441:
2418:
2380:
2354:
2329:
2267:
2051:
1312:
1044:
842:This Is the Place Heritage Park
776:In 1932, Young competed in the
448:Art Students League of New York
3354:American expatriates in France
2467:. Time, Inc. February 17, 1941
2427:"Olympic Art Competition 1932"
1148:
1084:Toone, Thomas (October 1985).
331:, was the second president of
314:
1:
3075:
2225:, pp. 165–166, 174, 188.
2612:Boren, Ray (July 23, 2012).
1057:
1037:
1017:various works. In 1999, the
816:, 1947. Salt Lake City, Utah
295:are featured prominently in
7:
3319:Artists from Salt Lake City
2989:American Watercolor Society
2916:J. Willard Marriott Library
2167:. In Tolles, Thayer (ed.).
1025:
780:with eight boxing statues.
10:
3390:
3172:. Andover, Massachusetts:
2393:"Mahonri Mackintosh Young"
2085:"Mahonri Young chronology"
1258:"Weir Farm: Mahonri Young"
930:Sons of Utah Pioneers Club
822:This is the Place Monument
813:This is the Place Monument
802:1939 New York World's Fair
732:National Academy of Design
678:Mahonri "Bill" Sharp Young
491:, in 1901 to study at the
289:This Is The Place Monument
132:This is the Place Monument
3339:20th-century male artists
3232:Springville Museum of Art
3193:Toone, Thomas E. (1997).
3148:Hinton, Wayne K. (1974).
2948:Encyclopedia of Mormonism
2937:Oman, Richard G. (1992).
2650:Encyclopedia of Mormonism
2639:Oman, Richard G. (1992).
1010:Encyclopedia of Mormonism
1006:Springville Museum of Art
998:
568:
219:
200:
193:
188:
168:
156:
146:
117:
109:
101:
90:
64:
42:
30:
23:
3256:Taylor A. Woolley Papers
3223:Utah Museum of Fine Arts
3082:Davis, Norma S. (1999),
2918:. The University of Utah
2163:Marter, Joan M. (2001).
926:American Academy in Rome
536:American Art Association
515:The Forge Rue St. Jacque
309:Brigham Young University
250:Mahonri Mackintosh Young
47:Mahonri Mackintosh Young
3344:American male sculptors
3246:Mahonri M. Young papers
3228:Mahonri Macintosh Young
3219:Mahonri Macintosh Young
938:Salt Lake City Cemetery
790:Fine Prints of the Year
95:Salt Lake City Cemetery
2657:. pp. 1285–1286.
889:
817:
761:, daughter of painter
710:abstract expressionism
658:Bovet-Arthur a Laborer
628:
627:, Salt Lake City, Utah
587:
586:, Salt Lake City, Utah
504:Jean-Antoine Injalbert
427:with details from the
404:
3324:Richards–Young family
3250:Harold B. Lee Library
2279:National Park Service
1262:National Park Service
886:United States Capitol
874:
810:
617:
576:
399:
349:University of Deseret
3374:Ashcan School people
3230:— works held by the
3221:— works held by the
3166:Mather, Frank Jewett
2953:Macmillan Publishing
2655:Macmillan Publishing
2431:Olympic Games Museum
2401:Sports Reference LLC
2275:"Dorothy Weir Young"
2264:, pp. 154, 190.
972:Jean-François Millet
934:Norwalk, Connecticut
844:in the foothills of
840:Monument located at
508:Ecole des Beaux-Arts
409:James Taylor Harwood
385:Jean-François Millet
3364:Sculptors from Utah
3034:on February 2, 2010
2554:, pp. 162–163.
2237:, pp. 126–127.
2136:, pp. 138–139.
2112:, pp. 127–129.
1967:, pp. 116–117.
1877:, pp. 110–113.
1850:, pp. 103–104.
1838:, pp. 102–103.
1826:, pp. 101–102.
967:Frank Jewett Mather
373:Ralph Waldo Emerson
369:Lee Greene Richards
305:Art Students League
2955:. pp. 70–73.
1802:, pp. 99–100.
980:Constantin Meunier
890:
888:, Washington, D.C.
818:
629:
588:
421:University of Utah
405:
242:Sculpture: Statues
3028:Meridian Magazine
2939:"Artists, Visual"
2795:, pp. 13–44.
2688:, pp. 41–42.
2425:Wagner, Juergen.
2201:, pp. 16–17.
2036:, pp. 93–98.
