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Winter Kept Us Warm

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gains confidence and Labow's emotional feelings begin to run amuck, that the movie begins to go down the drain, and lose direction." He ultimately concluded, however, that the film "has enough in its favour to deserve the patronage of film fans who want to see what a group of university students can do with the challenge of a feature movie."
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as a key influence in his own film career, noting that seeing a film shot in Canada by people he was acquainted with made him realize he could make a film too: "Secter had somehow hustled together a feature film that was intriguing because it was completely unprecedented. And then the film appeared,
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as their girlfriends Bev and Sandra. The film's gay subtext was carefully coded by Secter, who wrote the film based on his own experience falling in love with a male fellow student, but feared that a more explicitly gay film would not attract an audience. Even some of the film's cast have claimed in
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noticed the "overtones of homosexuality" in Doug and Peter's friendship. He gave the film a moderately favourable review, writing that "when the two fall into a casual relationship, Labow's accent on having a good time, and Tarvainen's earnest desire to make good, has interest. It is when Tarvainen
400:, not knowing that his uncle had directed films. Seeing David's name in the credits, Joel contacted his uncle to talk about his film career. Those discussions ultimately led to Joel Secter's own debut as a filmmaker, the 2005 documentary 334:
expressed concern about the fact that gay-themed films of its era rarely depicted positive same-sex relationships, but instead usually centred on love triangles involving a woman; while acknowledging that
228:, a special non-competitive portion of the festival at which works of new filmmakers are shown. Its debut was as the opening film of the Commonwealth Film Festival in Cardiff, Wales on September 27, 1965. 370:
All four of the main cast members went on to noteworthy careers in arts and media, although only Amos continued to be known principally as an actor; Labow was a documentarian for the
264:; however, Secter had to fight the university administration for permission to film in other locations on campus. As well, the film was declined production grants from the 289:
According to Secter, "at the time I made it the very idea of making movies in Canada was an alien concept". His only prior film experience was the eight-minute short film
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is considered a major milestone in the Canadian film industry as one of the first Canadian films ever to attract international attention. Secter made a second film,
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as part of Front & Centre, a special retrospective program of artistically and culturally significant films from throughout the history of Canadian cinema.
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was one of 23 titles that will be digitally restored under its new Canadian Cinema Reignited program to preserve classic Canadian films.
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as the centrepiece of a selection of LGBT-themed Canadian films, to mark the launch of Thomas Waugh's Queer Media Database project.
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reflected this trope, he complimented the film for portraying its women characters with greater integrity than usual for the genre.
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as Peter Saarinen, two very different students at the University of Toronto, who develop a complex quasi-romantic friendship, and
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and I was stunned. Shocked. Exhilarated. It was an unbelievable experience. This movie was a very sweet film.”
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romance. Secter subsequently moved to the United States. In 1976, he directed the low budget sex comedy
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Martin Knelman, "U of T star is born, lands in porn; '60s filmmaker went to Cannes, met Loren|.
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interviews that they did not know at the time that the film was actually about homosexuality.
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David Secter, "Lack of experience helps: How to make a do-it-yourself movie without money".
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is a Canadian romantic drama film, released in 1965. The title comes from the fifth line of
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In 2024, writer Chris Dupuis published a book about the film as part of the
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Ralph Hicklin, "Friendship and $ 750 main ingredients of campus film".
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as the first English-language Canadian film screened at the
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Although not widely remembered among the general public,
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Frank Morriss, "College-made film well worth seeing".
