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Wild at Heart (film)

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687:. Montgomery read it, and two days later he called Gifford and told him that he wanted to make a film of it. Two days after that, Montgomery gave Gifford's book to Lynch while he was editing the pilot, asking him if he would executive produce a film adaptation that he would direct. Lynch remembers telling him, 'That's great Monty, but what if I read it and fall in love with it and want to do it myself?' Montgomery did not think that Lynch would like the book because he did not think it was his 'kind of thing'. Lynch loved the book and called Gifford soon afterwards, asking him if he could make a film of it. Lynch remembers, 'It was just exactly the right thing at the right time. The book and the violence in America merged in my mind and many different things happened.' Lynch was drawn to what he saw as 'a really modern romance in a violent world—a picture about finding love in Hell', and was also attracted to 'a certain amount of fear in the picture, as well as things to dream about. So it seems truthful in some way'. 439:
Texas, where he contacts his old acquaintance, Perdita Durango, who might be able to help them, although she secretly knows Lula's mother has a contract out for his murder. At an outdoor party, Lula and Sailor meet Bobby Peru, a career criminal. Lula, who has been feeling ill, tells Sailor she is pregnant with his child. While Sailor is changing their car's oil, Lula waits for him in the hotel room. Peru enters the room and threatens to sexually assault Lula, forcing her to ask him to have sex with her before leaving, stating he has no time. This traumatizes Lula, who was also raped as a child.
2731: 2134: 2289: 796:, which has been interpreted as indicative of the overall fantasy world of the movie, which Sailor's obsession with the fantasies of Elvis and the couple's fantastical relationship also speak to. The movie also depicted a previously unseen level of violence. Lynch himself commented on interviews that the book on which the film was based was "exactly the right thing at the right time" and that "Each year we give permission for people to get away with more". 936: 451:, who tells him, "Don't turn away from love, Sailor." When he awakens, Sailor apologizes to the men, tells them he realizes the error of his ways, and then runs after Lula. The photograph of Marietta, in Lula's house, sizzles and vanishes. As there is a traffic jam on the road, Sailor begins to run over the roofs and hoods of the cars to get back to Lula and their child in the car. Sailor sings " 691:'depressing and pretty much devoid of happiness, and no one wanted to make it'. Lynch did not like the ending in Gifford's book, where Sailor and Lula split up for good. For Lynch, 'it honestly didn't seem real, considering the way they felt about each other. It didn't seem one bit real! It had a certain coolness, but I couldn't see it.' It was at this point that the director's love of 443:
admits to Sailor that he has been hired to kill him, and Sailor realizes he has been given a pistol with dummy ammunition. Chasing Sailor out of the store, Peru is about to kill him when the sheriff's deputy opens fire on him and Peru blows his own head off with his own shotgun. Sailor is arrested and sentenced to six years in prison.
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was not in effect in 1990, at the time of the film's release; he was contractually obligated to deliver an R-rated film. Lynch made one change in the scene where Willem Dafoe's character shoots his own head off with a shotgun. Gun smoke was added to tone down the blood and hide the removal of Dafoe's
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and after listening to it, called Cage and told him that he had to sing two songs, "Love Me" and "Love Me Tender". Cage agreed, and recorded them so that he could lip-synch to them on the set. Cage asked Lynch if he could wear a snakeskin jacket in the film, and Lynch incorporated it into his script.
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While Sailor is in jail, Lula has their child. Upon his release, Lula decides to reunite with him. Rejecting her mother's objections over the phone, she throws water over her mother's photograph and goes to pick up Sailor with their son. When they meet Sailor, he reveals he will be leaving them both,
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read an early draft of the screenplay and did not like Gifford's ending either, so Lynch changed it. However, the director was worried that this change made the film too commercial, 'much more commercial to make a happy ending yet, if I had not changed it, so that people wouldn't say I was trying to
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as "Sailor" Ripley: the actor described his character as "a kind of romantic Southern outlaw". Cage said in an interview that he was "always attracted to those passionate, almost unbridled romantic characters, and Sailor had that more than any other role I'd played." Prior to being cast in the film,
431:. Marietta arranges for private detective Johnnie Farragut—her on-off boyfriend—to find them and bring them back. But unbeknownst to Farragut, Marietta also hires gangster Marcelles Santos to track them and kill Sailor. Santos's minions capture and kill Farragut, sending Marietta into a guilt-fueled 824:
did not go well, with the strong violence in some scenes being too much. At the first test screening, 80 people walked out during a graphic torture scene involving Johnnie Farragut. Lynch decided not to cut anything from the film, and at the second screening, 100 walked out during this scene. Lynch
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Not knowing about Peru's abuse of Lula, Sailor agrees to accompany him to a bar. Over beers, Peru enlists Sailor's help in robbing a nearby feed store, which allegedly keeps $ 5,000 in cash on hand. The robbery goes spectacularly wrong when Peru unnecessarily shoots the two store clerks. Peru then
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Unaware of all the events happening back in North Carolina, Lula and Sailor continue on their way until they witness—according to Lula—a bad omen: the aftermath of a two-car accident, and the only survivor, a young woman, dying in front of them. With little money left, Sailor heads for Big Tuna,
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Lynch got approval from Propaganda to switch projects; however, production was scheduled to begin only two months after the rights had been purchased, forcing him to work fast. Lynch had Cage and Dern read Gifford's book and wrote a draft in a week. By Lynch's own admission, his first draft was
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leading the vocal detractors. Gifford remembers that there was a prevailing mood that the media was hoping Lynch would fail. "All kinds of journalists were trying to cause controversy and have me say something like 'This is nothing like the book' or 'He ruined my book'. I think everybody from
697:(1939) began to influence the script he was writing, and he included a reference to the 'yellow brick road'. Lynch remembers, 'It was an awful tough world, and there was something about Sailor being a rebel. But a rebel with a dream of the Wizard of Oz is kinda like a beautiful thing.' 783:'. He has stated: 'For me, it's just a compilation of ideas that come along. The darker ones and the lighter ones, the humorous ones, all working together. You try to be as true as you can to those ideas and try to get them on film.' The film has been compared to Lynch's previous 447:
having decided that mother and son are better off without his influence. While he is walking a short distance away, Sailor encounters a gang whose members surround him. He insults them, and they quickly knock him out. While unconscious, he sees a vision in the form of
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wrote, 'Perhaps the major problem is that despite Cage and Dern's best efforts, Lynch is ultimately interested only in iconography, not characters at all. When it comes to images of evil, corruption, derangement, raw passion and mutilation (roughly in that order),
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Lovers Lula and Sailor are separated after he is jailed for killing a man who attacked him with a knife; the assailant, Bobby Ray Lemon, was hired by Lula's mother, Marietta Fortune. Upon Sailor's release, Lula picks him up outside prison, where she hands him his
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Lynch intended to only produce the film, but after reading Gifford's book, he decided to write and direct it as well. He disliked the ending of the novel and decided to change it to fit his vision of the main characters. The film is noted for its allusions to
370:, which at the time was considered a controversial decision. The film was theatrically released in the United States on August 17, 1990, to polarizing reviews from critics and grossed $ 14 million against its $ 10 million budget. At the 1049:
wrote: 'Starting with the outrageous and building from there, he ignites a slight love-on-the-run novel, creating a bonfire of a movie that confirms his reputation as the most exciting and innovative filmmaker of his generation.'
