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William Ranney

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Capital, in its style. Sportsman and dog are both in the best spirits, and are transferred to the canvas without losing anything of their keen relish of the sport." The appeal of Ranney's painting lies in its convincing portrayal of the alert, poised hunter and the tense, crouching boy and dog, all
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hung on the walls; and these, with curious saddles and primitive riding gear, might lead a visitor to imagine he had entered a pioneer's cabin or border chieftain's hut; such an idea would, however, have been once dispelled by glance at the many sketches and studies which proclaimed that an artist,
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which was exhibited at the New York Mechanics' Institute Fair. He traveled back and forth between North Carolina and New York from 1839 and 1842. In 1843, he opened a studio in New York City, where he advertised as a portrait painter, though few of the works from this period have been identified.
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skyline, was characterized by Ranney's interests in both painting and Western life. It included a two-story, glassed-in studio, and a stable for horses that Ranney, an avid horseback rider, painted in many of his works. Henry T. Tuckerman, in his
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life, sporting scenery, historical subjects and portraiture. In his 20-year career, he made 150 paintings and 80 drawings, and is considered the first major genre painter to work in New Jersey, and one of the most important
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American painters. His work is on display in several museums across the United States. One of his contemporaries opined, "A specimen of Ranney is indispensable wherever a collection of American art exists."
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which portrays a sportsman with dead game at his feet, about to shoot down his next target. Ranney produced at least four different versions of this print, the most recognized of which was reserved for the
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motionless, yet charged with potential energy. Dead game on the ground underscore the figures' vitality. Ranney plants the compactly rendered, centralized group in the midst of wind-blown marsh vegetation.
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Ranney, who adored the rural, marshy lands that typified the area in the 19th century, also enjoyed fishing. Among the fellow artists and residents he befriended were Hoboken founding father Colonel
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Ranney was a regular contributor and an associate member of the National Academy of Design and the American Art Union, both based in New York. He also painted historical scenes, such as those of the
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Ranney enjoyed duck hunting, which is reflected in some of his paintings noted for their solidly constructed, almost sculpture-like figures. His most popular and requested work is his 1850 painting
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Ranney resumed his artistic endeavors in Brooklyn, becoming a self-taught oil painter, having never received formal training. In 1838 he publicly exhibited his paintings for the first time at the
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gave a lecture on American art to help defray expenses of the Exhibition. Some of Ranney's works were exhibited at the National Academy of Design, and many of Ranney's fellow artists, including
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in 1856 and 1857. This version is set in a more windblown environment, noted for the contrast generated with the stillness of the human figures within it. The portrayal of the outdoorsman in
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The following year, the Ranney Fund put on an exhibition and sale in New York in order to raise money for Margaret Ranney and her two sons. Friend and patron, noted New York attorney
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in Hoboken. He also played Hoboken's Fox Hill, which today is Columbus Park, and the high school field between 9th and 11th streets on Grand Street. Ranney played cricket until 1854.
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Commissioner Lucio P. Fernandez at the September 18, 2010 dedication ceremony of the William Ranney historical marker, placed where Ranney's home once stood, at 1215 Palisade Avenue
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at his West Hoboken home on November 18, 1857, at the age of 44. Ranney's funeral took place at Saint Mary's Roman Catholic Church in Hoboken, and was attended by fellow painter
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American painters, and his paintings are highly prized by Western and early American art collectors. Sixty percent of his paintings are in museums such as the
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In 1853 they crossed back into New Jersey, settling permanently with their two sons at a 14-room homestead in the growing artist community of
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By 1846, his work began to show the influences of his experiences in Texas, including frontier backdrops depicting the
