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craft by working for the newly formed
Eastman Kodak company in Washington, D.C., forwarding film for development and advising customers when cameras needed repairs. In 1894, she opened her own photographic studio in Washington, D.C., on V Street between 13th and 14th streets, and at the time was the only woman photographer in the city.
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In the 1920s, Johnston became increasingly interested in photographing architecture. As New York changed under pressure of development, she wanted to document buildings and gardens that were falling into disrepair or were about to be redeveloped and lost. As her focus in architecture grew, she became
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She took portraits of friends, family, and local figures before working as a freelance photographer and touring Europe in the 1890s. There she used her connection to
Smillie to visit prominent photographers and gather items for the museum's collections. She gained further practical experience in her
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Her mother
Frances Antoinette Benjamin Johnston survived her husband by nearly two decades. She started in journalism as a special correspondent on Congress and was recognized as one of the first women to write on national affairs. She also worked as a drama critic under the byline "Ione" for the
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for public use. In
December 1935, Johnston began a year long project to capture historic structures of the Colonial Era in Virginia. This was intended to be a one-year project, but it developed into an eight-year extensive project. She traveled 50,000 miles and surveyed 95 counties in Virginia.
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Her parents moved to the national capital shortly after the Civil War, when she was an infant, possibly in part because they lost three infants during the war years. Her father began his more than three-decade long federal government career as an assistant bookkeeper in the
Treasury Department.
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The younger
Frances Benjamin Johnston was raised in Washington, D.C., and educated privately. She graduated in 1883 from Notre Dame of Maryland Collegiate Institute for Young Ladies (it developed later into a college and as Notre Dame of Maryland University). Afterward she studied art at the
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Johnston was interested in preserving the everyday history of the
American South through her art; she accomplished this by photographing barns, inns, and other ordinary structures. She was not interested in photographing the grand homes and plantations of the South, but rather the quickly
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Miss
Frances Benjamin Johnston is spending a week with her aunt, Mrs. Saunders Johnston, of 1342 Fifteenth street, prior to dismantelling her house and studio in this city. Miss Johnston is now established in New York, where her mother and Mrs. C. J. Hugen will make their home with
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Many of the early letters focused on Hewitt's admiration for
Johnston's work, but as their romance progressed, they increasingly expressed her love: "...when I need you or you need me — must hold each other all the closer and with your hand in mine, holding it tight..."
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The next morning she had secured a dozen plates of the
Admiral. Far in advance of other photographers, Miss Johnston was back in New York and within a week every newspaper reader in America was enabled to gaze on Admiral Dewey in all the glories of his white duck
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Miss Frances Benjamin Johnston, of this city, has commenced the erection of a studio on V street, between Thirteenth and Fourteenth streets, in which she proposes to make high-class photographs and prosecute to the fullest extent her study of
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Miss Frances Benjamin Johnston, who has just come home from Europe, has brought with her a series of interesting pictures. Mrs. Navarro is an old friend of Miss Johnston's mother. For one whole day she posed before the young photographer's
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and described as "A Series of Photographic Studies of the Architecture of the Region Dating by Tradition from Colonial Times to Circa 1830", and as "An Historical Record and to Preserve Something of the Atmosphere of An Old Virginia Town."
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whose career lasted for almost half a century. She is most known for her portraits, images of southern architecture, and various photographic series featuring African Americans and Native Americans at the turn of the twentieth century.
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Miss Frances Benjamin Johnston, the photographic artist, writes, in the Ladies' Home Journal, on "What a Woman Can Do With a Camera," telling the requisites for artistic and financial success in the pursuit of photography as a
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of New York to document Virginia's early architecture. This led to a series of grants and photographs in eight other southern states; copies of all of her photographs from these projects were given to the
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and Moscow in the Russian Empire, and to Washington, DC. She traveled widely in her thirties, taking a wide range of documentary and artistic photographs of coal miners, iron workers, women working in
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On June 10, at her residence, 163 Lexington Ave, after a brief illness, in her 83d year, peacefully entered into rest, Frances Antoinette Benjamin, beloved mother of Frances Benjamin Johnston
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Having grown up in a family that traveled in elite circles of the capital, Johnston built on her connections and familiarity with the Washington political scene: she was appointed as official
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Frances Benjamin Johnston Collection/LOC cph.3a47220. Frances Benjamin Johnston, with Maddie (her mother), before a painted backdrop of the Cliff House in San Francisco, California, 1903
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Miss Frances Benjamin Johnston is the only lady in the business of photography in the city, and in her skillful hands it has become an art that rivals the geniuses of the old world
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394:, a successful freelance home and garden photographer in her own right, Johnston opened a studio in New York City in 1913. Her mother and aunt moved into her new apartment.