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was the first opportunity she had "to play not only a very sexual person, but also someone who was, in her own way, incredibly comfortable with herself". When Lynch read Gifford's novel, he immediately thought of Dern to play
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as Marietta Fortune, Lula's overbearing mother, who forbids Lula and Sailor's relationship; she forms a grudge against Sailor seemingly after he rejects her advances. Ladd and Dern are mother and daughter in real
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remembers: 'By then, I knew the scene was killing the film. So I cut it to the degree that it was powerful but didn't send people running from the theatre.' In retrospect, he said: 'But that was part of what
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in order to bond and get a handle on their characters. Dern remembers, 'We agreed that Sailor and Lula needed to be one person, one character, and we would each share it. I got the sexual, wild,
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wrote, "The result is a pile-up, of innocence, of evil, even of actual road accidents, without a context to give significance to the casualties or survivors". Christopher Sharrett, in
2447: 667:. Lynch stated, 'I've had a bad time with obstacles...it wasn't Dino's fault, but when his company went down the tubes, I got swallowed up in that.' Independent production company 752:
while relating to Sailor a dream she had of being ripped open by a wild animal. Another deleted scene had Lula lowering herself onto Sailor's face saying, 'Take a bite of Lula.'
771:", for which a music video was made—directed by Lynch, and featuring scenes of Sailor and Lula interspersed with black-and-white footage of Isaak performing the song. 1885: 1440: 342:, the film follows Sailor Ripley and Lula Fortune, a young couple who go on the run from Lula's domineering mother and the criminals she hires to kill Sailor. 2306: 356:. Early test screenings for the film were poorly received, with Lynch estimating that at least 300 people walked out due to its sexual and violent content. 683:
but still had two more chapters to write. He let Montgomery read it in pre-published galley form while the producer was working on the pilot episode for
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gave the film one and a half stars out of four and said: "This attempt at a one-up also trumpets its weirdness, but this time the agenda seems forced."
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wrote that Lynch 'is a good director, yes. If he ever goes ahead and makes a film about what's really on his mind, instead of hiding behind
4776: 4751: 2457: 2507: 4781: 4726: 4487: 427:". Later, back in their hotel room, after making love again, Sailor and Lula finally decide to run away to California, breaking Sailor's 2814: 4766: 3385: 2807: 1159: 383: 4706: 3550: 1470: 4721: 4716: 4447: 2622: 4786: 4756: 4731: 4661: 2758: 1338: 871: 2586: 839:
in the 2,400-seat Grand Auditorium. After the screening, it received 'wild cheering' from the audience. When Jury President
4676: 3950: 2821: 1511: 2424: 4686: 2368: 4736: 4186: 2671: 1714: 419:. At the club, Sailor gets into a fight with a man who flirts with Lula, and then leads the band in a rendition of the 999:. But he likes the box office prizes that go along with his pop satires, so he makes dishonest movies like this one.' 972:, the film has a weighted average score of 52 out of 100, based on 18 critics, indicating 'mixed or average reviews'. 1916: 1412: 4691: 4666: 4206: 4025: 2966: 1406: 1351: 1185: 1172: 923:
on August 31 with 618 theaters and grossing an additional $ 1,858,379. The film ultimately grossed $ 14,560,247 in
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was disappointed when I said 'This is fantastic. This is wonderful. It's like a big, dark, musical comedy'".
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is held together by his distinctive sensibilities and compelling work from Nicolas Cage and Laura Dern.' On
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as being 'happy', having consciously made the decision to change the original darker ending from the novel.
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came to be viewed favorably in subsequent years. It was ranked the 47th best film of the 1990s in an
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as the victim of a car accident. During rehearsals, Lynch began talking about Elvis Presley and
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commissioned Lynch to develop an updated noir screenplay based on a 1940s crime novel, while
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of 6.4/10. The site's consensus reads: 'One of director David Lynch's more uneven efforts,
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Before filming started, Dern suggested that she and Cage go on a weekend road trip to
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as Lula Pace Fortune: previously, Dern had played a supporting role in Lynch's film,
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jacket. They go to a hotel where she reserved a room, make love, and go to see the
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at the awards ceremony, the jeers almost drowned out the cheers, with film critic
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featured more explicit erotic scenes between Sailor and Lula. In one, she has an
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DVD and all Blu-rays contain the toned-down version of the shotgun scene.
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be commercial, I would have been untrue to what the material was saying.'
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on August 17, 1990, in a limited release of only 532 theaters, grossing
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Burkett, Michael (August 15–21, 1990). "The Weird According to Lynch".
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According to Lynch, one of the film's themes is, 'finding love in
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was about: really insane and sick and twisted stuff going on.'
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Golden Globe Award for Best Supporting Actress – Motion Picture
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critics' poll, the 26th greatest film of the same period in a
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with a relatively modest budget of $ 10 million. Originally,
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is a veritable cornucopia.' Richard Combs in his review for
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head from his body. Foreign prints were not affected. The
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Weirdsville, USA: The Obsessive Universe of David Lynch
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McGregor, Alex (August 22–29, 1990). "Out to Lynch".
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Salem, Rob (August 25, 1990). "The Art of Darkness".
