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William Aspley

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135:) read "to be sold by William Aspley" on their title pages. Yet it was his possession of the copyrights to two Shakespearean plays that won him inclusion in the First Folio syndicate. At the start of the 17th century's third decade, when Edward Blount and 71:
on 4 April 1597, and remained active for the next four decades. He served in the office of Master of the Company in 1640, the year he died. His shops were located 1) at the sign of the Tiger's Head, and 2) at the sign of the Parrot, both in
67:; he served a nine-year apprenticeship under George Bishop that started at Christmas 1587. Aspley's professional career was notable for its longevity: he became a "freeman" (a full member) of the 146:
and stuck that play into the First Folio late and unpaginated.) Aspley's price for his rights was inclusion in the syndicate as one of its "junior partners," along with
139:
were preparing to publish the First Folio, they needed to obtain the rights to eighteen Shakespearean plays already in print. (They had trouble getting the rights to
68: 120:. Neither play appears to have been a major success in printed form, since neither was reprinted prior to its inclusion in the First Folio in 1623. 689: 150:. It is not known that Aspley played any active role in the publication of the First Folio; but he maintained his rights through 453: 420: 276:
The Admirable History of Possession and Conversion of a Penitent Woman: Seduced by a Magician that Made Her to Become a Witch
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And of course Aspley published a great variety of other works during his long career, by authors ranging from
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Churchyard. (The Parrot was on the same block as the shop of First Folio colleague
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eras. He was a member of the publishing syndicates that issued the
270:) is only one example. One curious item in Apsley's catalogue was 116:
before the end of 1600, editions printed for Wise and Aspley by
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Aspley had another, minor link to Shakespeare: some copies of
337:, 4 Volumes, Oxford, Clarendon Press, 1923; Vol. 3, p. 485. 63:
The publisher was the son of a William Aspley of Royston,
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Aspley's connection with the Shakespeare canon began in
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Chapman, Vol. 3, pp. 253–4, 291, 431; Vol. 4, p. 52.
92:: on 23 August that year, he and fellow stationer 681: 162:Aspley also published some other play texts of 206:the two quartos of the famously controversial 395: 154:'s publication of the Second Folio in 1632. 402: 388: 321:, 3rd edition, London, 1790; pp. 1384–5. 305:Baltimore, Penguin, 1964; pp. 39, 170-1. 303:A Shakespeare Companion 1564–1964, 682: 383: 434:List of Shakespeare plays in quarto 13: 80:, at the sign of the Black Bear.) 14: 706: 690:Publishers (people) from London 264:An Exposition of the Last Psalm 367: 358: 349: 340: 324: 308: 292: 249: 157: 83: 1: 285: 193:the two quartos of Marston's 7: 220:) that were both issued in 10: 711: 606: 505: 477: 419: 346:Halliday, pp. 215, 326-7. 319:Typographical Antiquities 227:the first two quartos of 164:English Renaissance drama 137:William and Isaac Jaggard 58: 172:A Warning for Fair Women 109:Much Ado About Nothing 335:The Elizabethan Stage 129:Shakespeare's Sonnets 142:Troilus and Cressida 127:'s first edition of 98:Stationers' Register 412:William Shakespeare 272:Sebastien Michaelis 644:Augustine Matthews 421:Folios and quartos 410:Early editions of 69:Stationers Company 19:(died 1640) was a 677: 676: 568:Thomas Millington 364:Halliday, p. 170. 355:Halliday, p. 502. 