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129:, was a historian. Although his father owned an 11-year-old Black boy in the 1850 census, Anderson Johnston sympathized with the Union, and Grafton was a key depot on the
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on business for women. The pair of women produced a series of studies of New York City architecture through the 1920s. In early 1920 her mother died in New York.
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published Johnston's article "What a Woman Can Do With a Camera", describing how to achieve artistic and financial success in photography as a profession. With
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Miss Johnston excels in portraits, a notable instance of her skill being a full length photograph of President McKinley delivery his last address in Buffalo.
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Her photographs remain an important resource for modern architects, historians and conservationists. In 1928, she exhibited a series of 247 photographs of
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Johnston began writing articles for periodicals before finding her creative outlet through photography. She was given her first camera by entrepreneur
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325:'s textile mills, and sailors being tattooed on board ship, as well as her society commissions. While in England she photographed the stage actress
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The only surviving child of wealthy and well-connected parents who became established in Washington, D.C., Frances Benjamin Johnston was born in
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Gushee, Elizabeth (Spring 2008). "Travels Through the Old South: Frances Benjamin Johnston and the Vernacular Architecture of Virginia".
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Frady, Kelsey T. "Frances Benjamin Johnston: Imaging the New Woman through Photography." M.A. thesis (University of Alabama, 2012).
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How women succeed, and why, will be explained in a series of lectures to be given at the New York University next winter
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for her work in preserving old and endangered buildings. Her collections have been purchased by institutions such as the
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hired Johnston to document its huge inventory of rapidly deteriorating plantations. She was given a grant in 1933 by the
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This series, documenting the ordinary life of the school, is considered among her most telling work. It was displayed at
444:"Arcady, where all the leaves are merry": Frances Benjamin Johnston's house, 1132 Bourbon Street, New Orleans, Louisiana
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Daughters of the American Revolution Lineage Book of Charter Members, Vol. 2, p. 126 of 422, available on ancestry.com
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Johnston photographed events such as world's fairs and peace-treaty signings. She took the last portrait of President
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presidential administrations. Perhaps her most famous work, shown here, is her self-portrait as the liberated "
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225:. Well connected among elite society, she was commissioned by magazines to do "celebrity" portraits, such as
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August Strindberg and Visual Culture: The Emergence of Optical Modernity in Image, Text, and Theatre
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deteriorating structures in these communities that portrayed the daily life of common southerners.
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Hewitt wrote Johnston love letters over the course of their relationship, which are chronicled in
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596:"Signing of the Protocol", marking the cessation of hostilities between the US and Spain in the
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in 1940, and retired there in 1945. She died in New Orleans in 1952 at the age of eighty-eight.
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1128:""Signing of the Protocol": Photos of the Noted Personages as the Historic Document was signed"
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229:'s wedding portrait. She was dubbed the "Photographer to the American court." She photographed
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cameras and film process. She received training in photography and dark-room techniques from
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Johnston advocated for the role of women in the burgeoning art of photography. In 1897 the
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Schroeder, Jonathan (2019), "Robert Wilson's Photographic Elements of A Dream Play," in
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1850 U.S. Federal Census Slave Schedule for District 3, Mason County, Kentucky p. 1 of 9
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945:"Woman Pioneer of Newspaper Photographers Entertained Here, Where Her Work is Admired"
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The Woman Behind the Lens: The Life and Work of Frances Benjamin Johnston, 1864–1952.
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1201:"Women for the Professions – Series of Lectures to be given at New York University"
1187:"The Love Letters of Pioneering Victorian Photojournalist Fannie Benjamin Johnston"
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A Talent for Detail: The Photographs of Miss Frances Benjamin Johnston 1889–1910.
