979:, methods used to gain support from troops and civilians needed to change. Giving speeches to soldier recruits and to the US public was no longer effective. Film became the medium of choice to persuade US soldiers and recruits on why fighting was necessary. As Kathleen German stated, "this was the first massive attempt to influence opinion in the U.S. military" through film. Film was also chosen because it combined the senses of sight and hearing, which gives it an advantage over radio or print. Capra, who had no experience in documentary films, was chosen because "of his commitment to American ideals" and because of the popularity of some of his earlier feature films. He was thought "to understand the heart and soul of American audiences". Once the documentary series was completed, it was said to contain the "Capra touch".
812:. Capra's synopsis: "Dealt with who, what, where, why, and how we came to be the USA—the oldest major democratic republic still living under its original constitution. But the heart of the film dealt with the depth and variety of emotions with which Americans reacted to the traumatic events in Europe and Asia. How our convictions slowly changed from total non-involvement to total commitment as we realized that loss of freedom anywhere increased the danger to our own freedom. This last film of the series was, and still is, one of the most graphic visual histories of the United States ever made."
1015:, coordinator of government films and aide to Roosevelt, saw the films as dangerous. He was most concerned with the effect that the series would have after the war was over and the "hysteria" that it would create in its wake. At least 54 million Americans had seen the series by the end of the war, and studies were done to gauge the impact of the films. However, results were inconclusive, and so the effectiveness of the series is still disputed.
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film and propaganda in the series to expose the enemies with their own images. By taking pieces of the enemy material to edit together and placing his own narration over the results, Capra gave meaning and purpose to the war with added narrative. That "parallel editing" created an "us vs. them" image by re-framing and showing clips out of their original order and context.
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By such careful editing, the films compare and contrast the forces of evil with the U.S. and its traditional values. Capra highlighted the differences between the US and the enemy and showed how the enemy would attack these values if "we" did not fight. That worked to create a battle not only between
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series became a heavily used means of presenting information about Axis powers for the
American government during WWII. General Surles, director of the Department of War's Bureau of Public Relations, had hoped that the series would be effective enough to allow similar kinds of army films to be shown
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The series's appeal was furthered by its editing. "Throughout his career, Capra depended upon his skill as an editor to achieve the contrast of the individual and the group, critical in the success of his
Hollywood movies." Capra thought that it would be most effective to use the enemy's original
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prove to our soldiers the enormity of his cause—and the justness of ours." He would compile enemy speeches, films, newsreels, newspaper articles, with a list of the enemy's hostile actions. He presented his ideas to other officers who were now assigned to help him:
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716:. Capra's synopsis: "Hitler rises. Imposes Nazi dictatorship on Germany. Goose-steps into Rhineland and Austria. Threatens war unless given Czechoslovakia. Appeasers oblige. Hitler invades Poland. Curtain rises on the tragedy of the century—World War II."
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You were the answer to the
General's prayer. ... You see, Frank, this idea about films to explain "Why" the boys are in uniform is General Marshall's own baby, and he wants the nursery right next to his Chief of Staff's
688:. Capra describes it as "presenting a general picture of two worlds; the slave and the free, and the rise of totalitarian militarism from Japan's conquest of Manchuria to Mussolini's conquest of Ethiopia." This film won the
615:"fired no gun, dropped no bombs. But as a psychological weapon aimed at destroying the will to resist, it was just as lethal." Capra still had no assistants or facilities, and he began to see his assignment as overwhelming:
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Capra made his primary focus the creation of "one basic, powerful idea" that would spread and evolve into other related ideas. He considered one important idea that had always been in his thoughts:
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I told them of my hunch: Use the enemy's own films to expose their enslaving ends. Let our boys hear the Nazis and the Japs shout their own claims of master-race crud—and our fighting men will
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772:. Capra's synopsis: "History of Russia; people, size, resources, wars. Death struggle against Nazi armies at gates of Moscow and Leningrad. At Stalingrad, Nazis are put through meat grinder."
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Weeks later, after major efforts and disappointments, Capra located hard-to-reach archives within government facilities, and by avoiding normal channels, he was able to gain access:
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Now, Capra, I want to nail down with you a plan to make a series of documented, factual-information films—the first in our history—that will explain to our boys in the Army
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920:" in order to raise US morale for a protracted war against Japan. The authenticity of that document is not accepted by scholars today, and it is regarded as an
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for which we are fighting. ... You have an opportunity to contribute enormously to your country and the cause of freedom. Are you aware of that, sir?
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792:. Capra's synopsis: "Japan's warlords commit total effort to conquest of China. Once conquered, Japan would use China's manpower for the conquest of
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I thought of the Bible. There was one sentence in it that always gave me goose pimples: "Ye shall know the truth, and the truth shall make you free."
