33:
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illustrated himself—because his position imputed responsibility for the overall art direction of the distributor's ad campaigns. Determining the authorship of vintage film posters is intrinsically difficult, however, due to the generally anonymous nature of the work, especially in the United States. Grosz's window card for
1836:
generally excluded film memorabilia until the late 1980s. Since that time, original copies of Grosz's poster designs have been highly valued at auction. As of 2012, six of the world's ten most expensive film posters had been produced for
Universal horror films under his art direction. He is also the
1741:
His lines are very seductive and there's a glamor and an elegance he manages to capture. In some of those movie posters, even though they're 'scary horror' movies, there's still a factor of beauty and elegance that draws me in even deeper. I think it's because of the fact it's not just horror. It's
509:
Grosz began working at
Universal's art department in New York in the mid-1920s. By 1930, he and Philip Cochrane had been appointed advertising art directors by the company's first advertising manager (and Philip's brother), Robert Cochrane. Grosz and Cochrane have been credited with the generally
1966:
Manguel found that Pierce had also claimed credit for other individual contributions to the appearance of
Frankenstein's monster that were not his own; for example, Pierce similarly claimed that he had conceived the monster's flat-top boxy skull, even though the actual origin for the distinctive
617:
Cochrane left
Universal in 1937, while Grosz may have continued to work there as late as 1938. Following their departures, Universal's poster art of the late 1930s and early 1940s entered a decline marked by a shift from vivid illustrations to mundane photographic reproductions. The quality of
363:
around 1896, immigrated to the United States in 1901, became a naturalized
American citizen, lived in New York, and worked in film advertising between approximately 1920 and 1938. Only a small portion of his artistic output has been attributed to him, reflecting the standard anonymity of early
636:
Grosz is believed to have contributed hundreds of illustrations to
Universal between the late 1920s and late 1930s. He is often credited, at least partially, for the majority of Universal's posters produced while he was head of the art department—even for posters he may not have necessarily
603:, which suggested a more mechanical or robotic appearance, served as the source for the steel bolts in the monster's neck. A comparatively minor detail, the neck-bolts are now an iconic visual element that is closely associated with the monster, especially Universal's version. Although
516:
introduced the general public to the now-familiar characters from
Universal's early horror films. Alongside horror-themed artwork, Grosz's tenure at Universal was distinguished by "lively, dramatic poster work to match the prestige and earnings" of such films as the World War I
1594:
Tony
Nourmand and Graham Marsh wrote that Grosz's posters were highly original and often "as legendary as the films themselves." Although his artistic style usually conformed to the relatively conservative standards of commercial art, they cited his teaser posters for
4325:
486:
were considered novel for the time because the designs emphasized an "idea" or visual theme, rather than literal depictions of scenes that a viewer could expect to see in the film. He was credited the same year with a billboard-size display for silent western
667:
The list below includes films with poster illustrations, ad campaign art direction, or other artwork that has been specifically attributed to Grosz in a secondary source. The gallery below includes individual designs attributed to him.
1899:
lithograph set the record again in 2017 with a sales price of $ 525,800; while the illustrator was unidentified, Grosz was responsible for the art direction of the film's poster campaign as a whole. In 2018, another copy of
4343:
389:
but his dates of birth and death were listed as unknown. According to New York state and federal census records dated 1925 and 1930, Grosz was born in
Hungary around 1896, immigrated to the United States in 1901, was a
377:
Little is known about Grosz's life, as is the case with many early poster artists. Details of his biography have remained obscure even after his illustrations became some of the most valuable in film poster collecting.
4240:
544:
Grosz's poster designs were exported to international markets, sometimes with modifications or variations. In the United
Kingdom, his posters for horror films were deemed so outrageous and lurid that by 1932 the
344:, respectively—have set the auction record for the world's most expensive film poster. The latter held the record for nearly 20 years and, at the time of its sale in 1997, it may have been the most expensive
356:. The reference website LearnAboutMoviePosters (LAMP) noted that, as of August 2016, Grosz appeared more than any other artist on its comprehensive list of vintage film posters sold for at least $ 20,000.
278:
for the bulk of the 1930s, Grosz oversaw the company's advertising campaigns and contributed hundreds of his own illustrations. He is especially recognized for his dramatic, colorful posters for classic
1837:
best-represented artist on a much longer list maintained by the website LearnAboutMoviePosters (LAMP), which is periodically updated to include every known sale of a film poster for $ 20,000 or higher.
4223:
178:
1583:(1942). British film historian Sim Branaghan wrote that Grosz's "wild imaginings" had an outsize influence on poster design in the UK from the 1950s onward, especially for the burgeoning market in
1940:, but his name has been rendered without accent marks by almost all sources published during and after his career. At least one article, published in 2017, gave his name as "Károly Grósz".
3670:
2071:
it is even difficult to find information on the artist has more movie posters than any other—the big dollar leader—Karoly Grosz"). For the freely available version of LAMP's list, see
1967:
skull-shape was a description in the screenplay. Nevertheless, Manguel asserted Pierce was "in the end responsible" for the overall appearance and onscreen realization of the monster.
3965:
3774:
4444:
4260:
4370:
1527:
Grosz's illustrations are now praised for their artistic quality and prized by collectors, but this was not the case until a half-century after the fact. In their own time,
1358:
3704:
4620:
4537:
1844:
poster sold at auction for $ 198,000 (equivalent to $ 418,000 in 2023), doubling the pre-sale estimation and nearly tripling the previous record price. In March 1997,
3755:
4232:
3725:
4068:
1318:
1535:
and disposed at the end of a film's run. Well-preserved original copies are scarce—for example, there were only two known copies of Grosz's one-sheet poster for
4209:
3843:
1852:
for $ 453,000 (equivalent to $ 860,000 in 2023). The sale exceeded not only Grosz's own previous record, but also the highest price then achieved for an
4625:
4305:
3687:
1558:'s classics—hideous creatures, half-clad heroines, unsealed tombs, mad doctors." In their estimation, Grosz's work in the horror genre was equaled only by
1197:
4280:
4009:
4465:
4630:
4200:
4181:
4091:
1864:
became not only the most-expensive poster in film advertising, but possibly in all of fine art. While Grosz's name had been largely unknown before
1379:
1148:
1466:
3654:
3603:
1339:
1254:
2381:(noting the neck-bolts are considered by Universal to be one of the copyright-protected elements of its iteration of Frankenstein's monster).
1812:. The high valuation of his work brought him posthumous recognition in his native Hungary as a noteworthy Hungarian artist who lived abroad.
3955:
391:
3764:
1868:
sale, even among high-end collectors, other examples of his poster art dramatically increased in value shortly afterward. Will Bennett of
1487:
4580:
4434:
1828:
topped the list of most expensive film poster in 2017. Its illustrator is unknown, but Grosz was art director for the film's ad campaign.
359:
Despite the growth in his artwork's valuation and prominence, very little biographical information about Grosz is known. He was born in
4108:
1155:
796:
522:
319:
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4249:
4570:
1237:
4360:
4565:
4527:
3696:
3745:
3300:
1840:
Two posters illustrated by Grosz have set the record for most expensive film poster at auction. In an October 1993 auction, a
433:
Grosz began working in film advertising as early as 1920, when an industry newspaper described him as an employee of producer
4605:
4493:
3713:
3529:
3382:
3308:
3240:
1588:
1244:
862:
446:
4058:
3553:
4518:
1853:
1449:
1432:
1172:
819:
546:
289:
3569:
1615:
included at least six posters illustrated by Grosz in its 2003 list of "100 Years... 100 American Movie Poster Classics":
1218:
3866:
631:
1742:
not just darkness and evil. There are also elements of beauty and hope in Grosz's illustrations. To me, he was a master.
4575:
3633:
3612:
2158:
1303:
1269:
4610:
3493:
3465:
3439:
3420:
3401:
3359:
3272:
3206:
3166:
1506:
239:
1165:
4645:
4640:
3829:
3504:
3319:
3283:
3217:
1415:
768:
4028:
1398:
32:
4650:
4595:
1993:
among Grosz's poster work but did not specify which of the film's multiple posters Grosz illustrated or designed.
1286:
4297:
3679:
4600:
4339:
2009:
Grosz has been specifically credited for this poster's art direction, but not necessarily for its illustration.
1781:
1276:
883:
4272:
1696:
336:
copies of his poster art are scarce and highly valued by collectors. Two posters illustrated by Grosz—ads for
4453:
1422:
1325:
1045:
930:
510:
high artistic quality of Universal's advertising throughout the 1930s. Images like Grosz's teaser poster for
307:
4585:
3995:
3819:. Vol. XXXV, no. 48. New York: Wid's Films and Film Folks, Inc. pp. 110–111 – via the
3264:
1908:
million. It failed to sell, however, with no bid meeting the $ 950,000 minimum by the October 31 deadline.
