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537:(1927â1929), largely written by himself and declaring its belligerent critical stance in its title. The magazine and other theoretical and critical works he published from 1926 to 1929 mark a deliberate separation from the avant-garde and his previous associates. He believed that their work failed to show sufficient critical awareness of those ideologies that worked against truly revolutionary change in the West, and therefore became a vehicle for these pernicious ideologies. His major theoretical and cultural statement from this period is
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illnesses. She was the model for some of Lewis's more tender and intimate portraits as well as a number of characters in his fiction. In contrast to his earlier, impersonal portraits, which are purely concerned with external appearance, the portraits of
Froanna show a preoccupation with her inner life.
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In recent years, there has been renewed critical and biographical interest in Lewis and his work, and he is now regarded as a major
British artist and writer of the twentieth century. Rugby School hosted an exhibition of his works in November 2007 to commemorate the 50th anniversary of his death. The
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as a "man of peace", with members of his party being threatened by communist street violence. His unpopularity among liberals and anti-fascists grew, especially after Hitler came to power in 1933. Following a second visit to
Germany in 1937, Lewis changed his views and began to retract his previous
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He grew to appreciate the cosmopolitan and "rootless" nature of the
American melting pot, declaring that the greatest advantage of being American was to have "turned one's back on race, caste, and all that pertains to the rooted state." He praised the contributions of African-Americans to American
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presents Lewis as the exemplary writer who is cerebral without being artistic. Orwell wrote, "Enough talent to set up dozens of ordinary writers has been poured into
Wyndham Lewis's so-called novels⊠Yet it would be a very heavy labour to read one of these books right through. Some indefinable
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Fascism â once I understood it â left me colder than communism. The latter at least pretended, at the start, to have something to do with helping the helpless and making the world a more decent and sensible place. It does start from the human being and his suffering. Whereas fascism glorifies
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Lewis kept
Froanna in the background, and many of his friends were unaware of her existence. It seems that Lewis was extraordinarily jealous and protective of his wife, owing to her youth and beauty. Froanna was patient and caring toward her husband through financial troubles and his frequent
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1042:: Rebel Artists in London and New York, 1914â18" from 30 September 2010 through 2 January 2011. The exhibition then travelled to the Peggy Guggenheim Collection, Venice (29 January â 15 May 2011: "I Vorticisti: Artisti ribellia a Londra e New York, 1914â1918") and then to
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held a major exhibition of his work, "Wyndham Lewis and
Vorticism", in the catalogue to which he declared that "Vorticism, in fact, was what I, personally, did and said at a certain period"âa statement which brought forth a series of "Vortex Pamphlets" from his fellow
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His sense that
America and Canada lacked a British-type class structure had increased his opinion of liberal democracy, and in the same pamphlet, Lewis defends liberal democracy's respect for individual freedom against its critics on both the left and right. In
530:, of which there were only two issues. The second (1922) contained an important statement of Lewis's visual aesthetic: "Essay on the Objective of Plastic Art in our Time". It was during the early 1920s that he perfected his incisive draughtsmanship.
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After becoming better known for his writing than his painting in the 1920s and early 1930s, he returned to more concentrated work on visual art, and paintings from the 1930s and 1940s constitute some of his best-known work. The
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has been interpreted similarly, because many of the characters are Jewish, including the modernist author and editor Julius Ratner, a portrait which blends anti-semitic stereotype with historical literary figures
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as the "best North
American artists," predicting that when "the Indian culture of Mexico melts into the great American mass to the North, the Indian will probably give it its art." He returned to England in 1945.
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called Lewis "that lonely old volcano of the Right." Lewis thought there was what he called a "left-wing orthodoxy" in
Britain in the 1930s. He believed it was against Britain's self-interest to ally with the
235:. His English mother, Anne Stuart Lewis (née Prickett), and American father, Charles Edward Lewis, separated about 1893. His mother subsequently returned to England. Lewis was educated in England at
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Lewis spent World War II in the United States and Canada. In 1941, in Toronto, he produced a series of watercolour fantasies centred on themes of creation, crucifixion and bathing.
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1019:) featured a comprehensive collection of Lewis's paintings and drawings. As Tom Lubbock pointed out, it was "the retrospective that Britain has never managed to get together.".
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was revised and republished in 1928, giving a new Jewish character a key role in making sure a duel is fought. This has been interpreted as an allegorical representation of
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that placed pressure on his optic nerve. It ended his artistic career, but he continued writing until his death. He published several autobiographical and critical works:
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In 1930, Lewis married Gladys Anne Hoskins (1900â1979), who was affectionately known as Froanna. They lived together for 10 years before marrying and never had children.
247:, but left for Paris without finishing his course. He spent most of the 1900s travelling around Europe and studying art in Paris. While in Paris, he attended lectures by
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art, which lacked structure. The combination was a strikingly dramatic critique of modernity. In his early visual works, Lewis may have been influenced by Bergson's
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358:. Though he was later savagely critical of Bergson, he admitted in a letter to Theodore Weiss (19 April 1949) that he "began by embracing his evolutionary system."
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political comments. He recognized the reality of Nazi treatment of Jews after a visit to Berlin in 1937. In 1939, he published an attack on anti-semitism titled
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In 1915, the Vorticists held their only U.K. exhibition before the movement broke up, largely as a result of World War I. Lewis himself was posted to the
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In 1908, Lewis moved to London, where he would reside for much of his life. In 1909, he published his first work, accounts of his travels in Brittany, in
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Lewis formally expounded the Vorticist aesthetic in a manifesto, distinguishing it from other avant-garde practices. He also wrote and published a play,
459:(1919), drawing on his own experience at Ypres. Lewis exhibited his war drawings and some other paintings of the war in an exhibition, "Guns", in 1918.
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in London held a major retrospective of his portraits in 2008. Two years later, held at the FundaciĂłn Juan March (Madrid, Spain), a large exhibition (
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A key feature of these interpretations is that Lewis is held to have kept his conspiracy theories hidden and marginalized. Since the publication of
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of a letter of support for the exhibition, asking that something from the show be purchased for the national collection (signed by, among others,
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and puts forward a theory of "non-moral", or metaphysical, satire. The book is probably best remembered for one of the first commentaries on
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looking down at apparently deserted German lines, registering targets and calling down fire from batteries massed around the rim of the
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Despite serious illness necessitating several operations, he was very productive as a critic and painter. He produced a book of poems,
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in 1921. "Tyros" were satirical caricatures intended to comment on the culture of the "new epoch" that succeeded the First World War.
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and regarded by many as his best novel. It is strongly critical of communist activity in Spain and presents English intellectual
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and three major oil paintings. In 1912, he was commissioned to produce a decorative mural, a drop curtain, and more designs for
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From 1913 to 1915, Lewis developed the style of geometric abstraction for which he is best known today, which his friend
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1948:"The programme and menu from the Cave of the Golden Calf, Cabaret and Theatre Club | Explore 20th Century London"
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761:. Lewis was highly critical of the ideology of Surrealism, but admired the visual qualities of some Surrealist art.
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2103:, '"Mummy First: Statue After": Wyndham Lewis, Diffusionism, Mosaic Distinctions and the Egyptian Origins of Art,'
1146:(1995), where Lewis's anti-semitism is described as "essentially trivial", this view is no longer taken seriously.
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during 1916â17 and published in book form in 1918. It is widely regarded as one of the key modernist texts.
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1986:"Tragic Clowns/Male Comedians: Wyndham Lewis's "Enemy of the Stars" and Samuel Beckett's Waiting for Godot"
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380:. The Centre operated for only four months, but it gave birth to the Vorticist group and its publication,
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2099:, MoratĂł, Yolanda. "Time and Western Man". The Literary Encyclopedia. First published 2 March 2005; cf.
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For many years, Lewis's novels have been criticised for their satirical and hostile portrayals of Jews.
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Lewis later documented his experiences and opinions of this period of his life in the autobiographical
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169:(18 November 1882 â 7 March 1957) was a British writer, painter and critic. He was a co-founder of the
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Edwards, Paul and Humphreys, Richard. (2010) "Wyndham Lewis (1882â1957)". Madrid: FundaciĂłn Juan March
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Rewriting Tarr Ten Years Later: Wyndham Lewis, the Phoenix Library and the Domestication of Modernism
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under the title "The Vorticists: Manifesto for a Modern World" between 14 June and 4 September 2011.
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841:(1951), a collection of allegorical short stories about his life in "the capital of a dying empire";
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During this period, Lewis also produced many of his most well-known portraits, including pictures of
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Lewis was born on 18 November 1882, reputedly on his father's yacht off the Canadian province of
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Always interested in Roman Catholicism, he never converted. He died in 1957 and was cremated at
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are the only surviving oil paintings from this series. Lewis also launched his second magazine,
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466:, organized a Vorticist exhibition at the Penguin Club in New York in 1917. His first novel,
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1964:
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547:(1927) is a cultural and philosophical discussion that includes penetrating critiques of
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and served as a second lieutenant in the Royal Artillery. Much of his time was spent in
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had successfully managed to reconcile individual rights with the demands of the state.
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Trotter, David (2011) . "Chapter 3: The Modernist Novel". In Levenson, Michael (ed.).
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2147:"History's Stamp: Wyndham Lewis's The Revenge for Love and the Heidegger Controversy"
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This article is about the Vorticist painter and author. For others of that name, see
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Chaney, Edward (1990) "Wyndham Lewis: The Modernist as Pioneering Anti-Modernist",
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1053:, an audiobook CD published in 2007 and featuring extracts from "One Way Song" and
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drama. Lewis scholar Melania Terrazas identifies it as a precursor to the plays of
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The title is based on a contemporary best-seller, "The English, Are They Human?".
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from April 1916 until November 1917. The American version was published in 1918.