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An independent film written, directed, and funded by
511:Martin Knelman, "He shoots The Offering in July". 478:alongside a retrospective screening of the film. 785: 309:The film was given a Special Jury Award at the 212:, it occupies a unique place in the history of 297:, he has stated that he was inspired by the 406:. Notable figures who discussed Secter and 367:, but subsequently left the film industry. 649:, "Mon Oncle Antoine No. 1 with critics". 616:Rosemary Speirs, "Secter receives award". 29: 597: 595: 507: 505: 403:The Best of Secter and the Rest of Secter 256:The film received a $ 750 grant from the 572: 570: 568: 566: 564: 545: 543: 541: 849:Films set in universities and colleges 786: 592: 525: 523: 502: 681:"Winter Kept Us Warm (Web Exclusive)" 561: 258:University of Toronto Students' Union 538: 304: 51:David Secter, Ian Porter, John Clute 520: 13: 889:English-language independent films 476:Inside Out Film and Video Festival 474:series, which was launched at the 445:In 2015, the film was screened at 293:. Having been a film reviewer for 14: 900: 864:LGBT-related romantic drama films 766: 372:Canadian Broadcasting Corporation 438:The film was released on DVD by 834:English-language Canadian films 746: 727: 709: 687: 673: 658: 469:McGill-Queen's University Press 220:. The film was screened at the 839:Films directed by David Secter 814:Canadian black-and-white films 640: 625: 610: 487: 392:In the 1990s, Secter's nephew 127:Filmmakers Distribution Center 1: 819:Canadian romantic drama films 481: 430:. Cronenberg has identified 385:The film was screened at the 274:National Film Board of Canada 251: 879:1960s English-language films 869:1965 directorial debut films 410:in the documentary included 286:'s film studies department. 140:September 27, 1965 7: 829:Canadian LGBT-related films 324:Writing about the film for 10: 905: 824:Canadian independent films 387:1984 Festival of Festivals 311:Festival of Canadian Films 291:Love with the Proper Guppy 809:1965 romantic drama films 342: 180: 172: 164: 154: 131: 123: 113: 105: 94: 63: 55: 47: 37: 28: 23: 101:, Ernest T. L. Meershoek 804:1965 LGBT-related films 874:Canadian student films 859:LGBT history in Canada 799:1965 independent films 226:Semaine de la critique 854:Films shot in Toronto 884:1960s Canadian films 844:Films set in Toronto 607:, November 21, 1964. 535:, November 17, 1965. 447:Buddies in Bad Times 270:Ontario Arts Council 218:Cannes Film Festival 774:Winter Kept Us Warm 637:, December 7, 1965. 472:Queer Film Classics 462:Winter Kept Us Warm 432:Winter Kept Us Warm 408:Winter Kept Us Warm 349:Winter Kept Us Warm 337:Winter Kept Us Warm 284:Ryerson Polytechnic 235:as Doug Harris and 192:Winter Kept Us Warm 24:Winter Kept Us Warm 721:The Globe and Mail 652:The Globe and Mail 634:The Globe and Mail 619:The Globe and Mail 604:The Globe and Mail 558:, May 1982. p. 36. 532:The Globe and Mail 514:The Globe and Mail 499:, January 3, 2002. 318:The Globe and Mail 18:1965 Canadian film 655:, August 2, 1984. 622:, August 6, 1966. 493:"Queer pioneer". 449:during Toronto's 316:Frank Morriss of 305:Critical response 188: 187: 896: 761: 750: 744: 731: 725: 724:, June 24, 2015. 713: 707: 706:, April 8, 2011. 691: 685: 684: 677: 671: 662: 656: 644: 638: 629: 623: 614: 608: 599: 590: 589:, June 25, 2011. 574: 559: 555:The Body Politic 547: 536: 527: 518: 509: 500: 491: 416:Michael Ondaatje 412:David Cronenberg 398:Getting Together 364:Getting Together 327:The Body Politic 147: 145: 109:Michael Foytényi 33: 21: 20: 904: 903: 899: 898: 897: 895: 894: 893: 784: 783: 769: 764: 760:, May 23, 2024. 751: 747: 732: 728: 714: 710: 692: 688: 679: 678: 674: 670:, May 18, 2005. 663: 659: 645: 641: 630: 626: 615: 611: 600: 593: 575: 562: 548: 539: 528: 521: 517:, May 19, 1966. 510: 503: 496:Montreal Mirror 492: 488: 484: 460:announced that 458:Telefilm Canada 442:in early 2011. 