415:"Hollywood's first art director, 80-year-old Wilfred Buckland Sr., yesterday killed his mentally ailing son, 36, and then fatally shot himself in a double tragedy inspired by his fear of impending death from old age and reluctance to leave the younger man alone in the world. Termed the 'founder of Hollywood cinema art,' the elder Buckland fired a bullet into the back of his sleeping son's head, which brought instant death."
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complained in the press that the art director's job, like that of the actor, suffered from over-production. Buckland noted that he had supervised 56 pictures in a single year and added, "Studio necessities compel him to supervise the art work on a number of productions at one time. As a consequence, the art director becomes an architect, or perhaps merely a scenic artist, instead of the illustrator of the dramatic story."
109:, from 1914 to 1927. He was Hollywood's first "art director" and is credited with a number of advancements in filmmaking, including the advances in lighting techniques, the development of architectural sets, and the use of miniature sets. In 1924, he was named one of the ten individuals who had contributed the most to the advancement of the motion picture industry since the time of its inception. A 1980 exhibition at the
471:"The practical vision of Buckland, the little known Hollywood art director and initiator of the use of controlled lighting within studio environments, set a standard in the first decades of the twentieth century that has become as commonplace as shooting film sequences in Hollywood soundstages today. He stands as an art-directing giant; his creative ingenuity ennobles the craft of film design even now."
348:. The vastness of this feudal domain is the most astonishing of the picture's startling features. One looks through waves upon waves of light and shadow to the stone walls which mark the background. Fairytale heights of tower and turret are suggested. ... Yet there is never anything of grotesquerie in this, only and always a legendary magnificence such as is suggested by the
289:] you get a shock by discovering a picture in which the director has shown signs of an artistic conscience. But the majority of moving pictures are still far behind commercial photography, which is becoming less and less photographic while most of the advertisements in the back pages of our magazines are more artistic than the average movie."
282:"In painting a picture an artist does not paint a real house, reproducing every minute detail. That sort of thing belongs to the old and now despised photographic school of art. He paints in something to give tone to the figures. The great secret of art, as Whistler said, is knowing what to leave out. Every once in awhile [
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In 1917, Buckland wrote to Cecil B. DeMille expressing his dissatisfaction over having his artistic vision stifled. He said, "I came to
Hollywood ... in search of a chance to visualize a more 'pictorial' way, by adapting to film the same rules that govern the higher art of painting." Buckland also
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production company. While working with DeMille and Lasky, Buckland was credited with the introduction of artificial lighting to motion pictures with the use of klieg lights, which also became known as "Lasky lighting." Jesse Lasky later wrote of
Buckland: "As the first bona fide art director in the
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selected a list of the ten individuals who had contributed the most to the advancement of the motion picture industry from the time of its inception. The list omitted DeMille, but included
Buckland, who was credited "for his work in developing and perfecting technical art in films." Others on the
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Buckland described his process to a newspaper reporter in 1920. Buckland said he would review the script to get an idea of what the characters were like and what their surroundings should be. He would prepare sketches of the required sets and turn the sketches over to a force of architectural
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228:. For a long time, now, picture play reviewers have been fond of saying 'up to the usual Paramount standard.' That standard to a large extent has been raised higher and higher by the Wilfred Buckland whose name appears in front of all the Lasky pictures. Such men as Cecil DeMille,
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draftsmen in the next room. After a structure was built, Buckland would also direct the interior painting and decorations. He noted at the time that he hoped to see film sets move away from the building of real or photographic interiors and deal more with atmosphere. He added:
144:) that opened in 1907. In 1910, Buckland was described as Belasco's "art director," responsible for the design of scenery, costumes and other artistic details. One newspaper reviewer wrote the following about the sets designed by Buckland for the stage production of
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newspaper commented that
Buckland, "art director of the Lasky Company," was also "known as the greatest collector and authority on ancient firearms in the country," and his collection was said to be "the most complete in the world, not barring that of the
483:(UPI) described the exhibition's focus on the work of Buckland: "More than that, an argument could be made — and this show makes it — that everything we know as 'Hollywood' traces to Wilfred Buckland, Hollywood's first art director."
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purchased the movie rights to
Belasco's plays, and Buckland's services as art director were part of the deal. Buckland continued to work with DeMille on most of his projects until 1920 and also worked on most of the films produced by
150:: "Pictorially nothing finer has ever been disclosed upon the stage than the succession of sumptuous Oriental pictures evolved for the production by Wilfred Buckland, who for 10 years served as art decorator for David Belasco."
