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of a central political figure by the Red
Brigades. During this time Raybourne meets a beautiful and sexually provocative young photojournalist, Alison King. She is eager for a news story and is introduced by Raybourne to Bianchi. Alison becomes convinced that Raybourne knows something about the Red Brigades and is hiding a potential scoop from her, so after a sexual dalliance she searches his apartment and finds Raybourne's novel draft. She brings this to the attention of Bianchi who, despite his mild manner and seemingly moderate politics, is actually collaborating with the Red Brigades. He delivers the draft to a Red Brigades contact and the similarity of his fictitious plot to their actual kidnap plans causes them to conclude that their plans have been leaked. Raybourne realizes he is being hunted when the Brigades shoot his boss Pierre Bernier dead at the newspaper office, moments before Raybourne himself arrives. He then attempts to escape with Alison with the aid of Lia.
432:'s book, turns out to be dizzyingly overcomplicated, and far too much of it hinges on the American journalist's supposed power to make trouble with his novel, which he says will be a "Day of the Jackal"-like mixture of real and fictitious characters. It is this journalist's advance knowledge of the plot to kidnap
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As part of a plan to write a commercial novel and raise money to marry and support Lia in the style to which she is accustomed, Raybourne researches the activities and organization of the Red
Brigades. He writes the draft of a novel, realistic but fictitious, with the plot centered on the kidnapping
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It turns out that Lia is even more deeply involved with the Red
Brigades than Bianchi, and after a chase, Raybourne and Alison are captured. They are held while the kidnapping of Aldo Moro takes place. After this is achieved, the Brigades leadership accuses Lia of the leak and shoots her for her
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Raybourne is interviewed on
American television regarding the successful publication of a now non-fiction book about the Red Brigades and his contact with them, with a postscript saying that Moro was found shot to death in the trunk of a car nearly two months after his kidnapping.
402:. As a result, Frankenheimer had to time the scenes carefully and take careful to shoot as little extra footage as possible in order to cut costs. As a result, the film completed principal photography eight days ahead of schedule. It was mostly shot in
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and works as a journalist in a small
English-language newspaper. He is romantically involved with Lia, the estranged wife of an Italian Industrialist, and befriended by Italo Bianchi, a politically left-leaning lecturer at a Rome university.
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Ebert gave it 3 out of 4 and wrote: "Frankenheimer's palette is perfectly suited to this material. The grays and browns of his autumn Rome, and the wet skies above it, cast a kind of weary le
Carreian gloom over the landscape."
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Production was scheduled to begin on April 17, 1990, but was delayed to the summer after the film's
Japanese investors only provided a fraction of the costs promised. Production was delayed again to October 8 after the
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apparent betrayal right before
Raybourne's and Alison's eyes. They force Alison to photograph the body and instruct Raybourne to publicize the story as a warning to any future traitors.
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were divided, Siskel giving the film a thumbs-down, Ebert a thumbs-up. In his review for the
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335:Thomas Elliot as Marco
332:Roberto Posse as Lucio
273:Italian Prime Minister
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987:Portrait in Celluloid
896:The Holcroft Covenant
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388:United States dollar
372:Jean-Jacques Beineix
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846:99 and 44/100% Dead
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519:(1 November 1991).
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1221:Films shot in Rome
1107:The Burning Season
686:The Young Stranger
670:John Frankenheimer
668:Works directed by
526:The New York Times
440:Siskel & Ebert
390:lost value in its
364:Edward R. Pressman
358:in 1983 and hired
299:as David Raybourne
225:John Frankenheimer
65:Edward R. Pressman
40:John Frankenheimer
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556:"Year of the Gun"
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408:CinecittĂ Studios
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194:$ 15 million
166:Running time
143:Release date
88:Sharon Stone
1137:Path to War
476:AFI Catalog
329:as Giovanni
315:John Pankow
202:$ 1,182,273
170:111 minutes
93:John Pankow
61:Produced by
36:Directed by
1161:1991 films
1155:Categories
978:Television
906:52 Pick-Up
766:Grand Prix
587:2021-01-01
502:2022-01-11
458:References
346:Production
339:Lou Castel
199:Box office
154:1991-11-01
124:Bill Conti
46:Written by
916:Dead Bang
776:The Fixer
746:The Train
434:Aldo Moro
414:Reception
394:with the
354:'s novel
271:, former
115:Lee Percy
112:Edited by
876:Prophecy
622:AllMovie
554:(1991).
221:thriller
183:Language
120:Music by
71:Starring
52:(novel)
919:(1989)
869:(1977)
849:(1974)
756:Seconds
719:(1962)
186:English
175:Country
152: (
1140:(2002)
1130:(1997)
1120:(1996)
1110:(1994)
1100:(1994)
1090:(1959)
1080:(1959)
1070:(1958)
1060:(1958)
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949:(1996)
939:(1991)
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909:(1986)
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889:(1982)
879:(1979)
859:(1975)
839:(1973)
829:(1973)
819:(1971)
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799:(1969)
789:(1969)
779:(1968)
769:(1966)
759:(1966)
749:(1964)
739:(1964)
729:(1962)
709:(1962)
699:(1961)
689:(1957)
341:as Lou
311:as Lia
218:action
191:Budget
956:Ronin
611:IMDb
406:and
404:Rome
291:Cast
249:Rome
243:Plot
235:and
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620:at
609:at
450:On
215:spy
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