1891:
1874:
said that "the name that collectors look for is Karoly Grosz", though he noted that the exceptionally high
1716:) named Grosz his favorite film poster artist and owns a custom guitar based on the three-sheet poster for
607:
4190:
4014:
4635:
4171:
3721:
3351:
1182:
4077:
4454:"5 Things to Do This Weekend: A Metallica God and His Monster Collection to a Reimagined Joni Mitchell"
4378:
3457:
3158:
1559:
1550:... a certain charm and almost naive perfection" to "the highly sensationalistic elements of directors
284:
264:
3589:
1788:
of horror memorabilia from Hammett's collection, with several pieces by Grosz, debuted in 2017 at the
413:
4417:
1857:
975:
745:
719:
610:
took credit in interviews for the monster's neck-bolts, Argentine-Canadian film critic and historian
600:
586:
489:
482:
419:
43:
3935:
4479:
3913:
3909:"With the Advertising Brains: A Weekly Discussion of the New, Unusual, and Novel in Promotion Aids"
3839:
3788:
3254:
1809:
1204:
839:
512:
425:
295:
48:
4474:
3810:
4615:
4590:
4158:
4131:
3198:
1612:
317:(1935). Beyond the horror genre, his other notable designs include posters for the epic war film
4396:
1929:
4421:
3769:
3347:
3250:
2168:
1805:
1576:
951:
644:
4483:. Vol. 47, no. 1. New York: Chalmers Publishing Company. p. 40 – via the
3922:
3797:
3333:
2931:(identifying the original poster design the guitar is based on, and attributing it to Grosz);
4387:
4100:
4033:
3888:
1785:
1780:
was featured in the 1999 exhibition "The American Century: Art and Culture 1900–2000" at the
1513:
1456:
1439:
1405:
1365:
1293:
1129:
1086:
1066:
1020:
999:
905:
663:
peak effort among many" for Universal's art department during Grosz's tenure as art director.
595:
Grosz also made contributions to the look of Universal's films themselves. Most notably, his
498:
313:
301:
4560:
4555:
4409:
3942:. Vol. 20, no. 2. New York: Motion Picture Weekly Co. p. 29 – via the
3191:
Feiertag, Todd R.; Katz-Schwartz, Judith; King, Michael B.; Kuppig, Christopher J. (2001).
1797:
1793:
1789:
571:
557:
450:
442:
1758:, 30 years before that term and movement even existed." Since 1995, he has owned a custom
1591:
diminished and films with mature themes targeting adult audiences became more mainstream.
8:
4334:
4298:"LAMP Presents the Top Selling List - Part 2: the most expensive movie posters on record"
4149:
4122:
3735:
1879:
1870:
1665:
469:
260:
95:
1904:
poster was expected to reclaim the record with an estimated sales value as high as $ 1.5
4382:
4195:
4144:
4117:
3594:
3294:
3192:
2876:(providing general information about AFI's "100 American Movie Poster Classics" list);
1937:
1820:
1737:
and a prolific collector of horror memorabilia—named Grosz his favorite poster artist:
774:
726:
619:
454:
275:
255:
122:
4047:
4176:
3908:
3783:
3666:
3525:
3521:
3489:
3461:
3435:
3416:
3397:
3378:
3355:
3304:
3268:
3236:
3202:
3177:
3162:
1607:," and "ultra-modern" even by contemporary standards. In 2013, Nourmand included the
1584:
445:. In 1921, he was listed as a member of the New York-based professional organization
438:
434:
4484:
4400:
4162:
4135:
3943:
3926:
3820:
3801:
3599:
3499:
3314:
3278:
3212:
3183:
1762:
641:
is a rare example of an American film poster from the period signed by the artist.
549:
introduced stricter content regulations for advertising displays in public places.
530:
195:
4082:
3956:"Exclusive: Metallica's Kirk Hammett Talks Movie Posters, His New Book, and More!"
4532:
3515:
3485:
3479:
3449:
3341:
3329:
3258:
1954:
1543:
656:
611:
385:
providing biographical blurbs of poster artists, Grosz's birthplace was given as
4510:
4273:"LAMP Presents the Top Selling List: the most expensive movie posters on record"
3892:
2935:, 3:50–3:56 (identifying 1995 as the specific year Hammett acquired the guitar).
1611:
teaser in a book listing his choices for the 100 "essential" movie posters. The
398:. He was married to Bertha Grosz around 1917 and they had two children by 1930.
4435:"Kirk Hammett: Five Things We Learned from His Ernie Ball 'String Theory' Clip"
4214:
4042:
3977:(Interview). Interviewed by Shukla, Neil; Luis, Paul; Hebert, Mark. Cosmo Music
3815:
1473:
1106:
604:
534:
349:
325:
3974:
3852:
618:
Universal's poster art improved again after Maurice Kallis was recruited from
4549:
3975:"Kirk Hammett calls his legendary 'Greeny' Les Paul a 'guitar of the people'"
3960:
3878:
3874:
3750:
3475:
1925:
1532:
473:
39:
3645:
3624:
4439:
4365:
4063:
3951:
3862:
3857:
3683:
3577:
3557:
3535:
3365:
3232:
1953:
Technically, this would have been the Hungarian region of the nation-state
1933:
1845:
1730:
1709:
1571:
1551:
465:
271:
3811:"Greetings and Congratulations to Carl Laemmle from the Home Office Staff"
2079:; note that this version of the list does not include artist attributions.
589:
has been credited as the origin of the character's distinctive neck bolts.
4233:"'Mummy' film poster, expected to fetch record, fails to sell at auction"
3834:
1759:
1751:
1604:
1555:
1528:
596:
494:
458:
402:
345:
333:
280:
267:
177:
118:
114:
4000:
3517:
Heritage Auctions Vintage Movie Poster Auction Catalog #7008, Dallas, TX
2891:
614:
rejected Pierce's claim, finding that Grosz's concept art came earlier.
1833:
1773:
1567:
1546:
and Richard C. Allen, Grosz's colorful, dramatic illustrations "brought
2888:
above for sources verifying attribution of these six posters to Grosz.
3883:
3746:"Peer Into the Horror That Is Kirk Hammett's Movie Poster Collection"
1734:
1705:
518:
2396:
1932:: family name first, given name second. Both names are spelled with
1687:
4410:"Souvenir Program – Universal Pictures Corporation, New York: 1927"
4087:
4038:
4005:
3896:
1977:
477:
353:
2520:
2518:
2339:
2337:
2335:
4461:
4296:———; ———, eds. (March 2020).
4271:———; ———, eds. (March 2020).
4236:
4059:"The Mummy: the story of the world's most expensive movie poster"
3986:
1950:
1801:
1755:
1563:
395:
386:
360:
3454:
Reel Art: Great Posters from the Golden Age of the Silver Screen
2843:
625:
3659:(Universal, 1936). One Sheet (27" × 41") Style C. | Lot #87029"
3190:
3059:
2804:
2780:
2746:
2744:
2677:
2675:
2642:
2615:
2613:
2611:
2609:
2596:
2594:
2562:
2560:
2515:
2424:
2332:
2320:
2833:
2831:
2707:
2705:
2535:
2533:
453:. By 1923, he managed the advertising art departments of both
213:
4111:
from the original on June 28, 2017 – via Movie-Ink.com.
3182:. New York: Wid's Films and Film Folks, Inc. – via the
3118:, p. 217 (crediting Grosz with the art direction of the
3002:, p. 217 (crediting Grosz with the art direction of the
2274:
2272:
2270:
2268:
2043:
2041:
2039:
2037:
204:
2906:
2741:
2729:
2672:
2632:
2630:
2628:
2606:
2591:
2557:
1754:
portrait gone evil" and, "in essence, an amazing example of
881:
4219:
3430:———; ———, eds. (2004).
3411:———; ———, eds. (2003).
3394:
Film Posters of the 30s: The Essential Movies of the Decade
2828:
2792:
2702:
2545:
2530:
2195:
Karoly Grosz as art manager" of "Al Lichtman Corporation").
1539:
until 2001, when a third was found in a garage in Arizona.
1043:
928:
401:
He was sometimes referred to as "Carl" or "Karl" Grosz. He
227:
3733:
Bennett, Will (September 21, 1998). "Object of the week".
2265:
2255:
2253:
2034:
3765:"Could Rare 'Mummy' Poster Fetch $ 1 Million at Auction?"
3714:"Metallica Guitarist's Horror and Sci-Fi Posters on View"
2938:
2880:(entries 1–50 from AFI's list, including poster images);
2855:
2625:
1882:", "was regarded as a freak row between two collectors".
