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Egmond Gospels: Difference between revisions

Source πŸ“

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letters of the text in large, decorative letters. It is still possible to see places where the original text was taken out, for example folio 19 recto, at the beginning of the ] in the Liber Generationis. A space above the first line 'XPI FILII DAVID FILII ABRAHAM' is clearly visible, where the text has been removed and brought to the preceding pages. The page likely originally began: β€˜INC EVANG SCDM MATTHEUM / LIBER GENERATIONIS / IHU XPI FILII DAVID FILII ABRAHAM'. The removed text was rewritten in decorative letters on the added folios 17v, 18r, and 19v. At this time the manuscript's current ] were also added. These seven folios precede the ] and may have replaced the original canon tables, or have been the first ones themselves.
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letters of the text in large, decorative letters. It is still possible to see places where the original text was taken out, for example folio 19 recto, at the beginning of the ] in the Liber Generationis. A space above the first line 'XPI FILII DAVID FILII ABRAHAM' is clearly visible, where the text has been removed and brought to the preceding pages. The page likely originally began: β€˜INC EVANG SCDM MATTHEUM / LIBER GENERATIONIS / IHU XPI FILII DAVID FILII ABRAHAM'. The removed text was rewritten in decorative letters on the added folios 17v, 18r, and 19v. At this time the manuscript's current ] were also added. These seven folios precede the ] and may have replaced the original canon tables, or have been the first ones themselves.
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binding of wooden boards covered in brown leather, unmarked except for the date 1574. This is likely the year when the valuable binding was removed. The binding was replaced again in 1830 when it was acquired by the Royal Library of the Netherlands, and once more in 1949 with a calfskin parchment after it appeared that the previous hard-glued spine caused damage. Its current binding is made of white goat's skin and dates to a restoration in 1995.
68: 276:, to which it was given by ] and his wife ], and where it remained for six centuries. It is most famous for being the earliest surviving manuscript showing scenes with Dutch people and buildings, and represents one of the oldest surviving ] art treasures from the ]. The manuscript has been owned by the ] since 1830. 265:], to which it was given by ], and where it remained for six centuries. It is most famous for being the earliest surviving manuscript showing scenes with Dutch people and buildings, and represents one of the oldest surviving ] art treasures from the ]. The manuscript has been owned by the ] since 1830. 1069:
In 1802, the Utrecht council member and archivist Petrus van Musschenbroek rediscovered the manuscript in the possession of Timot de Jongh, the pastor of the Old Roman church in Utrecht's Hoek. Van Musschenbroek's colleague, Hendrik van Wijn, had described the manuscript in his 1805 book "Huiszittend
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The manuscript returned to the Netherlands between 1656 and 1688, namely to Utrecht. In 1688, it was in the possession of the Geertekerk according to a note written by Joannes Lindeborne. Lindeborn was the pastor at St. Nicolaas and had been a student and rector at Vosmeer's seminary in Cologne. It
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The manuscript later came into the hands of the Frisian count Dirk II, who had its binding richly gilded and decorated with gemstones. He also added two miniatures paintings, in a ], in the back of the manuscript. These depict him and his consort, Hildegard of Flanders, giving the manuscript to the
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The manuscript later came into the hands of the Frisian count Dirk II, who had its binding richly gilded and decorated with gemstones. He also added two miniatures paintings, in a ], in the back of the manuscript. These depict him and his consort, Hildegard of Flanders, giving the manuscript to the
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in the Liber Generationis. A space above the first line 'XPI FILII DAVID FILII ABRAHAM' is clearly visible, where the text has been removed and brought to the preceding pages. The page likely originally began: β€˜INC EVANG SCDM MATTHEUM / LIBER GENERATIONIS / IHU XPI FILII DAVID FILII ABRAHAM'. The
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988, while the gift itself took place in 975.<ref name=meer/><ref></ref><ref>{{aut|Elisabeth Moore}}, 'Evangeliarium van Egmond', in: Patrick de Rynck (red.), ''Meesterlijke middeleeuwen: Miniaturen van Karel de Grote tot Karel de Stoute, 800-1475'', Zwolle en Leuven 2002,
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988, while the gift itself took place in 975.<ref name=meer/><ref></ref><ref>{{aut|Elisabeth Moore}}, 'Evangeliarium van Egmond', in: Patrick de Rynck (red.), ''Meesterlijke middeleeuwen: Miniaturen van Karel de Grote tot Karel de Stoute, 800-1475'', Zwolle en Leuven 2002,
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of 20 lines measuring 156 by 126 mm. Its original binding was made of oak boards covered in gold and set with gemstones, which is described in the "Rijmkroniek van Holland" (Rhyming Chronicle of Holland) that was written around 1300. In another description from 1805, Hendrik van Wijn describes a
