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Alarcon’s notation system includes three lines of percussion for three mechanisms of the foot: the top line, called “P” indicates the movement that he calls tip ; the “T” line is to indicate the movement he calls heel ; and the bottom line is “PL” to indicate the movement called ball . Letters and
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She uses 5 basic symbols called ball, half ball, tip, block heel and edge heel. She works with two lines of percussion: the right foot on the top percussion line and the left foot on the lower line. The rhythm is based on the traditional
Western musical notation system, similar to
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MartĂnez de la Peña’s notation system comprises 5 basic symbols called tip, heel, ball, toe and scrape heel to represent the different forms in which the foot hits the floor. She adds the indications for right and left and numbers to indicate the flamenco tempos.
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Pablo and
Navarro’s notation proposes 5 basic symbols somewhat similar to the ones used by MartĂnez de la Peña, although they add the word "stomp" to the names. Their system comprises additional symbols, including one for non-sonorous positions.
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always uses five symbols for feet movements. Depending on the author, the name may vary, but it generally coincides with the movement. Some include additional symbols for the most specific movements.
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is a type of dance notation. It is the graphic representation of the sonorous and motor aspects of the particular movements of flamenco dancing that are produced by the action of
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to indicate the other movements. In addition, the system includes explanations for the right and left feet. The rhythm is indicated by means of traditional
Western
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Eulalia Pablo and Jose LuĂs Navarro proposed their own notation symbols.
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in several audiovisual publications with scores (books, CD and DVD).
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is an element of some dances, and it has its own notation system. In
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De las Heras’s notation includes symbols of the foot as
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notation symbols for right foot and left foot. Flamenco
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El baile flamenco : una aproximaciĂłn histĂłrica
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59:, who was one of the first authors to include
212:MĂ©todo pedagĂłgico de interacciĂłn mĂşsica-danza
69:MĂ©todo pedagĂłgico de interacciĂłn mĂşsica/danza
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262:: CS1 maint: location missing publisher (
214:. Málaga: Flamenco escrito editores, S.A.
282:Zapateado flamenco. El ritmo en tus pies
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83:proposes a notation system for flamenco
118:notation proposed by Rosa De las Heras.
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310:MĂ©todo de zapateado flamenco Volumen I
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95:In general, the notation of flamenco
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194:TeorĂa y práctica del baile flamenco
192:MartĂnez de la Peña, Teresa (1969).
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228:Navarro GarcĂa, JosĂ© Luis (2005).
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210:AlarcĂłn Aljado, Pedro (2004).
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63:for the notation of flamenco
39:There are different forms of
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308:De las Heras, Rosa (2012).
280:De las Heras, Rosa (2015).
234:. Pablo Lozano, Eulalia. .
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55:include the one created by
17:Flamenco zapateado notation
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57:Teresa MartĂnez de la Peña
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77:Figuras, pasos y mudanzas
25:(foot-stomping) notation
284:. Barcelona: Boileau.
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75:. Subsequently, in
345:Percussion notation
165:Percussion notation
148:percussion notation
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51:the notations for
31:or foot-stomping.
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170:Tap dancing
334:Categories
176:References
140:note heads
258:cite book
250:166255785
116:zapateado
112:zapateado
110:Flamenco
97:zapateado
85:zapateado
73:zapateado
65:zapateado
53:zapateado
45:Zapateado
29:zapateado
23:zapateado
21:Flamenco
154:See also
61:symbols
35:History
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314:ISBN
286:ISBN
264:link
246:OCLC
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