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By the late 1920s, he concentrated on writing. He launched yet another magazine,
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In 2010, Oxford World Classics published a critical edition of the 1928 text of
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2135:, Carbondale and Edwardsville: Southern Illinois University Press, 1970, p. 27.
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which was revised and expanded in 1914â15 and first serialized in the magazine
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After the war, Lewis resumed his career as a painter with a major exhibition,
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In 1912, Lewis exhibited his work at the second Postimpressionist exhibition:
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Modernist Nowheres: Politics and Utopia in Early Modernist Writing, 1900â1920
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The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design.
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for both the Canadian and British governments. For the Canadians, he painted
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Campbell, Peter (11 September 2008). "At the National Portrait Gallery".
2334:"A most modern misanthrope: Wyndham Lewis and the pursuit of anti-pathos"
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2476:"LTM Recordings | Independent Record Label | Official Website"
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proved him to be "the greatest portraitist of this or any other time."
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sent Lewis a telegram in which he said that Lewis's pencil portrait of
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quality, a sort of literary vitamin, which exists even in a book like
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The Lion and the Fox: The Role of the Hero in the Plays of Shakespeare
434:. He made vivid accounts of narrow misses and deadly artillery duels.
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Politically, Lewis remained an isolated figure through the 1930s. In
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Although the Vorticist group broke up after the war, Lewis's patron,
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Gasiorek, Andrzej, Reeve-Tucker, Alice, and Waddell, Nathan. (2011)
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660:. An important book of critical essays also belongs to this period:
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external links, and converting useful links where appropriate into
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bloodshed and preaches that man should model himself upon the wolf.
2242:, Kensington & Chelsea Community History Group, archived from
664:(1934). It grew out of a defence of Lewis's satirical practice in
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Blue plaque: Wyndham Lewis, 61 Palace Gardens Terrace, London W8
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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The Vorticists at the Restaurant de la Tour Eiffel, Spring 1915
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2797:. Vancouver: University of British Columbia Publications, 1972.
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The Filibuster: A Study of the Political Ideas of Wyndham Lewis
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Evolution in Modern Art: A Study of Modern Painting, 1870â1925
749:. Like others from the exhibition, it shows an influence from
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Fables of Aggression: Wyndham Lewis, the Modernist as Fascist
2273:(London, England), Thursday, 2 June 1955; p. 976; Issue 1370.
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Count Your Dead: They are Alive!: Or, A New War in the Making
958:(1939), which firmly revoked his earlier support for Hitler.
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The Thirties and After: Poetry, Politics, People (1933â1975)
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The Caliph's Design : Architects! Where is Your Vortex?
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Wyndham Lewis the Artist: Holding the Mirror up to Politics
2008:'A Terrible Beauty': British Artists in the First World War
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Left Wings over Europe; or, How to Make a War about Nothing
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1068:, London, where Lewis lived, No. 61 Palace Gardens Terrace.
984:(1941), Lewis reflected on his earlier support for fascism:
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453:. For the British, he painted one of his best-known works,
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184:
3620:
2107:, eds. E. Dobson and N. Tonks (Bloomsbury Academic, 2020).
2440:"Wyndham Lewis â 1882â1957: FundaciĂłn Juan March, Madrid"
865:
350:, which he found was not "alive", with the liveliness of
2133:
Richard Aldington: Selected Critical Writings, 1928-1960
2060:(2nd ed.). Cambridge University Press. p. 69.
824:
1231:
The Diabolical Principle and the Dithyrambic Spectator
919:
Plaque dedicated to Lewis at Golders Green Crematorium
2305:
2282:
2787:
Wyndham Lewis: A Portrait of the Artist as the Enemy
216:
Rude Assignment: A Narrative of my Career Up-to-Date
5717:
A Sunday Afternoon on the Island of La Grande Jatte
2629:." Journal of Wyndham Lewis Studies 5 (2014): 1â30.
346:". Lewis sought to combine the strong structure of
259:
Early work and development of Vorticism (1908â1915)
935:In 1931, after a visit to Berlin, Lewis published
703:(1936â37) makes a significant statement about the
2825:may not follow Knowledge's policies or guidelines
2694:Some Sort of Genius: A Biography of Wyndham Lewis
792:for their annual exhibition and caused a furore.
679:
7039:
2678:Morrow, Bradford and Bernard Lafourcade. (1978)
2027:
488:
302:, which brought him into close contact with the
2680:A Bibliography of the Writings of Wyndham Lewis
2675:London and Henley: Routledge & Keegan Paul.
1846:"Wyndham Lewis:Painter, Polemicist, Iconoclast"
1413:(1977; written 1908â10 but unpublished) (novel)
2599:A Master of Our Time: A Study of Wyndham Lewis
1124:a supposed Zionist conspiracy against the West
845:(1952), a book of essays on writers including
3734:
3636:
3434:
3239:
3067:
2757:The Other Centenary: Wyndham Lewis, 1882â1982
2331:
2327:
2325:
2236:Notting Hill history: 5 â Rotting Hill, 1940s
1786:Mrs R.J. Sainsbury (1940â41), oil on canvas,
1552:(1914â15), oil paint and graphite on canvas,
1144:T. S. Eliot, Anti-Semitism, and Literary Form
868:commissioned Lewis to complete his 1928 work
559:that are still read. Lewis also attacked the
6649:
6638:
3839:
3828:
3782:
3771:
2655:"Mr. Eliot, Mr. Wyndham Lewis and Lawrence."
2565:(Autumn, 1990), III, no. 3, pp. 106â09.
2504:
1843:
1401:(1973; written 1936 but unpublished) (novel)
3910:
2668:. Berkeley: University of California Press.
2606:Out of the Vortex: Wyndham Lewis as Painter
2591:Wyndham Lewis and the Cultures of Modernity
1996:: 51 – via The Wyndham Lewis Society.
1203:Paleface: The Philosophy of the Melting Pot
1049:Several readings by Lewis are collected on
623:, however, found it "the greatest piece of
485:(1937), which covered his life up to 1926.
179:, the literary magazine of the Vorticists.
3741:
3727:
3643:
3629:
3441:
3427:
3246:
3232:
3074:
3060:
3001:
2322:
2188:
2186:
2184:
2182:
2180:
2033:1001 Paintings You Must See Before You Die
1417:Creatures of Habit and Creatures of Change
800:World War II and North America (1941â1945)
405:
331:, an avant-garde cabaret and nightclub on
38:
2861:Learn how and when to remove this message
2308:"Froanna â Portrait of the Artist's Wife"
1958:
1716:Panel for the Safe of a Great Millionaire
575:Fiction and political writing (1930â1936)
3009:"Long Live the Vortex!" and "Our Vortex"
2707:, London: George Allen & Unwin, Ltd.
2689:. Cambridge. Cambridge University Press.
2673:The Enemy: A Biography of Wyndham Lewis.
2513:, A Project Gutenberg of Australia eBook
2299:
2021:
1983:
1441:
1427:
1070:
914:
829:By 1951, he was completely blinded by a
683:
590:Between the years 1907â11 Lewis wrote a
578:
495:
409:
365:Lewis had a brief tenure at Roger Fry's
273:
262:
2716:Modern English Painters. Lewis To Moore
2276:
2192:
2177:
2144:
2105:Ancient Egypt in the Modern Imagination
2055:
1936:. New York: New Directions. p. 47.
1896:. New York: New Directions. p. 35.
1880:Oxford Dictionary of National Biography
1815:
1179:: A Soldier of Humour And Other Stories
117:Painting, poetry, literature, criticism
7078:Alumni of the Slade School of Fine Art
7040:
2650:Cambridge: Cambridge University Press.
2399:
1931:
1891:
1870:
1868:
1866:
857:; and the semi-autobiographical novel
641:, set in the period leading up to the
16:English painter and writer (1882â1957)
7088:British Army personnel of World War I
6575:Six Characters in Search of an Author
3722:
3624:
3422:
3253:
3227:
3055:
2965:Cyril J. Fox-Wyndham Lewis collection
2955:36 artworks by or after Wyndham Lewis
2743:Wyndham Lewis: Religion and Modernism
2682:. Santa Barbara: Black Sparrow Press.
2666:Wyndham Lewis: Paintings and Drawings
2529:
2338:The Guardian / London Review of Books
1837:
1506:) (1912), black ink and watercolour,
1245:(1932) (travel; later republished as
1079:
6977:
2974:Wyndham Lewis collection (1945-1956)
2805:
2701:"Mr. Pound and Mr. Lewis in Public."
2556:. Basingstoke and London: Macmillan.
2539:. Basingstoke and London: Macmillan.
2058:The Cambridge Companion to Modernism
2035:. Cassell Illustrated/Quintessence.
1965:"The Art and Ideas of Wyndham Lewis"
1876:"Lewis, (Percy) Wyndham (1882â1957)"
901:From 1918 to 1921, Lewis lived with
825:Later life and blindness (1945â1951)
656:, in 1933, and a revised version of
362:was an equally important influence.
2790:, New Haven: Yale University Press.
2406:European Journal of English Studies
1863:
1315:The Hitler Cult and How it Will End
948:, which was favourably reviewed in
13:
7118:English people of American descent
5777:Nude Descending a Staircase, No. 2
3537:
3025:Archives & Special Collections
2781:. Basingstoke: Palgrave Macmillan.
2718:, London: Eyre & Spottiswoode.
2546:
2197:. A&C Black. pp. 232â248.
1844:Grace Glueck (22 September 1985).
1516:(1913), pen and ink, watercolour,
1484:) (1912), pen and ink, watercolour
930:
441:, Lewis was appointed an official
298:. He was a founding member of the
221:
14:
7169:
7083:British artists with disabilities
7063:20th-century English male writers
3081:
2999:National Portrait Gallery, London
2801:
2745:. Tuscaloosa: U of Alabama Press.
2572:. New Haven and London: Yale U P.
2570:Wyndham Lewis, Painter and Writer
2332:David Trotter (23 January 2001).
