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felt that the purpose of his show was to find out, "...was
Szarkowski right about the late work?” Szarkowski felt that Winogrand's best work was finished by the early 1970s. Rubinfien thought, after producing the show and in a shift from his previous estimation of 1966 to 1970, that Winogrand was at
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Winogrand's parents, Abraham and Bertha, emigrated to the U.S. from
Budapest and Warsaw. Garry grew up with his sister Stella in a predominantly Jewish working-class area of the Bronx, New York, where his father was a leather worker in the garment industry, and his mother made neckties for piecemeal
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But my analyst bill is not even relevant at this point. What is extremely relevant is the money you owe the government in back taxes. Your inability to pay the rent on time. Your constantly running out of money. Your credit rating. And most of all, your flippant, irresponsible, nonsensical attitude
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a much-panned photo book that explored his fascination with the female form. "Most of
Winogrand’s photos are taken of women in either vulgar or at least, questionable positions and seem to be taken unknown to them," says one critic. "This candid approach adds an element of disconnect between the
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wrote in 2014 that in "the 1960s and 70s, he defined street photography as an attitude as well as a style – and it has laboured in his shadow ever since, so definitive are his photographs of New York"; and in 2010 that though he photographed elsewhere, "Winogrand was essentially a New York
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in New York in 1967 and had solo exhibitions there in 1969, 1977, and 1988. He supported himself by working as a freelance photojournalist and advertising photographer in the 1950s and 1960s, and taught photography in the 1970s. His photographs featured in photography magazines including
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At the time of his death his late work remained largely unprocessed, with about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and about 3,000 rolls only realized as far as contact sheets being made. In total he left nearly 300,000 unedited images.
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He was awarded his second
Guggenheim Fellowship in 1969 to continue exploring "the effect of the media on events", through the then novel phenomenon of events created specifically for the mass media. Between 1969 and 1976 he photographed at public events, producing 6,500 prints for
1098:. A retrospective, published to accompany an exhibition at the Museum of Modern Art and which travelled. Reproduces work from each of Winogrand's previous books, along with unpublished work, plus 25 images chosen from the work Winogrand left unedited at the time of his death.
1242:. Edited by Leo Rubinfien. Introduction by Rubinfien, Erin O'Toole and Sarah Greenough, and essays by Rubinfien ('Garry Winogrand's Republic'), Greenough ('The Mystery of the Visible: Garry Winogrand and Postwar American Photography'), Tod Papageorge ('In the City'),
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256:(1980). At the time of his death his late work remained undeveloped, with about 2,500 rolls of undeveloped film, 6,500 rolls of developed but not proofed exposures, and about 3,000 rolls only realized as far as contact sheets being made.
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described him as "one of the greatest documentary photographers of his era" and added that he was "a bluntspoken, sweet-natured native New Yorker, who had the voice of a Bronx cabbie and the intensity of a pig hunting truffles." Critic
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in 2013, said "For those of us interested in street photography there are a few names that stand out and one of those is Garry
Winogrand, whose pictures of New York in the 1960s are a photographic lesson in every frame."
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in 2013, said "For those of us interested in street photography there are a few names that stand out and one of those is Garry
Winogrand, whose pictures of New York in the 1960s are a photographic lesson in every frame."
478:"Being married to Garry was like being married to a lens," Lubeau once told photography curator Trudy Wilner Stack. Indeed, "colleagues, students and friends describe an almost obsessive picture-taking machine."
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in 2014 that in "the 1960s and 70s, he defined street photography as an attitude as well as a style – and it has laboured in his shadow ever since, so definitive are his photographs of New York"; and in 2010 in
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Yet more from his largely unexamined archive of early and late work, plus well known photographs, were included in a retrospective touring exhibition beginning in 2013 and in the accompanying book
1162:. Text in English and Spanish. A retrospective. "Published to accompany an exhibition at Sala del Canal de Isabel II, Madrid, Nov.-Dec. 2001 and at three other institutions through June of 2002."
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All of
Winogrand's wives and children attended a retrospective exhibit at the San Francisco Art Museum after his death. On display was a 1969 letter from Judith Teller, Winogrand's second wife:
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toward all these very real problems. (‘I’ll wait till the government catches up with me. Why should I pay them any money now?’) You seem incapable of exercising your mind in any cogent way.