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Lynch added new characters, such as Mr. Reindeer and
1642: 1640: 2448:"Une nouvelle carrière pour "An Angel at my Table"" 1844: 1842: 1840: 675:, a friend of Lynch's and an associate producer on 1723: 1554: 953:initially received mixed reviews from critics. On 1637: 4638: 1837: 1629:Rowland, Mark (June 1990). "The Beasts Within". 2423:. Academy of Motion Picture Arts and Sciences. 919:2,913,764 in its opening weekend. It went into 835:was completed one day before it debuted at the 713:with Cage and Dern. He also acquired a copy of 1761: 1759: 1757: 1700: 1698: 1696: 1694: 1692: 1679:Hoffman, Jan (August 21, 1990). "Wild Child". 1674: 1672: 799:Some critics have postulated that, similar to 639:In the summer of 1989, Lynch had finished the 3544: 2752: 4488:Uncle Boonmee Who Can Recall His Past Lives 3979:Festival cancelled while in progress (1968) 1862: 1860: 1765: 1754: 1689: 1669: 993:', he may realize the early promise of his 681:Wild at Heart: The Story of Sailor and Lula 3551: 3537: 2759: 2745: 2729: 2413: 2132: 1600: 649:, and tried to rescue two of his projects— 29: 2445: 2395:"The 100 Greatest Movies of the Nineties" 2201: 384:Academy Award for Best Supporting Actress 2254: 1998: 1996: 1994: 1992: 1990: 1956: 1886:"David Lynch Pushes America to the Edge" 1866: 1857: 1789: 1787: 1785: 1783: 1601:Van Gelder, Lawrence (August 17, 1990). 1596: 1594: 1592: 1590: 1252:Best Supporting Actress – Motion Picture 934: 843:announced the film as the winner of the 2301: 1848: 1766:Klinghoffer, David (August 16, 1990). " 1678: 1628: 1533: 1352:Turkish Film Critics Association Awards 1173:Belgian Film Critics Association Awards 4639: 2661: 2500: 2456:(in French). p. 7. Archived from 2446:De Decker, Jacques (January 6, 1992). 1910: 1908: 1883: 1877: 1810: 1804: 1748: 1527: 874:(MPAA) told Lynch that the version of 4742:Films with screenplays by David Lynch 3532: 2740: 2478: 2427:from the original on October 20, 2014 2233: 2180: 2145: 2002: 1987: 1932: 1930: 1928: 1926: 1793: 1780: 1704: 1587: 1465: 1463: 1435: 1433: 1431: 1429: 1339:Stockholm International Film Festival 872:Motion Picture Association of America 643:for the successful television series 3951:The Birds, the Bees and the Italians 2528: 2083: 2030: 1962: 1646: 1512:British Board of Film Classification 1082: 878:screened at Cannes would receive an 469:Cage had met Lynch several times at 4777:English-language black comedy films 4752:PolyGram Filmed Entertainment films 2234:Combs, Richard (August 20, 1990). " 1905: 1565:"Festival de Cannes: Wild at Heart" 13: 4782:English-language independent films 4727:Films scored by Angelo Badalamenti 3017:Premonition Following an Evil Deed 2557:"36 Years of Nominees and Winners" 2207:"The Good, The Bad & The Ugly" 1923: 1460: 1426: 14: 4798: 2681: 1884:Rohter, Larry (August 12, 1990). 4767:The Samuel Goldwyn Company films 4207:When Father Was Away on Business 4026:The Working Class Goes to Heaven 2967:Six Men Getting Sick (Six Times) 2369:"The 50 Best Movies of the '90s" 2287: 2181:Clark, Mike (August 17, 1990). " 1811:Rugoff, Ralph (September 1990). 1770:Set in Motion by Perfect Pair". 790:There are various references to 4448:The Wind That Shakes the Barley 3560:Cannes Film Festival Palme d'Or 2766: 2655: 2615: 2579: 2549: 2522: 2472: 2439: 2387: 2361: 2335: 2295: 2248: 2227: 2195: 2174: 2139: 2117: 2100: 2056: 2024: 1058:Despite mixed initial reviews, 815: 4707:Films based on American novels 4066:Chronicle of the Years of Fire 3941:The Knack ...and How to Get It 2906:Twin Peaks: The Missing Pieces 2255:Sharrett, Christopher (1990). 1622: 1495: 1413:AFI's 100 Years...100 Passions 886:unless cuts were made, as the 1: 4722:Films produced by Steve Golin 4717:Films directed by David Lynch 3432:The Angriest Dog in the World 2900:Twin Peaks: Fire Walk with Me 2530:"Wild at Heart—Golden Globes" 2003:Ansen, David (June 3, 1990). 1665:– via lebeauleblog.com. 1419: 1407:AFI's 100 Years... 100 Laughs 903: 755: 634: 382:. Ladd was nominated for the 372:6th Independent Spirit Awards 4787:English-language crime films 4757:Rating controversies in film 4732:Films shot in El Paso, Texas 4662:1990s English-language films 4458:4 Months, 3 Weeks and 2 Days 3584:No festival held (1940–1945) 3146:Shot in the Back of the Head 3007:The Cowboy and the Frenchman 2480:"BAFTA Awards: Film in 1991" 1446:AFI Catalog of Feature Films 930: 7: 4677:American black comedy films 1542:. The British Film Resource 1186:British Academy Film Awards 1072:poll, and the 53rd best in 898: 663:, which had been bought by 10: 4803: 4687:American independent films 4518:Blue Is the Warmest Colour 3931:The Umbrellas of Cherbourg 2185:, A Bad Joke from Lynch". 