1335:"ADG Film Society to Screen 1922 Silent Version of "Robin Hood" in Celebration of the Career of Art Director Wilfred Buckland and Work of Art Directors of Silent Films, Aug. 15". Art Directors Guild/Business Wire. 2004-07-20.
321:(1922), one reviewer wrote: "Settings for this master film were personally designed and executed under the direction of Wilfred Buckland, the first man in his field in the films and still recognized as its finest craftsman."
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Buckland was born in New York City, the son of
Reverend Rabbi Joseph Wales and Emily (Wilson) Buckland. He worked as an artist for a time and was responsible for much of the interior decoration and paintings of New York's
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Buckland was married to actress Veda (McEvers) Buckland (August 26, 1883 – May 20, 1941). After her death their son, Wilfred
Buckland, Jr., suffered a mental breakdown and was hospitalized at the
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Frederick Haskin (1920-12-18). "ARTIST IMPORTANT FIGURE IN NOTION PICTURE INDUSTRY: Artistic
Lighting And Setting Is The Next Step To Be Taken In The Realm Of The Screen". The Evening Gazette.
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and the others who produce for
Paramount have added their very considerable bit to spelling Art with a capital A in motion pictures, but that is Wilfred Buckland's business exclusively."
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Despite the falling out, DeMille spoke at a 1941 testimonial dinner for
Buckland and called him a "great artist and a great man" and said he had been glad "to sit at your feet."
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described Buckland as the "general stage manager" for Belasco. He designed the color scheme, draperies and stage curtain at Belasco's Stuyvesant Theatre (now operating as the
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industry, and the first to build architectural settings for films, Buckland widened the scope of pictures tremendously by throwing off the scenic limitations of the stage."
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newspaper account: "The art of miniature stage building has been introduced into the production of motion pictures as another means toward economy and efficency [
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in London advanced the argument that "everything we know as 'Hollywood' traces to Wilfred Buckland." Buckland was among the first inductees in the
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344:"Castle a Marvel. Greatest of all the settings is, of course, the castle which for months has been a sort of landmark of cinema enterprise on
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RamĂrez, Juan Antonio (2004). "Architecture for the Screen: a Critical Study of Set Design in Hollywood's Golden Age". McFarland. p. 132.
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Juan Antonio RamĂrez (2004). "Architecture for the Screen: a Critical Study of Set Design in Hollywood's Golden Age, pp. 36-37". McFarland.
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Buckland developed a reputation as one of the early film industry's great artists, as reflected in the following 1918 newspaper report:
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in London held an exhibition called "The Art of Hollywood," focusing on the role of art directors in the development of cinema. The
407:. He shot and killed his 36-year-old son and then shot himself. Buckland left a note that said, "I am taking Billy with me." The
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castle, with its immense size and eight circular turrets, perhaps the most impressive of all the Hollywood castles ever built.
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377:], and of insuring fidelity and realism. This system has been perfected by Wilfred Buckland, a famous art director."
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Buckland's collaboration with DeMille remained contentious, and the two broke off their working relationship in 1920.
224:"Among the producing firms who belong to the class where imagination is based upon culture, are those associated with
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971:"AN ANGRY TRINITY ARTIST.; Mr. Buckland, Who Painted Many of the Decorations, Believes He Was Slighted by Mr. Wilson"
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334:(also 1922). The castle was one of the largest sets built at the time. When the film was released, the
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1209:"Film Pioneer Buckland Kills His Son and Himself: Note Says Father Reluctant to Leave Sick Man Alone".
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Buckland was credited with developing the art of miniature stage building, as reflected in a 1924
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1187:"Give Art Director Chance To Direct: Buckland Says He, Like Actors, Suffers By Over Production".
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Cecil B. DeMille brought the 47-year-old Buckland to Hollywood to work on his film
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1053:"Guy Bates Post Coming as 'Omar the Tentmaker'". Reno Evening Gazette. 1914-06-08.
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for its bi-centenary celebration in 1897. He also worked with the stage producer,
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Mary Corliss, Carlos Clarens (May–June 1978). "Designed for Film". Film Comment.
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1261:"MINIATURE SETS USED IN "TRILBY"". Daily Democrat-Tribune. April 1, 1924.
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1140:"Screen Artists Are Banning Bric-A-Brac". San Antonio Light. 1918-02-24.
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1089:"Lasky Gets All Belasco Productions". Motion Picture News. 6 June 1914.