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The manuscript consists of 218 ] folios measuring 232 by 207 mm. Its Latin text is written in a single column of ] of 20 lines measuring 156 by 126 mm. Its original binding was made of oak boards covered in gold and set with gemstones, which is described in the "Rijmkroniek van Holland" (Rhyming
313:
The manuscript consists of 218 ] folios measuring 232 by 207 mm. Its Latin text is written in a single column of ] of 20 lines measuring 156 by 126 mm. Its original binding was made of oak boards covered in gold and set with gemstones, which is described in the "Rijmkroniek van Holland" (Rhyming
441:
Around 900, eight folios were added to the manuscript, two at the beginning of each ]. On the ] side of the first folio is the ], and on the recto side on the second is his portrait. The second folio's verso side displays the ]. The text on the following page was adjusted to reproduce the first
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Around 900, eight folios were added to the manuscript, two at the beginning of each ]. On the ] side of the first folio is the ], and on the recto side on the second is his portrait. The second folio's verso side displays the ]. The text on the following page was adjusted to reproduce the first
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The left miniature on folio 214 verso shows Dirk and Hildegard underneath an arched structure with the open gospel book lying on an altar. The exterior of the abbey (certainly a fictional representation) is depicted as an architectural frame for the event. The text in the upper lefthand corner
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The left miniature on folio 214 verso shows Dirk and Hildegard underneath an arched structure with the open gospel book lying on an altar. The exterior of the abbey (certainly a fictional representation) is depicted as an architectural frame for the event. The text in the upper lefthand corner
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The left miniature on folio 214 verso shows Dirk and Hildegard underneath an arched structure with the open gospel book lying on an altar. The exterior of the abbey (certainly a fictional representation) is depicted as an architectural frame for the event. The text in the upper lefthand corner
153: 1043:, the abbot of Egmond and bishop of Haarlem. The manuscript was handed over in 1578 to Pieter van Driel, the tax collector of Haarlem, along with a number of other valuable items. In 1583, Van Mierlo transferred its possession to Hendrik Bercheyk, from the 60: 955:. The text on the following page was adjusted to reproduce the first letters of the text in large, decorative letters. It is still possible to see places where the original text was taken out, for example folio 19 recto, at the beginning of the 781:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 345:
Library of the Netherlands, and once more in 1949 with a calfskin parchment after it appeared that the previous hard-glued spine caused damage. Its current binding is made of white goat's skin and dates to a restoration in
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Library of the Netherlands, and once more in 1949 with a calfskin parchment after it appeared that the previous hard-glued spine caused damage. Its current binding is made of white goat's skin and dates to a restoration in
340:
of wooden boards covered in brown leather, unmarked except for the date 1574. This is likely the year when the valuable binding was removed. The binding was replaced again in 1830 when it was acquired by the
322:
of wooden boards covered in brown leather, unmarked except for the date 1574. This is likely the year when the valuable binding was removed. The binding was replaced again in 1830 when it was acquired by the
880:, and where it remained for six centuries. It is most famous for being the earliest surviving manuscript showing scenes with Dutch people and buildings, and represents one of the oldest surviving 15: 767: 160: 971:
The manuscript later came into the hands of the Frisian count Dirk II, who had its binding richly gilded and decorated with gemstones. He also added two miniatures paintings, in a
975:, in the back of the manuscript. These depict him and his consort, Hildegard of Flanders, giving the manuscript to the Egmond Abbey. The miniature paintings were likely added in 401:
The manuscript was written in the third quarter of the 9th century in northwestern France, likely in ].<ref name=meer></ref> It is not known who commissioned it.
1035:. It was recorded in the abbey's inventory in 1571. In 1573, the abbey was looted and destroyed, but the Egmond Gospels had already been transported to safety in 1169:
J.H. Hofman, Iets Nieuws met wat Ouds, over Egmonds Graaflijk Evangelieboek in: Dietsche Warande. Nieuwe reeks. Deel 2. C.L. van Langenhuysen, Amsterdam 1879
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The '''Egmond Gospels''' ({{lang-nl|'''Evangeliarium van Egmond'''}}) is a 9th-century ] written in ] and accompanied by illustrations. It is named after ]
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The '''Egmond Gospels''' ({{lang-nl|'''Evangeliarium van Egmond'''}}) is a 9th-century ] written in ] and accompanied by illustrations. It is named after
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Leven" ("Domestic Life"). The manuscript had also been identified in 1720 by a previous pastor of the Old Roman church, Willibrord Kemp.