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Portrait of ten men including Anderson D. Johnston (seated second from right)
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Pictorial Survey—Old Fredericksburg, Virginia—Old Falmouth and Nearby Places
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1860 U.S. Federal Census for District 3, Mason County, Kentucky p. 27 of 56
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George Washington Carver (front row, center) poses with fellow faculty of
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Prospects: An Annual of the American Cultural Studies' 13 (1988): p. 343.
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Art Documentation: Journal of the Art Libraries Society of North America
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in order to show its success. This commission added to her reputation.
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She took portraits of many famous contemporaries, including suffragette
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248:'s famous villa near Paris. While in Paris, Johnston also photographed
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Anne Maxell, "Montrer l'Autre: Franz Boas et les soeurs Gerhard", in
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as well as Union pay and supply depot during the American Civil War.
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interested in documenting the architecture of the American South.
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in 1900. Her photographs of the Hampton Institute were utilized in
96:(January 15, 1864 – May 16, 1952) was an American photographer and
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Anne E. Peterson research material about Frances Benjamin Johnston
847:"Frances Benjamin Johnston – Biographical Overview and Chronology"
175:, a close friend of the family, and inventor of the new, lighter,
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Detailed biography with link to her photographs in the collection
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of 1901 just before he was assassinated there. With her partner,
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The Woman Behind the Lens: Frances Benjamin Johnston, 1864–1952.
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Detailed text and images paint a portrait of Johnston's life.
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266:, an 1896 self-portrait taken in her Washington, DC studio
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Library of Congress Prints and Photographs Online Catalog
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657:. Louisiana Endowment for the Humanities. Archived from
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Frances Benjamin Johnston: The Early Years, 1889–1904.
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Zoos humains. De la VĂ©nus hottentote aux reality shows
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commissioned her to record its architectural history.
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hired her to document its buildings, and the state of
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Frances Benjamin Johnston's Legacy in Black and White
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Szalczer, Eszter; Stenport, Anna Westerstahl (2019),
298:", with petticoats showing and a beer stein in hand.
113:. Her mother, Frances Antoinette Benjamin, was from
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Includes a brief biography and links to many images
1325:. The Cultural Landscape Foundation. Archived from
16:American photographer, photojournalist (1864–1952)
821:Washington Times obituary dated December 19, 1906
163:in Paris and the Washington Art Students League.
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336:to photograph the buildings and students of the
1404:Clio's Frances Benjamin Johnston Online Exhibit
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1376:Ph.D., University of Oxford, Pembroke College.
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478:Johnston was named an honorary member of the
125:, Ohio. Anderson Doniphan Johnston's sister,
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727:, June 11, 1920; accessed September 1, 2018
684:"Washington Women with Brains and Business"
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1037:"Chronology of Zaida Ben-Yusuf, 1898–1900"
519:Three-quarter length portrait of educator
197:by Johnston, dressed as a man, sporting a
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3224:19th-century American women photographers
3219:20th-century American women photographers
861:"Amateur Photographers' Club in Prospect"
338:Hampton Normal and Agricultural Institute
1415:CRM: The Journal of Heritage Stewardship
1323:"Biography of Frances Benjamin Johnston"
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1039:. Smithsonian National Portrait Gallery
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916:Lincoln Kirstein (December 14, 1965).
332:In 1899, Johnston was commissioned by
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1394:, detailed biography with photographs
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2181:Annabelle Ravenscroft Gibson Jenkins
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1298:Barry Swackhamer (January 6, 2012).
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1132:The Evening Bulletin (Maysville, Ky)
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3214:20th-century American photographers
3209:19th-century American photographers
2375:Mary Alice Franklin Hatwood Futrell
2334:Mary Tyler Freeman Cheek McClenahan
1431:The Historic New Orleans Collection
1421:Museum of Modern Art Online Catalog
317:in Paris. It afterward traveled to
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3204:People from Grafton, West Virginia
1467:New Woman of the late 19th century
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329:, who was a friend of her mother.
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2699:Elizabeth Ambler Brent Carrington
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1300:"Frances Benjamin Johnston House"
793:"Mary Anderson Before the Camera"
448:As a result of this exhibit, the
183:, director of photography at the
3184:Photographers from West Virginia
3079:Elizabeth Dabney Langhorne Lewis
2821:Elizabeth Bray Allen Smith Stith
2622:Elizabeth Henry Campbell Russell
1302:. The Historical Marker Database
760:George Washington's Mount Vernon
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480:American Institute of Architects
201:and holding a bicycle, ca. 1890.