1531:
film posters were ephemeral objects to be distributed to
673:
Films with promotional artwork attributed to Karoly Grosz
221:
2927:(providing the make and model of the guitar, ESP KH-2);
3972:
2932:
2692:
2690:
2250:
973:
717:
2505:
2503:
2384:
2187:
Karoly Grosz, head of the Preferred Art Department");
2136:
2134:
472:, and was influenced by a range of movements spanning
3697:"How Universal Re-Copyrighted Frankenstein's Monster"
3574:] Grosz in the 1930 United States Federal Census"
3229:
Too Much Horror Business: The Kirk Hammett Collection
3093:
441:, working on art titling at the company's studios in
240:
230:
207:
201:
2983:
2981:
2756:
2687:
2146:
224:
210:
4621:
Emigrants from Austria-Hungary to the United States
3392:———; Marsh, Graham, eds. (2003).
3125:
3081:
2816:
2768:
2717:
2500:
2131:
2119:
2060:
2058:
2056:
1765:electric guitar painted with a design from Grosz's
1119:
1096:
1076:
1056:
1034:
1018:
1009:
989:
964:
941:
919:
903:
894:
872:
852:
829:
809:
786:
758:
735:
708:
218:
198:
4361:"The 10 most expensive film posters – in pictures"
4107:(in Dutch and English). No. 122. p. 45.
3554:"Karoly Grosz in the New York, State Census, 1925"
3021:
3009:
1677:15 in its 2007 list of the 25 best movie posters.
655:B" 24-sheet illustrated by Grosz. Film historians
4528:"Personal finance: Film posters hit the big time"
4143:———, ed. (September 22, 1923).
4080:[How much is a street messenger worth?].
3652:
3567:
3551:
3152:
2978:
2950:
2849:
2343:
2326:
2224:
2220:
2092:
2088:
2022:
1889:was broken in 2014 by a poster for the 1927 film
4547:
4116:Johnston, William A., ed. (September 15, 1923).
3587:
3227:———; Chirazi, Steffan (2012).
3055:
2317:, p. 133 (attributing the poster to Grosz).
2053:
2005:
2003:
2001:
1999:
1878:sale price, equivalent to "a decent painting by
3631:
3610:
2881:
2877:
2354:
2352:
504:
3964:(Interview). Interviewed by Barkan, Jonathan.
3544:
3481:The Monster Show: A Cultural History of Horror
3410:
3391:
3226:
3071:
3043:
2912:
2786:
2711:
2681:
283:. Grosz's best-known posters advertised early
16:Hungarian-American illustrator of film posters
3998:[The golden age of the film poster].
3950:
3809:Dannenberg, Joseph, ed. (February 28, 1926).
3677:
3429:
3075:
2944:
2750:
2735:
2663:
2648:
2636:
2619:
2600:
2585:
2566:
2494:
2442:
2314:
2208:
1996:
1603:as major exceptions that remain "striking," "
632:List of Universal Pictures films § 1930s
626:List of attributed film posters and other art
4433:Scapelliti, Christopher (October 11, 2016).
3921:(4). New York: Chalmers Publishing Company:
3853:"100 Greatest American Film Poster Classics"
3796:(4). New York: Chalmers Publishing Company:
3448:
3263:. Vol. 13 (1st US ed.). New York:
3155:British Film Posters: An Illustrated History
3115:
2999:
2837:
2810:
2798:
2581:
2551:
2539:
2524:
2490:
2474:
2458:
2430:
2414:
2402:
2349:
2290:
2278:
2204:
2047:
4626:American people of Hungarian-Jewish descent
4295:
4270:
3782:Da Ponte, T. S., ed. (September 22, 1923).
3644:. MovieGoods.com. p. 2. Archived from
3623:. MovieGoods.com. p. 1. Archived from
3375:100 Movie Posters: The Essential Collection
2076:
2072:
1848:sold an original copy of the one-sheet for
4432:
4383:"Jerome Beatty Heads Lichtman Advertising"
4247:
3827:
3808:
3340:. In Buscombe, Edward; White, Rob (eds.).
3175:
3153:Branaghan, Sim; Chibnall, Stephen (2006).
2924:
2310:
2164:
2109:
2064:
1522:
659:and Richard C. Allen hailed the poster as
31:
4631:Naturalized citizens of the United States
4142:
4115:
2244:
2240:
1983:
4414:Uncle Tom's Cabin & American Culture
4320:
4145:"'April Showers' Boasts Unusual Posters"
3781:
3372:
3299:(2nd printing ed.). San Francisco:
2897:
2861:
2659:
2657:
2259:
2180:
1980:book distributed at the film's premiere.
1819:
643:
464:As a painter, Grosz tended to work with
412:
4525:
4498:Romanian Journal of Artistic Creativity
4407:
4377:
4373:from the original on February 13, 2020.
4248:Poole, Ed; Poole, Susan (August 2016).
4230:
4226:from the original on February 28, 2020.
4203:from the original on November 30, 2018.
4056:
3973:——— (July 31, 2017).
3873:
3743:
3732:
3606:from the original on December 29, 2017.
3328:
3131:
3099:
3087:
2928:
2774:
2723:
2509:
2390:
2362:
2188:
2082:
480:. His posters for the 1923 silent film
417:Grosz's early poster work for the film
259:; March 9, 1897 – May 14, 1952) was a
4548:
4540:from the original on January 31, 2014.
4521:from the original on January 30, 2013.
4494:"Edgar Allan Poe on the Silver Screen"
4492:Tudor, Lucia-Alexandra (Winter 2014).
4472:
4451:
4358:
4326:"The 25 Best Movie Posters Ever | 15.
4243:from the original on November 1, 2018.
4188:
4147:. Production–Distribution Activities.
4120:. Production–Distribution Activities.
4118:"Teaser One-Sheet for 'April Showers'"
4098:
4071:from the original on October 15, 2018.
4026:
3993:
3968:from the original on December 6, 2019.
3933:
3828:Della Cava, Marco R. (April 1, 2011).
3777:from the original on October 11, 2018.
3758:from the original on November 1, 2019.
3707:from the original on January 11, 2020.
3694:
3301:Golden Gate National Parks Conservancy
3292:
3027:
3015:
2968:
2696:
2577:
2575:
2446:
2418:
2378:
2298:
2294:
2152:
2125:
2113:
2105:
2028:
1960:
1943:
1772:Grosz's artwork has been exhibited in
348:of any kind, including other forms of
4508:
4491:
4468:from the original on August 17, 2017.
4099:Jansen, Wim (October–November 2016).
4075:
3934:Gulick, Paul, ed. (August 23, 1924).
3906:
3869:from the original on January 8, 2020.
3850:
3762:
3712:Barry, Rebecca Rego (July 16, 2019).
3711:
3695:Bailey, Jonathan (October 24, 2011).
3513:
3249:
3111:
2987:
2972:
2956:
2873:
2822:
2762:
2667:
2654:
2478:
2462:
2236:
2140:
1957:(1867–1918) at the time of his birth.
1589:film censorship in the United Kingdom
687:
684:
681:
678:
447:Associated Motion Picture Advertisers
405:to Carl Grosz Karoly in August 1937.
254:
4447:from the original on April 14, 2020.
4428:from the original on April 30, 2017.
4266:from the original on March 31, 2017.
4207:
4169:
4057:Hoffman, Jordan (October 15, 2018).
3907:Grimm, Ben H. (September 22, 1923).
3728:from the original on August 4, 2019.
3680:"The Mummy Film Poster | Single Lot"
3474:
3343:British Film Institute Film Classics
3039:
2374:
2358:
4395:(21). Chicago: Quigley Publishing:
4308:from the original on April 17, 2020
4283:from the original on April 17, 2020
4231:Michaud, Chris (October 31, 2018).
4184:from the original on March 3, 2020.
4094:from the original on June 14, 2020.
4027:Harman, John N. (August 14, 1937).
3846:from the original on March 5, 2020.
3690:from the original on March 5, 2020.
3673:from the original on March 6, 2020.
3260:The Mammoth Book of Best New Horror
2572:
1970:
1918:
13:
4581:20th-century American illustrators
14:
4662:
4526:Windsor, John (August 15, 1998).
4509:Walne, Toby (February 26, 2012).
4359:Pulver, Andrew (March 14, 2012).
4210:"Kirk Hammett's favorite posters"
4189:LeDuff, Charlie (June 29, 1997).
3784:"Preferred Display Is Attractive"
3763:Couch, Aaron (October 11, 2018).
3744:Burgess, Anika (August 4, 2017).
3634:"AFI Top 100 Movie Posters [#
3613:"AFI Top 100 Movie Posters [#
3296:Alcatraz: The Ultimate Movie Book
688:
4473:Spedon, Sam (November 6, 1920).
4250:"LAMP Post: Film Accessory News"
4208:Luca, Dustin (August 16, 2017).
4170:King, Susan (October 19, 1993).
4103:[Keeping a Clear Head].
4078:"Mennyit ér az utca hírmondója?"
4046:
3994:Hamvay, Péter (April 13, 2004).
3176:Dannenberg, Joseph, ed. (1921).