410:{{webarchive|url=https://archive.today/20130703130712/http://collecties.meermanno.nl/handschriften/showmanu?id=1173 |date=2013-07-03 }} 1212: 1202: 1107: 572:(''This book was given by Dirk and his wife Hildegard to the merciful father Adalbert, so that he will think of them in eternity''.) 565:(''This book was given by Dirk and his wife Hildegard to the merciful father Adalbert, so that he will think of them in eternity''.) 90: 1182: 28: 960:
removed text was rewritten in decorative letters on the added folios 17v, 18r, and 19v. At this time the manuscript's current
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This book was given by Dirk and his wife Hildegard to the merciful father Adalbert, so that he will think of them in eternity
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The manuscript was written in the third quarter of the 9th century in northwestern France, likely in ].<ref name=meer>
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Content in this edit is translated from the existing Dutch Knowledge article at ]; see its history for attribution.
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Chronicle of Holland) that was written around 1300. In another description from 1805, Hendrik van Wijn describes a
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The Egmond Gospels remained in Cologne with the Dominicans until 1604. In that year Van Mierlo's successor,
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of the diocese of Haarlem. The manuscript was likely kept at the seminary Vosmeer founded in Cologne.
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The manuscript was written in the third quarter of the 9th century in northwestern France, likely in
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Illumination on fol. 214v of the Egmond Gospels, with Dirk II and Hildegard presenting the codex to
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is likely that Lindeborn brought the manuscript to Utrecht after the seminary was closed in 1683.
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Summe Deus rogito miserans conserva benigne, hos tibi quo iugitur formulari digne laborent
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and may have replaced the original canon tables, or have been the first ones themselves.
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Meesterlijke middeleeuwen: Miniaturen van Karel de Grote tot Karel de Stoute, 800-1475
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Chronicle of Holland) that was written around 1300. In another description from 1805,
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Around 900, eight folios were added to the manuscript, two at the beginning of each
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saint of the abbey, who pleads on their behalf to a ]. The accompany text reads:
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saint of the abbey, who pleads on their behalf to a ]. The accompany text reads:
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folios measuring 232 by 207 mm. Its Latin text is written in a single column of
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The recto side shows Dirk kneeling and Hildegard lying in ] before ], the
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The recto side shows Dirk kneeling and Hildegard lying in ] before ], the
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Egmond Abbey. The miniature paintings were likely added in ] between 975
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Egmond Abbey. The miniature paintings were likely added in ] between 975
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to the source of your translation. A model attribution edit summary is
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Hendrik van Wijn, Huiszittend leven, Vol II, Amsterdam, 1817, p.340.
1048: 1036: 1012:, the patron saint of the abbey, who pleads on their behalf to a 972: 952: 778: 940: 904: 979:
between 975 and 988, while the gift itself took place in 975.
976: 933: 865: 222:{{Expand Dutch|Evangeliarium van Egmond|date=December 2013}} 215:{{Expand Dutch|Evangeliarium van Egmond|date=December 2013}} 1136:, 'Evangeliarium van Egmond', in: Patrick de Rynck (red.), 1004:
The recto side shows Dirk kneeling and Hildegard lying in
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in what is now the Netherlands, to which it was given by
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The manuscript was kept at the Egmond Abbey until the
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and accompanied by illustrations. It is named after