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essay by Daniel Eagan in
America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, A&C Black, 2010
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but also between good and evil. Capra treated it as a matter of showing the enormity of the Axis and the justness of the Allies.
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Produced from 1942 to 1945, the seven installments range from 40 to 76 minutes in length, and all are available for free on
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was widely accepted as authentic in the 1930s and the 1940s because
Japanese actions corresponded so closely to its plans.
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enlisted with the armed forces. He was already an established
Hollywood director responsible for directing films winning
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680:(1942; 51 min 35 s) examines the difference between democratic and fascist states and covers the
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America's Film Legacy: The
Authoritative Guide to the Landmark Movies in the National Film Registry
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Capra was involved in a number of other World War II propaganda films that were not part of the
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Rollins, Peter (Winter 1996), "Frank Capra's Why We Fight Film Series and Our
American Dream",
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Peterson and I walked away on air. We had found the great cache of enemy films—and it was ours!
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Frank Capra receiving the
Distinguished Service Medal from U.S. Army Chief of Staff General
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German, Kathleen (1990), "Frank Capra's Why We Fight Series and the
American Audience",
768:(1943, 76 min 7 s) Part I and Part II shows a history of Russia's defense and
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1930:
Hollywood Goes to War: How Politics, Profits, and Propaganda Shaped World War II Movies
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760:, at a time when shattered, but unbeaten, British were the only people fighting Nazis."
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supervision" if no relevant footage was available. Animated segments were produced by
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deemed the films "culturally significant" and selected them for preservation in the
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will to resist the master race? I was alone; no studio, no equipment, no personnel.
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This article is about the World War II documentary film series. For other uses, see
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to the general public. Surles saw that goal to be realized when US President
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1800:"Librarian of Congress Names 25 More Films to National Film Registry"
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780:(1944, 62 min 16 s) shows Japanese aggression such as the
752:(1943, 51 min 30 s) depicts Britain's victory against the
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I sat alone and pondered. How could I mount a counterattack against
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During his first meeting with Marshall, Capra received his mission:
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732:. Capra's synopsis: "Hitler occupies Denmark and Norway, outflanks
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Film Propaganda and American Politics: An Analysis and Filmography
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Created by the US Army Pictorial Services, the films are in the
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1551:"Why We Fight: The Battle of Russia Part II : Frank Capra"
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nation to get involved in the war and to become an ally of the
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1530:"Why We Fight: The Battle of Russia Part I : Frank Capra"
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Shortly after his meeting with General Marshall, Capra viewed
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Hollywood Goes to War: Films and American Society 1939–1952
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804:(1945, 64 min 20 s) shows how the pattern of the
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Series of films to motivate US soldiers during World War II
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1509:"Why We Fight: The Battle of Britain : Frank Capra"
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series. He directed or co-directed the following films:
520:'s hopeless position in the event of an Axis victory in
1593:"Why We Fight: War Comes to America : Frank Capra"
1345:
List of films in the public domain in the United States
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of the war machines of Germany and Japan") is from the
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War Activities Committee of the Motion Picture Industry
1572:"Why We Fight: The Battle of China : Frank Capra"
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1488:"Why We Fight: Divide and Conquer : Frank Capra"
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Capra also directed, uncredited, the 13-minute 1945
1027:, and all of them are available for download on the
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and Chinese efforts such as the construction of the
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837:material by the US government. All are directed by
56:. Unsourced material may be challenged and removed.
2162:is available for free viewing and download at the
2140:is available for free viewing and download at the
2118:is available for free viewing and download at the
2107:is available for free viewing and download at the
2085:is available for free viewing and download at the
2063:is available for free viewing and download at the
2041:is available for free viewing and download at the
2019:is available for free viewing and download at the
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1467:"Why We Fight: The Nazi Strike : Frank Capra"
532:in December 1941 and America's subsequent joining
1446:"Why We Fight: Prelude to War : Frank Capra"
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868:, including enemy propaganda (such as the Nazis'
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2169:USAAF First Motion Picture Unit at Magic Lantern
808:' aggression turned the American people against
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1330:List of Allied propaganda films of World War II
690:Academy Award for Best Documentary Feature Film
556:(1939). He was assigned to work directly under
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724:(1943, 56 min) – about the campaign in
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1270:(1945, 63 minutes) – co-directed with
1247:(1944, 75 minutes) – co-directed with
2782:United States National Film Registry films
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1880:The Name Above the Title: An Autobiography
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857:and others. The score is performed by the
444:, daunted but impressed and challenged by
426:was involved in the war, but US President
136:
1849:
1824:"Complete National Film Registry Listing"
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1619:Continuum International (New York), 2010.