1708:guitarist and horror aficionado
1695:
1686:
1505:
1486:
1465:
1448:
1431:
1414:
1397:
1378:
1357:
1338:
1317:
1302:
1285:
1268:
1253:
1236:
1217:
1196:
1181:
1164:
1147:
585:Grosz's robotic illustration of
570:
556:
381:In an appendix of the 1988 book
372:
367:
323:(1930) and the screwball comedy
194:
176:
4571:20th-century Hungarian painters
4076:Jankó, Judit (April 18, 2004).
3434:. London: Aurum Press Limited.
3415:. London: Aurum Press Limited.
3396:. London: Aurum Press Limited.
3145:
3105:
3065:
3049:
3033:
2993:
2962:
2918:
2867:
2484:
2468:
2452:
2436:
2408:
2368:
2304:
2284:
2230:
2214:
2198:
2174:
408:
152:
121:, advertising art director for
4566:20th-century American painters
4452:Siegel, Ed (August 17, 2017).
4408:Railton, Stephen, ed. (n.d.).
4340:Hachette Filipacchi Media U.S.
3484:(Revised ed.). New York:
3255:"Introduction: Horror in 2001"
3062:, pp. 14, 50–51, 70, 125.
2112:, p. 110 ("Carl Grosz");
2098:
2091:(1925 New York state census);
1782:Whitney Museum of American Art
1156:All Quiet on the Western Front
797:All Quiet on the Western Front
523:All Quiet on the Western Front
364:American film poster artists.
320:All Quiet on the Western Front
1:
3739:. No. 44559. p. 19.
3514:Smith, Grey (July 23, 2009).
3265:Carroll & Graf Publishers
2850:Branaghan & Chibnall 2006
2344:Branaghan & Chibnall 2006
2327:Branaghan & Chibnall 2006
2221:Branaghan & Chibnall 2006
1542:According to film historians
547:British Board of Film Censors
132:
4606:Jewish American illustrators
3718:Fine Books & Collections
3452:; Allen, Richard C. (1988).
3201:: Martingale & Company.
2885:
2116:, p. 29 ("Karl Grosz").
2016:
1824:The "Style A" one-sheet for
1815:
1562:'s poster art for the 1940s
505:Career at Universal Pictures
7:
4475:"Keeping in Personal Touch"
3830:"Leisure: Emotion Pictures"
3786:. News from the Producers.
3722:Chapel Hill, North Carolina
3545:Periodicals and web sources
3352:Fitzroy Dearborn Publishers
3257:. In Jones, Stephen (ed.).
1885:The auction record held by
499:1902 novel of the same name
493:, the second adaptation of
10:
4667:
4517:. London: Campden Wealth.
4302:LearnAboutMoviePosters.com
4277:LearnAboutMoviePosters.com
4257:LearnAboutMoviePosters.com
3413:Science Fiction Poster Art
3377:. London: Reel Art Press.
3159:Cambridge University Press
3140:
3072:Nourmand & Marsh 2003a
3044:Nourmand & Marsh 2003a
2913:Hammett & Chirazi 2012
2787:Nourmand & Marsh 2003b
2712:Nourmand & Marsh 2003a
2682:Nourmand & Marsh 2003b
1140:
773:
629:
622:to serve as art director.
285:Universal Classic Monsters
4576:20th-century male artists
4101:"Het koppie erbij houden"
4041:. p. 15 – via
3936:"Can You Solve This One?"
3879:"Answer the collect call"
3590:"'Mummy' Costs $ 453,000"
3179:Wid's Year Book 1921–1922
3076:Nourmand & Marsh 2004
2751:Nourmand & Marsh 2004
2736:Nourmand & Marsh 2004
2664:Nourmand & Marsh 2004
2649:Nourmand & Marsh 2004
2637:Hammett & Barkan 2017
2620:Nourmand & Marsh 2004
2601:Nourmand & Marsh 2004
2586:Nourmand & Marsh 2004
2567:Nourmand & Marsh 2004
2495:Nourmand & Marsh 2004
2443:Nourmand & Marsh 2004
2315:Nourmand & Marsh 2004
2209:Nourmand & Marsh 2004
1858:Henri de Toulouse-Lautrec
1796:before continuing to the
1776:. A one-sheet poster for
1649:Murders in the Rue Morgue
1261:Murders in the Rue Morgue
1245:Murders in the Rue Morgue
1030:
985:
915:
863:Murders in the Rue Morgue
848:
805:
725:
704:
697:
694:
639:Murders in the Rue Morgue
175:
170:
162:
139:
128:
110:
102:
84:
61:
30:
23:
4611:Jewish American painters
4480:The Moving Picture World
4191:"Bird Made Him a Sleuth"
3996:"A filmplakát aranykora"
3914:The Moving Picture World
3840:Penske Media Corporation
3789:The Moving Picture World
3293:Lieber, Robert (2011) .
3116:Rebello & Allen 1988
3000:Rebello & Allen 1988
2838:Rebello & Allen 1988
2811:Rebello & Allen 1988
2799:Rebello & Allen 1988
2582:Rebello & Allen 1988
2552:Rebello & Allen 1988
2540:Rebello & Allen 1988
2525:Rebello & Allen 1988
2491:Rebello & Allen 1988
2475:Rebello & Allen 1988
2459:Rebello & Allen 1988
2431:Rebello & Allen 1988
2415:Rebello & Allen 1988
2405:, pp. 93, 215, 325.
2403:Rebello & Allen 1988
2291:Rebello & Allen 1988
2279:Rebello & Allen 1988
2205:Rebello & Allen 1988
2048:Rebello & Allen 1988
1911:
1810:Columbia, South Carolina
1733:—the lead guitarist for
426:The Moving Picture World
403:legally changed his name
4646:Hungarian male painters
4641:Yiddish-speaking people
4020:(subscription required)
3900:(subscription required)
3653:Anon. (July 25, 2015).
3588:Anon. (March 2, 1997).
3581:(subscription required)
3561:(subscription required)
3373:Nourmand, Tony (2013).
3346:. Vol. 1. London:
3199:Woodinville, Washington
2077:Poole & Poole 2020b
2073:Poole & Poole 2020a
1613:American Film Institute
1523:Retrospective appraisal
265:Classical Hollywood–era
256:[ˈkaːrojˈɡroːs]
38:Poster illustration of
4651:Hungarian illustrators
4596:Artists from the Bronx
4422:University of Virginia
4381:, ed. (May 19, 1923).
3770:The Hollywood Reporter
3348:British Film Institute
2884:(entries 51–100); see
2225:Heritage Auctions 2015
2095:(1930 federal census).
2093:Ancestry Library n.d.b
2089:Ancestry Library n.d.a
2065:Poole & Poole 2016
1829:
1806:Columbia Museum of Art
1744:
952:Moonlight and Pretzels
664:
601:Frankenstein's monster
587:Frankenstein's monster
578:Karloff as the monster
430:
4601:Advertising directors
3925:–342 – via the
3505:registration required
3336:Bride of Frankenstein
3320:registration required
3284:registration required
3218:registration required
3056:Associated Press 1997
1892:London After Midnight
1823:
1750:teaser poster to an "
1739:
1514:Wives Under Suspicion
1440:Love Before Breakfast
1386:Bride of Frankenstein
1366:Bride of Frankenstein
1130:Wives Under Suspicion
1067:Love Before Breakfast
1000:Bride of Frankenstein
649:Bride of Frankenstein
647:
529:(1930) and the early
416:
314:Bride of Frankenstein
4324:staff (March 2007).
3877:(October 24, 1998).
3354:. pp. 297–317.
3060:Feiertag et al. 2001
2882:MovieGoods.com 2007b
2878:MovieGoods.com 2007a
2377:, pp. 132–133;
2361:, pp. 132–133;
1798:Royal Ontario Museum
1794:Salem, Massachusetts
1790:Peabody Essex Museum
1786:traveling exhibition
1746:Hammett likened the
1639:40), the teaser for
1631:29), the teaser for
1176:(1931) insert poster
564:Concept art by Grosz
451:Associated Producers
443:Fort Lee, New Jersey
106:Carl (or Karl) Grosz
4586:Film poster artists
4172:"Movies – A Record"
4150:Motion Picture News
4123:Motion Picture News
3851:Dirks, Tim (n.d.).
3736:The Daily Telegraph
2933:Hammett et al. 2019
2813:, pp. 174–175.
2527:, pp. 276–277.
2433:, pp. 93, 325.
2183:, p. 360 ("...
1871:The Daily Telegraph
675:
449:and an employee of
392:naturalized citizen
96:Plainview, New York
4636:Universal Pictures
4379:Quigley, Martin J.
4196:The New York Times
3648:on March 15, 2007.
3627:on March 11, 2007.
3595:The New York Times
3194:Movie Collectibles
3157:. United Kingdom:
2651:, pp. 9, 134.
2191:, p. 32 ("...