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1224:"'OMAR' HAS STRONG SUPPORTING CAST". Capital Times. January 18, 1923.
941:"'Art of Hollywood' on display". Daily Press (UPI story). 1980-01-14.
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1042:"Gossip of Plays and the Players". The Daily Review. April 10, 1910.
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1272:"Veda Buckland to Return to Pictures". Syracuse Herald. 1929-07-07.
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Edwin Schadlert (October 19, 1922). "'Robin Hood' Superb Film".
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In 1920, Buckland left DeMille and began to work with director
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Buckland was one of the first individuals inducted into the
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Film historian Juan Antonio RamĂrez later called Buckland's
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Dwan signed with Famous Players–Lasky after the release of
1031:"Gossip of the Stage". The Daily Review. October 24, 1907.
1300:. Jefferson, N.C.: McFarland & Company. p. 103.
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Age. Artistry is at its height in these Medieval scenes."
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While working with Dwan, Buckland created the castle for
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1324:"Ten Greatest Names". The Indianapolis Star. 1924-06-22.
1129:"Puddin' Head Wilson". The Democrat-Tribune. 1916-04-03.
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Buckland was a collector of ancient firearms. In 1916,
93:(April 18, 1866 – July 18, 1946) was an American
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1297:Celebrities in Los Angeles Cemeteries: A Directory
1101:"Art Directors Guild Hall of Fame Inductees 2004"
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1151:"Amusements". The Evening Progress. 1920-08-06.
191:(1914). According to some accounts, producer
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97:. Buckland worked as an art director with
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1650:1946 murders in the United States
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490:when it was established in 2005.
421:Grand View Memorial Park Cemetery
16:American art director (1866–1946)
1389:Art Directors Guild Hall of Fame
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488:Art Directors Guild Hall of Fame
431:Buckland's place in film history
115:Art Directors Guild Hall of Fame
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1067:. Internet Broadway Database.
1000:Early American Cinema, p. 172
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770:Till I Come Back to You
674:The Heart of Nora Flynn
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578:The Warrens of Virginia
171:The Darling of the Gods
169:(scenic design, 1904),
161:(scenic design, 1907),
157:(scenic design, 1907),
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1103:. Art Directors Guild.
955:Michael Rizzo (2005).
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435:In 1924, the magazine
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369:Daily Democrat-Tribune
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602:The Wild Goose Chase
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210:The Democrat-Tribune
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173:(design, 1903), and
898:The Forbidden Woman
842:The Deuce of Spades
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706:The Little American
517:Brewster's Millions
458:C. Gardner Sullivan
419:He was interred at
147:Omar, the Tentmaker
1116:I Blow My Own Horn
1018:The New York Times
978:The New York Times
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525:The Man on the Box
318:Omar the Tentmaker
262:J. Stuart Blackton
137:The New York Times
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650:The Golden Chance
555:The Man from Home
509:The Ghost Breaker
409:Los Angeles Times
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181:Work with DeMille
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1506:Harry Horner
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95:art director
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58:(1946-07-18)
1630:1946 deaths
1625:1866 births
1571:John Meehan
1558:Ted Haworth
1455:Hans Dreier
1424:Boris Leven
1414:John DeCuir
1409:Richard Day
570:The Captive
494:Filmography
437:Story World
405:Los Angeles
198:Jesse Lasky
121:Early years
103:Jesse Lasky
1619:Categories
1419:Anton Grot
926:References
874:Adam's Rib
866:Robin Hood
658:Maria Rosa
642:Temptation
387:Robin Hood
362:Robin Hood
331:Robin Hood
306:Robin Hood
65:Occupation
44:1866-04-18
1465:Jan Scott
594:The Cheat
340:reported:
313:Alan Dwan
226:Paramount
107:Alan Dwan
1450:John Box
914:See also
890:Icebound
626:Kindling
610:The Arab
175:Du Barry
1391:(2000s)
1304:
909:(1927)
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786:M'Liss
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586:Carmen
581:(1915)
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504:(1914)
1604:2020s
1599:2010s
1594:2000s
974:(PDF)
354:Moyen
163:Adrea
1551:2009
1515:2008
1479:2007
1443:2006
1397:2005
1353:IMDb
1302:ISBN
456:and
101:and
83:1927
79:1914
53:Died
38:Born
1351:at
423:in
374:sic
285:sic
217:."
200:'s
1621::
1316:^
1197:^
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933:^
460:.
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328:'
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81:-
1381:e
1374:t
1367:v
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287:?
46:)
42:(
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