3229:American women photojournalists
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1207:. September 12, 1915. p. 6
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349:The Exhibit of American Negroes
2421:Providencia Velazquez Gonzalez
1417:4, no. 2 (Summer 2007): 29–49.
1162:. December 9, 1912. p. 10
984:. September 8, 1903. p. 6
867:. September 2, 1894. p. 2
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3189:Artists from Washington, D.C.
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2979:Temperance Flowerdew Yeardley
2847:Mary Elizabeth Nottingham Day
2740:Mary Berkeley Minor Blackford
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1714:(Mary Chavelita Dunne Bright)
1369:University of Virginia Press.
1321:Sam Watters (March 1, 2012).
951:. October 15, 1903. p. 6
897:. January 12, 1906. p. 1
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474:Final years, death and legacy
87:Photographer, photojournalist
2974:Mary Aydelotte Rice Marshall
2319:John-Geline MacDonald Bowman
1853:The Case of Rebellious Susan
1134:. August 29, 1898. p. 4
1097:10.5040/9781501338038.ch-001
488:Virginia Museum of Fine Arts
378:Johnston in her studio, 1896
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3109:Maggie Lena Mitchell Walker
2857:Edwilda Gustava Allen Isaac
2806:Dorothy Shoemaker McDiarmid
2648:Christiana Burdett Campbell
2370:Laura Lu Scherer Copenhaver
1819:The Story of a Modern Woman
799:. March 13, 1898. p. 4
756:"Elizabeth Bryant Johnston"
719:"Mrs. F.A.B. Johnston Dead"
690:. April 21, 1895. p. 9
651:"Frances Benjamin Johnston"
131:Baltimore and Ohio Railroad
10:
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3194:Artists from West Virginia
1676:Elizabeth Barrett Browning
1545:Jennie Augusta Brownscombe
1392:A Gift From George Eastman
1091:, Bloomsbury Visual Arts,
925:. The Museum of Modern Art
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484:Metropolitan Museum of Art
3169:American photojournalists
3135:Lillie Louise Boone Lucas
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1959:Virginia Women in History
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1520:Sophie Gengembre Anderson
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1387:The Hampton Album at MoMA
1372:Robinson, Edward (2006).
1277:10.1086/adx.27.1.27949479
655:Encyclopedia of Louisiana
166:
127:Elizabeth Bryant Johnston
94:Frances Benjamin Johnston
83:
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42:
30:
25:Frances Benjamin Johnston
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2811:Rebekah Dulaney Peterkin
2760:Christine Herter Kendall
2612:Bessie Niemeyer Marshall
2237:Sarah Garland Boyd Jones
1891:Mrs. Warren's Profession
1590:Wilhelmina Weber Furlong
1359:Harmony Books, New York.
978:"Photographing the West"
430:Fredericksburg, Virginia
3089:Josephine Mathes Norcom
3015:Georgeanna Seegar Jones
2658:Elizabeth Peet McIntosh
2324:Benita Fitzgerald-Brown
2263:Clara Leach Adams-Ender
2196:Annie Bannister Spencer
1595:Elizabeth Shippen Green
1585:Susan Stuart Frackelton
1365:Berch, Bettina (2000).
982:The Minneapolis Journal
582:Natalie Clifford Barney
569:1906 wedding photograph
492:Baltimore Museum of Art
388:Pan-American Exposition
3199:Académie Julian alumni
3094:Mary Elizabeth Pidgeon
2959:Marii Kyogoku Hasegawa
2918:Louise Harrison McCraw
2898:Corazon Sandoval Foley
2867:Ana Ines Barragan King
2791:Nancy Melvina Caldwell
2750:Elizabeth Ashburn Duke
2171:Anna Whitehead Bodeker
1771:The Portrait of a Lady
1570:Alice Brown Chittenden
1550:Julia Margaret Cameron
1007:"Woman and the Camera"
949:The St. Louis Republic
849:. Library of Congress.