1734:, pp. 92–93.
1719:, pp. 89–90.
1695:, pp. 85–86.
1629:, pp. 79–80.
1593:, pp. 76–79.
1450:, pp. 49–50.
1438:, pp. 29–30.
1349:, pp. 43–44.
1309:, pp. 36–40.
1285:, pp. 34–35.
1234:, pp. 18–19.
1222:, pp. 32–33.
1210:, p. 10, 19.
992:Salt Lake Tribune
838:This Is The Place
670:Charles W. Nibley
500:Jean-Paul Laurens
440:Salt Lake Tribune
247:
246:
184:
183:
16:American sculptor
3381:
3208:
3189:
3178:Phillips Academy
3161:
3144:
3127:
3125:10.2307/45224350
3104:
3069:
3068:
3066:
3064:
3050:
3044:
3043:
3041:
3039:
3030:. Archived from
3019:
3013:
3007:
3001:
3000:
2998:
2996:
2981:
2975:
2974:
2943:Ludlow, Daniel H
2934:
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2439:
2438:
2433:. Archived from
2422:
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2412:
2403:. Archived from
2384:
2378:
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2358:
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1172:
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1146:
1145:, pp. 8–10.
1140:
1134:
1128:
1119:
1113:
1102:
1101:
1099:
1097:
1081:
1051:
1048:
1014:Guy Pène du Bois
988:Right to the Jaw
970:work to that of
915:George Q. Morris
866:Wilford Woodruff
862:Heber C. Kimball
796:called him "the
792:, 1933. In 1941
788:was featured in
751:Winfield Sheehan
689:Seagull Monument
674:Seagull Monument
666:Seagull Monument
653:Seagull Monument
633:Alfred Lambourne
620:Seagull Monument
579:Seagull Monument
470:Salt Lake Herald
453:George Bridgeman
401:The Heavy Sledge
325:Brother of Jared
293:Seagull Monument
238:
236:1932 Los Angeles
231:
230:
215:
211:
209:
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195:Art competitions
186:
185:
125:Seagull Monument
120:
75:
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68:November 2, 1957
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2919:
2912:"Mahonri Young"
2910:
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2757:
2753:, pp. 2–6.
2749:
2745:
2737:, p. 194;
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2707:
2703:, p. xiii.
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2337:"Mahonri Young"
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1156:"Brigham Young"
1154:
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1129:
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1093:
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1001:
946:
944:Style and works
911:George A. Smith
825:
593:Utah State Fair
571:
493:Académie Julian
465:
463:Paris education
394:
353:Endowment House
337:Mormon pioneers
317:
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3213:External links
3211:
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2592:
2590:, p. 167.
2580:
2578:, p. 164.
2568:
2566:, p. 175.
2556:
2541:
2526:
2503:
2491:Queens Library
2478:
2452:
2440:
2437:on 2008-05-01.
2417:
2391:; et al.
2379:
2376:on 2008-04-10.
2353:
2328:
2326:, p. 183.
2316:
2314:, p. 168.
2304:
2302:, p. 154.
2292:
2266:
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2227:
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2191:
2177:
2150:
2148:, p. 134.
2138:
2126:
2124:, p. 130.
2114:
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2076:
2065:. July 7, 1996
2063:New York Times
2050:
2038:
2026:
2005:
2003:, p. 124.
1993:
1981:
1979:, p. 123.
1969:
1957:
1945:
1930:
1928:, p. 104.
1918:
1916:, p. 102.
1903:
1901:, p. 100.
1891:
1889:, p. 114.
1879:
1867:
1852:
1840:
1828:
1816:
1814:, p. 110.
1804:
1789:
1772:
1760:
1758:, p. 104.