199:that appeared in 96:entered into the 23:publisher of the 702: 664:Valentine Simmes 553:Henry Herringman 543:Philip Chetwinde 538:Nathaniel Butter 404: 397: 390: 381: 380: 374: 371: 365: 362: 356: 353: 347: 344: 338: 328: 322: 312: 306: 296: 118:Valentine Simmes 103:Henry IV, Part 2 710: 709: 705: 704: 703: 701: 700: 699: 680: 679: 678: 673: 669:William Stansby 639:William Jaggard 602: 563:Richard Meighen 548:Richard Hawkins 501: 473: 415: 408: 378: 377: 372: 368: 363: 359: 354: 350: 345: 341: 329: 325: 313: 309: 297: 293: 288: 252: 160: 86: 61: 43:collections of 12: 11: 5: 708: 698: 697: 692: 675: 674: 672: 671: 666: 661: 656: 651: 646: 641: 636: 631: 626: 621: 616: 610: 608: 604: 603: 601: 600: 595: 590: 588:Thomas Walkley 585: 580: 578:John Smethwick 575: 570: 565: 560: 555: 550: 545: 540: 535: 533:Cuthbert Burby 530: 525: 520: 518:William Aspley 515: 509: 507: 503: 502: 500: 499: 494: 489: 483: 481: 475: 474: 472: 471: 466: 461: 456: 451: 446: 441: 436: 431: 425: 423: 417: 416: 407: 406: 399: 392: 384: 376: 375: 366: 357: 348: 339: 331:E. K. Chambers 323: 307: 299:F. E. Halliday 290: 289: 287: 284: 260:José de Acosta 251: 248: 247: 246: 234:Bussy D'Ambois 229:George Chapman 225: 204: 196:The Malcontent 191: 187:Old Fortunatus 179: 170:the anonymous 159: 156: 148:John Smethwick 85: 82: 65:Cambridgeshire 60: 57: 17:William Aspley 9: 6: 4: 3: 2: 707: 696: 693: 691: 688: 687: 685: 670: 667: 665: 662: 660: 657: 655: 654:James Roberts 652: 650: 649:Nicholas Okes 647: 645: 642: 640: 637: 635: 634:Richard Field 632: 630: 627: 625: 624:Thomas Creede 622: 620: 617: 615: 612: 611: 609: 605: 599: 596: 594: 593:John Waterson 591: 589: 586: 584: 583:Thomas Thorpe 581: 579: 576: 574: 573:Thomas Pavier 571: 569: 566: 564: 561: 559: 558:William Leake 556: 554: 551: 549: 546: 544: 541: 539: 536: 534: 531: 529: 528:Edward Blount 526: 524: 521: 519: 516: 514: 511: 510: 508: 504: 498: 497:Edward Knight 495: 493: 492:Henry Condell 490: 488: 487:John Heminges 485: 484: 482: 480: 479:Early editors 476: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 426: 424: 422: 418: 413: 405: 400: 398: 393: 391: 386: 385: 382: 370: 361: 352: 343: 336: 332: 327: 320: 316: 311: 304: 300: 295: 291: 283: 281: 277: 273: 269: 265: 261: 257: 256:Francis Bacon 244: 240: 236: 235: 230: 226: 223: 219: 215: 212:(By Chapman, 211: 210: 205: 202: 198: 197: 192: 189: 188: 183: 182:Thomas Dekker 180: 177: 173: 169: 168: 167: 166:, including: 165: 155: 153: 149: 145: 143: 138: 134: 130: 126: 125:Thomas Thorpe 121: 119: 115: 111: 110: 105: 104: 99: 95: 91: 81: 79: 78:Edward Blount 75: 70: 66: 56: 54: 50: 46: 45:Shakespeare's 42: 38: 34: 30: 26: 22: 18: 619:Thomas Cotes 614:Edward Allde 517: 513:Robert Allot 464:Second Folio 454:First Quarto 369: 360: 351: 342: 334: 326: 318: 310: 302: 294: 275: 263: 253: 232: 218:John Marston 207: 194: 185: 171: 161: 152:Robert Allot 140: 122: 107: 101: 87: 62: 41:Second Folio 16: 15: 695:1640 deaths 659:Peter Short 598:Andrew Wise 523:John Benson 469:False Folio 459:First Folio 429:Foul papers 315:Joseph Ames 250:Other works 209:Eastward Ho 158:Other drama 94:Andrew Wise 84:Shakespeare 37:First Folio 25:Elizabethan 684:Categories 629:George Eld 506:Publishers 449:Bad quarto 286:References 214:Ben Jonson 100:the plays 74:St. Paul's 47:plays, in 607:Printers 414:'s works 33:Caroline 29:Jacobean 190:(1600); 114:quartos 439:Quarto 241:; Q2, 216:, and 59:Career 31:, and 21:London 444:Folio 237:(Q1, 280:1613 268:1615 243:1608 239:1607 222:1605 201:1604 176:1599 133:1609 106:and 90:1600 53:1632 51:and 49:1623 39:and 282:). 274:'s 258:to 231:'s 184:'s 686:: 333:, 317:, 301:, 245:). 178:); 55:. 27:, 403:e 396:t 389:v 278:( 266:( 224:; 203:; 174:( 144:, 131:(

Index

London
Elizabethan
Jacobean
Caroline
First Folio
Second Folio
Shakespeare's
1623
1632
Cambridgeshire
Stationers Company
St. Paul's
Edward Blount
1600
Andrew Wise
Stationers' Register
Henry IV, Part 2
Much Ado About Nothing
quartos
Valentine Simmes
Thomas Thorpe
Shakespeare's Sonnets
1609
William and Isaac Jaggard
Troilus and Cressida
John Smethwick
Robert Allot
English Renaissance drama
1599
Thomas Dekker

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