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approach, but the magazine abandoned it in its second period between 1926 and 1927. Later, the magazine became an avant-garde publication which was the major platform for a Polish group of avant-garde artists from Kraków called
Awangarda Krakowska. One of them was
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which was shared by other avant-garde groups in Europe. It was based on the view that the nature of history was linear. It also emphasized the necessity of technological and scientific developments as well as
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in two periods: first between 1922 and 1923, and then between 1926 and 1927. Despite its short run, it is the first Polish avant-garde magazine that had an international audience.
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who published both poems and prose in the second phase of the publication from 1926 to 1927. The other notable contributors of the magazine included Jan Brzękowski and
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in Kraków in 1922, and its first issue appeared in May that year. After being published for one year, it ceased publication. Peiper was the editor-in-chief of
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276:"Mutual exchange between Polish and Belgian magazines: a case study in cultural mobility within the interwar network of the avant-garde"
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between its start in 1922 and its closure in
October 1923. The magazine was restarted in 1926 and was permanently closed down in 1927.
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Stanisław
Czekalski (2005). "Kazimierz Podsadecki and Janusz Maria Brzeski: Photomontage between the Avant-Garde and Mass Culture".
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Przemysław Strożek (2011). ""Marinetti is foreign to us": Polish
Responses to Italian Futurism, 1917–1923".
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468:"The Poetics of Liminality: Bohdan Ihor Antonych in the Context of Interwar Polish Literature"
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Brokers of
Modernity: East Central Europe and the Rise of Modernist Architects, 1910-1950
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501:"From Grit to Glitz. Magazine Markets and Ideologies in Post‐Communist Europe and Asia"
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magazine which was one of the significant publications in Poland. It appeared in
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Frank
Kujawinski (1993). "Przyboś and the second avant-garde".
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The
Handbook of Magazine Studies Global Markets and Audiences
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169:. In addition, the writings of the Italian poet
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198:Tadeusz Peiper developed a literary program of
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215:managed to be part of the European network of
507:. Hoboken, NJ: Wiley-Blackwell. p. 443.
503:. In Miglena Sternadori; Tim Holmes (eds.).
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386:International Yearbook of Futurism Studies
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466:Lidia Stefanowska (Summer–Winter 2002).
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382:"Futurism and Modernist Magazines"
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566:1927 disestablishments in Germany
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388:. Vol. 4. Berlin; Boston:
173:were featured in the magazine.
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473:Journal of Ukrainian Studies
384:. In Günter Berghaus (ed.).
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499:Miglena Sternadori (2020).
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513:10.1002/9781119168102.ch34
236:Martin Kohlrausch (2019).
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171:Filippo Tommaso Marinetti
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