345: 307: 299:French New Wave 254: 237:Henry Tarvainen 231:The film stars 214:Canadian cinema 157: 150: 143: 141: 134: 90: 76:Henry Tarvainen 19: 12: 11: 5: 902: 892: 891: 886: 881: 876: 871: 866: 861: 856: 851: 846: 841: 836: 831: 826: 821: 816: 811: 806: 801: 796: 782: 781: 768: 767:External links 765: 763: 762: 752:Chris Dupuis, 745: 743:, May 9, 2023. 726: 708: 686: 672: 657: 639: 624: 609: 591: 560: 537: 519: 501: 485: 483: 480: 344: 341: 306: 303: 266:Canada Council 253: 250: 202:The Waste Land 186: 185: 182: 178: 177: 174: 170: 169: 166: 162: 161: 158: 155: 152: 151: 149: 148: 137: 135: 132: 129: 128: 125: 124:Distributed by 121: 120: 115: 111: 110: 107: 103: 102: 96: 95:Cinematography 92: 91: 89: 88: 83: 78: 73: 67: 65: 61: 60: 57: 53: 52: 49: 45: 44: 39: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 901: 890: 887: 885: 882: 880: 877: 875: 872: 870: 867: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 825: 822: 820: 817: 815: 812: 810: 807: 805: 802: 800: 797: 795: 792: 791: 789: 780: 776: 775: 771: 770: 759: 755: 749: 742: 741: 740:Point of View 736: 730: 723: 722: 717: 712: 705: 704: 699: 695: 690: 682: 676: 669: 668: 661: 654: 653: 648: 643: 636: 635: 628: 621: 620: 613: 606: 605: 598: 596: 588: 587: 582: 578: 573: 571: 569: 567: 565: 557: 556: 551: 546: 544: 542: 534: 533: 526: 524: 516: 515: 508: 506: 498: 497: 490: 486: 479: 477: 473: 470: 465: 463: 459: 454: 452: 448: 443: 441: 436: 433: 429: 428:Lloyd Kaufman 425: 421: 417: 413: 409: 405: 404: 399: 395: 390: 388: 383: 381: 377: 373: 368: 366: 365: 360: 356: 355: 350: 340: 338: 333: 329: 328: 322: 319: 314: 313:in Montreal. 312: 302: 300: 296: 292: 287: 285: 281: 280: 275: 271: 267: 263: 259: 249: 246: 242: 241:Joy Tepperman 238: 234: 229: 227: 223: 222:1966 festival 219: 215: 211: 206: 204: 203: 198: 194: 193: 183: 179: 175: 171: 167: 163: 159: 153: 139: 138: 136: 130: 126: 122: 119: 116: 112: 108: 104: 100: 99:Robert Fresco 97: 93: 87: 84: 82: 81:Joy Tepperman 79: 77: 74: 72: 69: 68: 66: 62: 58: 54: 50: 46: 43: 40: 36: 32: 27: 22: 16: 773: 748: 738: 733:Pat Mullen, 729: 719: 711: 701: 694:Matthew Hays 689: 675: 667:Toronto Star 665: 660: 650: 642: 632: 627: 617: 612: 602: 586:Toronto Star 584: 577:Geoff Pevere 553: 550:Thomas Waugh 530: 512: 494: 489: 471: 466: 461: 455: 444: 437: 431: 420:Philip Glass 407: 401: 397: 391: 384: 380:Joy Fielding 369: 362: 354:The Offering 352: 348: 346: 336: 332:Thomas Waugh 325: 323: 317: 315: 308: 294: 290: 288: 277: 255: 230: 210:David Secter 207: 200: 191: 190: 189: 156:Running time 133:Release date 118:Paul Hoffert 59:David Secter 42:David Secter 15: 394:Joel Secter 359:interracial 295:The Varsity 279:The Varsity 224:during the 56:Produced by 38:Directed by 794:1965 films 788:Categories 482:References 451:Pride Week 424:Ed Mirvish 262:Hart House 252:Production 245:Janet Amos 233:John Labow 197:T.S. Eliot 160:81 minutes 144:1965-09-27 86:Janet Amos 71:John Labow 48:Written by 647:Jay Scott 456:In 2023, 440:TLA Video 376:TVOntario 330:in 1982, 184:CAD 8,000 106:Edited by 758:CBC Arts 272:and the 173:Language 114:Music by 64:Starring 396:rented 176:English 165:Country 142: ( 343:Legacy 268:, the 181:Budget 168:Canada 703:Xtra! 779:IMDb 426:and 374:and 243:and 777:at 199:'s 790:: 756:. 737:. 718:. 700:. 696:, 594:^ 583:. 579:, 563:^ 540:^ 522:^ 504:^ 422:, 418:, 414:, 382:. 205:. 683:. 146:)

Index


David Secter
John Labow
Henry Tarvainen
Joy Tepperman
Janet Amos
Robert Fresco
Paul Hoffert
T.S. Eliot
The Waste Land
David Secter
Canadian cinema
Cannes Film Festival
1966 festival
Semaine de la critique
John Labow
Henry Tarvainen
Joy Tepperman
Janet Amos
University of Toronto Students' Union
Hart House
Canada Council
Ontario Arts Council
National Film Board of Canada
The Varsity
Ryerson Polytechnic
French New Wave
Festival of Canadian Films
The Body Politic
Thomas Waugh

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