325:(MoMA) in New York which then toured the world to be seen by 9 million visitors. His first solo show was held at Image Gallery in New York in 1959. His first notable exhibition was in
419:(1969), which observes the connections between humans and animals. He took many of these photos when, as a divorced father, accompanying his young children to the zoo for amusement.
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and several amateur and independent motion picture films. Some of his undeveloped work was exhibited posthumously, and published by MoMA in the overview of his work
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that though he photographed elsewhere, "Winogrand was essentially a New York photographer: frenetic, in-your-face, arty despite himself." Phil Coomes, writing for
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Winogrand and Judy Teller were separated in 1969, and their marriage was annulled the next year. Late in 1969 he had met Eileen Adele Hale; they married in 1972
3009:
2939:– transcript of a video interview 'Visions and Images: American Photographers on Photography, Interviews with photographers by Barbara Diamonstein, 1981–1982'
523:(CCP) comprises over 20,000 fine and work prints, 20,000 contact sheets, 100,000 negatives and 30,500 35 mm colour slides as well as a small number of
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In 1979 he used his third
Guggenheim Fellowship to travel throughout the southern and western United States investigating the social issues of his time.
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Winogrand married
Adrienne Lubeau in 1952. They had two children, Laurie in 1956 and Ethan in 1958. They separated in 1963 and divorced in 1966.
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Steichen, Edward; Sandburg, Carl; Norman, Dorothy; Lionni, Leo; Mason, Jerry; Stoller, Ezra; Museum of Modern Art (New York) (1955).
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1246:('Considering Winogrand Now') and O'Toole ('How much Freedom can you Stand? Garry Winogrand and the Problem of Posthumous Editing').
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179:, known for his portrayal of U.S. life and its social issues in the mid-20th century. Photography curator, historian, and critic
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In 1975, Windogrand's high-flying reputation took a self-inflicted hit. At the height of the feminist revolution, he produced
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In 1972 he married Eileen Adele Hale, with whom he had a daughter, Melissa. They remained married until his death in 1984.
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He supported himself in the 1970s by teaching, first in New York. He moved to
Chicago in 1971 and taught photography at the
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between 1971 and 1972. He moved to Texas in 1973 and taught in the Photography Program in the College of Fine Arts at the
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1999:
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Winogrand 1964: Photographs from the Garry Winograd Archive, Center for Creative Photography, the University of Arizona.
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1741:. Published for the Museum of Modern Art by Simon and Schuster in collaboration with the Maco Magazine Corporation.
2285:
Ruoff, J. K. (1991). Home Movies of the Avant-Garde: Jonas Mekas and the New York Art World. Cinema Journal, 6–28.
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photojournalist and advertising photographer in the 1950s and 1960s. Between 1952 and 1954 he freelanced with the
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Szarkowski, the Director of Photography at New York's MoMA, became an editor and reviewer of Winogrand's work.
194:, and published four books during his lifetime. He was one of three photographers featured in the influential
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2628:"No Moral, No Uplift, Just a Restless 'Click': 'Garry Winogrand,' a Retrospective at the Metropolitan Museum"
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2077:"American Suburb X – introduction to Garry Winogrand for 'Streetwise – A Look at Garry Winogrand' article"
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Toward a Social Landscape: Bruce Davidson, Lee Friedlander, Garry Winogrand, Danny Lyons, Duane Michals
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The Concise Focal Encyclopedia of Photography: From the First Photo on Paper to the Digital Revolution
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and with texts by Alex Harris ('The Trip of our Lives') and Lee Friedlander ('The Hair of the Dog').
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Museum of Modern Art, New York with Diane Arbus and Lee Friedlander, curated by John Szarkowski.
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Winogrand's beach scene of a man playfully lifting a woman above the waves appeared in the 1955
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Masters of the Street: Henri Cartier-Bresson, Josef Koudelka, Robert Frank and Garry Winogrand,
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Szarkowski called Winogrand the central photographer of his generation. Frank Van Riper of the
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Traveling exhibition prepared for the International Program of Museum of Modern Art, New York.
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1975:
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on Winogrand, and by Ralph Goetz on Lindbergh. Published on the occasion of the exhibition
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Around 1967 Winogrand married his second wife, Judy Teller. They were together until 1969.
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photographer: frenetic, in-your-face, arty despite himself." Phil Coomes, writing for
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1979:
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Looking at Photographs: 100 Pictures from the Collection of The Museum of Modern Art.