1369:The Demon of Progress in the Arts
7020:
7003:
6986:
6957:
6956:
2987:
2810:
2765:No. 10, Autumn 1982, pp. 18â21,
1882:, Oxford University Press, 2004.
1544:(1914), pen and ink, watercolour
1538:(1914), pen and ink, watercolour
1490:(1912), pen and ink, watercolour
1468:(1912), pen and ink, watercolour
1333:Anglosaxony: A League that Works
1113:
982:Anglosaxony: A League that Works
896:
204:(1955). A fourth volume, titled
7138:People educated at Rugby School
2928:Wyndham Lewis: The Enemy Speaks
2705:Readers and Writers (1917â1921)
2614:No. 5, Summer 1981, pp. 31â33,
2516:
2482:
2468:
2449:
2432:
2393:
2379:
2351:
2260:
2227:
2201:
2138:
2125:
2110:
2088:
2074:
2049:
1822:
1694:One of the Stations of the Dead
1496:(1912), oil on canvas, now lost
583:Lewis in 1929, photographed by
144:
86:London, England, United Kingdom
7068:20th-century English novelists
6724:Grosvenor School of Modern Art
6717:Fourth dimension in literature
2209:"Wyndham Lewis "Rotting Hill""
2122:by Len Gutkin, Yale University
2010:(Sansom and Company) 203â239,
2000:
1977:
1940:
1925:
1900:
1885:
1026:, edited by Scott W. Klein of
680:Return to painting (1936â1941)
314:, with whom he soon fell out.
21:Wyndham Lewis (disambiguation)
1:
7073:20th-century English painters
3748:
3448:
3047:University of Texas at Austin
3033:Wyndham Lewis Art Collection
2976:at the University of Victoria
2944:Wyndham Lewis: Self Condemned
2759:, in Hearn, Sheila G. (ed.),
2585:. Tavistock: Northcote House.
2554:Wyndham Lewis and Western Man
2537:Wyndham Lewis and Western Man
2390:, 2 March 1935, p. 306.)
2367:. 3 February 1940. p. 12
1474:(1912), chalk and watercolour
1038:held an exhibition entitled "
692:, 1919. The portrait is lost.
449:(1918) from sketches made on
414:Wyndham Lewis, photograph by
226:
2661:, New York University Press.
2418:10.1080/13825577.2010.517291
1952:www.20thcenturylondon.org.uk
1708:(1934â1937), oil on canvas,
1696:(1933â1837), oil on canvas,
1686:(1933â1936), oil on canvas,
1646:(1923â1935), oil on canvas,
1423:
1393:The Letters of Wyndham Lewis
7:
7143:Post-impressionist painters
6817:List of avant-garde artists
5801:The Cabinet of Dr. Caligari
3650:
3573:Hieratic Head of Ezra Pound
2986:(public domain audiobooks)
2755:Stevenson, Randall (1982),
2738:, London: George G. Harrap.
2643:. New York: New Directions.
2583:Wyndham Lewis and Modernism
2580:Wyndham Lewis and Modernism
2490:"Wyndham Lewis blue plaque"
2465:Retrieved 17 September 2010
2375:– via Newspapers.com.
2310:. National Portrait Gallery
2306:National Portrait Gallery.
2287:. National Portrait Gallery
2283:National Portrait Gallery.
1676:(1933â1936, oil on canvas,
1572:(1915), gouache and chalk,
1357:The Writer and the Absolute
1064:now stands on the house in
843:The Writer and the Absolute
394:. It is a proto-absurdist,
329:The Cave of the Golden Calf
173:movement in art and edited
10:
7174:
6675:Classical Hollywood cinema
3393:Allied Artists Association
3165:The Surrender of Barcelona
3122:Blasting and Bombardiering
2995:Portraits of Wyndham Lewis
2939:Cornell University Library
2729:, London: Leonard Parsons.
2710:Rothenstein, John (1956).
2597:Grigson, Geoffrey (1951).
2578:Gasiorek, Andrzej. (2004)
2402:"BĂȘte Noire or Scapegoat?"
1984:Terrazas, Melania (2001).
1728:(1936â37), oil on canvas,
1718:(1936â37), oil on canvas,
1705:The Surrender of Barcelona
1634:(1923â24), oil on canvas,
1614:(1920â21), oil on canvas,
1604:(1920â21), oil on canvas,
1602:Mr Wyndham Lewis as a Tyro
1562:(1914â15), oil on canvas,
1437:National Gallery of Canada
1284:Blasting and Bombardiering
998:(1949), Lewis argued that
939:(1931), a book presenting
637:. In 1937 Lewis published
524:Mr Wyndham Lewis as a Tyro
501:Mr Wyndham Lewis as a Tyro
483:Blasting and Bombardiering
278:Wyndham Lewis, c.1914â15,
211:Blasting and Bombardiering
18:
6938:
6616:
6457:
6325:
6165:
5921:
5910:
5753:Les Demoiselles d'Avignon
5707:
5533:
5093:
4576:
4567:
4444:
4228:
3970:
3961:
3756:
3658:
3599:
3548:
3535:
3456:
3380:
3359:
3263:
3191:
3132:
3089:
2784:Wagner, Geoffrey (1957).
2748:Spender, Stephen (1978).
2741:Schenker, Daniel. (1992)
2727:Some Contemporary Artists
2671:Meyers, Jeffrey. (1980)
2632:Jameson, Fredric. (1979)
2364:The Sydney Morning Herald
1612:A Reading of Ovid (Tyros)
1309:The Jews, Are They Human?
1013:National Portrait Gallery
1005:
1000:Franklin Delano Roosevelt
946:The Jews, Are They Human?
925:Golders Green Crematorium
872:, which was published as
428:Forward Observation Posts
245:University College London
154:
131:
121:
113:
108:University College London
99:
91:
75:
49:
37:
30:
7148:Royal Artillery officers
7103:English magazine editors
4538:The Master and Margarita
3326:Maxwell Gordon Lightfoot
3018:Wyndham Lewis Collection
2935:Wyndham Lewis Collection
2894:Encyclopaedia Britannica
2775:Waddell, Nathan. (2012)
2664:Michel, Walter. (1971)
2400:MoratĂł, Yolanda (2010).
1656:(1927â28), oil on wood,
1532:(1913â14), oil on canvas
1526:(1913â14), oil on canvas
1149:
1099:, is absent from them."
609:In 1930 Lewis published
585:George Charles Beresford
416:George Charles Beresford
241:Slade School of Fine Art
104:Slade School of Fine Art
6824:List of modernist poets
6710:Fourth dimension in art
5893:Meshes of the Afternoon
3688:Edward McKnight Kauffer
3408:Cumberland Market Group
3173:Portrait of T. S. Eliot
2913:essay by Kirsty Dootson
2795:Wyndham Lewis in Canada
2692:O'Keeffe, Paul. (2000)
2646:Klein, Scott W. (1994)
2193:Bridson, D. G. (2014).
2145:Neilson, Brett (1999).
2131:Kershaw, Alister, ed.,
1970:5 February 2007 at the
1912:Encyclopedia Britannica
1807:(1946), oil on canvas,
1797:(1943), oil on canvas,
1778:(1939), oil on canvas,
1756:(1938), oil on canvas,
1747:Portrait of T. S. Eliot
1738:(1937), oil on canvas,
1666:(1933), oil on canvas,
1594:(1919), oil on canvas,
1582:(1919), oil on canvas,
1303:The Mysterious Mr. Bull
1017:Wyndham Lewis 1882â1957
876:and dramatized for the
492:and writing (1918â1929)
406:World War I (1915â1918)
239:and then, from 16, the
7108:English male novelists
6908:Second Viennese School
6650:
6639:
4550:The Sound and the Fury
4454:In Search of Lost Time
3911:
3840:
3829:
3783:
3772:
3542:
3296:Spencer Frederick Gore
2980:Works by Wyndham Lewis
2969:University of Victoria
2917:Works by Wyndham Lewis
2900:Works by Wyndham Lewis
2793:Woodcock, George, ed.
2732:Rutter, Frank (1926).
2721:Rutter, Frank (1922).
2604:Hammer, Martin (1981)
2568:Edwards, Paul. (2000)
2524:London Review of Books
2359:"'Insignificant Blur'"
2151:Comparative Literature
1795:A Canadian War Factory
1766:(1938), oil on canvas
1455:
1439:
1407:(1973) (short stories)
1353:(1951) (short stories)
1347:(1950) (autobiography)
1339:America and Cosmic Man
1287:(1937) (autobiography)
1243:Filibusters in Barbary
1181:(1927) (short stories)
1170:The Art of Being Ruled
1126:. His literary satire
1076:
1028:Wake Forest University
996:America and Cosmic Man
991:
920:
880:in 1955. In 1956, the
814:David Alfaro Siqueiros
808:culture, and regarded
700:Surrender of Barcelona
693:
672:and a famous essay on
587:
569:Alfred North Whitehead
539:The Art of Being Ruled
504:
419:
287:
271:
7113:English male painters
6887:Reactionary modernism
6810:List of art movements
3541:
3489:Henri Gaudier-Brzeska
2875:Wyndham Lewis Society
2699:Orage, A. R. (1922).
2685:Normand, Tom. (1993)
2653:Leavis, F.R. (1964).
2639:Kenner, Hugh. (1954)
2594:. Aldershot: Ashgate.
2552:Ayers, David. (1992)
2535:Ayers, David. (1992)
2285:"Portrait of Froanna"
1932:Kenner, Hugh (1954).
1892:Kenner, Hugh (1954).
1750:(1938), oil on canvas
1570:Vorticist Composition
1445:
1431:
1074:
986:
918:
796:resigned in protest.
