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Capital, in its style. Sportsman and dog are both in the best spirits, and are transferred to the canvas without losing anything of their keen relish of the sport." The appeal of Ranney's painting lies in its convincing portrayal of the alert, poised hunter and the tense, crouching boy and dog, all
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hung on the walls; and these, with curious saddles and primitive riding gear, might lead a visitor to imagine he had entered a pioneer's cabin or border chieftain's hut; such an idea would, however, have been once dispelled by glance at the many sketches and studies which proclaimed that an artist,
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which was exhibited at the New York
Mechanics' Institute Fair. He traveled back and forth between North Carolina and New York from 1839 and 1842. In 1843, he opened a studio in New York City, where he advertised as a portrait painter, though few of the works from this period have been identified.
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skyline, was characterized by Ranney's interests in both painting and
Western life. It included a two-story, glassed-in studio, and a stable for horses that Ranney, an avid horseback rider, painted in many of his works. Henry T. Tuckerman, in his
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life, sporting scenery, historical subjects and portraiture. In his 20-year career, he made 150 paintings and 80 drawings, and is considered the first major genre painter to work in New Jersey, and one of the most important
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American painters. His work is on display in several museums across the United States. One of his contemporaries opined, "A specimen of Ranney is indispensable wherever a collection of
American art exists."
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which portrays a sportsman with dead game at his feet, about to shoot down his next target. Ranney produced at least four different versions of this print, the most recognized of which was reserved for the
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motionless, yet charged with potential energy. Dead game on the ground underscore the figures' vitality. Ranney plants the compactly rendered, centralized group in the midst of wind-blown marsh vegetation.
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Ranney, who adored the rural, marshy lands that typified the area in the 19th century, also enjoyed fishing. Among the fellow artists and residents he befriended were
Hoboken founding father Colonel
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Ranney was a regular contributor and an associate member of the
National Academy of Design and the American Art Union, both based in New York. He also painted historical scenes, such as those of the
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Ranney enjoyed duck hunting, which is reflected in some of his paintings noted for their solidly constructed, almost sculpture-like figures. His most popular and requested work is his 1850 painting
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Ranney resumed his artistic endeavors in
Brooklyn, becoming a self-taught oil painter, having never received formal training. In 1838 he publicly exhibited his paintings for the first time at the
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gave a lecture on
American art to help defray expenses of the Exhibition. Some of Ranney's works were exhibited at the National Academy of Design, and many of Ranney's fellow artists, including
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in 1856 and 1857. This version is set in a more windblown environment, noted for the contrast generated with the stillness of the human figures within it. The portrayal of the outdoorsman in
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The following year, the Ranney Fund put on an exhibition and sale in New York in order to raise money for
Margaret Ranney and her two sons. Friend and patron, noted New York attorney
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in
Hoboken. He also played Hoboken's Fox Hill, which today is Columbus Park, and the high school field between 9th and 11th streets on Grand Street. Ranney played cricket until 1854.
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Commissioner Lucio P. Fernandez at the
September 18, 2010 dedication ceremony of the William Ranney historical marker, placed where Ranney's home once stood, at 1215 Palisade Avenue
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at his West Hoboken home on November 18, 1857, at the age of 44. Ranney's funeral took place at Saint Mary's Roman Catholic Church in Hoboken, and was attended by fellow painter
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302:. He mostly depicted the everyday lives of the affected populace rather than heroic battle scenes. Among his subjects of local landscapes was Hackensack Meadows.
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American painters, and his paintings are highly prized by Western and early American art collectors. Sixty percent of his paintings are in museums such as the
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In 1853 they crossed back into New Jersey, settling permanently with their two sons at a 14-room homestead in the growing artist community of
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By 1846, his work began to show the influences of his experiences in Texas, including frontier backdrops depicting the
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contributed to the era's nationalistic imagery. Mark Thistelthwaite of the Butler Institute, describes this piece as:
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on May 9, 1813, the son of William Ranney, a sea captain, and Clarissa Ranney. In 1826, at the age of 13, he moved to
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player, he was one of the founders of New York Cricket Club, and one of its top scorers. The club met at the
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dedicated a historical marker identifying the site of Ranney's former estate at 1215 Palisade Avenue.