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460:(1980) he showed "people in relation to each other and to their show animals" at the
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and an essay by Ben Lifson. More than half of the images are previously unpublished.
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cure ($ 6,000 per week in 2016). He died on March 19, at age 56. He was interred at
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In the 1960s, he photographed in New York City at the same time as contemporaries
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2717:"Was John Szarkowski the most influential person in 20th-century photography?"
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2945:– Mason Resnick describes attending one of Winogrand's photography workshops
2943:'Coffee and Workprints: My Street Photography Workshop With Garry Winogrand'
2744:"Cover: Photographs by Helen Levitt and Marl: Cohen / Picture credits, Page"
1884:"Nathan Lyons, Influential Photographer and Advocate of the Art, Dies at 86"
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viewer and the viewed, which creates awkwardness in the images themselves."
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1586:"Garry Winogrand: the restless genius who gave street photography attitude"
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show at MoMA in New York with Diane Arbus and Lee Friedlander, curated by
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at Kulturzentrum NRW-Forum, Düsseldorf, 2017. Text in English and German.
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2506:"Major Garry Winogrand Retrospective Opens at the Museum of Modern Art"
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1333:, plus other color photographs by Winogrand. With a short essay by
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Arrivals & Departures: The Airport Pictures of Garry Winogrand.
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Picturing an exhibition : the family of man and 1950s America
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1985: Williams College Museum of Art, Williamstown, Massachusetts.
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Photographs: Lee Friedlander, Tod Papageorge and Garry Winogrand,
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83:
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George Eastman House, Rochester, NY. Photographs by Winogrand,
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The family of man revisited : photography in a global age
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Winogrand's work is held in the following public collections:
2684:"John Szarkowski, Eminent Curator of Photography, Dies at 81"
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Winogrand graduated from high school in 1946 and entered the
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called Winogrand the central photographer of his generation.
1848:
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1126:
The Man in the Crowd: The Uneasy Streets of Garry Winogrand.
1011:
2933:– video and transcript of Winogrand describing his practice
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https://www.artic.edu/collection?artist_ids=Garry+Winogrand
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Stock Photographs: The Fort Worth Fat Stock Show and Rodeo.
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Museum of Modern Art, New York. Curated by John Szarkowski.
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Exhibition at the San Francisco Museum of Modern Art, 2013.
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2481:"Twenty Seven Little Known Photographs by Garry Winogrand"
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Stock Photographs: The Fort Worth Fat Stock Show and Rodeo
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272:. He returned to New York in 1947 and studied painting at
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Stock Photographs: The Fort Worth Fat Stock Show and Rodeo
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Santa Fe, NM: Arena, 2002. Edited by Trudy Wilner Stack.
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Twenty Seven Little Known Photographs by Garry Winogrand,
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between 1973 and 1978. He moved to Los Angeles in 1978.
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Burials at Mount Moriah Cemetery (Fairview, New Jersey)
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to travel "for photographic studies of American life".
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Hurm, Gerd; Reitz, Anke; Zamir, Shamoon, eds. (2018),
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1981: The Burton Gallery of Photographic Art, Toronto.
2844:"Houston, Texas, 1977 from Women are Better than Men"
2157:"Judy Teller, Wife of Garry Winogrand, New York City"
896:
Mirrors and Windows: American Photography since 1960,
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Institute of Design, Illinois Institute of Technology
427:
to select for his solo exhibition at MoMA, and book,
394:. In 1967 his work was included in the "influential"
240:
In his lifetime Winogrand published four monographs:
175:; January 14, 1928 – March 19, 1984) was an American
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1617:"Why street photography is facing a moment of truth"
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to work on personal projects, a fellowship from the
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1339:Peter Lindbergh / Garry Winogrand: Women on Street
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2920:– Winogrand talking to students (1 hr 46 m video)
1204:New York: Distributed Art Publishers; Göttingen:
496:on February 1, 1984, and went immediately to the
2956:
2294:
2185:"Garry Winogrand: All Things are Photographable"
1780:(1st ed.), University of New Mexico Press,
1684:"Andy Greaves Photography Blog – Gary Winogrand"
1345:
280:, also in New York, in 1948. He also attended a
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862:The Descriptive Tradition: Seven Photographers,
687:Big Shots, Photographs of Celebrities, 1960–80,
1738:The family of man: The photographic exhibition
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1382:Garry Winogrand: All Things Are Photographable
1076:Minnetonka, MN: Olympic Marketing Corp, 1980.