1949:Grosz was born in
1930:Eastern name order
1856:by French painter
1854:Art Nouveau poster
1830:
1657:Dracula's Daughter
1585:exploitation films
1457:Dracula's Daughter
1277:The Old Dark House
1087:Dracula's Daughter
884:The Old Dark House
775:Universal Pictures
727:Preferred Pictures
671:
665:
620:Paramount Pictures
455:Preferred Pictures
431:
276:Universal Pictures
261:Hungarian–American
123:Universal Pictures
4388:Exhibitors Herald
4177:Los Angeles Times
4010:Arcanum Digitheca
3954:(July 31, 2017).
3667:Heritage Auctions
3531:978-1-59967-377-6
3522:Heritage Auctions
3432:Horror Poster Art
3384:978-0-9572610-8-2
3310:978-1-883869-92-2
3267:. pp. 1–81.
3242:978-0-8109-9659-5
3122:poster campaign).
3006:poster campaign).
2864:, pp. 48–49.
2789:, pp. 70–71.
2108:, p. 40 and
2067:, p. 9 ("...
1976:Grosz designed a
1641:The Invisible Man
1625:The Invisible Man
1601:The Invisible Man
1423:The Invisible Ray
1346:The Invisible Man
1326:The Invisible Man
1297:(1932), one-sheet
1138:
1137:
1046:The Invisible Ray
931:The Invisible Man
769:Uncle Tom's Cabin
439:Selznick Pictures
435:Lewis J. Selznick
308:The Invisible Man
184:
183:
129:Years active
4658:
4541:
4522:
4505:
4488:
4485:Internet Archive
4469:
4448:
4429:
4404:
4401:Internet Archive
4399:– via the
4374:
4355:
4353:
4351:
4346:on July 19, 2008
4317:
4315:
4313:
4292:
4290:
4288:
4267:
4265:
4254:
4244:
4227:
4204:
4185:
4166:
4163:Internet Archive
4161:– via the
4157:(12). New York:
4139:
4136:Internet Archive
4134:– via the
4130:(11). New York:
4112:
4105:Schokkend Nieuws
4095:
4086:(in Hungarian).
4072:
4053:
4051:
4050:
4023:
4021:
4018:
4004:(in Hungarian).
3990:
3984:
3982:
3969:
3947:
3944:Internet Archive
3940:Universal Weekly
3930:
3927:Internet Archive
3903:
3901:
3870:
3847:
3824:
3821:Internet Archive
3805:
3802:Internet Archive
3800:– via the
3778:
3759:
3740:
3729:
3708:
3701:Plagiarism Today
3691:
3674:
3649:
3641:
3637:
3628:
3620:
3616:
3607:
3600:Associated Press
3584:
3582:
3578:Ancestry Library
3564:
3562:
3558:Ancestry Library
3539:
3510:
3508:
3500:Internet Archive
3498:– via the
3471:
3450:Rebello, Stephen
3445:
3426:
3407:
3388:
3369:
3330:Manguel, Alberto
3325:
3323:
3315:Internet Archive
3313:– via the
3289:
3287:
3279:Internet Archive
3277:– via the
3246:
3223:
3221:
3213:Internet Archive
3211:– via the
3187:
3184:Internet Archive
3172:
3135:
3129:
3123:
3109:
3103:
3097:
3091:
3085:
3079:
3069:
3063:
3053:
3047:
3037:
3031:
3025:
3019:
3013:
3007:
2997:
2991:
2985:
2976:
2966:
2960:
2954:
2948:
2942:
2936:
2922:
2916:
2910:
2904:
2895:
2889:
2871:
2865:
2859:
2853:
2847:
2841:
2835:
2826:
2820:
2814:
2808:
2802:
2796:
2790:
2784:
2778:
2772:
2766:
2760:
2754:
2748:
2739:
2733:
2727:
2721:
2715:
2709:
2700:
2694:
2685:
2679:
2670:
2661:
2652:
2646:
2640:
2634:
2623:
2617:
2604:
2598:
2589:
2579:
2570:
2564:
2555:
2549:
2543:
2537:
2528:
2522:
2513:
2507:
2498:
2488:
2482:
2472:
2466:
2456:
2450:
2440:
2434:
2428:
2422:
2412:
2406:
2400:
2394:
2388:
2382:
2372:
2366:
2356:
2347:
2341:
2330:
2324:
2318:
2308:
2302:
2288:
2282:
2276:
2263:
2257:
2248:
2243:, p. 1343;
2234:
2228:
2218:
2212:
2202:
2196:
2194:
2186:
2178:
2172:
2162:
2156:
2150:
2144:
2138:
2129:
2123:
2117:
2102:
2096:
2086:
2080:
2070:
2062:
2051:
2045:
2032:
2026:
2010:
2007:
1994:
1987:
1981:
1974:
1968:
1964:
1958:
1947:
1941:
1936:in the original
1922:
1907:
1722:in both pictures
1699:
1690:
1676:
1669:magazine ranked
1662:
1654:
1646:
1638:
1630:
1622:
1582:
1549:
1509:
1499:
1490:
1480:
1469:
1452:
1435:
1418:
1401:
1391:
1382:
1372:
1361:
1351:
1342:
1332:
1321:
1306:
1289:
1272:
1257:
1240:
1230:
1221:
1211:
1200:
1185:
1168:
1151:
1125:
1122:
1102:
1099:
1082:
1079:
1062:
1059:
1049:
1040:
1037:
1024:
1015:
1012:
995:
992:
979:
970:
967:
947:
944:
934:
925:
922:
909:
900:
897:
887:
878:
875:
858:
855:
835:
832:
815:
812:
792:
789:
764:
761:
741:
738:
723:
714:
711:
690:
676:
674:
670:
662:
654:
579:
574:
565:
560:
540:
531:screwball comedy
528:
423:, reproduced in
258:
253:
247:
243:
237:
236:
233:
232:
229:
226:
223:
220:
216:
215:
212:
209:
206:
203:
200:
192:
180:
156:
154:
134:
103:Other names
91:
75:
73:
56:
54:
35:
21:
20:
4666:
4665:
4661:
4660:
4659:
4657:
4656:
4655:
4546:
4545:
4544:
4533:The Independent
4418:Charlottesville
4349:
4347:
4311:
4309:
4286:
4284:
4263:
4252:
4045:
4019:
4012:
3980:
3978:
3899:
3838:. Los Angeles:
3639:
3635:
3618:
3614:
3580:
3560:
3547:
3542:
3532:
3502:
3496:
3486:Faber and Faber
3468:
3442:
3423:
3404:
3385:
3362:
3317:
3311:
3281:
3275:
3243:
3215:
3209:
3169:
3148:
3143:
3138:
3130:
3126:
3110:
3106:
3098:
3094:
3086:
3082:
3070:
3066:
3054:
3050:
3038:
3034:
3026:
3022:
3014:
3010:
2998:
2994:
2986:
2979:
2967:
2963:
2955:
2951:
2943:
2939:
2925:Scapelliti 2016
2923:
2919:
2911:
2907:
2896:
2892:
2872:
2868:
2860:
2856:
2848:
2844:
2836:
2829:
2821:
2817:
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2769:
2761:
2757:
2749:
2742:
2734:
2730:
2722:
2718:
2710:
2703:
2695:
2688:
2680:
2673:
2666:, p. 178;
2662:
2655:
2647:
2643:
2635:
2626:
2618:
2607:
2599:
2592:
2584:, p. 220;
2580:
2573:
2565:
2558:
2550:
2546:
2538:
2531:
2523:
2516:
2508:
2501:
2493:, p. 224;
2489:
2485:
2477:, p. 325;
2473:
2469:
2461:, p. 324;
2457:
2453:
2445:, p. 132;
2441:
2437:
2429:
2425:
2413:
2409:
2401:
2397:
2389:
2385:
2373:
2369:
2357:
2350:
2342:
2333:
2325:
2321:
2311:Della Cava 2011
2309:
2305:
2289:
2285:
2277:
2266:
2258:
2251:
2247:, p. 1462.
