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The
Chappell family had in 1843 made an arrangement by virtue of which William retired from the business. In 1845, he bought a share in the publishing business of Cramer & Co., which was then called Cramer, Beale, & Chappell. He patiently continued his investigations into antiquarian music,
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and arranged in two octavo volumes, letterpress and music interspersed. The tunes were harmonised by
Macfarren. Immense learning and research are displayed throughout the work, which at once became the recognised authority upon the subject. It suffers from Chappell's prejudices against Scotland
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in two volumes, one containing 245 tunes, the second some elucidatory remarks and an essay on
English minstrelsy. The airs were harmonised by Macfarren, Dr. Crotch, and Wade; only Macfarren's were adequate. Wade's being too slight, and Crotch's too elaborate. Chappell was the first who seriously
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and everything
Scottish; and Dr. Burney, who did not appreciate Elizabethan madrigals, is repeatedly attacked with unjustifiable exaggeration, notably in the preface. A new posthumous edition, edited by
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whose existence in a thirteenth-century manuscript is the most inexplicable phenomenon in the history of music, was long studied by
Chappell; a facsimile in colours served as the frontispiece of his
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but inexplicably omitted
Dowland's accompaniments. The society's publications were in cumbersome and expensive folios, and the members soon fell away until the society dissolved in 1848.
111:(London, 1869 &c. 8vo). He was also an active member, and for a time treasurer, of the Camden Society. He gave most important assistance in the publication of Coussemaker's
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William, his eldest son, then managed the business for his mother until 1843. Chappell began the study of
English folk-tunes and ballads. In 1838, he issued his first work,
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He suffered from writers' palsy for several years, but eventually recovered. He acted as honorary treasurer of the Ballad
Society, for which he edited three volumes of the
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At the foundation of the
Musical Association in 1874, he was appointed a vice-president, and on 6 November 1877, he read a profound and original paper on
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business at 124 New Bond Street. In 1826, he became sole partner, and in 1830 was established at 50 New Bond Street, where he died in
December 1834.
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During the latter part of his life he lived mostly at Weybridge, but died at his London residence, 53 Upper Brook Street, on 20 August 1888.
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22:(20 November 1809 – 20 August 1888) was an English writer on music, a partner in the London musical firms of
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and waited till 1855 before issuing an improved edition of his collection. It was renamed
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A Collection of National English Airs, consisting of Ancient Song, Ballad, and Dance Tunes,
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and he finally succeeded in identifying the handwriting as the work of
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He was born in London on 20 November 1809. His father,
115:(4 tom. Paris, 1863–76). The celebrated double canon,
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176:Chappell, W. (William), 1809–1888, compiler
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64:In 1840, Chappell became a fellow of the
83:He edited the twelfth volume, Dowland's
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61:studied traditional English tunes.
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248:Works by or about William Chappell
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216:. London: Smith, Elder & Co.
212:Dictionary of National Biography
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121:Popular Music of the Olden Time,
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72:, for which he edited Johnson's
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228:Free scores by William Chappell
85:First Booke of Songes or Ayres,
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74:Crown Garland of Golden Roses.
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203:Chappell, William (1809-1888)
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282:English folk-song collectors
243:National Library of Scotland
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267:English non-fiction writers
132:Music a Science of Numbers.
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16:19th-century English writer
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297:19th-century musicologists
102:Old English Popular Music
201:Davey, Henry (1901). "
98:Harry Ellis Wooldridge
66:Society of Antiquaries
43:Johann Baptist Cramer
125:Johannes de Fornsete
113:Scriptores de Musica
292:Writers about music
117:Sumer is icumen in,
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