759:Metaphysical Painting
745:bought the painting,
687:
582:
503:, self-portrait, 1921
499:
439:Third Battle of Ypres
413:
374:Ideal Home Exhibition
277:
267:Wyndham Lewis, 1912,
266:
192:trilogy, composed of
7098:English blind people
6731:Hanshinkan Modernism
6587:The Threepenny Opera
6503:Pelléas et Mélisande
3388:Fitzroy Street Group
2910:Time and Western Man
2831:improve this article
2461:8 March 2013 at the
2096:Time and Western Man
1990:Wyndham Lewis Annual
1816:Notes and references
1664:Three Veiled Figures
1291:The Revenge for Love
1247:Journey into Barbary
1191:Time and Western Man
1032:Nasher Museum of Art
954:. He also published
951:The Jewish Chronicle
818:José Clemente Orozco
639:The Revenge for Love
545:Time and Western Man
472:, was serialized in
68:Amherst, Nova Scotia
7158:World War I artists
7093:British war artists
6789:International Style
6539:Afternoon of a Faun
5825:Battleship Potemkin
5729:Mont Sainte-Victoir
3306:James Dickson Innes
3043:Harry Ransom Center
2843:footnote references
2511:Fifty Orwell Essays
1462:(1909), watercolour
1460:The Theatre Manager
1453:Imperial War Museum
1405:Unlucky for Pringle
878:BBC Third Programme
513:Leicester Galleries
509:Tyros and Portraits
182:His novels include
167:Percy Wyndham Lewis
137:Gladys Anne Hoskins
54:Percy Wyndham Lewis
7133:People born at sea
6668:Buddhist modernism
6625:American modernism
6551:The Rite of Spring
4526:The Sun Also Rises
4502:The Magic Mountain
3673:Frederick Etchells
3543:
3524:Dorothy Shakespear
3484:Frederick Etchells
3039:1915-1977, undated
2659:The Common Pursuit
2601:. London: Methuen.
2249:on 31 January 2012
2173:– via JSTOR.
2006:Paul Gough (2010)
1850:The New York Times
1580:A Canadian Gun-pit
1456:
1440:
1433:A Canadian Gun-pit
1411:Mrs Duke's Million
1321:America, I Presume
1273:(1934) (criticism)
1253:Enemy of the Stars
1211:(1930) (criticism)
1209:Satire and Fiction
1080:Critical reception
1077:
921:
694:
658:Enemy of the Stars
588:
561:process philosophy
505:
447:A Canadian Gun-pit
420:
392:Enemy of the Stars
356:process philosophy
296:The English Review
288:
272:
253:process philosophy
7123:English satirists
6968:
6967:
6696:Experimental film
6612:
6611:
6599:Waiting for Godot
5906:
5905:
4563:
4562:
4466:The Metamorphosis
3716:
3715:
3683:Cuthbert Hamilton
3618:
3617:
3494:Cuthbert Hamilton
3464:Lawrence Atkinson
3416:
3415:
3351:John Doman Turner
3341:William Ratcliffe
3256:Camden Town Group
3221:
3220:
3149:A Battery Shelled
3013:Poetry Foundation
2904:Project Gutenberg
2871:
2870:
2863:
2625:Jaillant, Lise. "
2492:. openplaques.org
2269:. Wyndham Lewis.
2042:978-1-84403-563-2
1591:A Battery Shelled
1448:A Battery Shelled
1399:The Roaring Queen
1327:The Vulgar Streak
1135:and James Joyce.
705:Spanish Civil War
647:fellow travellers
643:Spanish Civil War
621:Richard Aldington
456:A Battery Shelled
321:illustrations to
300:Camden Town Group
164:
163:
7165:
7033:
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7008:
7007:
7006:
6999:
6991:
6990:
6989:
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6960:
6959:
6931:
6929:Vulgar modernism
6924:
6922:Underground film
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6896:
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6754:
6747:
6745:Hippie modernism
6740:
6733:
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6698:
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6684:
6677:
6670:
6663:
6661:Bloomsbury Group
6656:
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5864:
5855:
5854:
5849:Un Chien Andalou
5843:
5842:
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5819:
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5813:Ballet MĂ©canique
5807:
5806:
5795:
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5746:
5741:The Starry Night
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5070:Toulouse-Lautrec
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5023:
5016:
5009:
5002:
4995:
4988:
4981:
4974:
4967:
4960:
4953:
4946:
4939:
4932:
4925:
4918:
4911:
4904:
4897:
4890:
4883:
4876:
4869:
4862:
4855:
4848:
4841:
4834:
4827:
4820:
4813:
4806:
4799:
4792:
4785:
4778:
4771:
4764:
4757:
4750:
4743:
4736:
4729:
4722:
4715:
4708:
4701:
4694:
4687:
4680:
4673:
4666:
4659:
4652:
4645:
4638:
4631:
4624:
4617:
4610:
4603:
4596:
4589:
4574:
4573:
4556:
4555:
4544:
4543:
4532:
4531:
4520:
4519:
4508:
4507:
4496:
4495:
4484:
4483:
4472:
4471:
4460:
4459:
4437:
4430:
4423:
4416:
4409:
4402:
4395:
4388:
4381:
4374:
4367:
4360:
4353:
4346:
4339:
4332:
4325:
4318:
4311:
4304:
4297:
4290:
4283:
4276:
4269:
4262:
4255:
4248:
4241:
4221:
4214:
4207:
4200:
4193:
4186:
4179:
4172:
4165:
4158:
4151:
4144:
4137:
4130:
4123:
4116:
4109:
4102:
4095:
4088:
4081:
4074:
4067:
4060:
4053:
4046:
4039:
4032:
4025:
4018:
4011:
4004:
3997:
3990:
3983:
3968:
3967:
3954:
3947:
3940:
3933:
3926:
3917:
3916:
3906:
3899:
3892:
3885:
3876:
3869:
3862:
3853:
3846:
3845:
3835:
3834:
3831:Der Blaue Reiter
3824:
3817:
3810:
3803:
3796:
3789:
3788:
3778:
3777:
3767:
3743:
3736:
3729:
3720:
3719:
3708:Edward Wadsworth
3645:
3638:
3631:
3622:
3621:
3529:Edward Wadsworth
3443:
3436:
3429:
3420:
3419:
3372:Vincent van Gogh
3281:Malcolm Drummond
3257:
3248:
3241:
3234:
3225:
3224:
3076:
3069:
3062:
3053:
3052:
3005:
2991:
2990:
2866:
2859:
2855:
2852:
2846:
2814:
2813:
2806:
2723:"Wyndham Lewis."
2712:"Wyndham Lewis."
2540:
2533:
2527:
2520:
2514:
2508:
2502:
2501:
2499:
2497:
2486:
2480:
2479:
2472:
2466:
2453:
2447:
2446:
2444:
2436:
2430:
2429:
2397:
2391:
2383:
2377:
2376:
2374:
2372:
2355:
2349:
2348:
2346:
2344:
2329:
2320:
2319:
2317:
2315:
2303:
2297:
2296:
2294:
2292:
2280:
2274:
2264:
2258:
2257:
2256:
2254:
2248:
2241:
2231:
2225:
2224:
2222:
2220:
2211:. Archived from
2205:
2199:
2198:
2190:
2175:
2174:
2142:
2136:
2129:
2123:
2114:
2108:
2092:
2086:
2078:
2072:
2071:
2053:
2047:
2046:
2029:Stephen Farthing
2025:
2019:
2004:
1998:
1997:
1981:
1975:
1962:
1956:
1955:
1944:
1938:
1937:
1929:
1923:
1922:
1920:
1918:
1904:
1898:
1897:
1889:
1883:
1872:
1861:
1860:
1858:
1856:
1841:
1829:
1826:
1494:Mother and Child
1395:(1963) (letters)
1051:The Enemy Speaks
851:Jean-Paul Sartre
723:Geoffrey Grigson
565:Samuel Alexander
378:Rebel Art Centre
304:Bloomsbury Group
206:The Trial of Man
148:
146:
82:
64:18 November 1882
63:
61:
42:
28:
27:
7173:
7172:
7168:
7167:
7166:
7164:
7163:
7162:
7038:
7037:
7036:
7026:
7021:
7019:
7009:
7004:
7002:
6992:
6987:
6985:
6982:
6978:sister projects
6975:at Knowledge's
6969:
6964:
6955:
6947:
6934:
6927:
6920:
6915:Structural film
6913:
6906:
6899:
6892:
6885:
6878:
6871:
6866:New Objectivity
6864:
6857:
6852:Neo-romanticism
6850:
6845:Neo-primitivism
6843:
6836:
6829:
6822:
6815:
6808:
6801:
6794:
6787:
6780:
6771:
6764:
6757:
6750:
6743:
6736:
6729:
6722:
6715:
6708:
6701:
6694:
6687:
6680:
6673:
6666:
6659:
6648:
6637:
6630:
6623:
6608:
6602:
6596:
6590:
6584:
6578:
6572:
6566:
6560:
6554:
6548:
6542:
6536:
6530:
6524:
6518:
6512:
6506:
6500:
6494:
6491:VerklÀrte Nacht
6488:
6482:
6476:
6470:
6464:
6453:
6446:
6439:
6432:
6425:
6418:
6411:
6404:
6397:
6390:
6383:
6376:
6369:
6362:
6355:
6348:
6341:
6334:
6321:
6314:
6307:
6300:
6293:
6286:
6279:
6272:
6265:
6258:
6251:
6244:
6237:
6230:
6223:
6216:
6209:
6202:
6195:
6188:
6181:
6174:
6161:
6154:
6147:
6140:
6133:
6126:
6119:
6112:
6105:
6098:
6091:
6084:
6077:
6070:
6063:
6056:
6049:
6042:
6035:
6028:
6021:
6014:
6007:
6000:
5993:
5986:
5979:
5972:
5965:
5958:
5951:
5944:
5937:
5930:
5913:
5902:
5896:
5890:
5884:
5878:
5872:
5868:
5862:
5858:
5852:
5846:
5840:
5834:
5828:
5822:
5816:
5810:
5804:
5798:
5792:
5786:
5780:
5774:
5768:
5762:
5756:
5750:
5744:
5738:
5732:
5726:
5720:
5714:
5703:
5696:
5689:
5682:
5675:
5668:
5661:
5654:
5647:
5640:
5633:
5626:
5619:
5612:
5605:
5598:
5591:
5584:
5577:
5570:
5563:
5556:
5549:
5542:
5529:
5522:
5515:
5508:
5501:
5494:
5487:
5480:
5473:
5466:
5459:
5452:
5445:
5438:
5431:
5424:
5417:
5410:
5403:
5396:
5389:
5382:
5375:
5368:
5361:
5354:
5347:
5340:
5333:
5326:
5319:
5312:
5305:
5298:
5291:
5284:
5277:
5270:
5263:
5256:
5249:
5242:
5235:
5228:
5221:
5214:
5207:
5200:
5193:
5186:
5179:
5172:
5165:
5158:
5151:
5144:
5137:
5130:
5123:
5116:
5109:
5102:
5089:
5082:
5075:
5068:
5061:
5054:
5047:
5040:
5033:
5026:
5019:
5012:
5005:
4998:
4991:
4984:
4977:
4970:
4963:
4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4830:
4823:
4816:
4809:
4802:
4795:
4788:
4781:
4774:
4767:
4760:
4753:
4746:
4739:
4732:
4725:
4718:
4711:
4704:
4697:
4690:
4683:
4676:
4669:
4662:
4655:
4648:
4641:
4634:
4627:
4620:
4613:
4606:
4599:
4592:
4585:
4559:
4553:
4547:
4541:
4535:
4529:
4523:
4517:
4511:
4505:
4499:
4493:
4487:
4481:
4475:
4469:
4463:
4457:
4451:
4440:
4433:
4426:
4419:
4412:
4405:
4398:
4391:
4384:
4377:
4370:
4363:
4356:
4349:
4344:Lowell (Robert)
4342:
4335:
4328:
4321:
4314:
4307:
4300:
4293:
4286:
4279:
4272:
4265:
4258:
4251:
4244:
4237:
4224:
4217:
4210:
4203:
4196:
4189:
4182:
4175:
4168:
4161:
4154:
4147:
4140:
4133:
4126:
4119:
4112:
4105:
4098:
4091:
4084:
4077:
4070:
4063:
4056:
4049:
4042:
4035:
4028:
4021:
4014:
4007:
4000:
3993:
3986:
3979:
3957:
3950:
3943:
3936:
3929:
3922:
3909:
3902:
3895:
3888:
3881:
3872:
3865:
3858:
3849:
3838:
3827:
3820:
3813:
3806:
3799:
3792:
3781:
3770:
3763:
3752:
3747:
3717:
3712:
3698:William Roberts
3663:Jessica Dismorr
3654:
3649:
3619:
3614:
3611:(1962 painting)
3595:
3544:
3533:
3514:William Roberts
3474:Jessica Dismorr
3452:
3447:
3417:
3412:
3376:
3355:
3336:Lucien Pissarro
3259:
3255:
3252:
3222:
3217:
3187:
3128:
3114:The Apes of God
3085:
3080:
3029:York University
2988:
2867:
2856:
2850:
2847:
2828:
2819:This article's
2815:
2811:
2804:
2696:. London: Cape.
2562:Modern Painters
2549:
2547:Further reading
2544:
2543:
2534:
2530:
2521:
2517:
2509:
2505:
2495:
2493:
2488:
2487:
2483:
2474:
2473:
2469:
2463:Wayback Machine
2454:
2450:
2442:
2438:
2437:
2433:
2398:
2394:
2384:
2380:
2370:
2368:
2357:
2356:
2352:
2342:
2340:
2330:
2323:
2313:
2311:
2304:
2300:
2290:
2288:
2281:
2277:
2265:
2261:
2252:
2250:
2246:
2239:
2233:
2232:
2228:
2218:
2216:
2215:on 12 June 2011
2207:
2206:
2202:
2191:
2178:
2163:10.2307/1771454
2143:
2139:
2130:
2126:
2115:
2111:
2093:
2089:
2079:
2075:
2068:
2054:
2050:
2043:
2026:
2022:
2005:
2001:
1982:
1978:
1972:Wayback Machine
1963:
1959:
1946:
1945:
1941:
1930:
1926:
1916:
1914:
1908:"Wyndham Lewis"
1906:
1905:
1901:
1890:
1886:
1873:
1864:
1854:
1852:
1842:
1838:
1833:
1832:
1827:
1823:
1818:
1480:(also known as
1478:Russian Madonna
1426:
1419:(1989) (essays)
1345:Rude Assignment
1323:(1940) (travel)
1299:(1937) (essays)
1279:(1936) (essays)
1271:Men Without Art
1267:(1933) (poetry)
1239:(1932) (essays)
1233:(1931) (essays)
1216:The Apes of God
1205:(1929) (essays)
1197:The Childermass
1193:(1927) (essays)
1187:(1927) (essays)
1172:(1926) (essays)
1152:
1128:The Apes of God
1116:
1096:If Winter Comes
1082:
1055:The Apes of God
1036:Duke University
1008:
956:The Hitler Cult
933:
931:Political views
899:
891:William Roberts
870:The Childermass
835:Rude Assignment
831:pituitary tumor
827:
802:
780:and 1949), and
731:Naomi Mitchison
715:Stephen Spender
682:
666:The Apes of God
662:Men without Art
612:The Apes of God
594:novel entitled
577:
494:
408:
367:Omega Workshops
324:Timon of Athens
306:, particularly
292:Ford Madox Ford
261:
229:
224:
222:Life and career
194:The Childermass
150:
147: 1930)
142:
138:
87:
84:
80:
71:
65:
59:
57:
56:
55:
45:
33:
24:
17:
12:
11:
5:
7171:
7161:
7160:
7155:
7150:
7145:
7140:
7135:
7130:
7125:
7120:
7115:
7110:
7105:
7100:
7095:
7090:
7085:
7080:
7075:
7070:
7065:
7060:
7055:
7050:
7035:
7034:
7017:
7015:from Wikiquote
7000:
6971:
6966:
6965:
6948:
6940:
6939:
6936:
6935:
6933:
6932:
6925:
6918:
6911:
6904:
6897:
6890:
6883:
6876:
6873:Poetic realism
6869:
6862:
6855:
6848:
6841:
6834:
6827:
6820:
6813:
6806:
6803:Late modernity
6799:
6796:Late modernism
6792:
6785:
6778:
6777:
6776:
6769:
6762:
6748:
6741:
6738:High modernism
6734:
6727:
6720:
6713:
6706:
6699:
6692:
6685:
6682:Degenerate art
6678:
6671:
6664:
6657:
6652:Ballets Russes
6646:
6635:
6628:
6620:
6618:
6614:
6613:
6610:
6609:
6607:
6606:
6594:
6582:
6570:
6558:
6546:
6534:
6522:
6510:
6498:
6486:
6474:
6461:
6459:
6455:
6454:
6452:
6451:
6444:
6437:
6430:
6423:
6416:
6409:
6402:
6395:
6388:
6381:
6374:
6367:
6360:
6353:
6346:
6339:
6331:
6329:
6323:
6322:
6320:
6319:
6312:
6305:
6298:
6291:
6284:
6277:
6270:
6263:
6256:
6249:
6242:
6235:
6228:
6221:
6214:
6207:
6200:
6193:
6186:
6179:
6171:
6169:
6163:
6162:
6160:
6159:
6152:
6145:
6138:
6131:
6124:
6117:
6110:
6103:
6096:
6089:
6082:
6075:
6068:
6061:
6054:
6047:
6040:
6033:
6026:
6019:
6012:
6005:
5998:
5991:
5984:
5977:
5970:
5963:
5956:
5949:
5942:
5935:
5927:
5925:
5916:
5908:
5907:
5904:
5903:
5901:
5900:
5888:
5876:
5866:
5856:
5844:
5832:
5820:
5808:
5796:
5784:
5772:
5760:
5748:
5736:
5724:
5711:
5709:
5705:
5704:
5702:
5701:
5694:
5687:
5680:
5673:
5666:
5659:
5652:
5645:
5638:
5631:
5624:
5617:
5610:
5603:
5596:
5589:
5582:
5575:
5568:
5561:
5554:
5547:
5539:
5537:
5531:
5530:
5528:
5527:
5520:
5513:
5506:
5499:
5492:
5485:
5478:
5471:
5464:
5457:
5450:
5443:
5436:
5429:
5422:
5415:
5408:
5405:Ray (Satyajit)
5401:
5398:Ray (Nicholas)
5394:
5387:
5380:
5373:
5366:
5359:
5352:
5345:
5338:
5331:
5324:
5317:
5310:
5303:
5296:
5289:
5282:
5275:
5268:
5261:
5254:
5247:
5240:
5233:
5226:
5219:
5212:
5205:
5198:
5191:
5184:
5177:
5170:
5163:
5156:
5149:
5142:
5135:
5128:
5121:
5114:
5107:
5099:
5097:
5091:
5090:
5088:
5087:
5080:
5073:
5066:
5059:
5052:
5045:
5038:
5031:
5024:
5017:
5010:
5003:
4996:
4989:
4982:
4975:
4968:
4961:
4954:
4947:
4940:
4933:
4926:
4919:
4912:
4905:
4898:
4891:
4884:
4877:
4870:
4863:
4856:
4849:
4842:
4835:
4828:
4821:
4814:
4807:
4800:
4793:
4786:
4779:
4772:
4765:
4758:
4751:
4744:
4737:
4730:
4723:
4716:
4709:
4702:
4695:
4688:
4681:
4674:
4667:
4660:
4653:
4646:
4639:
4632:
4625:
4618:
4611:
4604:
4597:
4590:
4582:
4580:
4571:
4565:
4564:
4561:
4560:
4558:
4557:
4545:
4533:
4521:
4509:
4497:
4490:The Waste Land
4485:
4473:
4461:
4448:
4446:
4442:
4441:
4439:
4438:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4375:
4368:
4361:
4354:
4347:
4340:
4333:
4326:
4319:
4312:
4305:
4298:
4291:
4284:
4277:
4270:
4263:
4256:
4249:
4242:
4234:
4232:
4226:
4225:
4223:
4222:
4215:
4208:
4201:
4194:
4187:
4180:
4173:
4166:
4159:
4152:
4145:
4138:
4131:
4124:
4117:
4110:
4103:
4096:
4089:
4082:
4075:
4068:
4061:
4054:
4047:
4040:
4033:
4026:
4019:
4012:
4005:
3998:
3991:
3984:
3976:
3974:
3965:
3959:
3958:
3956:
3955:
3948:
3941:
3934:
3927:
3920:
3919:
3918:
3900:
3893:
3886:
3879:
3878:
3877:
3863:
3856:
3855:
3854:
3847:
3836:
3818:
3811:
3804:
3801:Constructivism
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3381:Related groups
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3346:Walter Sickert
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3011:(1914) at the
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2823:external links
2818:
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2802:External links
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2412:(3): 221â234.