903:Garry Winogrand, Larry Clark and Arthur Tress,
329:in 1963, also at MoMA in New York, along with
3010:Columbia University School of the Arts alumni
2775:"Garry Winogrand," Art Institute of Chicago,
750:, San Francisco, March–June 2013 and toured;
2367:"The photographic legacy of Garry Winogrand"
2345:"Garry Winogrand and the Art of the Opening"
1643:"The photographic legacy of Garry Winogrand"
1514:"Garry Winogrand and the Art of the Opening"
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308:agency in Manhattan on an introduction from
2899:. Austin: University of Texas Press, 2018.
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1445:"Garry Winogrand, Innovator in Photography"
1288:. Los Angeles: Twin Palms, 2023. Edited by
1044:New York, NY: Light Gallery; New York, NY:
259:
2448:"Photography View; Life Seized on the Fly"
2210:Winogrand, Garry; John Szarkowski (2003).
2104:. Minnetonka, MN: Olympic Marketing Corp.
1710:"Michael Hoppen Gallery – Garry Winogrand"
1112:New York, NY: Museum of Modern Art, 2003.
1101:New York, NY: Museum of Modern Art, 1990.
1090:New York, NY: Museum of Modern Art, 1988.
1062:New York, NY: Museum of Modern Art, 1977.
929:The Dairy in Central Park, New York, 1980.
542:who curated the 2013 retrospective at the
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2602:"Brooklyn Museum: Garry Winogrand: Color"
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1966:
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1556:John Simon Guggenheim Memorial Foundation
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990:John Simon Guggenheim Memorial Foundation
374:in Rochester, New York with Friedlander,
365:John Simon Guggenheim Memorial Foundation
3000:American people of Polish-Jewish descent
2924:'Garry Winogrand with Bill Moyers, 1982'
2893:The Street Philosophy of Garry Winogrand
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312:, and from 1954 at Brackman Associates.
2819:"Garry Winogrand (American, 1928–1984)"
794:Seventy Photographers Look at New York,
529:Winogrand, Figments from the Real World
14:
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762:, Paris, October 2014 – February 2015.
713:Houston Center for Photography, Texas.
2446:Grundberg, Andy (December 23, 1984).
2343:Woodward, Richard B. (May 13, 2013).
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1882:Grimes, William (September 1, 2016).
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754:, Washington, D.C., March–June 2014;
2918:'Garry Winogrand at Rice University'
1943:"Museum of Contemporary Photography"
905:G. Ray Hawkins Gallery, Los Angeles.
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730:Museum of Modern Art. Retrospective.
3005:20th-century American photographers
2985:Photographers from New York (state)
2949:Photographs of Winogrand's Leica M4
2937:'An Interview with Garry Winogrand'
2319:"Revisiting Some Well-Eyed Streets"
2174:
938:University of Massachusetts Amherst
910:Bruce Davidson and Garry Winogrand,
796:The Museum of Modern Art, New York.
789:The Museum of Modern Art, New York.
594:
519:The Garry Winogrand Archive at the
487:
462:Fort Worth Fat Stock Show and Rodeo
24:
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2538:San Francisco Museum of Modern Art
2216:. Museum of Modern Art, New York.
1443:Grundberg, Andy (March 21, 1984).
1228:San Francisco Museum of Modern Art
772:, Brooklyn, NY, May–December 2019.
748:San Francisco Museum of Modern Art
628:1977: The Cronin Gallery, Houston.
544:San Francisco Museum of Modern Art
290:The New School for Social Research
25:
3036:
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2589:Galerie nationale du Jeu de Paume
2026:"Class Time with Garry Winogrand"
2000:"Winogrand's Women Are Beautiful"
760:Galerie nationale du Jeu de Paume
758:, New York, June–September 2014;
2975:Social documentary photographers
2742:Kramer, Hilton (July 23, 1978).
2626:Cotter, Holland (July 3, 2014).
1385:(2018) – documentary feature by
723:Fraenkel Gallery, San Francisco.
689:Fraenkel Gallery, San Francisco.
674:Bibliothèque nationale de France
470:
359:In 1964 Winogrand was awarded a
276:and painting and photography at
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2682:Gefter, Philip (July 9, 2007).