2239:, p. 342;
2235:
2231:
2219:
2215:
2207:, p. 325;
2203:
2199:
2192:
2184:
2179:
2175:
2165:Dannenberg 1921
2163:
2159:
2151:
2147:
2139:
2132:
2124:
2120:
2110:Dannenberg 1926
2103:
2099:
2087:
2083:
2068:
2063:
2054:
2046:
2035:
2027:
2023:
2019:
2014:
2013:
2008:
1997:
1989:Hammett listed
1988:
1984:
1975:
1971:
1965:
1961:
1955:Austria-Hungary
1948:
1944:
1923:
1919:
1914:
1905:
1860:; as a result,
1818:
1728:
1727:
1726:
1725:
1702:
1701:
1700:
1692:
1691:
1674:
1660:
1652:
1644:
1636:
1628:
1620:
1580:
1547:
1544:Stephen Rebello
1525:
1518:
1510:
1501:
1497:
1491:
1482:
1478:
1470:
1461:
1453:
1444:
1436:
1427:
1419:
1410:
1402:
1393:
1389:
1383:
1374:
1370:
1362:
1353:
1349:
1343:
1334:
1330:
1322:
1313:
1307:
1298:
1290:
1281:
1273:
1264:
1258:
1249:
1241:
1232:
1228:
1222:
1213:
1209:
1201:
1192:
1186:
1177:
1169:
1160:
1152:
1143:
1123:
1120:
1100:
1097:
1080:
1077:
1060:
1057:
1038:
1035:
1013:
1010:
993:
990:
968:
965:
945:
942:
923:
920:
898:
895:
876:
873:
856:
853:
833:
830:
813:
810:
790:
787:
762:
759:
739:
736:
712:
709:
699:
672:
660:
657:Stephen Rebello
652:
634:
628:
612:Alberto Manguel
593:
592:
591:
590:
582:
581:
580:
577:
575:
567:
566:
563:
561:
538:
526:
507:
411:
375:
370:
263:illustrator of
251:
245:
241:
217:
197:
193:
190:
158:
155: 1917)
150:
146:
98:
93:
89:
80:
77:
71:
69:
68:
67:
57:
52:
37:
26:
17:
12:
11:
5:
4664:
4654:
4653:
4648:
4643:
4638:
4633:
4628:
4623:
4618:
4616:Hungarian Jews
4613:
4608:
4603:
4598:
4593:
4591:Horror artists
4588:
4583:
4578:
4573:
4568:
4563:
4558:
4543:
4542:
4523:
4511:"Poster Maker"
4506:
4489:
4470:
4449:
4430:
4405:
4375:
4356:
4342:Archived from
4318:
4293:
4268:
4245:
4228:
4215:The Salem News
4205:
4186:
4167:
4140:
4113:
4096:
4073:
4054:
4043:Newspapers.com
4029:"Legal Notice"
4024:
3991:
3970:
3948:
3931:
3904:
3875:Gregory, Conal
3871:
3848:
3825:
3816:The Film Daily
3806:
3779:
3760:
3741:
3730:
3709:
3692:
3678:Anon. (2018).
3675:
3657:My Man Godfrey
3650:
3632:Anon. (2007).
3629:
3611:Anon. (2007).
3608:
3585:
3568:Anon. (n.d.).
3565:
3552:Anon. (n.d.).
3548:
3546:
3543:
3541:
3540:
3530:
3511:
3494:
3476:Skal, David J.
3472:
3466:
3458:Abbeville Pres
3446:
3440:
3427:
3421:
3408:
3402:
3389:
3383:
3370:
3360:
3326:
3309:
3290:
3273:
3251:Jones, Stephen
3247:
3241:
3224:
3207:
3188:
3173:
3167:
3149:
3147:
3144:
3142:
3139:
3137:
3136:
3124:
3104:
3092:
3080:
3064:
3048:
3032:
3020:
3008:
2992:
2977:
2961:
2949:
2945:Sotheby's 2018
2937:
2917:
2905:
2890:
2866:
2854:
2852:, p. 100.
2842:
2840:, p. 215.
2827:
2815:
2803:
2801:, p. 224.
2791:
2779:
2767:
2765:, p. 266.
2755:
2753:, p. 134.
2740:
2738:, p. 133.
2728:
2716:
2701:
2686:
2671:
2653:
2641:
2624:
2622:, p. 132.
2605:
2603:, p. 141.
2590:
2588:, p. 105.
2571:
2569:, p. 179.
2556:
2554:, p. 218.
2544:
2542:, p. 217.
2529:
2514:
2499:
2483:
2481:, p. 266.
2467:
2451:
2435:
2423:
2417:, p. 93;
2407:
2395:
2393:, p. 302.
2383:
2367:
2365:, p. 302.
2348:
2331:
2319:
2303:
2297:, p. 55;
2293:, p. 93;
2283:
2264:
2262:, p. 360.
2249:
2245:Johnston 1923b
2241:Johnston 1923a
2229:
2223:, p. 46;
2213:
2211:, p. 132.
2197:
2173:
2157:
2145:
2143:, p. 342.
2130:
2118:
2097:
2081:
2052:
2050:, p. 325.
2033:
2020:
2018:
2015:
2012:
2011:
1995:
1982:
1969:
1959:
1942:
1926:personal names
1916:
1915:
1913:
1910:
1895:. An original
1817:
1814:
1704:
1703:
1694:
1693:
1685:
1684:
1683:
1682:
1681:
1533:movie theaters
1524:
1521:
1520:
1519:
1511:
1504:
1502:
1494:My Man Godfrey
1492:
1485:
1483:
1477:(1936), "Style
1474:My Man Godfrey
1471:
1464:
1462:
1454:
1447:
1445:
1437:
1430:
1428:
1420:
1413:
1411:
1403:
1396:
1394:
1384:
1377:
1375:
1369:(1935), "Style
1363:
1356:
1354:
1344:
1337:
1335:
1329:(1933), "Style
1323:
1316:
1314:
1308:
1301:
1299:
1291:
1284:
1282:
1274:
1267:
1265:
1259:
1252:
1250:
1242:
1235:
1233:
1223:
1216:
1214:
1208:(1931), "Style
1202:
1195:
1193:
1187:
1180:
1178:
1170:
1163:
1161:
1153:
1146:
1142:
1139:
1136:
1135:
1133:
1126:
1117:
1113:
1112:
1110:
1107:My Man Godfrey
1103:
1093:
1092:
1090:
1083:
1073:
1072:
1070:
1063:
1053:
1052:
1050:
1041:
1032:
1028:
1027:
1025:
1016:
1006:
1005:
1003:
996:
987:
983:
982:
980:
971:
962:
958:
957:
955:
948:
938:
937:
935:
926:
917:
913:
912:
910:
901:
891:
890:
888:
879:
869:
868:
866:
859:
850:
846:
845:
843:
836:
826:
825:
823:
816:
807:
803:
802:
800:
793:
784:
780:
779:
777:
772:
765:
756:
752:
751:
749:
742:
732:
731:
729:
724:
715:
706:
702:
701:
696:
692:
691:
686:
683:
680:
627:
624:
605:make-up artist
584:
583:
576:
569:
568:
562:
555:
554:
553:
552:
551:
535:My Man Godfrey
506:
503:
410:
407:
374:
371:
369:
366:
350:commercial art
326:My Man Godfrey
287:films such as
182:
181:
173:
172:
168:
167:
164:
160:
159:
148:
144:
143:
141:
137:
136:
130:
126:
125:
112:
108:
107:
104:
100:
99:
94:
92:(aged 55)
86:
82:
81:
78:
65:
63:
59:
58:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
4663:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:
4589:
4587:
4584:
4582:
4579:
4577:
4574:
4572:
4569:
4567:
4564:
4562:
4559:
4557:
4554:
4553:
4551:
4539:
4535:
4534:
4529:
4524:
4520:
4516:
4512:
4507:
4503:
4499:
4495:
4490:
4486:
4482:
4481:
4476:
4471:
4467:
4463:
4459:
4455:
4450:
4446:
4442:
4441:
4436:
4431:
4427:
4423:
4419:
4415:
4411:
4406:
4402:
4398:
4394:
4390:
4389:
4384:
4380:
4376:
4372:
4368:
4367:
4362:
4357:
4345:
4341:
4337:
4336:
4331:
4329:
4323:
4319:
4307:
4303:
4299:
4294:
4282:
4278:
4274:
4269:
4262:
4258:
4251:
4246:
4242:
4238:
4234:
4229:
4225:
4221:
4217:
4216:
4211:
4206:
4202:
4198:
4197:
4192:
4187:
4183:
4179:
4178:
4173:
4168:
4164:
4160:
4156:
4152:
4151:
4146:
4141:
4137:
4133:
4129:
4125:
4124:
4119:
4114:
4110:
4106:
4102:
4097:
4093:
4089:
4085:
4084:
4083:Napi Gazdaság
4079:
4074:
4070:
4066:
4065:
4060:
4055:
4049:
4044:
4040:
4036:
4035:
4030:
4025:
4016:
4011:
4007:
4003:
4002:
3997:
3992:
3988:
3976:
3971:
3967:
3963:
3962:
3961:Dread Central
3957:
3953:
3952:Hammett, Kirk
3949:
3945:
3941:
3937:
3932:
3928:
3924:
3920:
3916:
3915:
3910:
3905:
3898:
3894:
3890:
3886:
3885:
3880:
3876:
3872:
3868:
3864:
3860:
3859:
3854:
3849:
3845:
3841:
3837:
3836:
3831:
3826:
3822:
3818:
3817:
3812:
3807:
3803:
3799:
3795:
3791:
3790:
3785:
3780:
3776:
3772:
3771:
3766:
3761:
3757:
3753:
3752:
3751:Atlas Obscura
3747:
3742:
3738:
3737:
3731:
3727:
3723:
3719:
3715:
3710:
3706:
3702:
3698:
3693:
3689:
3685:
3681:
3676:
3672:
3668:
3664:
3660:
3658:
3651:
3647:
3643:
3630:
3626:
3622:
3609:
3605:
3601:
3597:
3596:
3591:
3586:
3579:
3575:
3573:
3570:"Keroly [
3566:
3559:
3555:
3550:
3549:
3537:
3533:
3527:
3523:
3519:
3518:
3512:
3506:
3501:
3497:
3495:0-571-19996-8
3491:
3487:
3483:
3482:
3477:
3473:
3469:
3467:0-89659-869-1
3463:
3459:
3455:
3451:
3447:
3443:
3441:1-84513-010-3
3437:
3433:
3428:
3424:
3422:1-85410-946-4
3418:
3414:
3409:
3405:
3403:1-85410-938-3
3399:
3395:
3390:
3386:
3380:
3376:
3371:
3367:
3363:
3361:1-57958-328-8
3357:
3353:
3349:
3345:
3344:
3339:
3337:
3331:
3327:
3321:
3316:
3312:
3306:
3302:
3298:
3297:
3291:
3285:
3280:
3276:
3274:0-7867-1063-2
3270:
3266:
3262:
3261:
3256:
3252:
3248:
3244:
3238:
3234:
3230:
3225:
3219:
3214:
3210:
3208:1-56477-376-0
3204:
3200:
3196:
3195:
3189:
3185:
3181:
3180:
3174:
3170:
3168:1-84457-221-8
3164:
3160:
3156:
3151:
3150:
3133:
3128:
3121:
3117:
3113:
3108:
3102:, p. 19.
