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Wilson Marion Cooper

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142:, where it has continued as the predominant Sacred Harp book to this day. The "Cooper book," as it is often called, was revised by Cooper himself in 1907 and 1909; and since then has been supervised by an editorial committee, which produced new editions in 1927, 1950, 1960, 1992, 2000, 2006, and 2012. Recent research has revealed that a few songs were added to the book between 1909 and 1927. 165:
In addition to music, W. M. Cooper's activities included working as a farmer, school teacher, and insurance agent. He is known to have lived in at least four Alabama counties—Coffee, Dale, Henry and Houston. He ran for Houston County Superintendent of Schools in 1912. Mary died in 1901 and is buried
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parts to the songs, the majority of which were originally written with three vocal lines (treble, tenor, bass). Cooper wrote most of the alto lines himself, though his daughter Anna Blackshear and other individuals made important contributions. Believing this was significant and unique, Cooper sued
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Cooper married Mary S. Hayes, daughter of George W. and Nancy Hayes. His children include George Hayes Cooper (1880–1929); A. W. Cooper (1886–1911), who served as a lawyer in Dothan and Luverne; and Anna L. Cooper (Mrs. R. D. Blackshear 1877–1957), who assisted her father in writing alto parts for
111:" the standard notation of the South. Some Sacred Harp leaders (particularly James and his colleagues) responded by rejecting both the gospel style and the seven-shape notation. Cooper maintained the four-shape notation, but incorporated some of the gospel style songs into his book—for example, 95:
substantially changed their texture. In "The Alto Parts in the 'True Dispersed Harmony' of The Sacred Harp Revisions", Wallace McKenzie argues that the added altos, especially of the Cooper book, follow principles of "true dispersed harmony" and do not greatly change the texture of the music.
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McKenzie wrote, "Cooper's altos maintain some features of the contrapuntal-harmonic style described above somewhat more closely than do those of Denson.... In both books, however, the alto melodies are consistent with the contrapuntal-harmonic style of the three-part pieces."
76:) were very close to those supplied to the songs by Cooper. In 1914, a judge found in favor of James, concluding, "An alto may be an improvement to a song to some extent, and probably is; but it can hardly be said to be an original composition, at least in the sense of the 55:
in 1902. In the revision, some songs were transposed to a different key, and some of the old tune names changed to descriptive titles based on the words of the hymns. Some old songs were removed and new songs added in their places.
107:. During this period, the seven-shape notation and gospel style were seriously encroaching on the Sacred Harp's territory and popularity. The Ruebush-Kieffer Publishing Company and others were making " 103:
reveal a knowledge of and loyalty to the tradition. However, Cooper chose to add another style of song to the existing tradition—the late 19th century
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the revision. She and her husband, Dr. Randall David Blackshear (1861–1941), owned and published the
217:"The Alto Parts in the 'True Dispersed Harmony' of The Sacred Harp Revisions", Wallace McKenzie ( 178: 73: 48: 167: 65: 126:
The Cooper revision of the Sacred Harp was widely adopted in many areas of the South, such as
28: 291: 286: 276: 135: 8: 281: 260: 174: 35:, the son of W. S. and Elizabeth Ann (Oates) Cooper. He was a cousin of Alabama governor 248: 232: 256: 36: 80:.... In my opinion Mr. James has not infringed any legal rights of Cooper to the 20: 270: 120: 77: 72:
also including alto parts. James' alto parts (many of which were written by
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The Alto Parts in the "True Dispersed Harmony" of The Sacred Harp Revisions
104: 60: 24: 108: 99:
Cooper's added alto parts in the style and texture of White and King's
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Perhaps the most significant contribution of his book was adding
32: 198:
Lord & Thomas Pocket Directory of the American Press, 1907
139: 119:. Cooper also experimented with placing the notation on two 123:
instead of four, but this was rejected by his supporters.
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believe that the addition of alto to the songs of the
23:, was a notable musician and music teacher within the 259:, a report from the Music Plagiarism Project of the 149:, at Dothan in the early part of the 20th century. 145:Cooper also edited a monthly musical periodical, 268: 113:Beautiful River (Shall We Gather at the River) 177:and is buried in the Dothan City Cemetery in 166:at the Old Tabernacle Methodist Cemetery in 68:after James in 1911 released an edition of 225:The Sacred Harp: A Tradition and Its Music 19:(December 17, 1850 – July 17, 1916) of 269: 227:, by Buell E. Cobb, Jr. 2001. Athens: 27:tradition. Marion Cooper was born in 47:W. M. Cooper prepared a revision of 13: 14: 318: 297:People from Henry County, Alabama 242: 211: 191: 1: 204:, Wednesday, October 19, 1910 184: 7: 307:People from Dothan, Alabama 229:University of Georgia Press 42: 10: 323: 152: 253:- McKenzie (pdf format) 179:Houston County, Alabama 302:Musicians from Alabama 168:Coffee County, Alabama 162:after Cooper's death. 219:The Musical Quarterly 173:W. M. Cooper died in 17:Wilson Marion Cooper 261:Columbia Law School 221:, 1989, 73:153–171) 175:Palm Beach, Florida 160:Revised Sacred Harp 314: 205: 202:The Dothan Eagle 195: 37:William C. Oates 322: 321: 317: 316: 315: 313: 312: 311: 267: 266: 257:Cooper v. James 245: 214: 209: 208: 196: 192: 187: 155: 117:Sweet By and By 70:The Sacred Harp 53:The Sacred Harp 45: 21:Dothan, Alabama 12: 11: 5: 320: 310: 309: 304: 299: 294: 289: 284: 279: 265: 264: 254: 244: 243:External links 241: 240: 239: 222: 213: 210: 207: 206: 189: 188: 186: 183: 154: 151: 44: 41: 9: 6: 4: 3: 2: 319: 308: 305: 303: 300: 298: 295: 293: 290: 288: 285: 283: 280: 278: 275: 274: 272: 262: 258: 255: 252: 251: 247: 246: 238: 237:0-8203-2371-3 234: 230: 226: 223: 220: 216: 215: 203: 199: 194: 190: 182: 180: 176: 171: 169: 163: 161: 150: 148: 147:Zion Songster 143: 141: 137: 133: 129: 124: 122: 118: 114: 110: 106: 102: 97: 94: 90: 89:musicologists 85: 83: 79: 78:copyright law 75: 71: 67: 62: 57: 54: 51:'s tune book 50: 40: 38: 34: 30: 26: 22: 18: 249: 224: 218: 212:Bibliography 201: 197: 193: 172: 164: 159: 156: 146: 144: 125: 116: 112: 109:seven-shapes 100: 98: 92: 86: 81: 74:S. M. Denson 69: 58: 52: 46: 29:Henry County 16: 15: 292:1916 deaths 287:1850 births 277:Sacred Harp 263:Law Library 130:, southern 105:gospel song 101:Sacred Harp 93:Sacred Harp 82:Sacred Harp 66:J. S. James 49:B. F. White 25:Sacred Harp 282:Shape note 271:Categories 185:References 134:, south 43:Overview 136:Georgia 132:Alabama 128:Florida 33:Alabama 235:  153:Family 121:staves 140:Texas 87:Some 84:..." 233:ISBN 138:and 115:and 61:alto 273:: 231:. 200:; 181:. 170:. 39:. 31:,

Index

Dothan, Alabama
Sacred Harp
Henry County
Alabama
William C. Oates
B. F. White
alto
J. S. James
S. M. Denson
copyright law
musicologists
gospel song
seven-shapes
staves
Florida
Alabama
Georgia
Texas
Coffee County, Alabama
Palm Beach, Florida
Houston County, Alabama
University of Georgia Press
ISBN
0-8203-2371-3
The Alto Parts in the "True Dispersed Harmony" of The Sacred Harp Revisions
Cooper v. James
Columbia Law School
Categories
Sacred Harp
Shape note

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