450:University of Virginia
445:
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354:Exposition Universelle
314:Exposition Universelle
267:
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111:Grafton, West Virginia
57:Grafton, West Virginia
2724:Eva Mae Fleming Scott
2663:Orelena Hawks Puckett
2617:Felicia Warburg Rogan
2571:Marian Van Landingham
2344:Mary Virginia Terhune
2273:Bessie Blount Griffin
2135:Lillian Ward McDaniel
2084:Sally Louisa Tompkins
1879:The Romance of a Shop
1630:Elizabeth Okie Paxton
1479:19th-century feminism
443:
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405:Johnston lectured at
392:Mattie Edwards Hewitt
377:
334:Hollis Burke Frissell
274:photographer for the
258:
244:, and the gardens of
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105:Early and family life
3104:Lila Meade Valentine
3030:Kate Peters Sturgill
2944:Gaye Todd Adegbalola
2908:Cynthia Eppes Hudson
2745:Naomi Silverman Cohn
2673:Alice Jackson Stuart
2653:Betty Sams Christian
2561:Jean Miller Skipwith
2467:Caroline Bradby Cook
2385:Sheila Crump Johnson
2283:Barbara Johns Powell
2115:Janie Porter Barrett
2038:Lila Meade Valentine
1774:(serialized 1880–81)
1747:Alice Freeman Palmer
1645:Jessie Willcox Smith
1189:. brainpickings.org.
1159:The Washington Times
865:The Washington Times
688:The Washington Times
661:on February 21, 2018
598:Spanish–American War
536:Booker T. Washington
462:Carnegie Corporation
304:Ladies' Home Journal
219:Booker T. Washington
3025:Lucy Randolph Mason
3005:Claudia Lane Dodson
2913:Mary Virginia Jones
2842:Flora D. Crittenden
2597:Emily White Fleming
2536:Mollie Holmes Adams
2309:Kate Waller Barrett
2227:Anne Makemie Holden
1898:George Bernard Shaw
1886:George Bernard Shaw
1814:Ella Hepworth Dixon
1701:Ella Hepworth Dixon
1640:Pamela Colman Smith
1580:Emma Lampert Cooper
1484:First-wave feminism
1409:Maria Auscherman. "
1351:Daniel, Pete &
891:"Miss Alice to Wed"
467:Library of Congress
407:New York University
233:on the deck of the
221:, principal of the
119:Maysville, Kentucky
115:Rochester, New York
3140:Evelyn Reid Syphax
3084:Sophie G. Meredith
2969:Barbara Kingsolver
2923:Undine Smith Moore
2556:Kate Mason Rowland
2546:Edythe C. Harrison
2482:Joann Hess Grayson
2441:Isabel Wood Rogers
2339:G. Anne Richardson
2314:Marie Majella Berg
2232:Mary Draper Ingles
2191:Anne Dobie Peebles
2064:Elizabeth Campbell
1993:Mary Julia Baldwin
1849:Henry Arthur Jones
1560:Minerva J. Chapman
1469:(born before 1880)
1154:"Personal Mention"
1013:. December 4, 1897
649:Lawrence, John H.
552:Tuskegee Institute
521:Daniel Coit Gilman
446:
418:
380:
268:
260:Self Portrait (as
223:Tuskegee Institute
203:
156:
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3152:
3151:
3148:
3147:
3074:Fannie Bayly King
3042:
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2995:Sharifa Alkhateeb
2893:Doris Crouse-Mays
2862:Katherine Johnson
2801:Ruth Coles Harris
2689:Mary C. Alexander
2509:
2508:
2505:
2504:
2492:Virginia Randolph
2477:Drew Gilpin Faust
2426:Elizabeth B. Lacy
2416:Lucy Goode Brooks
2380:Mary Jeffery Galt
2360:Mary Willing Byrd
2247:Martha Washington
2145:Jessie M. Rattley
2125:Hannah Lee Corbin
2089:Elizabeth Van Lew
2074:Elizabeth Keckley
2059:Rosa Dixon Bowser
1988:Ella Graham Agnew
1925:
1924:
1870:(serialized 1878)
1778:Elizabeth Barrett
1764:Isabel Archer in
1691:Annie Sophie Cory
1011:The True Democrat
919:The Hampton Album
612:Ava Lowle Willing
567:Alice Roosevelt's
363:August Strindberg
342:Hampton, Virginia
91:
90:
78:, Louisiana, U.S.