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2365:Coomes, Phil (March 11, 2013).
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2017:
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1860:. New York, NY: Horizon Press.
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1641:Coomes, Phil (March 11, 2013).
1305:Publications paired with others
1001:
996:National Endowment for the Arts
898:Museum of Modern Art, New York.
694:Garry Winogrand: A Celebration,
672:1980: Galerie de Photographie,
664:Garry Winogrand: Retrospective,
635:Museum of Modern Art, New York.
612:Museum of Modern Art, New York.
521:Center for Creative Photography
192:National Endowment for the Arts
3020:Deaths from gallbladder cancer
2869:"Figments from the Real World"
2848:Whitney Museum of American Art
1801:"Five Unrelated Photographers"
1702:
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1313:Cologne: Walther Konig, 2017.
972:Whitney Museum of American Art
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874:Latent Image Gallery, Houston.
682:1981: Light Gallery, New York.
657:University of Colorado Boulder
625:1977: Light Gallery, New York.
615:1972: Light Gallery, New York.
589:
13:
1:
2245:"The Gerson Clinic in Mexico"
1392:
1346:Contributions to publications
1311:Winogrand / Lindbergh: Women.
1088:Figments from the Real World.
1017:Figments from the Real World.
891:Fort Worth Art Museum, Texas.
492:Winogrand was diagnosed with
448:University of Texas at Austin
3015:Deaths from cancer in Mexico
2995:Photographers from the Bronx
2591:. Accessed November 7, 2014.
2574:. Accessed November 7, 2014.
2557:. Accessed November 7, 2014.
2540:. Accessed November 7, 2014.
2213:figments from the real world
547:his best from 1960 to 1964.
370:In 1966 he exhibited at the
327:Five Unrelated Photographers
29:American street photographer
7:
2132:"Camera Works: Photo Essay"
1280:. Spanish-language version.
735:Winogrand's Street Theater,
10:
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2990:Artists from Austin, Texas
2572:Metropolitan Museum of Art
1829:. CRC Press. p. 116.
1265:. French-language version.
1191:Distributed Art Publishers
1182:Edited by Alex Harris and
1140:. With an introduction by
994:1975: Fellowship from the
879:14 American Photographers,
818:Toward a Social Landscape,
756:Metropolitan Museum of Art
388:Toward a Social Landscape,
386:in an exhibition entitled
219:Contemporary Photographer,
2419:"Celebrities 1960 – 1980"
2317:Loos, Ted (May 2, 2013).
1148:El Juego de la Fotografía
1046:Farrar, Straus and Giroux
1007:Publications by Winogrand
978:
889:The Great American Rodeo,
512:in Fairview, New Jersey.
295:
121:
101:
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72:
50:
41:
34:
2765:– via NYTimes.com.
1805:The Museum of Modern Art
1776:Sandeen, Eric J (1995),
1374:
1325:(1975) by Winogrand and
1152:The Game of Photography.
954:Art Institute of Chicago
740:festival, Arles, France.
696:Light Gallery, New York.
652:Light Gallery, New York.
622:Light Gallery, New York.
274:City College of New York
260:Early life and education
2555:National Gallery of Art
1917:"Garry Winogrand – Bio"
1825:Peres, Michael (2014).
882:Baltimore Museum of Art
811:The Photographer's Eye,
767:Garry Winogrand: Color,
752:National Gallery of Art
415:made up his first book
407:His photographs of the
2929:April 1, 2007, at the
2606:www.brooklynmuseum.org
2295:Michael David Murphy.
2136:www.washingtonpost.com
1019:
806:, Rochester, New York.
604:
557:
300:Winogrand worked as a
188:Guggenheim Fellowships
2793:George Eastman Museum
1756:, London I.B.Tauris,
1232:Yale University Press
1014:
986:Guggenheim Fellowship
960:George Eastman Museum
643:Allan Frumkin Gallery
602:
552:
538:(2013). Photographer
510:Mount Moriah Cemetery
504:, Mexico, to seek an
413:Coney Island Aquarium
361:Guggenheim Fellowship
292:in New York in 1951.
2980:Street photographers
2823:Museum of Modern Art
2662:Museum of Modern Art
2513:Museum of Modern Art
2297:"Winogrand Archives"
2161:portlandartmuseum.us
2004:www.worcesterart.org
1976:Museum of Modern Art
1716:on November 29, 2011
1584:(October 15, 2014).