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2031:, ed. (2006).
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1389:(1956) (novel)
1387:The Red Priest
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1383:(1955) (novel)
1378:
1377:(1955) (novel)
1372:
1371:(1955) (essay)
1366:
1365:(1954) (novel)
1363:Self Condemned
1360:
1359:(1952) (essay)
1354:
1348:
1342:
1341:(1949) (essay)
1336:
1335:(1941) (essay)
1330:
1329:(1941) (novel)
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1312:
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1293:(1937) (novel)
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1261:(1932) (novel)
1259:Snooty Baronet
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1227:(1931) (essay)
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1219:(1930) (novel)
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1199:(1928) (novel)
1194:
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1166:(1919) (essay)
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1160:(1918) (novel)
1151:
1148:
1140:Anthony Julius
1115:
1112:
1104:Walter Sickert
1086:Good Bad Books
1084:In his essay "
1081:
1078:
1040:The Vorticists
1007:
1004:
932:
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859:Self Condemned
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7048:Wyndham Lewis
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3867:Functionalism
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3499:Kate Lechmere
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3311:Augustus John
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3279:
3277:
3274:
3272:
3269:
3268:
3266:
3262:
3258:
3249:
3244:
3242:
3237:
3235:
3230:
3229:
3226:
3214:
3213:
3209:
3207:
3204:
3202:
3201:
3197:
3196:
3194:
3192:Miscellaneous
3190:
3183:
3182:
3178:
3175:
3174:
3170:
3167:
3166:
3162:
3159:
3158:
3157:Edith Sitwell
3154:
3151:
3150:
3146:
3143:
3142:
3138:
3137:
3135:
3131:
3124:
3123:
3119:
3116:
3115:
3111:
3108:
3107:
3106:The Wild Body
3103:
3100:
3099:
3095:
3094:
3092:
3088:
3084:
3083:Wyndham Lewis
3077:
3072:
3070:
3065:
3063:
3058:
3057:
3054:
3048:
3044:
3040:
3036:
3032:
3030:
3026:
3023:
3019:
3016:
3014:
3010:
3007:
3004:
3000:
2996:
2993:
2985:
2981:
2978:
2975:
2972:
2970:
2966:
2963:
2960:
2956:
2953:
2951:
2950:
2945:
2942:
2940:
2936:
2933:
2930:
2929:
2925:
2922:
2918:
2915:
2912:
2911:
2907:
2905:
2901:
2898:
2896:
2895:
2890:
2889:Wyndham Lewis
2887:
2885:
2881:
2880:Wyndham Lewis
2878:
2876:
2873:
2872:
2865:
2862:
2854:
2844:
2840:
2839:inappropriate
2836:
2832:
2826:
2824:
2817:
2808:
2807:
2796:
2792:
2789:
2788:
2783:
2780:
2779:
2774:
2772:
2768:
2764:
2763:
2758:
2754:
2751:
2747:
2744:
2740:
2737:
2736:
2731:
2728:
2724:
2720:
2717:
2713:
2709:
2706:
2702:
2698:
2695:
2691:
2688:
2684:
2681:
2677:
2674:
2670:
2667:
2663:
2660:
2656:
2652:
2649:
2645:
2642:
2641:Wyndham Lewis
2638:
2635:
2631:
2628:
2624:
2621:
2617:
2613:
2612:
2607:
2603:
2600:
2596:
2593:
2592:
2587:
2584:
2581:
2577:
2574:
2571:
2567:
2564:
2563:
2558:
2555:
2551:
2550:
2538:
2532:
2525:
2519:
2512:
2507:
2491:
2485:
2477:
2471:
2464:
2460:
2457:
2456:Nasher Museum
2452:
2441:
2435:
2427:
2423:
2419:
2415:
2411:
2407:
2403:
2396:
2389:
2388:
2387:Time and Tide
2382:
2366:
2365:
2360:
2354:
2339:
2335:
2328:
2326:
2309:
2302:
2286:
2279:
2272:
2268:
2267:The Human Age
2263:
2245:
2238:
2237:
2230:
2214:
2210:
2204:
2196:
2189:
2187:
2185:
2183:
2181:
2172:
2168:
2164:
2160:
2156:
2152:
2148:
2141:
2134:
2128:
2121:
2120:
2113:
2106:
2102:
2101:Edward Chaney
2098:
2097:
2091:
2084:
2083:
2077:
2069:
2067:9781107495708
2063:
2059:
2052:
2044:
2038:
2034:
2030:
2024:
2017:
2016:9781906593001
2013:
2009:
2003:
1995:
1991:
1987:
1980:
1974:, FluxEuropa.
1973:
1969:
1966:
1961:
1953:
1949:
1943:
1935:
1934:Wyndham Lewis
1928:
1913:
1909:
1903:
1895:
1894:Wyndham Lewis
1888:
1881:
1877:
1871:
1869:
1867:
1851:
1847:
1840:
1836:
1825:
1821:
1810:
1806:
1803:
1800:
1796:
1793:
1791:
1789:
1784:
1781:
1777:
1776:
1772:
1769:
1765:
1762:
1759:
1755:
1752:
1749:
1748:
1744:
1741:
1737:
1734:
1731:
1727:
1724:
1721:
1717:
1714:
1711:
1707:
1706:
1702:
1699:
1695:
1692:
1689:
1685:
1682:
1679:
1675:
1674:Creation Myth
1672:
1669:
1665:
1662:
1659:
1655:
1652:
1649:
1645:
1644:
1643:Edith Sitwell
1640:
1637:
1633:
1630:
1627:
1623:
1622:Seated Figure
1620:
1617:
1613:
1610:
1607:
1603:
1600:
1597:
1593:
1592:
1588:
1585:
1581:
1578:
1575:
1571:
1568:
1565:
1561:
1558:
1555:
1551:
1550:
1546:
1543:
1540:
1537:
1534:
1531:
1528:
1525:
1522:
1519:
1515:
1512:
1509:
1505:
1501:
1498:
1495:
1492:
1489:
1486:
1483:
1482:Russian Scene
1479:
1476:
1473:
1470:
1467:
1466:The Courtesan
1464:
1461:
1458:
1457:
1454:
1450:
1449:
1444:
1438:
1434:
1430:
1418:
1415:
1412:
1409:
1406:
1403:
1400:
1397:
1394:
1391:
1388:
1385:
1382:
1381:Malign Fiesta
1379:
1376:
1373:
1370:
1367:
1364:
1361:
1358:
1355:
1352:
1349:
1346:
1343:
1340:
1337:
1334:
1331:
1328:
1325:
1322:
1319:
1316:
1313:
1310:
1307:
1304:
1301:
1298:
1295:
1292:
1289:
1286:
1285:
1281:
1278:
1275:
1272:
1269:
1266:
1263:
1260:
1257:
1255:(1932) (play)
1254:
1251:
1248:
1244:
1241:
1238:
1237:Doom of Youth
1235:
1232:
1229:
1226:
1225:
1221:
1218:
1217:
1213:
1210:
1207:
1204:
1201:
1198:
1195:
1192:
1189:
1186:
1183:
1180:
1178:
1177:The Wild Body
1174:
1171:
1168:
1165:
1162:
1159:
1158:
1154:
1153:
1147:
1145:
1141:
1136:
1134:
1129:
1125:
1121:
1114:Anti-semitism
1111:
1109:
1105:
1100:
1098:
1097:
1091:
1090:George Orwell
1087:
1073:
1069:
1067:
1063:
1058:
1056:
1052:
1047:
1045:
1041:
1037:
1033:
1029:
1025:
1020:
1018:
1014:
1003:
1001:
997:
990:
985:
983:
978:
976:
971:
967:
966:
959:
957:
953:
952:
947:
942:
938:
928:
926:
917:
913:
909:
906:
904:
897:Personal life
894:
892:
888:
883:
879:
875:
874:The Human Age
871:
867:
862:
860:
856:
855:André Malraux
852:
848:
847:George Orwell
844:
840:
836:
832:
822:
819:
815:
811:
805:
797:
795:
794:Augustus John
791:
790:Royal Academy
787:
783:
779:
775:
771:
767:
766:Edith Sitwell
762:
760:
756:
752:
748:
744:
740:
736:
732:
728:
724:
720:
716:
712:
711:
706:
702:
701:
691:
686:
677:
675:
671:
667:
663:
659:
655:
650:
648:
644:
640:
636:
632:
631:
626:
622:
618:
614:
613:
607:
605:
604:
599:
598:
593:
586:
581:
572:
570:
566:
562:
558:
554:
550:
546:
542:
540:
536:
531:
529:
525:
521:
520:
517:A Reading of
514:
510:
502:
498:
491:
486:
484:
479:
477:
476:
471:
470:
465:
460:
458:
457:
452:
448:
444:
440:
435:
433:
432:Ypres Salient
429:
425:
424:western front
417:
412:
403:
401:
397:
396:Expressionist
393:
389:
385:
384:
379:
375:
372:
368:
363:
361:
357:
353:
349:
345:
341:
336:
334:
333:Heddon Street
330:
326:
325:
320:
319:Cubo-Futurist
315:
313:
309:
305:
301:
297:
293:
285:
281:
276:
270:
265:
256:
254:
250:
249:Henri Bergson
246:
242:
238:
234:
219:
217:
213:
212:
207:
203:
202:Malign Fiesta
199:
195:
191:
190:The Human Age
187:
186:
180:
178:
177:
172:
168:
160:
157:
153:
134:
130:
127:
124:
120:
116:
112:
109:
105:
102:
98:
94:
90:
78:
74:
69:
52:
48:
44:Lewis in 1913
41:
36:
32:Wyndham Lewis
29:
26:
22:
7027:
7010:
6998:from Commons
6993:
6972:
6949:
6942:
6689:Ecomodernism
6597:
6585:
6573:
6561:
6549:
6537:
6527:The Firebird
6525:
6513:
6501:
6489:
6477:
6465:
5891:
5881:Citizen Kane
5879:
5870:Fallingwater
5860:Villa Savoye
5847:
5835:
5823:
5811:
5799:
5789:Black Square
5787:
5775:
5763:
5751:
5739:
5727:
5715:
5607:Le Corbusier
5535:Architecture
4548:
4536:
4524:
4514:Mrs Dalloway
4512:
4500:
4488:
4476:
4464:
4452:
4337:Lowell (Amy)
3692:
3668:Frank Dobson
3606:
3587:
3581:The Mud Bath
3579:
3571:
3563:
3555:
3503:
3403:London Group
3367:Paul Gauguin
3331:J. B. Manson
3320:
3301:Duncan Grant
3276:Robert Bevan
3271:Walter Bayes
3210:
3198:
3179:
3171:
3163:
3155:
3147:
3139:
3120:
3112:
3104:
3096:
3082:
3022:Clara Thomas
2957: at the
2947:
2931:audiobook CD
2926:
2908:
2892:
2857:
2848:
2833:by removing
2820:
2794:
2786:
2776:
2760:
2756:
2752:, Macmillan.