1748:
1736:
1721:
1709:
1697:
1685:
1670:
1655:
1643:
1631:
1619:
1607:
1595:
1583:
1566:
1554:
1542:
1527:
1515:
1503:
1491:
1476:
1464:
1452:
1440:
1428:
1416:
1404:
1392:
1380:
1363:
1351:
1339:
1327:
1321:, p. 28;
1311:
1299:
1287:
1275:
1236:
1224:
1212:
1200:
1188:
1173:
1147:
1135:
1120:
1103:
1062:
1061:
1059:
1056:
1053:
1052:
1042:
1041:
1039:
1036:
1035:
1034:
1027:
1024:
1000:
997:
976:Honoré Daumier
951:social realism
945:
942:
858:Heber J. Grant
854:John Fairbanks
846:Salt Lake City
829:Word of Wisdom
824:
819:
798:George Bellows
597:The Dairy Maid
570:
567:
563:Heber J. Grant
464:
461:
393:
390:
321:Utah Territory
316:
313:
297:Salt Lake City
254:social-realist
245:
244:
239:
232:
224:
223:
217:
216:
198:
197:
191:
190:
182:
181:
173:Waldemar Young
170:
166:
165:
158:
154:
153:
151:Social realism
148:
144:
143:
121:
115:
114:
111:
110:Known for
107:
106:
103:
99:
98:
92:
88:
87:
78:
76:(aged 80)
66:
62:
61:
58:Utah Territory
54:Salt Lake City
52:
50:August 9, 1877
46:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
3386:
3375:
3372:
3370:
3367:
3365:
3362:
3360:
3357:
3355:
3352:
3350:
3347:
3345:
3342:
3340:
3337:
3335:
3332:
3330:
3327:
3325:
3322:
3320:
3317:
3315:
3312:
3310:
3307:
3305:
3302:
3300:
3297:
3295:
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3276:
3274:
3265:
3261:
3257:
3254:
3251:
3247:
3244:
3242:
3238:
3237:Mahonri Young
3235:
3233:
3229:
3226:
3224:
3220:
3217:
3216:
3206:
3200:
3196:
3191:
3187:
3183:
3179:
3175:
3171:
3167:
3163:
3159:
3155:
3151:
3146:
3143:
3139:
3135:
3131:
3126:
3121:
3117:
3113:
3112:
3106:
3103:
3099:
3095:
3089:
3085:
3080:
3079:
3059:
3055:
3049:
3033:
3029:
3025:
3018:
3011:
3006:
2990:
2986:
2980:
2972:
2968:
2964:
2962:0-02-879602-0
2958:
2954:
2950:
2949:
2944:
2940:
2933:
2917:
2913:
2907:
2891:
2887:
2880:
2874:, p. 22.
2873:
2868:
2866:
2858:
2853:
2846:
2843:, p. 7;
2842:
2837:
2831:, p. 11.
2830:
2825:
2818:
2813:
2807:, p. 26.
2806:
2801:
2794:
2789:
2787:
2779:
2774:
2772:
2764:
2759:
2752:
2747:
2741:, p. 280
2740:
2736:
2731:
2715:
2709:
2702:
2697:
2695:
2687:
2682:
2674:
2670:
2666:
2664:0-02-879602-0
2660:
2656:
2652:
2651:
2646:
2642:
2635:
2619:
2615:
2608:
2602:, p. 21.
2601:
2596:
2589:
2584:
2577:
2572:
2565:
2560:
2553:
2548:
2546:
2539:, p. 36.
2538:
2533:
2531:
2514:
2507:
2492:
2488:
2482:
2466:
2462:
2456:
2450:, p. 201
2449:
2444:
2436:
2432:
2428:
2421:
2407:on 2020-04-17
2406:
2402:
2398:
2394:
2390:
2383:
2372:
2365:
2364:
2357:
2342:
2338:
2332:
2325:
2320:
2313:
2308:
2301:
2296:
2280:
2276:
2270:
2263:
2258:
2252:, p. 57.
2251:
2246:
2244:
2236:
2231:
2224:
2219:
2213:, p. 20.
2212:
2207:
2200:
2195:
2180:
2174:
2170:
2166:
2159:
2157:
2155:
2147:
2142:
2135:
2130:
2123:
2118:
2111:
2106:
2090:
2086:
2080:
2064:
2060:
2054:
2048:, p. 98.
2047:
2042:
2035:
2030:
2024:, p. 56.
2023:
2018:
2016:
2014:
2012:
2010:
2002:
1997:
1991:, p. 91.
1990:
1985:
1978:
1973:
1966:
1961:
1955:, p. 78.
1954:
1949:
1943:, p. 14.
1942:
1937:
1935:
1927:
1922:
1915:
1910:
1908:
1900:
1895:
1888:
1883:
1876:
1871:
1865:, p. 12.
1864:
1859:
1857:
1849:
1844:
1837:
1832:
1825:
1820:
1813:
1808:
1801:
1796:
1794:
1787:, p. 11.
1786:
1781:
1779:
1777:
1770:, p. 95.
1769:
1764:
1757:
1752:
1746:, p. 87.
1745:
1740:
1733:
1728:
1726:
1718:
1713:
1707:, p. 86.