1484:Museum of Modern Art
1356:Museum of Modern Art
1292:and Susan Kismaric.
1042:Women are Beautiful.
1028:Museum of Modern Art
966:Museum of Modern Art
936:University Gallery,
919:, Stockholm, Sweden.
855:New Photography USA,
804:George Eastman House
701:Women are Beautiful,
620:Women are Beautiful,
436:Women Are Beautiful,
372:George Eastman House
323:Museum of Modern Art
202:Museum of Modern Art
2799:on December 9, 2000
2268:(August 10, 2014),
2230:on April 26, 2012.
1923:on November 4, 2011
1387:Sasha Waters Freyer
1323:Women Are Beautiful
1321:. Photographs from
1226:San Francisco, CA:
1128:San Francisco, CA:
278:Columbia University
270:U.S .Army Air Force
246:Women are Beautiful
223:Photography Annual.
208:Popular Photography
177:street photographer
96:Street photographer
67:, New York City, US
2748:The New York Times
2688:The New York Times
2633:The New York Times
2452:The New York Times
2323:The New York Times
2247:. Gerson Institute
2130:Van Riper, Frank.
1888:The New York Times
1615:(April 18, 2010).
1450:The New York Times
1268:Madrid: Fundación
1244:Sandra S. Phillips
1154:Madrid: TF, 2001.
1020:
984:1964, 1969, 1979:
738:Rencontres d'Arles
605:
494:gallbladder cancer
321:exhibition at the
186:He received three
2273:New York Magazine
2050:"Garry Winogrand"
1787:978-0-8263-1558-8
1763:978-1-78672-297-3
1690:on April 26, 2012
1552:"Garry Winogrand"
1510:Woodward, Richard
1364:978-0-87070-515-1
1298:978-1-936611-18-8
1290:Michael Almereyda
1240:978-0-300-19177-6
1230:; New Haven, CT:
1060:Public Relations.
865:Boston University
785:The Family of Man
777:Group exhibitions
704:Zabriskie Gallery
633:Public Relations,
458:Stock Photographs
318:The Family of Man
286:Alexey Brodovitch
129:
128:
114:Eileen Adele Hale
16:(Redirected from
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2795:. Archived from
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2530:
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2485:Fraenkel Gallery
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2398:Fraenkel Gallery
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2191:. March 13, 2019
2189:American Masters
2181:
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1974:. New York, NY:
1972:Public Relations
1968:Winogrand, Garry
1964:
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1686:. Archived from
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1512:(May 13, 2013).
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1222:Garry Winogrand.
1130:Fraenkel Gallery
872:Seen in Passing,
867:, Massachusetts.
801:Photography '63,
745:Garry Winogrand,
728:Garry Winogrand,
669:, San Francisco.
667:Fraenkel Gallery
595:Solo exhibitions
488:Death and legacy
429:Public Relations
284:class taught by
250:Public Relations
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2931:Wayback Machine
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2887:Further reading
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2723:. July 20, 2010
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1331:Peter Lindbergh
1307:
1286:Winogrand Color
1184:Lee Friedlander
1120:. With addenda.
1009:
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962:, Rochester, NY
947:
826:Lee Friedlander
779:
770:Brooklyn Museum
597:
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561:Washington Post
536:Garry Winogrand
525:Polaroid prints
490:
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402:John Szarkowski
350:Lee Friedlander
339:Jerome Liebling
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2970:1984 deaths
2965:1928 births
2828:February 8,
2667:January 31,
2611:October 10,
2518:January 31,
2378:January 17,
2266:Jerry Saltz
2251:January 17,
1654:January 17,
1597:January 17,
1523:January 31,
1489:January 31,
1456:January 31,
945:Collections
884:, Maryland.
743:2013/2014:
706:, New York.
590:Exhibitions
506:alternative
417:The Animals
390:curated by
354:Diane Arbus
331:Minor White
252:(1977) and
242:The Animals
111:Judy Teller
2959:Categories
2897:Geoff Dyer
2328:August 23,
1393:References
1354:New York:
1255:Flammarion
1189:New York:
974:, New York
968:, New York
830:Danny Lyon
645:, Chicago.
640:The Rodeo,
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988:from the
568:wrote in
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363:from the
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2655:"No. 20"
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