3236:
3099:Ora Brown Stokes
3059:
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2954:Isabella Gibbons
2877:Meyera Oberndorf
2592:Eleanor Bontecou
2526:
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2395:Camilla Williams
2390:Opossunoquonuske
2293:Mary Belvin Wade
2176:Mary Ann Elliott
2130:Christine Darden
2069:Thomasina Jordan
2043:Maggie L. Walker
1978:
1977:
1967:
1966:
1952:
1945:
1938:
1929:
1928:
1825:Gustave Flaubert
1756:Literature about
1715:
1650:Annie Swynnerton
1615:Elizabeth Nourse
1610:Anna Lea Merritt
1575:Elizabeth Coffin
1515:Nina E. Allender
1460:
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1234:New York Tribune
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319:Saint Petersburg
211:Susan B. Anthony
71:
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37:Johnston in 1905
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2033:Clementina Rind
1972:
1961:
1956:
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1729:Olive Schreiner
1710:
1706:Maria Edgeworth
1664:
1655:Candace Wheeler
1535:Enella Benedict
1493:
1489:Women's history
1470:
1464:
1383:
1348:
1346:Further reading
1343:
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1332:
1330:
1329:on May 14, 2012
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2446:Edith Turner
2329:Grace Hopper
2242:Annie Snyder
2222:Katie Couric
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2094:Edith Wilson
2003:Willa Cather
1915:Ann Veronica
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1625:Rose O'Neill
1605:Laura Knight
1555:Mary Cassatt
1540:Rosa Bonheur
1414:
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1331:. Retrieved
1327:the original
1316:
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1293:
1271:(1): 18–23.
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1240:December 10,
1238:. Retrieved
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663:. Retrieved
659:the original
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68:May 16, 1952
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3179:1952 deaths
3174:1864 births
2816:Vivian Pinn
2770:Debbie Ryan
2719:Inez Pruitt
2714:Cleo Powell
2704:Ann Compton
2268:Caitlyn Day
2217:Cockacoeske
2161:Nancy Astor
2120:Patsy Cline
2008:Jennie Dean
1910:H. G. Wells
1859:Henry James
1790:Kate Chopin
1766:Henry James
1719:Sarah Grand
1696:Ella D'Arcy
1686:Kate Chopin
1024:profession.
797:Daily Press
765:November 1,
500:New Orleans
323:New England
272:White House
242:White House
185:Smithsonian
76:New Orleans
3163:Categories
2028:Pocahontas
1681:Mona Caird
636:References
626:First Lady
523:, ca. 1890
215:Mark Twain
123:Cincinnati
49:1864-01-15
3052:2020–2029
3000:Queen Ann
2949:Rita Dove
2519:2010–2019
2288:Lee Smith
1971:2000–2009
1739:Educators
1355:(1974).
1333:April 30,
1306:April 30,
1285:163219711
1115:192588848
1043:March 30,
835:98-506431
554:, c. 1902
538:, c. 1895
458:Louisiana
386:, at the
296:New Woman
280:Cleveland
262:New Woman
213:, writer
2602:Pearl Fu
1874:Amy Levy
1724:Amy Levy
1230:"Deaths"
962:uniform.
490:and the
284:McKinley
276:Harrison
1903:Candida
1863:novella
1669:Writers
1498:Artists
1205:The Sun
506:Gallery
237:Olympia
1918:(1909)
1906:(1898)
1894:(1893)
1882:(1888)
1855:(1894)
1845:(1879)
1833:(1856)
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1798:(1899)
1786:(1856)
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810:camera
486:, the
290:, and
167:Career
59:, U.S.
1281:S2CID
1111:S2CID
923:(PDF)
3118:2021
3062:2020
2988:2019
2937:2018
2886:2017
2835:2016
2784:2015
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2631:2012
2580:2011
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1981:2000
1335:2012
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1242:2011
1213:2011
1173:her.
1168:2011
1140:2011
1101:ISBN
1045:2009
1019:2011
990:2011
957:2011
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903:2011
873:2011
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805:2011
767:2022
696:2011
667:2018
292:Taft
235:USS
217:and
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