1657:. Vol. September 1990 820:Early test screenings for 810: 374:, Dafoe was nominated for 202:The Samuel Goldwyn Company 4737:Films shot in New Orleans 4388: 4077: 3566: 3488:David Lynch: The Art Life 3448:Industrial Symphony No. 1 3396: 3367: 3326: 3235: 3184: 3165: 3118: 2957: 2840: 2831: 2774: 2565:Independent Spirit Awards 2508:"Awards 1990: All Awards" 1915:"David Lynch Interview". 1363: 1355: 1329: 1265:Independent Spirit Awards 1263: 1222: 1176: 1145: 1103: 1053: 944:1990 Cannes Film Festival 865: 837:1990 Cannes Film Festival 774: 368:1990 Cannes Film Festival 280: 272: 264: 256: 246: 231:August 17, 1990 207: 197: 177: 167: 157: 147: 101: 75: 58: 50: 40: 35:Theatrical release poster 28: 23: 4247:Sex, Lies, and Videotape 4107:The Tree of Wooden Clogs 2623:"100 Years 100 Passions" 2005:"David Lynch's New Peak" 1120:Best Supporting Actress 629:as Barkeeper at Zanzibar 396:48th Golden Globe Awards 302:written and directed by 16:1990 film by David Lynch 4692:American neo-noir films 4667:1990 black comedy films 4586:No festival held (2020) 3801:Two Cents Worth of Hope 3764:No festival held (1950) 3749:No festival held (1948) 2630:American Film Institute 2594:American Film Institute 1705:Woods, Paul A. (2000). 1649:"Something Really Wild" 1400:American Film Institute 1367:Worst Foreign Director 1160:Best Supporting Actress 471:Musso & Frank Grill 458: 401: 4712:1990 independent films 4702:American romance films 4227:Under the Sun of Satan 4187:The Ballad of Narayama 3911:O Pagador de Promessas 3701:Antoine and Antoinette 3517:David Lynch Foundation 3224:Twin Peaks: The Return 2815:Frequent collaborators 2662:Rodley, Chris (1997). 2587:"100 Years 100 Laughs" 1534:Pearson, Matt (1997). 1476:British Film Institute 1471:"Wild at Heart (1990)" 1441:"Wild at Heart (1990)" 1378:Worst Foreign Casting 1327:Best Foreign Director 1303:Best Video from a Film 1298:MTV Video Music Awards 1107:Best Supporting Actor 975:In his review for the 947: 308:novel of the same name 216:May 25, 1990 4287:Farewell My Concubine 3861:The Cranes Are Flying 3498:Blue Velvet Revisited 3346:Catching the Big Fish 3172:Duran Duran: Unstaged 2305:(September 6, 1990). 1709:. Plexus Publishing. 938: 716:Elvis' Golden Records 449:Glinda the Good Witch 4772:1990s American films 4762:Romantic crime films 4697:American road movies 4682:American crime films 1647:Campbell, Virginia. 1270:Best Supporting Male 1214:Cannes Film Festival 1133:Best Original Score 989:and the cop-out of ' 376:Best Supporting Male 306:, based on the 1990 239: (United States) 93:SigurjĂłn Sighvatsson 4603:Triangle of Sadness 4277:The Best Intentions 4237:Pelle the Conqueror 3851:Friendly Persuasion 3356:Genealogies of Pain 3315:Cellophane Memories 2822:Unrealized projects 2666:. Faber and Faber. 2518:on 11 October 2014. 2203:Rosenbaum, Jonathan 2149:(August 17, 1990). 1975:on January 23, 2007 1575:on January 19, 2012 1569:festival-cannes.com 1283:Best Cinematography 1247:Golden Globe Awards 860:What's On in London 841:Bernardo Bertolucci 738:San Fernando Valley 587:as Girl In Accident 579:Pruitt Taylor Vince 555:David Patrick Kelly 527:as Marcellus Santos 513:Isabella Rossellini 509:as Johnnie Farragut 392:63rd Academy Awards 380:Best Cinematography 336:Isabella Rossellini 295:is a 1990 American 134:Isabella Rossellini 4747:Palme d'Or winners 4657:1990 romance films 4377:Dancer in the Dark 4357:Eternity and a Day 4327:Secrets & Lies 3478:The Air Is on Fire 3275:Polish Night Music 3265:The Air Is on Fire 3087:Lady Blue Shanghai 2926:The Straight Story 2512:festival-cannes.fr 2323:on October 2, 2007 1963:Caldwell, Thomas. 1944:. January 17, 2016 1891:The New York Times 1853:. pp. 39, 41. 1608:The New York Times 1356:Best Foreign Film 1146:Best Sound Design 1137:Angelo Badalamenti 1016:Jonathan Rosenbaum 1008:In his review for 948: 699:Samuel Goldwyn Jr. 661:Dino De Laurentiis 623:as Zanzibar Singer 531:W. Morgan Sheppard 515:as Perdita Durango 507:Harry Dean Stanton 378:and Elmes won for 340:Harry Dean Stanton 172:Angelo Badalamenti 139:Harry Dean Stanton 4672:1990s road movies 4634: 4633: 4613:Anatomy of a Fall 4016:The Mattei Affair 3961:A Man and a Woman 3811:The Wages of Fear 3691:The Turning Point 3651:Pastoral Symphony 3631:Men Without Wings 3526: 3525: 3180: 3179: 3155:Came Back Haunted 3107:What Did Jack Do? 2639:on March 13, 2011 2603:on March 13, 2011 2212:Sight & Sound 2160:Chicago Sun-Times 2031:Matheson, Kenny. 1942:Deep Focus Review 1873:. pp. 14–16. 