1706:
1701:
1694:
1689:
1683:, p. 84.
1682:
1677:
1675:
1668:, p. 83.
1667:
1662:
1660:
1653:, p. 81.
1652:
1647:
1641:, p. 80.
1640:
1635:
1628:
1623:
1617:, p. 56.
1616:
1611:
1605:, p. 55.
1604:
1599:
1592:
1587:
1581:, p. 10.
1580:
1575:
1573:
1571:
1563:
1558:
1552:, p. 49.
1551:
1546:
1540:, p. 68.
1539:
1534:
1532:
1525:, p. 67.
1524:
1519:
1513:, p. 66.
1512:
1507:
1501:, p. 64.
1500:
1495:
1489:, p. 63.
1488:
1483:
1481:
1474:, p. 59.
1473:
1468:
1461:
1456:
1449:
1444:
1437:
1432:
1426:, p. 57.
1425:
1420:
1414:, p. 56.
1413:
1408:
1402:, p. 48.
1401:
1396:
1390:, p. 33.
1389:
1384:
1378:, p. 46.
1377:
1372:
1370:
1368:
1361:, p. 44.
1360:
1355:
1348:
1343:
1337:, p. 42.
1336:
1331:
1324:
1320:
1315:
1308:
1303:
1297:, p. 28.
1296:
1291:
1284:
1279:
1263:
1259:
1253:
1251:
1249:
1247:
1245:
1243:
1241:
1233:
1228:
1221:
1216:
1209:
1204:
1198:, p. 19.
1197:
1192:
1185:
1180:
1178:
1161:
1157:
1151:
1144:
1139:
1133:, p. 14.
1132:
1127:
1125:
1118:, p. ix.
1117:
1112:
1110:
1108:
1091:
1087:
1080:
1078:
1076:
1074:
1072:
1070:
1068:
1063:
1047:
1043:
1033:
1030:
1029:
1023:
1020:
1015:
1011:
1007:
996:
993:
989:
985:
984:Auguste Rodin
981:
977:
973:
968:
964:
958:
956:
952:
941:
939:
935:
931:
927:
923:
918:
916:
912:
908:
904:
900:
895:
887:
883:
879:
878:
877:Brigham Young
873:
869:
867:
863:
859:
855:
851:
847:
843:
839:
834:
830:
823:
815:
814:
809:
805:
803:
799:
795:
794:Life magazine
791:
787:
783:
782:The Knockdown
779:
774:
772:
768:
764:
763:J. Alden Weir
760:
756:
752:
748:
744:
740:
739:E. W. Marland
735:
733:
729:
728:Mary Tarleton
724:
719:
715:
711:
707:
703:
699:
695:
694:Ashcan School
690:
686:
681:
679:
675:
671:
667:
663:
659:
654:
648:
646:
645:Temple Square
642:
638:
634:
626:
625:Temple Square
622:
621:
616:
612:
610:
606:
602:
598:
594:
585:
584:Temple Square
581:
580:
575:
566:
564:
560:
556:
550:
547:
543:
542:
537:
533:
529:
524:
523:The Man Tired
520:
516:
511:
509:
505:
501:
496:
494:
490:
486:
482:
478:
477:
472:
471:
460:
458:
454:
449:
444:
442:
441:
436:
435:Laughing Faun
432:
431:
426:
422:
418:
414:
410:
402:
398:
389:
386:
380:
378:
374:
370:
366:
365:John Held Jr.
360:
358:
354:
350:
344:
342:
338:
334:
330:
329:Brigham Young
326:
322:
312:
310:
306:
302:
298:
294:
290:
286:
285:Ashcan School
282:
278:
277:New York City
274:
273:Brigham Young
270:
265:
263:
258:
255:
251:
243:
240:
237:
233:
226:
225:
222:
221:Olympic Games
218:
214:
213:United States
201:Representing
199:
196:
192:
189:Medal record
187:
180:(grandfather)
179:
178:Brigham Young
174:
171:
167:
164:
160:Cecelia Sharp
159:
155:
152:
149:
145:
141:
140:
139:Brigham Young
134:
133:
127:
126:
122:
116:
112:
108:
104:
100:
96:
93:
91:Resting place
89:
85:
81:
67:
63:
59:
55:
45:
41:
37:Young in 1913
34:
29:
25:Mahonri Young
22:
19:
3194:
3169:
3149:
3118:(4): 35–43,
3115:
3109:
3083:
3061:. Retrieved
3057:
3048:
3036:. Retrieved
3032:the original
3027:
3017:
3012:, p. 3.