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150:(May 9, 1813 – November 18, 1857) was a 19th-century American painter, known for his depictions of
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The New Jersey Historical Series, Volume 24. 1964. D. Van Nostrand Company, Inc.
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by William Tylee Ranney, 1846, oil on canvas - New Britain Museum of American Art
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Ranney's great-grandson, Ranney Moran, wrote the prologue for the 2006 book,
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in 1833 to study painting. On March 12, 1836, six days after the fall of the
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in New York City. He received an award for his first genre painting
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It was so constructed as to receive animals; guns, pistols, and
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Forging an American Identity: The Art of William Ranney
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Forging an American Identity: The Art of William Ranney
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Thomas Gilcrease Institute of American History and Art
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American paintings in the Metropolitan Museum of Art
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Ranney is regarded as one of the most important pre-
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224:Veterans of 1776 Returning from the War
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435:. His work can also be viewed at the
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345:. It was published in the gift book
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741:People from Union City, New Jersey
726:19th-century American male artists
577:from the original on July 31, 2023
563:Rosero, Jessica (April 30, 2006).
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776:Tuberculosis deaths in New Jersey
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631:"WILLIAM TYLEE RANNEY 1813-1857;
183:At the age of 20 Ranney moved to
168:William Tylee Ranney was born in
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638:Butler Institute of American Art
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449:Archer M. Huntington Art Gallery
343:Butler Institute of American Art
771:People of the Texas Revolution
721:19th-century American painters
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445:Buffalo Bill Historical Center
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203:following his capture at the
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174:Fayetteville, North Carolina
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447:in Cody, Wyoming; and the
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292:Shad Fishing on the Hudson
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193:Texas War of Independence
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751:Painters from New Jersey
443:in Tulsa, Oklahoma; the
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78:West Hoboken, New Jersey
756:American genre painters
535:The Union City Reporter
494:Gerdts, Jr. William H.
461:On September 18, 2010,
439:in Washington, DC; the
170:Middletown, Connecticut
59:Middletown, Connecticut
731:American male painters
629:Thistlethwaite, Mark.
565:"All-American painter"
463:Union City, New Jersey
418:Jasper Francis Cropsey
403:Charles Loring Elliott
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387:Union City, New Jersey
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393:Ranney converted to
311:The Old Oaken Bucket
246:In 1847 he moved to
228:Dallas Museum of Art
209:West Columbia, Texas
148:William Tylee Ranney
132:The Old Oaken Bucket
45:William Tylee Ranney
619:. 24 November 1857.
347:Ornaments of Memory
331:Trapper's Last Shot
327:Hunting Wild Horses
300:American Revolution
272:Book of the Artists
616:The New York Times
528:Millan, Nicholas.
451:in Austin, Texas.
422:Asher Brown Durand
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35:1839 self-portrait
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502:; Pages 120 - 123
240:A Courting Scene,
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378:Death and legacy
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263:Hudson Palisades
128:A Courting Scene
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118:Notable work
72:(1857-11-18)
716:1857 deaths
711:1813 births
633:On the Wing
395:Catholicism
351:On the Wing
197:Sam Houston
123:On the Wing
111:Portraiture
101:Self-taught
705:Categories
677:Amazon.com
635:, c. 1850"
469:References
259:Union City
201:Santa Anna
164:Early life
109:Painting,
82:Union City
80:, US (now
55:9 May 1813
51:1813-05-09
429:Civil War
280:cutlasses
267:Manhattan
248:Weehawken
157:Civil War
98:Education
598:Obituary
581:March 4,
575:Archived
226:, 1848,
185:Brooklyn
178:tinsmith
368:cricket
152:Western
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215:Career
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189:Alamo
656:ISBN
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420:and
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155:pre-
67:Died
61:, US
41:Born
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