1397: 1396: 1083:Awards and honors 1032:Cineaste magazine 1011:Sight & Sound 978:Chicago Sun-Times 955:review aggregator 657:One Saliva Bubble 609:Charlie Spradling 605:as The Good Witch 599:as Timmy Thompson 288: 287: 4794: 4652:1990 crime films 4627: 4617: 4607: 4597: 4587: 4582: 4572: 4562: 4552: 4542: 4532: 4522: 4512: 4502: 4498:The Tree of Life 4492: 4482: 4478:The White Ribbon 4472: 4462: 4452: 4442: 4432: 4422: 4412: 4402: 4381: 4371: 4361: 4351: 4341: 4331: 4321: 4311: 4301: 4291: 4281: 4271: 4261: 4251: 4241: 4231: 4221: 4211: 4201: 4191: 4181: 4171: 4161: 4151: 4141: 4131: 4121: 4111: 4101: 4091: 4070: 4060: 4056:The Conversation 4050: 4040: 4030: 4020: 4010: 4000: 3990: 3980: 3975: 3965: 3955: 3945: 3935: 3925: 3915: 3905: 3895: 3891:The Long Absence 3885: 3875: 3865: 3855: 3845: 3841:The Silent World 3835: 3825: 3815: 3805: 3795: 3785: 3775: 3771:Miracle in Milan 3765: 3760: 3750: 3745: 3741:Ziegfeld Follies 3735: 3725: 3715: 3705: 3695: 3685: 3675: 3665: 3655: 3645: 3635: 3625: 3621:MarĂ­a Candelaria 3615: 3611:The Lost Weekend 3605: 3595: 3585: 3580: 3553: 3546: 3539: 3530: 3529: 3519: 3512: 3502: 3492: 3482: 3481:(art exhibition) 3472: 3462: 3452: 3442: 3435: 3426: 3417: 3408: 3389: 3380: 3377:The Elephant Man 3360: 3350: 3340: 3319: 3309: 3299: 3289: 3285:Crazy Clown Time 3279: 3269: 3259: 3249: 3228: 3218: 3208: 3198: 3158: 3149: 3140: 3131: 3111: 3101: 3091: 3081: 3071: 3061: 3051: 3041: 3031: 3021: 3011: 3001: 2991: 2981: 2971: 2950: 2940: 2936:Mulholland Drive 2930: 2920: 2910: 2894: 2884: 2874: 2864: 2860:The Elephant Man 2854: 2838: 2837: 2824: 2817: 2810: 2803: 2796: 2789: 2782: 2761: 2754: 2747: 2738: 2737: 2733: 2677: 2649: 2648: 2646: 2644: 2638: 2632:. Archived from 2627: 2619: 2613: 2612: 2610: 2608: 2602: 2596:. Archived from 2591: 2583: 2577: 2576: 2574: 2572: 2561: 2553: 2547: 2546: 2544: 2542: 2526: 2520: 2519: 2514:. Archived from 2504: 2498: 2497: 2495: 2493: 2476: 2470: 2469: 2467: 2465: 2443: 2437: 2436: 2434: 2432: 2417: 2411: 2410: 2408: 2406: 2391: 2385: 2384: 2382: 2380: 2365: 2359: 2358: 2356: 2354: 2339: 2333: 2332: 2330: 2328: 2319:. Archived from 2299: 2293: 2292: 2291: 2285: 2283: 2281: 2252: 2246: 2245: 2231: 2225: 2224: 2222: 2220: 2199: 2193: 2192: 2178: 2172: 2171: 2169: 2167: 2143: 2137: 2136: 2121: 2115: 2104: 2098: 2087: 2081: 2080: 2078: 2076: 2060: 2054: 2053: 2051: 2049: 2028: 2022: 2021: 2019: 2017: 2000: 1985: 1984: 1982: 1980: 1971:. Archived from 1969:Senses of Cinema 1960: 1954: 1953: 1951: 1949: 1934: 1921: 1920: 1912: 1903: 1902: 1900: 1898: 1881: 1875: 1874: 1864: 1855: 1854: 1846: 1835: 1834: 1832: 1830: 1825:. pp. 80–84 1808: 1802: 1801: 1791: 1778: 1777: 1773:Washington Times 1763: 1752: 1746: 1721: 1720: 1702: 1687: 1686: 1676: 1667: 1666: 1664: 1662: 1644: 1635: 1634: 1626: 1620: 1619: 1617: 1615: 1598: 1585: 1584: 1582: 1580: 1571:. Archived from 1561: 1552: 1551: 1549: 1547: 1531: 1525: 1524: 1522: 1520: 1515:. August 6, 1980 1499: 1493: 1492: 1490: 1488: 1483:on July 20, 2016 1479:. Archived from 1467: 1458: 1457: 1455: 1453: 1437: 1390: 1323:Nastro d'Argento 1087: 1086: 1078: 987:sophomoric humor 962:weighted average 918: 793:The Wizard of Oz 694:The Wizard of Oz 673:Monty Montgomery 669:Propaganda Films 665:Carolco Pictures 617:as Hotel Manager 563:as George Kovich 545:as Juana Durango 349:The Wizard of Oz 300:crime drama film 238: 236: 223: 221: 191:Propaganda Films 88:Monty Montgomery 33: 21: 20: 4802: 4801: 4797: 4796: 4795: 4793: 4792: 4791: 4637: 4636: 4635: 4630: 4620: 4610: 4600: 4590: 4585: 4575: 4565: 4555: 4548:I, Daniel Blake 4545: 4535: 4525: 4515: 4505: 4495: 4485: 4475: 4465: 4455: 4445: 4435: 4428:Fahrenheit 9/11 4425: 4415: 4405: 4395: 4384: 4374: 4364: 4354: 4347:Taste of Cherry 4344: 4334: 4324: 4314: 4304: 4294: 4284: 4274: 4264: 4254: 4244: 4234: 4224: 4214: 4204: 4194: 4184: 4174: 4164: 4154: 4144: 4134: 4124: 4114: 4104: 4094: 4084: 4073: 4063: 4053: 4043: 4033: 4023: 4013: 4003: 3993: 3983: 3978: 3968: 3958: 3948: 3938: 3928: 3918: 3908: 3898: 3888: 3878: 3868: 3858: 3848: 3838: 3828: 3818: 3808: 3798: 3788: 3778: 3768: 3763: 3753: 3748: 3738: 3728: 3718: 3708: 3698: 3688: 3678: 3671:Rome, Open City 3668: 3661:The Red Meadows 3658: 3648: 3638: 3628: 3618: 3608: 3601:The Last Chance 3598: 3591:Brief Encounter 3588: 3583: 3573: 3562: 3557: 3527: 3522: 3515: 3505: 3495: 3485: 3475: 3465: 3455: 3445: 3438: 3429: 3420: 3411: 3403: 3392: 3383: 3374: 3363: 3353: 3343: 3333: 3322: 3312: 3302: 3292: 3282: 3272: 3262: 3252: 3242: 3231: 3221: 3211: 3201: 3191: 3176: 3161: 3152: 3143: 3134: 3125: 3114: 3104: 3094: 3084: 3074: 3064: 3054: 3044: 3034: 3024: 3014: 3004: 2994: 2987:The Grandmother 2984: 2974: 2964: 2953: 2943: 2933: 2923: 2913: 2897: 2887: 2877: 2867: 2857: 2847: 2833: 2827: 2820: 2813: 2806: 2799: 2792: 2785: 2778: 2770: 2765: 2716:Rotten Tomatoes 2705:Box Office Mojo 2684: 2674: 2658: 2653: 2652: 2642: 2640: 2636: 2625: 2621: 2620: 2616: 2606: 2604: 2600: 2589: 2585: 2584: 2580: 2570: 2568: 2559: 2555: 2554: 2550: 2540: 2538: 2527: 2523: 2506: 2505: 2501: 2491: 2489: 2477: 2473: 2463: 2461: 2460:on May 26, 2013 2444: 2440: 2430: 2428: 2419: 2418: 2414: 2404: 2402: 2401:. July 12, 2017 2393: 2392: 2388: 2378: 2376: 2375:. June 22, 2013 2367: 2366: 2362: 2352: 2350: 2349:. July 14, 2017 2341: 2340: 2336: 2326: 2324: 2300: 2296: 2286: 2279: 2277: 2253: 2249: 2232: 2228: 2218: 2216: 2205:(Autumn 1990). 