3005:
2993:. Retrieved
2988:
2979:
2951:. New York:
2946:
2932:
2920:. Retrieved
2915:
2906:
2894:. Retrieved
2890:Deseret News
2889:
2879:
2859:, p. 2.
2852:
2847:, p. 10
2836:
2824:
2819:, p. 7.
2812:
2800:
2780:, p. 8.
2765:, p. 6.
2758:
2746:
2730:
2718:. Retrieved
2708:
2681:
2653:. New York:
2648:
2634:
2622:. Retrieved
2618:Deseret News
2617:
2607:
2595:
2583:
2571:
2559:
2517:. Retrieved
2506:
2494:. Retrieved
2490:
2481:
2469:. Retrieved
2464:
2455:
2443:
2435:the original
2430:
2420:
2409:. Retrieved
2405:the original
2396:
2389:Mallon, Bill
2382:
2371:the original
2362:
2356:
2344:. Retrieved
2340:
2331:
2319:
2307:
2295:
2283:. Retrieved
2278:
2269:
2257:
2230:
2218:
2206:
2194:
2182:. Retrieved
2168:
2141:
2129:
2117:
2105:
2093:. Retrieved
2089:Deseret News
2088:
2079:
2067:. Retrieved
2062:
2053:
2041:
2029:
1996:
1984:
1972:
1960:
1948:
1921:
1894:
1882:
1870:
1843:
1831:
1819:
1807:
1763:
1751:
1739:
1712:
1700:
1688:
1646:
1634:
1622:
1610:
1598:
1586:
1564:, p. x.
1557:
1545:
1518:
1506:
1494:
1467:
1462:, p. 6.
1455:
1443:
1431:
1419:
1407:
1395:
1383:
1354:
1342:
1330:
1325:, p. 41
1314:
1302:
1290:
1278:
1266:. Retrieved
1261:
1227:
1215:
1203:
1191:
1186:, p. 9.
1164:. Retrieved
1159:
1150:
1138:
1094:. Retrieved
1089:
1046:
1009:
1002:
991:
987:
959:
955:Cyrus Dallin
947:
919:
891:
875:
850:Donner Party
837:
826:
821:
811:
789:
785:
781:
775:
759:Dorothy Weir
743:Bryant Baker
736:
726:of whom was
688:
682:
673:
665:
661:
657:
652:
649:
637:Joseph Smith
630:
618:
605:B.H. Roberts
596:
589:
577:
558:
555:Bovet-Arthur
554:
551:
541:Paris Herald
539:
532:The Shoveler
531:
527:
522:
519:The Shoveler
518:
514:
512:
497:
480:
476:Deseret News
474:
468:
466:
445:
438:
434:
428:
424:
406:
400:
381:
361:
345:
318:
266:
249:
248:
163:Dorothy Weir
137:
130:
123:
119:Notable work
18:
3284:1957 deaths
3279:1877 births
3010:Mather 1940
2872:Hinton 1974
2857:Hinton 1974
2845:Hinton 1974
2841:Mather 1940
2829:Mather 1940
2817:Mather 1940
2793:Mather 1940
2778:Hinton 1974
2763:Hinton 1974
2751:Hinton 1974
2686:Hinton 1972
2641:"Sculptors"
2600:Hinton 1974
2537:Hinton 1972
2250:Mather 1940
2211:Hinton 1974
2199:Hinton 1974
2122:Hinton 1974
2110:Hinton 1974
2022:Mather 1940
2001:Hinton 1974
1989:Hinton 1974
1977:Hinton 1974
1965:Hinton 1974
1941:Hinton 1974
1887:Hinton 1974
1875:Hinton 1974
1863:Hinton 1974
1848:Hinton 1974
1836:Hinton 1974
1824:Hinton 1974
1800:Hinton 1974
1785:Hinton 1974
1768:Hinton 1974
1756:Hinton 1974
1732:Hinton 1974
1717:Hinton 1974
1705:Hinton 1974
1693:Hinton 1974
1681:Hinton 1974
1666:Hinton 1974
1651:Hinton 1974
1639:Hinton 1974
1627:Hinton 1974
1591:Hinton 1974
1579:Hinton 1974
1538:Hinton 1974
1523:Hinton 1974
1511:Hinton 1974
1499:Hinton 1974
1487:Hinton 1974
1472:Hinton 1974
1448:Hinton 1974
1424:Hinton 1974
1412:Hinton 1974
1400:Hinton 1974
1376:Hinton 1974
1359:Hinton 1974
1347:Hinton 1974
1335:Hinton 1974
1323:Hinton 1974