2749:
2742:
2734:
2726:
2715:
2704:
2693:
2686:
2679:
2672:
2665:
2658:
2647:
2640:
2633:
2609:
2605:
2598:
2589:
2579:
2569:
2560:
2553:
2536:
2531:
2523:
2518:
2506:
2494:. Retrieved
2484:
2470:
2451:
2434:
2409:
2405:
2395:
2385:
2381:
2369:. Retrieved
2362:
2353:
2341:. Retrieved
2337:
2312:. Retrieved
2301:
2289:. Retrieved
2278:
2271:The Listener
2270:
2266:
2262:
2251:, retrieved
2244:the original
2235:
2229:
2217:. Retrieved
2213:the original
2203:
2194:
2157:(1): 24â41.
2154:
2150:
2140:
2132:
2127:
2118:
2112:
2104:
2095:
2090:
2081:
2076:
2057:
2051:
2032:
2023:
2007:
2002:
1993:
1989:
1979:
1960:
1951:
1942:
1933:
1927:
1915:. Retrieved
1911:
1902:
1893:
1887:
1879:
1853:. Retrieved
1849:
1839:
1824:
1805:Nigel Tangye
1804:
1794:
1785:
1773:
1764:John Macleod
1763:
1753:
1745:
1736:Pensive Head
1735:
1726:Newfoundland
1725:
1715:
1703:
1693:
1683:
1673:
1663:
1653:
1641:
1631:
1621:
1611:
1601:
1589:
1579:
1569:
1559:
1547:
1541:
1535:
1529:
1523:
1513:
1503:
1499:
1493:
1487:
1481:
1477:
1472:Indian Dance
1471:
1465:
1459:
1446:
1432:
1416:
1410:
1404:
1398:
1392:
1386:
1380:
1374:
1368:
1362:
1356:
1351:Rotting Hill
1350:
1344:
1338:
1332:
1326:
1320:
1314:
1308:
1302:
1296:
1290:
1282:
1276:
1270:
1265:One-Way Song
1264:
1258:
1252:
1246:
1242:
1236:
1230:
1222:
1214:
1208:
1202:
1196:
1190:
1184:
1175:
1169:
1163:
1155:
1143:
1137:
1127:
1119:
1117:
1108:Rebecca West
1101:
1094:
1083:
1059:
1054:
1050:
1048:
1044:Tate Britain
1023:
1021:
1016:
1009:
995:
992:
987:
981:
979:
975:Soviet Union
962:
960:
955:
949:
945:
941:Adolf Hitler
936:
934:
922:
910:
907:
900:
886:
882:Tate Gallery
873:
869:
863:
858:
842:
839:Rotting Hill
838:
834:
828:
810:Diego Rivera
806:
803:
763:
746:
743:Tate Gallery
727:Rebecca West
708:
698:
695:
665:
661:
657:
654:One-Way Song
653:
651:
649:as deluded.
638:
628:
624:
610:
608:
601:
595:
589:
563:of Bergson,
544:
543:
538:
534:
532:
527:
523:
516:
508:
506:
500:
489:
482:
480:
473:
467:
461:
454:
436:
421:
391:
387:
381:
364:
337:
322:
316:
295:
289:
279:
268:
237:Rugby School
230:
215:
209:
205:
201:
197:
193:
189:
183:
181:
174:
166:
165:
81:(1957-03-07)
79:7 March 1957
25:
7058:1957 deaths
7053:1882 births
6944:Romanticism
6901:Remodernism
6782:Incoherents
6641:Avant-garde
6632:Armory Show
6239:Maeterlinck
6142:Villa-Lobos
6128:Szymanowski
6107:Stockhausen
6044:LutosĆawski
5769:(1909â1910)
4569:Visual arts
4542:(1928â1940)
4458:(1913â1927)
3981:Apollinaire
3945:Synchromism
3785:Art Nouveau
3600:Works about
3568:(1914â1915)
3560:(1914â1915)
3168:(1934â1937)
3160:(1923â1935)
3144:(1914â1915)
2851:August 2020
2253:10 February
1530:Slow Attack
1524:Plan of War
1514:Composition
1502:(study for
1500:The Dancers
1435:, (1919) -
1375:Monstre Gai
1133:John Rodker
1062:blue plaque
970:W. H. Auden
774:T. S. Eliot
735:Henry Moore
719:W. H. Auden
635:James Joyce
549:James Joyce
269:The Dancers
233:Nova Scotia
214:(1937) and
200:(1955) and
198:Monstre Gai
188:(1918) and
92:Nationality
7153:Vorticists
7042:Categories
7012:Quotations
6831:Maximalism
6766:Literature
6441:Wiesenthal
6343:Cunningham
6336:Balanchine
6316:Witkiewicz
6288:Strindberg
6274:Pirandello
6246:Mayakovsky
6121:Stravinsky
6093:Schoenberg
5912:Performing
5837:Metropolis
5628:Mendelsohn
5433:Rossellini
5426:Richardson
5237:Fassbinder
5223:Eisenstein
5160:Cassavetes
4916:Modigliani
4790:Goncharova
4776:Giacometti
4170:Dos Passos
3972:Literature
3931:Surrealism
3842:Die BrĂŒcke
3589:Rock Drill
3509:Ezra Pound
3457:Vorticists
3360:Influences
3316:Henry Lamb
3181:Ezra Pound
2949:The Walrus
2921:Faded Page
2762:Cencrastus
2611:Cencrastus
1917:16 January
1775:Ezra Pound
1632:Mrs Schiff
1066:Kensington
965:Lord Byron
963:Letter to
903:Iris Barry
889:signatory
782:Ezra Pound
755:de Chirico
751:Surrealism
690:Ezra Pound
603:The Egoist
557:Ezra Pound
475:The Egoist
464:John Quinn
451:Vimy Ridge
443:war artist
437:After the
371:Daily Mail
340:Ezra Pound
312:Clive Bell
227:Early life
159:Iris Barry
60:1882-11-18
6880:Pulp noir
6838:Modernity
6703:Film noir
6427:St. Denis
6350:Diaghilev
6086:Schaeffer
6009:Hindemith
5988:Dutilleux
5960:Boulanger
5765:The Dance
5461:Tarkovsky
5454:Sternberg
5286:Hitchcock
5202:Dovzhenko
5118:Antonioni
5063:Stieglitz
4902:Metzinger
4853:Kokoschka
4832:Kandinsky
4246:Aldington
4239:Akhmatova
4156:Marinetti
4149:Mansfield
4100:Hemingway
3938:Symbolism
3757:Movements
3750:Modernism
3565:The Crowd
3450:Vorticism
3398:Vorticism
3206:Vorticism
3141:The Crowd
3133:Paintings
3035:1898-1949
2946:essay in
2835:excessive
2771:0264-0856
2620:0264-0856
2426:142626791
1754:La Suerte
1684:Red Scene
1624:(c.1921)
1549:The Crowd
1451:(1919) -
1424:Paintings
1102:In 1932,
770:1923â1936
747:Red Scene
739:Eric Gill
710:The Times
674:Hemingway
592:modernist
535:The Enemy
511:, at the
360:Nietzsche
344:Vorticism
308:Roger Fry
286:, London)
171:Vorticist
126:Vorticism
100:Education
6962:Category
6563:Fountain
6467:Don Juan
6406:Nijinsky
6302:Wedekind
6281:Piscator
6176:Anderson
6100:Scriabin
6016:Honegger
5677:Sullivan
5663:Saarinen
5656:Rietveld
5649:Niemeyer
5621:Melnikov
5551:Bunshaft
5482:Truffaut
5447:Sjöström
5391:Pudovkin
5363:Minnelli
5328:Kurosawa
5321:Kuleshov
5251:Flaherty
5077:Vuillard
5056:Steichen
5014:Rousseau
4979:Pissarro
4958:O'Keeffe
4923:Mondrian
4874:Malevich
4867:Magritte
4839:Kirchner
4783:van Gogh
4734:Doesburg
4713:Delaunay
4706:Delaunay
4629:BrĂąncuÈi
4615:Boccioni
4578:Painting
4428:Williams
4351:Mallarmé
4267:Cendrars
4177:Platonov
4135:Lawrence
4128:Koestler
4065:Flaubert
4058:Faulkner
4023:Bulgakov
3952:Tonalism
3913:De Stijl
3897:Lettrism
3883:Futurism
3774:Art Deco
2984:LibriVox
2923:(Canada)
2526:, p. 12.