2200: 2196: 2179: 2175: 2165: 2163: 2144: 2140: 2122: 2118: 2113:Rotten Tomatoes 2105: 2101: 2096:Box Office Mojo 2088: 2084: 2074: 2072: 2069:Box Office Mojo 2064:"Wild at Heart" 2062: 2061: 2057: 2047: 2045: 2029: 2025: 2015: 2013: 2001: 1988: 1978: 1976: 1961: 1957: 1947: 1945: 1936: 1935: 1924: 1914: 1913: 1906: 1896: 1894: 1882: 1878: 1865: 1858: 1847: 1838: 1828: 1826: 1809: 1805: 1792: 1781: 1764: 1755: 1747: 1724: 1717: 1703: 1690: 1677: 1670: 1660: 1658: 1645: 1638: 1627: 1623: 1613: 1611: 1603:"At the Movies" 1599: 1588: 1578: 1576: 1563: 1562: 1555: 1545: 1543: 1532: 1528: 1518: 1516: 1501: 1500: 1496: 1486: 1484: 1469: 1468: 1461: 1451: 1449: 1439: 1438: 1427: 1422: 1382: 1288:Frederick Elmes 1202:, Jon Huck and 1085: 1076: 1056: 1039:.' However, in 958:Rotten Tomatoes 933: 916: 906: 901: 868: 818: 813: 777: 758: 736:(including the 637: 632: 557:as "Dropshadow" 543:Grace Zabriskie 533:as Mr. Reindeer 519:Calvin Lockhart 461: 404: 249: 242: 234: 232: 219: 217: 210: 193: 189: 182: 180: 152:Frederick Elmes 143: 97: 67: 36: 17: 12: 11: 5: 4800: 4790: 4789: 4784: 4779: 4774: 4769: 4764: 4759: 4754: 4749: 4744: 4739: 4734: 4729: 4724: 4719: 4714: 4709: 4704: 4699: 4694: 4689: 4684: 4679: 4674: 4669: 4664: 4659: 4654: 4649: 4632: 4631: 4629: 4628: 4618: 4608: 4598: 4588: 4583: 4573: 4563: 4553: 4543: 4533: 4523: 4513: 4503: 4493: 4483: 4473: 4463: 4453: 4443: 4433: 4423: 4413: 4403: 4398:The Son's Room 4392: 4390: 4386: 4385: 4383: 4382: 4372: 4362: 4352: 4342: 4332: 4322: 4312: 4302: 4292: 4282: 4272: 4262: 4252: 4242: 4232: 4222: 4212: 4202: 4192: 4182: 4172: 4162: 4152: 4142: 4132: 4122: 4117:Apocalypse Now 4112: 4102: 4092: 4081: 4079: 4075: 4074: 4072: 4071: 4061: 4051: 4041: 4031: 4021: 4011: 4006:The Go-Between 4001: 3991: 3981: 3976: 3966: 3956: 3946: 3936: 3926: 3916: 3906: 3896: 3886: 3876: 3866: 3856: 3846: 3836: 3826: 3816: 3806: 3796: 3786: 3776: 3766: 3761: 3751: 3746: 3736: 3726: 3716: 3706: 3696: 3686: 3676: 3666: 3656: 3646: 3636: 3626: 3616: 3606: 3596: 3586: 3581: 3570: 3568: 3564: 3563: 3556: 3555: 3548: 3541: 3533: 3524: 3523: 3521: 3520: 3513: 3503: 3493: 3483: 3473: 3471:(opera) (2003) 3463: 3458:Lynch on Lynch 3453: 3443: 3436: 3427: 3418: 3409: 3405:Jennifer Lynch 3400: 3398: 3394: 3393: 3391: 3390: 3381: 3371: 3369: 3368:Awards by film 3365: 3364: 3362: 3361: 3351: 3341: 3330: 3328: 3324: 3323: 3321: 3320: 3310: 3300: 3290: 3280: 3270: 3260: 3250: 3239: 3237: 3233: 3232: 3230: 3229: 3219: 3209: 3199: 3188: 3186: 3182: 3181: 3178: 3177: 3169: 3167: 3163: 3162: 3160: 3159: 3150: 3141: 3132: 3122: 3120: 3116: 3115: 3113: 3112: 3102: 3092: 3082: 3072: 3062: 3052: 3042: 3032: 3022: 3012: 3002: 2992: 2982: 2972: 2961: 2959: 2955: 2954: 2952: 2951: 2941: 2931: 2921: 2911: 2895: 2885: 2875: 2865: 2855: 2844: 2842: 2835: 2829: 2828: 2826: 2825: 2818: 2811: 2804: 2797: 2790: 2783: 2775: 2772: 2771: 2764: 2763: 2756: 2749: 2741: 2735: 2734: 2718: 2707: 2696: 2683: 2682:External links 2680: 2679: 2678: 2673:978-0571178339 2672: 2664:Lynch on Lynch 2657: 2654: 2651: 2650: 2614: 2578: 2548: 2521: 2499: 2471: 2438: 2412: 2386: 2360: 2334: 2303:Travers, Peter 2294: 2247: 2226: 2194: 2173: 2138: 2116: 2099: 2082: 2055: 2023: 1986: 1955: 1922: 1904: 1876: 1856: 1836: 1803: 1779: 1753: 1722: 1716:978-0859652919 1715: 1688: 1668: 1636: 1621: 1586: 1553: 1526: 1494: 1459: 1424: 1423: 1421: 1418: 1417: 1416: 1410: 1395: 1394: 1391: 1379: 1375: 1374: 1371: 1368: 1365: 1361: 1360: 1357: 1354: 1348: 1347: 1344: 1341: 1335: 1334: 1331: 1328: 1325: 1319: 1318: 1315: 1305: 1300: 1294: 1293: 1290: 1285: 1279: 1278: 1275: 1272: 1267: 1261: 1260: 1257: 1254: 1249: 1243: 1242: 1239: 1236: 1230: 1229: 1226: 1221: 1216: 1210: 1209: 1206: 1193: 1188: 1182: 1181: 1178: 1175: 1169: 1168: 1165: 1162: 1157: 1155:Academy Awards 1151: 1150: 1147: 1143: 1142: 1139: 1134: 1130: 1129: 1126: 1121: 1117: 1116: 1113: 1108: 1105: 1101: 1100: 1097: 1094: 1091: 1084: 1081: 1055: 1052: 932: 929: 911:opened in the 905: 902: 900: 897: 867: 864: 817: 814: 812: 809: 776: 773: 757: 