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contributed to the era's nationalistic imagery. Mark Thistelthwaite of the Butler Institute, describes this piece as:
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on May 9, 1813, the son of William Ranney, a sea captain, and Clarissa Ranney. In 1826, at the age of 13, he moved to
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player, he was one of the founders of New York Cricket Club, and one of its top scorers. The club met at the
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dedicated a historical marker identifying the site of Ranney's former estate at 1215 Palisade Avenue.
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The New Jersey Historical Series, Volume 24. 1964. D. Van Nostrand Company, Inc.
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by William Tylee Ranney, 1846, oil on canvas - New Britain Museum of American Art
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Ranney's great-grandson, Ranney Moran, wrote the prologue for the 2006 book,
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in 1833 to study painting. On March 12, 1836, six days after the fall of the
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in New York City. He received an award for his first genre painting
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It was so constructed as to receive animals; guns, pistols, and
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Forging an American Identity: The Art of William Ranney
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Forging an American Identity: The Art of William Ranney
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Thomas Gilcrease Institute of American History and Art
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American paintings in the Metropolitan Museum of Art
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Ranney is regarded as one of the most important pre-
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It was published in the gift book 736:People from Middletown, Connecticut 377: 13: 741:People from Union City, New Jersey 726:19th-century American male artists 577:from the original on July 31, 2023 563:Rosero, Jessica (April 30, 2006). 274:, described Ranney's studio thus: 14: 787: 776:Tuberculosis deaths in New Jersey 746:People from Weehawken, New Jersey 631:"WILLIAM TYLEE RANNEY 1813-1857; 183:At the age of 20 Ranney moved to 168:William Tylee Ranney was born in 687: 638:Butler Institute of American Art 608: 449:Archer M. Huntington Art Gallery 343:Butler Institute of American Art 771:People of the Texas Revolution 721:19th-century American painters 664: 643: 589: 445:Buffalo Bill Historical Center 1: 640:; Accessed September 18, 2010 468: 203:following his capture at the 163: 174:Fayetteville, North Carolina 93:Bergen Cemetery, New Jersey. 7: 10: 792: 447:in Cody, Wyoming; and the 433:Boston Museum of Fine Arts 292:Shad Fishing on the Hudson 236:National Academy of Design 766:Painters from Connecticut 214: 193:Texas War of Independence 116: 105: 97: 89: 66: 40: 28: 21: 751:Painters from New Jersey 443:in Tulsa, Oklahoma; the 255:West Hoboken, New Jersey 78:West Hoboken, New Jersey 756:American genre painters 535:The Union City Reporter 494:Gerdts, Jr. William H. 461:On September 18, 2010, 439:in Washington, DC; the 170:Middletown, Connecticut 59:Middletown, Connecticut 731:American male painters 629:Thistlethwaite, Mark. 565:"All-American painter" 463:Union City, New Jersey 418:Jasper Francis Cropsey 403:Charles Loring Elliott 390: 387:Union City, New Jersey 360: 295: 285: 231: 500:Princeton, New Jersey 385: 355: 290: 276: 265:, and overlooked the 222: 205:Battle of San Jacinto 437:Corcoran Art Gallery 393:Ranney converted to 311:The Old Oaken Bucket 246:In 1847 he moved to 228:Dallas Museum of Art 209:West Columbia, Texas 148:William Tylee Ranney 132:The Old Oaken Bucket 45:William Tylee Ranney 619:. 24 November 1857. 347:Ornaments of Memory 331:Trapper's Last Shot 327:Hunting Wild Horses 300:American Revolution 272:Book of the Artists 616:The New York Times 528:Millan, Nicholas. 451:in Austin, Texas. 422:Asher Brown Durand 391: 296: 232: 35:1839 self-portrait 606: 502:; Pages 120 - 123 240:A Courting Scene, 145: 144: 783: 697: 695:Biography portal 692: 691: 690: 679: 668: 662: 647: 641: 627: 621: 620: 612: 601: 593: 587: 586: 584: 582: 560: 539: 538:; March 16, 2008 526: 503: 492: 378:Death and legacy 364:John Stevens III 263:Hudson Palisades 128:A Courting Scene 119: 73: 70:18 November 1857 54: 52: 33: 19: 18: 16:American painter 791: 790: 786: 785: 784: 782: 781: 780: 701: 700: 693: 688: 686: 683: 682: 669: 665: 648: 644: 628: 624: 595: 594: 590: 580: 578: 570:Hudson Reporter 561: 542: 527: 506: 493: 476: 471: 380: 307:Rocky Mountains 217: 166: 138: 134: 130: 126: 117: 85: 75: 71: 62: 56: 50: 48: 47: 46: 36: 24: 17: 12: 11: 5: 789: 779: 778: 773: 768: 763: 758: 753: 748: 743: 738: 733: 728: 723: 718: 713: 699: 698: 681: 680: 663: 642: 622: 588: 540: 504: 473: 472: 470: 467: 410:James T. 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Index


Middletown, Connecticut
West Hoboken, New Jersey
Union City
Portraiture
Western
Civil War
Middletown, Connecticut
Fayetteville, North Carolina
tinsmith
Brooklyn
Alamo
Texas War of Independence
Sam Houston
Santa Anna
Battle of San Jacinto
West Columbia, Texas

Dallas Museum of Art
National Academy of Design
Weehawken
West Hoboken, New Jersey
Union City
Hudson Palisades
Manhattan
cutlasses

American Revolution
Rocky Mountains
Butler Institute of American Art

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