2459:Archived
1968:Archived
1560:Workshop
1536:New York
1504:Kermesse
861:(1954).
837:(1950),
688:Lewis's
670:Faulkner
619:family.
541:(1926).
528:The Tyro
352:Futurist
342:dubbed "
280:Workshop
218:(1950).
196:(1928),
122:Movement
70:, Canada
7128:Group X
6617:Related
6479:Ubu Roi
6434:Tamiris
6420:Sokolow
6399:Massine
6267:Osborne
6260:O'Neill
6253:O'Casey
6211:Chekhov
6197:Beckett
6183:Anouilh
6167:Theatre
6114:Strauss
6072:Russolo
6051:Milhaud
6030:JanĂĄÄek
6002:GĂłrecki
5995:Feldman
5981:Debussy
5974:Copland
5932:Antheil
5670:Steiner
5593:Johnson
5572:Guimard
5565:Gropius
5412:Resnais
5314:Kubrick
5244:Fellini
5230:Epstein
5216:Edwards
5181:Cocteau
5167:Chaplin
5139:Bresson
5132:Bergman
5111:Aldrich
5104:Akerman
5049:Soutine
5021:Schiele
4972:Picasso
4965:Picabia
4895:Matisse
4769:Gauguin
4741:Duchamp
4699:Kooning
4678:Claudel
4671:Chirico
4664:Chagall
4657:CĂ©zanne
4650:Cassatt
4622:Bonnard
4608:Bellows
4601:Balthus
4478:Ulysses
4400:Stevens
4393:Seferis
4212:Unamuno
4051:Forster
4030:Chekhov
3995:Beckett
3924:Orphism
3890:Imagism
3874:Bauhaus
3860:Fauvism
3765:Acmeism
3652:Group X
3264:Artists
3041:at the
2997:at the
2967:at the
2829:Please
2821:use of
2371:24 June
2343:10 June
2314:10 June
2291:10 June
2219:13 June
2171:1771454
1855:11 June
630:Ulysses
625:writing
617:Sitwell
155:Partner
149:
141:
95:British
6603:(1953)
6591:(1928)
6579:(1921)
6567:(1917)
6555:(1913)
6543:(1912)
6531:(1910)
6519:(1905)
6515:Salome
6507:(1902)
6495:(1899)
6483:(1896)
6471:(1888)
6448:Wigman
6378:Graham
6371:Fuller
6364:Fokine
6357:Duncan
6309:Wilder
6295:Toller
6232:Kaiser
6204:Brecht
6190:Artaud
6149:Webern
6135:VarĂšse
6065:Partch
6037:Ligeti
5967:Boulez
5939:BartĂłk
5897:(1943)
5885:(1941)
5873:(1936)
5863:(1931)
5853:(1929)
5841:(1927)
5829:(1925)
5817:(1923)
5805:(1920)
5793:(1915)
5781:(1912)
5757:(1907)
5745:(1889)
5733:(1887)
5721:(1886)
5698:Wright
5684:Tatlin
5642:Neutra
5544:Breuer
5510:Welles
5496:Vertov
5419:Renoir
5370:Murnau
5356:Marker
5349:Lupino
5307:Keaton
5293:Hubley
5279:Godard
5265:Fuller
5209:Dreyer
5188:Dassin
5146:Buñuel
5042:Sisley
5035:Signac
5028:Seurat
5000:Renoir
4818:Hopper
4720:Demuth
4643:Calder
4636:Braque
4587:Albers
4554:(1929)
4530:(1926)
4518:(1925)
4506:(1924)
4494:(1922)
4482:(1922)
4470:(1915)
4421:Valéry
4407:Thomas
4372:Pessoa
4316:George
4309:Elytis
4302:Ăluard
4288:Desnos
4260:Cavafy
4230:Poetry
4191:Proust
4184:Porter
4086:Hamsun
4044:Döblin
4037:Conrad
4009:Breton
3988:Barnes
3808:Cubism
3592:(1913)
3584:(1914)
3576:(1914)
3549:Output
3184:(1939)
3176:(1938)
3152:(1919)
3125:(1937)
3117:(1930)
3109:(1927)
3101:(1918)
2959:Art UK
2769:
2618:
2496:11 May
2424:
2169:
2064:
2039:
2014:
1809:(image
1799:(image
1788:(image
1780:(image
1768:(image
1758:(image
1740:(image
1730:(image
1720:(image
1710:(image
1698:(image
1688:(image
1678:(image
1668:(image
1658:(image
1654:Bagdad
1648:(image
1636:(image
1626:(image
1616:(image
1606:(image
1596:(image
1584:(image
1574:(image
1564:(image
1554:(image
1518:(image
1508:(image
1488:Lovers
1305:(1938)
1224:Hitler
1030:. The
1006:Legacy
937:Hitler
816:, and
741:) the
633:", by
627:since
418:, 1917
388:BLAST,
348:Cubism
132:Spouse
6995:Media
6773:Post-
6759:Music
6458:Works
6413:Shawn
6392:Laban
6327:Dance
6225:Jarry
6218:Ibsen
6156:Weill
6079:Satie
5953:Berio
5923:Music
5708:Works
5635:Nervi
5579:Horta
5558:GaudĂ
5517:Wiene
5489:Varda
5475:Trnka
5384:Pabst
5342:Losey
5300:Jones
5272:Gance
5195:Deren
5174:Clair
5153:Carné
5125:Avery
5007:Rodin
4993:Redon
4951:Nolde
4944:Munch
4937:Moore
4930:Monet
4881:Manet
4860:LĂ©ger
4825:Kahlo
4804:Grosz
4762:Ernst
4755:Ensor
4692:Degas
4445:Works
4435:Yeats
4414:Tzara
4386:Rilke
4379:Pound
4358:Moore
4330:Lorca
4323:Jacob
4295:Eliot
4274:Crane
4253:Auden
4219:Woolf
4205:Svevo
4198:Stein
4163:Musil
4121:Kafka
4114:Joyce
4107:Hesse
4093:HaĆĄek
4016:Broch
3851:Music
3557:Blast
3200:Blast
3090:Books
2608:, in
2443:(PDF)
2422:S2CID
2247:(PDF)
2240:(PDF)
2167:JSTOR
1542:Argol
1150:Books
887:BLAST
490:Tyros
386:. In
383:BLAST
176:BLAST
143:(
139:
7029:Data
6385:Holm
6058:Nono
6023:Ives
5946:Berg
5914:arts
5691:Mies
5614:Loos
5600:Kahn
5524:Wood
5503:Vigo
5468:Tati
5440:Sirk
5335:Lang
5258:Ford
5095:Film
5084:Wood
4909:MirĂł
4888:Marc
4846:Klee
4811:Höch
4797:Gris
4748:Dufy
4685:DalĂ
4365:Owen
4281:H.D.
4142:Mann
4079:Gide
4072:Ford
4002:Bely
3815:Dada
3098:Tarr
3037:and
2961:site
2884:IMDb
2767:ISSN
2616:ISSN
2498:2013
2373:2024
2345:2015
2316:2015
2293:2015
2255:2012
2221:2011
2119:TARR
2082:Tyro
2062:ISBN
2037:ISBN
2012:ISBN
1919:2023
1857:2015
1157:Tarr
1120:Tarr
1024:Tarr
864:The
853:and
786:1939
778:1938
753:and
737:and
597:Tarr
555:and
522:and
519:Ovid
469:Tarr
310:and
284:Tate
185:Tarr
76:Died
50:Born
5377:Ozu
4986:Ray
4727:Dix
4594:Arp
3020:at
2982:at
2937:at
2919:at
2902:at
2891:at
2882:at
2837:or
2725:In
2714:In
2703:In
2657:In
2414:doi
2159:doi
2117:On
1142:'s
1088:",
1034:at
980:In
866:BBC
772:),
757:'s
294:'s
251:on
7044::
6941:â
3045:,
3027:,
2420:.
2410:14
2408:.
2404:.
2361:.
2336:.
2324:^
2179:^
2165:.
2155:51
2153:.
2149:.
1992:.
1988:.
1950:.
1910:.
1878:,
1865:^
1848:.
1060:A
968:,
893:.
849:,
812:,
733:,
729:,
725:,
721:,
717:,
676:.
567:,
551:,
402:.
335:.
255:.
243:,
145:m.
106:,
6981::
6954:â
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2853:)
2849:(
2845:.
2827:.
2622:.
2500:.
2478:.
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2428:.
2416::
2347:.
2318:.
2295:.
2223:.
2161::
2070:.
2045:.
2018:.
1994:8
1954:.
1921:.
1859:.
1811:)
1801:)
1790:)
1782:)
1770:)
1760:)
1742:)
1732:)
1722:)
1712:)
1700:}
1690:)
1680:)
1670:)
1660:}
1650:)
1638:)
1628:)
1618:)
1608:)
1598:)
1586:)
1576:)
1566:)
1556:)
1520:)
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