754: 711:Marilyn Monroe 636: 633: 631: 630: 627:Albert Popwell 624: 618: 615:Peter Bromilow 612: 606: 600: 597:Frank Collison 594: 588: 582: 576: 570: 564: 558: 552: 551:as Uncle Pooch 546: 540: 537:Crispin Glover 534: 528: 522: 516: 510: 504: 498: 491: 474: 462: 460: 457: 453:Love Me Tender 403: 400: 328:Crispin Glover 286: 285: 284:$ 14.6 million 282: 278: 277: 274: 270: 269: 266: 262: 261: 258: 254: 253: 250: 247: 244: 243: 241: 240: 229: 213: 211: 208: 205: 204: 199: 198:Distributed by 195: 194: 185: 183: 178: 175: 174: 169: 165: 164: 162:Duwayne Dunham 159: 155: 154: 149: 148:Cinematography 145: 144: 142: 141: 136: 131: 126: 124:Crispin Glover 121: 116: 111: 105: 103: 99: 98: 96: 95: 90: 85: 79: 77: 73: 72: 60: 56: 55: 52: 48: 47: 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 4799: 4788: 4785: 4783: 4780: 4778: 4775: 4773: 4770: 4768: 4765: 4763: 4760: 4758: 4755: 4753: 4750: 4748: 4745: 4743: 4740: 4738: 4735: 4733: 4730: 4728: 4725: 4723: 4720: 4718: 4715: 4713: 4710: 4708: 4705: 4703: 4700: 4698: 4695: 4693: 4690: 4688: 4685: 4683: 4680: 4678: 4675: 4673: 4670: 4668: 4665: 4663: 4660: 4658: 4655: 4653: 4650: 4648: 4645: 4644: 4642: 4625: 4624: 4619: 4615: 4614: 4609: 4605: 4604: 4599: 4595: 4594: 4589: 4584: 4580: 4579: 4574: 4570: 4569: 4564: 4560: 4559: 4554: 4550: 4549: 4544: 4540: 4539: 4534: 4530: 4529: 4524: 4520: 4519: 4514: 4510: 4509: 4504: 4500: 4499: 4494: 4490: 4489: 4484: 4480: 4479: 4474: 4470: 4469: 4464: 4460: 4459: 4454: 4450: 4449: 4444: 4440: 4439: 4434: 4430: 4429: 4424: 4420: 4419: 4414: 4410: 4409: 4404: 4400: 4399: 4394: 4393: 4391: 4387: 4379: 4378: 4373: 4369: 4368: 4363: 4359: 4358: 4353: 4349: 4348: 4343: 4339: 4338: 4333: 4329: 4328: 4323: 4319: 4318: 4313: 4309: 4308: 4303: 4299: 4298: 4293: 4289: 4288: 4283: 4279: 4278: 4273: 4269: 4268: 4263: 4259: 4258: 4257:Wild at Heart 4253: 4249: 4248: 4243: 4239: 4238: 4233: 4229: 4228: 4223: 4219: 4218: 4213: 4209: 4208: 4203: 4199: 4198: 4193: 4189: 4188: 4183: 4179: 4178: 4173: 4169: 4168: 4163: 4159: 4158: 4153: 4149: 4148: 4143: 4139: 4138: 4137:All That Jazz 4133: 4129: 4128: 4123: 4119: 4118: 4113: 4109: 4108: 4103: 4099: 4098: 4097:Padre Padrone 4093: 4089: 4088: 4083: 4082: 4080: 4076: 4068: 4067: 4062: 4058: 4057: 4052: 4048: 4047: 4042: 4038: 4037: 4032: 4028: 4027: 4022: 4018: 4017: 4012: 4008: 4007: 4002: 3998: 3997: 3992: 3988: 3987: 3982: 3977: 3973: 3972: 3967: 3963: 3962: 3957: 3953: 3952: 3947: 3943: 3942: 3937: 3933: 3932: 3927: 3923: 3922: 3917: 3913: 3912: 3907: 3903: 3902: 3897: 3893: 3892: 3887: 3883: 3882: 3881:La dolce vita 3877: 3873: 3872: 3871:Black Orpheus 3867: 3863: 3862: 3857: 3853: 3852: 3847: 3843: 3842: 3837: 3833: 3832: 3827: 3823: 3822: 3817: 3813: 3812: 3807: 3803: 3802: 3797: 3793: 3792: 3787: 3783: 3782: 3777: 3773: 3772: 3767: 3762: 3758: 3757: 3756:The Third Man 3752: 3747: 3743: 3742: 3737: 3733: 3732: 3727: 3723: 3722: 3717: 3713: 3712: 3707: 3703: 3702: 3697: 3693: 3692: 3687: 3683: 3682: 3677: 3673: 3672: 3667: 3663: 3662: 3657: 3653: 3652: 3647: 3643: 3642: 3637: 3633: 3632: 3627: 3623: 3622: 3617: 3613: 3612: 3607: 3603: 3602: 3597: 3593: 3592: 3587: 3582: 3578: 3577: 3576:Union Pacific 3572: 3571: 3569: 3565: 3561: 3554: 3549: 3547: 3542: 3540: 3535: 3534: 3531: 3518: 3514: 3510: 3509: 3504: 3500: 3499: 3494: 3490: 3489: 3484: 3480: 3479: 3474: 3470: 3469: 3464: 3460: 3459: 3454: 3450: 3449: 3444: 3441: 3437: 3434: 3433: 3428: 3425: 3424: 3423:Ronnie Rocket 3419: 3415: 3410: 3406: 3402: 3401: 3399: 3395: 3388: 3387: 3382: 3379: 3378: 3373: 3372: 3370: 3366: 3358: 3357: 3352: 3348: 3347: 3342: 3338: 3337: 3332: 3331: 3329: 3325: 3317: 3316: 3311: 3307: 3306: 3301: 3297: 3296: 3295:The Big Dream 3291: 3287: 3286: 3281: 3277: 3276: 3271: 3267: 3266: 3261: 3257: 3256: 3251: 3247: 3246: 3241: 3240: 3238: 3234: 3226: 3225: 3220: 3216: 3215: 3210: 3206: 3205: 3200: 3196: 3195: 3190: 3189: 3187: 3183: 3174: 3173: 3168: 3166:Concert films 3164: 3156: 3151: 3147: 3142: 3138: 3133: 3129: 3124: 3123: 3121: 3117: 3109: 3108: 3103: 3099: 3098: 3093: 3089: 3088: 3083: 3079: 3078: 3073: 3069: 3068: 3063: 3059: 3058: 3053: 3049: 3048: 3043: 3039: 3038: 3033: 3029: 3028: 3027:Darkened Room 3023: 3019: 3018: 3013: 3009: 3008: 3003: 2999: 2998: 2993: 2989: 2988: 2983: 2979: 2978: 2973: 2969: 2968: 2963: 2962: 2960: 2956: 2948: 2947: 2946:Inland Empire 2942: 2938: 2937: 2932: 2928: 2927: 2922: 2918: 2917: 2912: 2908: 2907: 2902: 2901: 2896: 2892: 2891: 2890:Wild at Heart 2886: 2882: 2881: 2876: 2872: 2871: 2866: 2862: 2861: 2856: 2852: 2851: 2846: 2845: 2843: 2841:Feature films 2839: 2836: 2830: 2823: 2819: 2816: 2812: 2809: 2805: 2802: 2798: 2795: 2791: 2788: 