774: 1024:The circular space around Christ likely suggests a 770:a machine-translated version of the Dutch article. 412:</ref> It is not known who commissioned it. 1189: 964:were also added. These seven folios precede the 199:(14 intermediate revisions by 9 users not shown) 548::Hoc textum dedit almo patri Teodricus habendum 541::Hoc textum dedit almo patri Teodricus habendum 1058:took it into his possession after he was made 987:Hoc textum dedit almo patri Teodricus habendum 799:accompanying your translation by providing an 761:Click for important translation instructions. 748:expand this article with text translated from 1183:The Egmond Gospels in the Dutch Royal library 1176: 895: 128: 990:Necne sibi coniuncta simul Hildgardis amore 993:Altberto quorum memor ut sit iure per evum 811:{{Translated|nl|Evangeliarium van Egmond}} 727:Latest revision as of 17:14, 3 March 2024 145:Latest revision as of 17:14, 3 March 2024 1165: 1163: 1161: 1159: 1157: 1155: 919: 834: 936:. It is not known who commissioned it. 888:. The manuscript has been owned by the 1190: 1100: 1098: 1152: 1077:purchased the Egmond Gospels for 800 730: 77: 43: 1223:Carolingian illuminated manuscripts 1218:9th-century illuminated manuscripts 1095: 392:to intercede for them with Christ]] 198: 190: 159: 142: 135: 127: 96: 84: 13: 729: 87:Revision as of 01:21, 5 April 2017 32: 1234: 928:to intercede for them with Christ 1213:Ottonian illuminated manuscripts 1203:9th-century biblical manuscripts 890:Royal Library of the Netherlands 735: 1140:, Zwolle en Leuven 2002, p.123. 947:side of the first folio is the 903:The manuscript consists of 218 1143: 1127: 1116: 809:You may also add the template 660:==Sources and external links== 653:==Sources and external links== 274:in what is now the Netherlands 1: 1088: 1016:. The accompany text reads: 983:indicates what is happening: 725: 688: 681: 676:{{commonscat|Egmond Gospels}} 669:{{commonscat|Egmond Gospels}} 600: 589: 511: 499: 472: 459: 404: 397: 386: 379: 331: 309: 268: 257: 234: 227: 18:Browse history interactively 7: 192:Added Hildegard + hyperlink 10: 1239: 1177:Sources and external links 924:Dirk and his wife implore 915: 773:Machine translation, like 750:the corresponding article 644: 641: 556: 553: 206: 203: 141: 83: 857:Evangeliarium van Egmond 179:Extended confirmed users 1123:Koninklijke Bibliotheek 884:art treasures from the 820:For more guidance, see 82: 1105:Beschrijving Meermanno 1081:and donated it to the 929: 855: 843: 923: 909:Carolingian minuscule 838: 822:Knowledge:Translation 793:copyright attribution 1208:Vulgate manuscripts 1060:apostolic vicariate 1041:Godfried van Mierlo 949:evangelist's symbol 860:) is a 9th-century 930: 844: 801:interlanguage link 520:what is happening: 508:what is happening: 482:p.123.</ref> 469:p.123.</ref> 157: 94: 1014:Christ in Majesty 966:Gospel of Matthew 957:Gospel of Matthew 833: 832: 762: 758: 724: 304:==] information== 297:==] information== 143: 85: 65: 1230: 1170: 1167: 1150: 1147: 1141: 1135: 1131: 1125: 1120: 1114: 1102: 812: 806: 779:Google Translate 760: 756: 739: 738: 731: 193: 185: 175: 156: 151: 133: 130: 122: 112: 93: 66: 57: 56: 54: 49: 47: 39: 36: 21: 19: 1238: 1237: 1233: 1232: 1231: 1229: 1228: 1227: 1188: 1187: 1179: 1174: 1173: 1168: 1153: 1148: 1144: 1134:Elisabeth Moore 1133: 1132: 1128: 1121: 1117: 1103: 1096: 1091: 1056:Sasbout Vosmeer 918: 901: 829: 828: 827: 810: 804: 763: 757:(December 2013) 740: 736: 721: 714: 705: 700: 693: 686: 677: 670: 661: 654: 637: 630: 621: 616: 609: 607: 598: 596: 585: 580: 573: 566: 549: 542: 533: 528: 521: 519: 509: 507: 495: 490: 483: 480: 470: 467: 455: 450: 443: 435: 425: 420: 413: 411: 402: 393: 391: 384: 375: 368: 359: 354: 347: 344: 339: 329: 326: 321: 317: 305: 298: 289: 284: 277: 275: 266: 264: 253: 248: 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On the 882:Christian 878:Hildegard 815:talk page 518:indicates 1108:Archived 1079:guilders 1010:Adalbert 791:provide 752:in Dutch 645:Line 44: 642:Line 44: 557:Line 23: 554:Line 23: 325:National 172:contribs 132:fix refs 109:contribs 99:Mikeblas 53:Wikitext 1049:Cologne 1037:Haarlem 1008:before 973:diptych 953:incipit 916:History 874:Dirk II 813:to the 795:in the 754:. 595:partron 338:binding 207:Line 1: 204:Line 1: 1028:dome. 941:gospel 905:vellum 606:patron 320:biding 121:78,758 64:Inline 46:Visual 977:Ghent 945:verso 934:Reims 866:Latin 852:Dutch 775:DeepL 346:1995. 343:Royal 328:1995. 186:edits 184:1,110 123:edits 846:The 789:must 787:You 768:View 479:and 168:talk 154:undo 149:edit 105:talk 91:edit 1039:by 1001:.) 777:or 263:the 1194:: 1154:^ 1097:^ 1085:. 1051:. 854:: 240:]] 170:| 107:| 997:( 850:( 824:. 817:. 720:] 713:] 692:* 685:* 466:- 390:] 383:] 316:] 238:] 231:] 174:) 166:( 129:m 111:) 103:(

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Knowledge:Translation

Egmond Abbey

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