3101:
3096:
3089:
3084:
3078:, p. 10.
3077:
3074:, p. 6;
3073:
3068:
3061:
3057:
3052:
3046:, p. 10.
3045:
3041:
3036:
3029:
3024:
3017:
3012:
3005:
3001:
2996:
2989:
2984:
2982:
2974:
2970:
2965:
2958:
2953:
2946:
2941:
2934:
2930:
2926:
2921:
2915:, p. 32.
2914:
2909:
2902:
2900:
2894:
2887:
2883:
2879:
2875:
2870:
2863:
2862:Nourmand 2013
2858:
2851:
2846:
2839:
2834:
2832:
2825:, p. 52.
2824:
2819:
2812:
2807:
2800:
2795:
2788:
2783:
2776:
2771:
2764:
2759:
2752:
2747:
2745:
2737:
2732:
2725:
2720:
2713:
2708:
2706:
2699:, p. 45.
2698:
2693:
2691:
2684:, p. 70.
2683:
2678:
2676:
2669:
2665:
2660:
2658:
2650:
2645:
2638:
2633:
2631:
2629:
2621:
2616:
2614:
2612:
2610:
2602:
2597:
2595:
2587:
2583:
2578:
2576:
2568:
2563:
2561:
2553:
2548:
2541:
2536:
2534:
2526:
2521:
2519:
2511:
2506:
2504:
2496:
2492:
2487:
2480:
2476:
2471:
2464:
2460:
2455:
2449:, p. 45.
2448:
2444:
2439:
2432:
2427:
2421:, p. 55.
2420:
2416:
2411:
2404:
2399:
2392:
2387:
2380:
2376:
2371:
2364:
2360:
2355:
2353:
2346:, p. 47.
2345:
2340:
2338:
2336:
2329:, p. 46.
2328:
2323:
2316:
2312:
2307:
2301:, p. 45.
2300:
2296:
2292:
2287:
2281:, p. 93.
2280:
2275:
2273:
2271:
2269:
2261:
2260:Da Ponte 1923
2256:
2254:
2246:
2242:
2238:
2233:
2226:
2222:
2217:
2210:
2206:
2201:
2190:
2182:
2181:Da Ponte 1923
2177:
2170:
2166:
2161:
2155:, p. 40.
2154:
2149:
2142:
2137:
2135:
2128:, p. 15.
2127:
2122:
2115:
2111:
2107:
2101:
2094:
2090:
2085:
2078:
2074:
2066:
2061:
2059:
2057:
2049:
2044:
2042:
2040:
2038:
2030:
2025:
2021:
2006:
2004:
2002:
2000:
1992:
1991:The Black Cat
1986:
1979:
1973:
1963:
1956:
1952:
1946:
1939:
1935:
1934:acute accents
1931:
1927:
1921:
1917:
1909:
1903:
1898:
1894:
1893:
1888:
1883:
1881:
1877:
1873:
1872:
1867:
1863:
1859:
1855:
1851:
1847:
1843:
1838:
1835:
1832:The high-end
1827:
1822:
1813:
1811:
1807:
1803:
1799:
1795:
1791:
1787:
1783:
1779:
1775:
1770:
1769:three-sheet.
1768:
1764:
1761:
1757:
1753:
1749:
1743:
1738:
1736:
1732:
1723:
1719:
1715:
1714:left, in 2017
1711:
1707:
1698:
1689:
1680:
1678:
1673:poster at no.
1672:
1668:
1667:
1658:
1650:
1642:
1634:
1626:
1618:
1614:
1610:
1606:
1602:
1598:
1592:
1590:
1586:
1579:
1578:
1573:
1569:
1565:
1561:
1557:
1553:
1545:
1540:
1538:
1534:
1530:
1516:
1515:
1508:
1503:
1495:
1489:
1484:
1476:
1475:
1468:
1463:
1459:
1458:
1451:
1446:
1442:
1441:
1434:
1429:
1425:
1424:
1417:
1412:
1408:
1407:
1400:
1395:
1387:
1381:
1376:
1368:
1367:
1360:
1355:
1347:
1341:
1336:
1328:
1327:
1320:
1315:
1312:, three-sheet
1311:
1305:
1300:
1296:
1295:
1288:
1283:
1279:
1278:
1271:
1266:
1263:, window card
1262:
1256:
1251:
1247:
1246:
1239:
1234:
1226:
1220:
1215:
1207:
1206:
1199:
1194:
1190:
1184:
1179:
1175:
1174:
1167:
1162:
1158:
1157:
1150:
1145:
1144:
1134:
1132:
1131:
1127:
1118:
1115:
1114:
1111:
1109:
1108:
1104:
1095:
1094:
1091:
1089:
1088:
1084:
1075:
1074:
1071:
1069:
1068:
1064:
1055:
1054:
1051:
1048:
1047:
1042:
1033:
1029:
1026:
1023:
1022:
1017:
1008:
1007:
1004:
1002:
1001:
997:
988:
984:
981:
978:
977:
976:The Black Cat
972:
963:
960:
959:
956:
954:
953:
949:
940:
939:
936:
933:
932:
927:
918:
914:
911:
908:
907:
902:
893:
892:
889:
886:
885:
880:
871:
870:
867:
865:
864:
860:
851:
847:
844:
842:
841:
837:
828:
827:
824:
822:
821:
817:
808:
804:
801:
799:
798:
794:
785:
782:
781:
778:
776:
771:
770:
766:
757:
754:
753:
750:
748:
747:
746:April Showers
743:
734:
733:
730:
728:
722:
721:
720:The Virginian
716:
707:
703:
693:
677:
669:
658:
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490:The Virginian
485:
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483:April Showers
479:
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474:Expressionism
471:
467:
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457:and producer
456:
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420:April Showers
415:
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373:Personal life
368:Life and work
365:
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145:Bertha Grosz
142:
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111:Occupation(s)
109:
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97:
87:
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76:March 9, 1897
64:
60:
51:
50:
45:
41:
40:Boris Karloff
34:
29:
22:
19:
4531:
4514:
4501:
4497:
4478:
4457:
4440:Guitar World
4438:
4413:
4392:
4386:
4366:The Guardian
4364:
4348:. Retrieved
4344:the original
4338:. New York:
4333:
4327:
4321:
4310:. Retrieved
4301:
4285:. Retrieved
4276:
4256:
4213:
4194:
4175:
4154:
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4127:
4121:
4104:
4081:
4064:The Guardian
4062:
4032:
4008:– via
3999:
3985:– via
3979:. Retrieved
3959:
3939:
3918:
3912:
3895:– via
3882:
3863:AMC Networks
3858:Filmsite.org
3856:
3833:
3814:
3793:
3787:
3768:
3749:
3734:
3717:
3700:
3662:
3656:
3646:the original
3625:the original
3593:
3576:– via
3571:
3556:– via
3536:Google Books
3534:– via
3516:
3480:
3456:. New York:
3453:
3431:
3412:
3393:
3374:
3366:Google Books
3364:– via
3342:
3335:
3295:
3259:
3233:Abrams Books
3231:. New York:
3228:
3193:
3178:
3154:
3146:Bibliography
3132:Michaud 2018
3127:
3119:
3107:
3100:Bennett 1998
3095:
3088:Windsor 1998
3083:
3067:
3051:
3035:
3023:
3011:
3003:
2995:
2964:
2952:
2940:
2929:Burgess 2017
2920:
2908:
2898:
2893:
2869:
2857:
2845:
2818:
2806:
2794:
2782:
2775:Burgess 2017
2770:
2758:
2731:
2724:Gregory 1998
2719:
2714:, p. 8.