2784: 2781: 2777: 2776: 2773: 2769: 2762: 2757: 2755: 2750: 2748: 2743: 2742: 2739: 2732: 2728: 2724: 2723: 2722:Wild at Heart 2719: 2717: 2713: 2712: 2711:Wild at Heart 2708: 2706: 2702: 2701: 2700:Wild at Heart 2697: 2695: 2691: 2690: 2689:Wild at Heart 2686: 2685: 2675: 2669: 2665: 2660: 2659: 2635: 2631: 2624: 2618: 2599: 2595: 2588: 2582: 2567: 2566: 2558: 2552: 2537: 2536: 2531: 2525: 2517: 2513: 2509: 2503: 2492:September 16, 2487: 2486: 2481: 2475: 2459: 2455: 2454: 2449: 2442: 2426: 2422: 2416: 2400: 2399:Rolling Stone 2396: 2390: 2374: 2370: 2364: 2348: 2344: 2338: 2322: 2318: 2317: 2316:Rolling Stone 2312: 2310: 2309:Wild at Heart 2304: 2298: 2290: 2276: 2272: 2268: 2267: 2262: 2260: 2259:Wild at Heart 2251: 2243: 2242: 2237: 2236:Wild at Heart 2230: 2215:. p. 277 2214: 2213: 2208: 2204: 2198: 2190: 2189: 2184: 2177: 2162: 2161: 2156: 2154: 2153:Wild at Heart 2148: 2142: 2135: 2131: 2127: 2126: 2125:Wild at Heart 2120: 2114: 2110: 2109: 2108:Wild at Heart 2103: 2097: 2093: 2092: 2091:Wild at Heart 2086: 2071: 2070: 2065: 2059: 2044: 2043: 2038: 2036: 2035:Wild at Heart 2027: 2012: 2011: 2006: 1999: 1997: 1995: 1993: 1991: 1974: 1970: 1966: 1965:"David Lynch" 1959: 1943: 1939: 1933: 1931: 1929: 1927: 1918: 1911: 1909: 1893: 1892: 1887: 1880: 1872: 1871: 1863: 1861: 1852: 1845: 1843: 1841: 1824: 1823: 1818: 1816: 1815:Wild at Heart 1807: 1799: 1798: 1790: 1788: 1786: 1784: 1775: 1774: 1769: 1762: 1760: 1758: 1750: 1745: 1743: 1741: 1739: 1737: 1735: 1733: 1731: 1729: 1727: 1718: 1712: 1708: 1701: 1699: 1697: 1695: 1693: 1684: 1683: 1682:Village Voice 1675: 1673: 1656: 1655: 1650: 1643: 1641: 1632: 1631:American Film 1625: 1610: 1609: 1604: 1597: 1595: 1593: 1591: 1574: 1570: 1566: 1560: 1558: 1541: 1539: 1538:Wild at Heart 1530: 1514: 1513: 1508: 1506: 1505:Wild at Heart 1498: 1482: 1478: 1477: 1472: 1466: 1464: 1448: 1447: 1442: 1436: 1434: 1432: 1430: 1425: 1414: 1411: 1408: 1405: 1404: 1403: 1402:recognition: 1401: 1392: 1388: 1387: 1386:Rambling Rose 1380: 1377: 1376: 1372: 1369: 1366: 1362: 1358: 1353: 1350: 1349: 1345: 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Starring 304:David Lynch 252:124 minutes 83:Steve Golin 76:Produced by 54:David Lynch 45:David Lynch 41:Directed by 4647:1990 films 4641:Categories 4558:The Square 3781:Miss Julie 3721:The Damned 3407:(daughter) 3245:Eraserhead 3214:Hotel Room 3204:On the Air 3194:Twin Peaks 3185:Television 3097:Idem Paris 3057:Bug Crawls 2850:Eraserhead 2780:Early life 2727:Metacritic 2571:August 13, 2405:October 8, 2379:October 8, 2353:October 8, 2130:Metacritic 1420:References 1415:—Nominated 1409:—Nominated 1383:(also for 1359:9th Place 1346:Nominated 1333:Nominated 1277:Nominated 1259:Nominated 1241:Nominated 1238:Best Film 1219:Palme d'Or 1208:Nominated 1196:Randy Thom 1191:Best Sound 1180:Nominated 1167:Nominated 1149:Nominated 1141:Nominated 1128:Nominated 1124:Diane Ladd 1115:Nominated 1014:magazine, 996:Eraserhead 970:Metacritic 904:Box office 845:Palme d'Or 756:Soundtrack 685:Twin Peaks 677:Twin Peaks 646:Twin Peaks 635:Production 603:Sheryl Lee 573:Jack Nance 567:John Lurie 494:Diane Ladd 477:Laura Dern 364:Palme d'Or 332:Diane Ladd 320:Laura Dern 281:Box office 235:1990-08-17 220:1990-05-25 179:Production 129:Diane Ladd 114:Laura Dern 4468:The Class 4297:The Piano 4147:Kagemusha 4078:1976–2000 4046:Scarecrow 3901:Viridiana 3711:Crossfire 3567:1939–1975 3414:In Heaven 2808:Accolades 2347:IndieWire 2188:USA Today 1948:April 28, 1897:March 10, 1851:New Times 1654:Movieline 1614:March 10, 1579:August 7, 1519:March 19, 1093:Category 1064:IndieWire 1002:USA Today 931:Reception 722:Las Vegas 521:as Reggie 433:psychosis 409:snakeskin 181:companies 158:Edited by 4578:Parasite 4438:L'Enfant 4418:Elephant 3508:Lynch/Oz 3157:" (2013) 3148:" (2009) 3139:" (1995) 3130:" (1990) 3047:DumbLand 2903:(1992) ( 2425:Archived 2327:June 15, 2275:41687825 2266:Cineaste 2166:June 15, 2075:June 15, 2010:Newsweek 1870:Time Out 1822:Premiere 1079:s poll. 899:Response 893:Region 1 880:X rating 593:as Madam 581:as Buddy 417:Powermad 394:and the 386:and the 362:won the 297:romantic 265:Language 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Index


David Lynch
Wild at Heart
Barry Gifford
Steve Golin
Monty Montgomery
SigurjĂłn Sighvatsson
Nicolas Cage
Laura Dern
Willem Dafoe
Crispin Glover
Diane Ladd
Isabella Rossellini
Harry Dean Stanton
Frederick Elmes
Duwayne Dunham
Angelo Badalamenti
PolyGram
Propaganda Films
The Samuel Goldwyn Company
Cannes
romantic
crime drama film
David Lynch
novel of the same name
Barry Gifford
Nicolas Cage
Laura Dern
Willem Dafoe
Crispin Glover

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