122:
124:
49:, with lively movement, marked on two beats, the second being very stressed. The dance shows a gracious tapping. Humanists of 16th century affirmed that zapateado derived from the
113:, "the dancer and the guitarists work together in unison, building from simple foot taps and bell-like guitar tones to rapid and complex steps on a repeated melodic theme."
123:
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101:, zapateado also refers to a style of dancing which accents the percussive effect of the footwork (
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90:, Op. 23. The piece is replete with harmonics, double stops, left hand
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173:(Madrid: Society of Spanish Studies 1962, 1990), pp. 63, 211.
81:
23:
184:
Queen of the
Gypsies. The Life and Legend of Carmen Amaya
199:Enciclopedia universal ilustrada europeo-americana
68:is a very popular piece for guitar and orchestra.
213:
53:of the Roman dancers in times of the Empire.
186:(San Diego: Sevilla 1999), p. 56, cf., p. 57.
109:means "shoe"). In the footwork of particular
94:, and is often performed by young virtuosos.
160:(Madrid: Gráficas 1985) pp. 22-23, 78-79.
120:
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56:Among the composers who write Spanish
16:Dance and music of Andalusian origin
158:Maestros y Estilos. Manual Flamenco
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133:Flamenco zapateado notation
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105:is a Spanish verb, and
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171:The Art of Flamenco
222:Spanish folk music
138:Zapateado (Mexico)
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66:PercusiĂłn Flamenca
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70:Pablo de Sarasate
34:origins in metre
28:traditional music
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156:Andres Batista,
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232:Music of Spain
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169:D. E. Pohren,
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87:Spanish Dances
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72:composed a
216:Categories
201:. Vol.70.
194:References
92:pizzicatos
58:Zapateados
32:Andalusian
111:zapateado
74:Zapateado
20:Zapateado
117:See also
103:zapatear
99:flamenco
64:, whose
51:lactisma
205:
107:zapato
78:violin
144:Notes
82:piano
24:dance
203:ISBN
80:and
76:for
26:and
97:In
60:is
30:of
218::
209:.
42:8
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