2644:
2547:
2497:, p. 9.
2486:
2470:
2454:
2438:
2426:
2410:
2398:
2391:Manguel 2003
2386:
2370:
2363:Manguel 2003
2322:
2306:
2286:
2232:
2216:
2200:
2189:Quigley 1923
2176:
2160:
2148:
2121:
2100:
2084:
2024:
1990:
1985:
1972:
1962:
1945:
1920:
1901:
1896:
1890:
1886:
1884:
1880:Gainsborough
1875:
1869:
1865:
1861:
1849:
1842:Frankenstein
1841:
1839:
1831:
1825:
1777:
1771:
1766:
1748:Frankenstein
1747:
1745:
1740:
1731:Kirk Hammett
1729:
1721:
1717:
1713:
1710:Kirk Hammett
1679:
1670:
1664:
1656:
1648:
1640:
1633:Frankenstein
1632:
1624:
1616:
1609:Frankenstein
1608:
1600:
1597:Frankenstein
1596:
1593:
1575:
1572:RKO Pictures
1566:produced by
1560:William Rose
1552:Tod Browning
1541:
1536:
1526:
1512:
1493:
1472:
1455:
1438:
1421:
1404:
1385:
1364:
1345:
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1225:Frankenstein
1224:
1205:Frankenstein
1203:
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1128:
1105:
1085:
1065:
1044:
1019:
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974:
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840:Frankenstein
838:
818:
795:
767:
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638:
635:
616:
594:
543:
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521:
513:Frankenstein
511:
508:
488:
481:
463:
461:'s company.
432:
424:
418:
409:Early career
400:
394:, and spoke
382:
380:
376:
358:
341:
338:Frankenstein
337:
331:
324:
318:
312:
311:(1933), and
306:
300:
296:Frankenstein
294:
288:
281:horror films
272:art director
268:film posters
187:Karoly Grosz
186:
185:
119:film posters
90:(1952-05-14)
88:May 14, 1952
66:Grósz Károly
49:Frankenstein
47:
25:Karoly Grosz
18:
4561:1952 deaths
4556:1897 births
4013: [
3835:Robb Report
3028:Pulver 2012
3016:LeDuff 1997
2969:Hamvay 2004
2697:Jansen 2016
2510:Railton n.d
2447:Jansen 2016
2419:Lieber 2011
2379:Bailey 2011
2299:Jansen 2016
2295:Lieber 2011
2153:Spedon 1920
2126:Harman 1937
2114:Gulick 1924
2106:Spedon 1920
2104:See, e.g.,
2029:Siegel 2017
1774:art museums
1752:Andy Warhol
1605:avant-garde
1556:James Whale
1191:window card
698:Premiere or
682:Film title
608:Jack Pierce
597:concept art
495:Owen Wister
459:Al Lichtman
352:as well as
115:Illustrator
44:the monster
4550:Categories
4515:Campden FB
4460:. Boston:
4458:The ARTery
4034:The Tablet
3112:Couch 2018
2988:Couch 2018
2973:Jankó 2004
2957:Barry 2019
2874:Dirks n.d.
2823:Jones 2002
2763:Smith 2009
2668:Tudor 2014
2479:Smith 2009
2463:Walne 2012
2237:Grimm 1923
2167:, p.
2141:Grimm 1923
1924:Hungarian
1834:art market
1577:Cat People
1574:, such as
1568:Val Lewton
1529:lithograph
630:See also:
470:watercolor
334:lithograph
252:Hungarian:
72:1897-03-09
4328:The Mummy
4312:April 17,
4287:April 17,
3893:318010961
3884:The Times
3684:Sotheby's
3642:100]"
3478:(2001) .
3040:King 1993
2375:Skal 2001
2359:Skal 2001
2017:Citations
1938:Hungarian
1902:The Mummy
1887:The Mummy
1866:The Mummy
1862:The Mummy
1850:The Mummy
1846:Sotheby's
1816:Valuation
1778:The Mummy
1735:Metallica
1718:The Mummy
1706:Metallica
1671:The Mummy
1655:85), and
1617:The Mummy
1537:The Mummy
1406:The Raven
1373:E" teaser
1333:A" teaser
1310:The Mummy
1294:The Mummy
1212:B" teaser
1021:The Raven
906:The Mummy
429:magazine.
346:art print
342:The Mummy
332:Original
302:The Mummy
171:Signature
135:1920–1938
4538:Archived
4519:Archived
4466:Archived
4445:Archived
4426:Archived
4371:Archived
4350:March 7,
4335:Premiere
4322:Premiere
4306:Archived
4281:Archived
4261:Archived
4241:Archived
4224:Archived
4201:Archived
4182:Archived
4109:Archived
4092:Archived
4088:Budapest
4069:Archived
4039:Brooklyn
4006:Budapest
4001:Népszava
3981:March 3,
3966:Archived
3897:ProQuest
3889:ProQuest
3867:Archived
3844:Archived
3775:Archived
3756:Archived
3726:Archived
3705:Archived
3688:Archived
3671:Archived
3621:50]"
3604:Archived
3332:(2003).
3253:(2002).
2899:Premiere
1978:souvenir
1804:and the
1666:Premiere
1564:B movies
1496:, "Style
1388:, "Style
1348:, "Style
1227:, "Style
700:release
651:, "Style
541:(1936).
478:Art Deco
383:Reel Art
354:fine art
329:(1936).
305:(1932),
299:(1931),
293:(1931),
163:Children
4462:WBUR-FM
4237:Reuters
3987:YouTube
3141:Sources
3120:Dracula
3004:Dracula
2886:gallery
1951:Hungary
1928:follow
1897:Dracula
1826:Dracula
1802:Toronto
1756:pop art
1554:'s and
1189:Dracula
1173:Dracula
1141:Gallery
1078:May 13,
1036:Jan 20,
991:Apr 20,
921:Nov 13,
896:Dec 22,
874:Oct 20,
854:Feb 21,
831:Nov 21,
820:Dracula
811:Feb 14,
788:Apr 21,
737:Dec 10,
710:Sep 30,
685:Studio
396:Yiddish
387:Hungary
361:Hungary
290:Dracula
157:
149:
79:Hungary
3891:
3663:HA.com
3640:
3636:
3619:
3615:
3528:
3492:
3464:
3438:
3419:
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2069:
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1653:
1645:
1637:
1629:
1621:
1581:
1548:
1517:(1938)
1498:
1479:
1460:(1936)
1443:(1936)
1426:(1936)
1409:(1935)
1390:
1371:
1350:
1331:
1280:(1932)
1248:(1932)
1229:
1210:
1159:(1930)
1121:Jun 3,
1098:Sep 6,
1058:Mar 9,
1011:Jul 8,
966:May 7,
943:Aug 1,
760:Nov 4,
653:
539:
527:
246:GROHSS
140:Spouse
55:(1931)
53:
4264:(PDF)
4253:(PDF)
4017:]
1912:Notes
1876:Mummy
1767:Mummy
1663:88).
1647:69),
1587:, as
1116:1938
1031:1936
986:1935
961:1934
916:1933
849:1932
806:1931
783:1930
755:1927
705:1923
695:Year
679:Date
270:. As
244:-roy
151:(
147:
46:from
4504:(4).
4352:2020
4314:2020
4289:2020
4220:CNHI
4159:1462
4132:1343
3983:2020
3638:51–#
3526:ISBN
3490:ISBN
3462:ISBN
3436:ISBN
3417:ISBN
3398:ISBN
3379:ISBN
3356:ISBN
3350:and
3305:ISBN
3269:ISBN
3237:ISBN
3203:ISBN
3163:ISBN
2901:2007
2075:and
1784:. A
1763:KH-2
1659:(no.
1651:(no.
1643:(no.
1635:(no.
1627:(no.
1623:4),
1619:(no.
1599:and
1570:for
1124:1938
1101:1936
1081:1936
1061:1936
1039:1936
1014:1935
994:1935
969:1934
946:1933
924:1933
899:1932
877:1932
857:1932
834:1931
814:1931
791:1930
763:1927
740:1923
713:1923
689:Ref.
599:for
519:epic
468:and
340:and
85:Died
62:Born
3923:340
3798:360
3617:1–#
3572:sic
2169:177
1808:in
1800:in
1792:in
1760:ESP
661:"ne
497:'s
476:to
466:oil
437:'s
274:at
242:KAH
191:US:
117:of
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