1307:Hinton 1974
1283:Hinton 1974
1220:Hinton 1974
767:Connecticut
698:Armory show
641:Hyrum Smith
417:Edwin Evans
315:Early years
102:Nationality
84:Connecticut
3273:Categories
3204:1560850558
3093:0842524533
3076:References
2805:Toone 1997
2739:Davis 1999
2735:Toone 1997
2701:Toone 1997
2588:Toone 1997
2576:Toone 1997
2564:Toone 1997
2552:Toone 1997
2448:Davis 1999
2411:2016-05-29
2324:Davis 1999
2312:Davis 1999
2300:Davis 1999
2262:Davis 1999
2235:Toone 1997
2223:Davis 1999
2178:0870999230
2146:Davis 1999
2134:Davis 1999
2046:Toone 1997
2034:Toone 1997
1953:Toone 1997
1926:Davis 1999
1914:Davis 1999
1899:Davis 1999
1812:Davis 1999
1744:Davis 1999
1615:Davis 1999
1603:Davis 1999
1562:Toone 1997
1550:Davis 1999
1460:Toone 1997
1436:Toone 1997
1388:Davis 1999
1319:Davis 1999
1295:Davis 1999
1232:Davis 1999
1208:Davis 1999
1196:Davis 1999
1184:Davis 1999
1143:Davis 1999
1131:Davis 1999
1116:Toone 1997
913:directly.
899:suspenders
706:surrealism
559:The Toilet
457:Kenyon Cox
413:John Hafen
343:from him.
283:" and the
72:1957-11-03
3158:365653294
3142:254403315
3063:April 30,
3038:April 10,
2995:April 26,
2922:April 30,
2720:April 26,
2624:April 29,
2471:April 29,
2341:Olympedia
2285:April 26,
2184:April 30,
1268:April 10,
1166:April 10,
1096:April 10,
1058:Citations
1038:Footnotes
907:overcoats
836:proud of
831:, or pay
786:Pont Neuf
737:In 1926,
714:Communism
662:Stevedore
609:The Eight
546:New Salon
528:Man Tired
377:Montaigne
281:The Eight
269:President
175:(brother)
169:Relatives
157:Spouse(s)
113:Sculpting
3186:19895602
3168:(1940).
3134:45224350
3102:42649636
2971:24502140
2673:24502140
2346:2 August
1026:See also
903:bloomers
880:, 1949.
755:Fox Film
747:Joe Gans
623:, 1913.
582:, 1913.
357:Waldemar
341:blessing
291:and the
257:sculptor
147:Movement
105:American
2945:(ed.).
2647:(ed.).
1160:History
963:gouache
833:tithing
595:called
534:to the
425:Laocoön
80:Norwalk
70: (
3201:
3184:
3156:
3140:
3132:
3100:
3090:
2969:
2959:
2896:May 1,
2671:
2661:
2519:May 2,
2496:May 2,
2175:
2095:May 2,
2069:May 2,
1090:Engisn
999:Legacy
978:, and
864:, and
702:Cubism
569:Career
489:France
481:Herald
415:, and
210:
142:(1949)
135:(1947)
128:(1913)
97:, Utah
3252:, BYU
3138:S2CID
3130:JSTOR
2941:. In
2643:. In
2374:(PDF)
2367:(PDF)
526:sent
485:Paris
430:David
3199:ISBN
3182:OCLC
3154:OCLC
3098:OCLC
3088:ISBN
3065:2019
3040:2019
2997:2019
2967:OCLC
2957:ISBN
2924:2019
2898:2019
2722:2019
2669:OCLC
2659:ISBN
2626:2019
2521:2019
2498:2019
2473:2019
2465:LIFE
2348:2020
2287:2019
2186:2019
2173:ISBN
2097:2019
2071:2019
1270:2019
1168:2019
1098:2019
901:and
894:Utah
753:, a
749:for
708:and
601:YMCA
530:and
521:and
502:and
455:and
433:and
375:and
367:and
301:Utah
203:the
65:Died
43:Born
3258:at
3120:doi
3275::
3262:,
3239:—
3180:.
3176:,
3136:,
3128:,
3114:,
3096:,
3056:.
3026:.
2987:.
2965:.
2914:.
2888:.
2864:^
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