1368:With additional animation contributed by
644:As a result, his goal became to "let the
116:Learn how and when to remove this message
1958:
1928:Koppes, Clayton; Black, Gregory (1987),
1850:Biskupski, Mieczysław B (January 2010),
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941:Soviet occupation of the Baltic States
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700:(1943, 40 min 20 s) covers
2792:Documentary films about World War II
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505:depicts the Nazi propaganda machine.
480:, some parts were re-enacted "under
142:Intertitle for the seven-film series
54:adding citations to reliable sources
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2082:Why We Fight: The Battle of Britain
2071:Why We Fight: The Battle of Britain
910:several times by portraying it as "
864:The films employed a great deal of
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2797:World War II films made in wartime
2148:Why We Fight: War Comes to America
2093:Why We Fight: The Battle of Russia
1963:, Boston: Routledge and Kegan Paul
1952:10.1111/j.1542-734X.1996.1904_81.x
1897:Combs, James; Combs, Sara (1994),
14:
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2822:Black-and-white documentary films
2126:Why We Fight: The Battle of China
1969:
594:Countering enemy propaganda films
2049:Why We Fight: Divide and Conquer
1856:, University Press of Kentucky,
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825:Frank Capra cutting film in 1943
602:'s "terrifying motion picture",
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1335:Propaganda in the United States
347:United States Army Signal Corps
41:needs additional citations for
2832:Film series introduced in 1942
2807:American black-and-white films
2787:United States government films
2680:The Bell System Science Series
2245:Fultah Fisher's Boarding House
2027:Why We fight: The Nazis Strike
1901:, New York: Garland Publishing
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1230:Other Capra World War II films
744:, forces surrender of France."
682:Japanese invasion of Manchuria
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2847:Anti-fascist propaganda films
2837:Films directed by Frank Capra
2413:The Bitter Tea of General Yen
2115:The Battle of Russia (Part 2)
2104:The Battle of Russia (Part 1)
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632:Creating a powerful film idea
476:Although primarily edited by
21:Why We Fight (disambiguation)
2469:Mr. Smith Goes to Washington
2005:Why We Fight: Prelude to War
1750:. W.W. Norton. p. 295.
686:Italian invasion of Ethiopia
553:Mr. Smith Goes to Washington
7:
1940:Journal of American Culture
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343:U.S. Army Pictorial Service
10:
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2802:American documentary films
2461:You Can't Take It with You
1932:, New York: The Free Press
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418:from 1942 to 1945, during
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2666:Army–Navy Screen Magazine
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1921:10.1080/10570319009374338
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953:Soviet invasion of Poland
585:we are fighting, and the
564:. Marshall felt that the
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1959:Shindler, Colin (1979),
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947:. However, it shows the
859:Army Air Force Orchestra
657:why they are in uniform.
2842:World War II propaganda
2817:1940s documentary films
2777:Documentary film series
1882:, New York: Macmillan,
1775:Koppes & Black 1987
1680:Koppes & Black 1987
1370:Walt Disney Productions
1289:(1945, 32 minutes)
1281:(1945, 52 minutes)
949:Molotov–Ribbentrop Pact
845:alongside radio actors
486:Walt Disney Productions
465:. Many entries feature
2652:Two Down and One to Go
2624:Know Your Enemy: Japan
2445:Mr. Deeds Goes to Town
2333:The Younger Generation
2317:The Power of the Press
1983:National Film Registry
1707:Combs & Combs 1994
1644:Combs & Combs 1994
1617:, pp. 390 f.
1286:Two Down and One to Go
1267:Know Your Enemy: Japan
1040:National Film Registry
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770:battle against Germany
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530:attack on Pearl Harbor
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2730:Frank Capra Jr. (son)
2581:The Battle of Britain
2533:Pocketful of Miracles
2493:It's a Wonderful Life
2429:It Happened One Night
2301:The Way of the Strong
1981:by Thomas W. Bohn at
1878:Capra, Frank (1971),
1147:The Battle of Britain
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951:being signed and the
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749:The Battle of Britain
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547:It Happened One Night
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410:is a series of seven
383:417 minutes (7 films)
177:The Battle of Britain
2827:American film series
2694:Hemo the Magnificent
2605:War Comes to America
2589:The Battle of Russia
2517:Here Comes the Groom
2485:Arsenic and Old Lace
2269:For the Love of Mike
2159:War Comes to America
1299:(1944), directed by
1222:War Comes to America
1172:The Battle of Russia
801:War Comes to America
765:The Battle of Russia
611:According to Capra,
514:War Comes to America
416:US Department of War
201:War Comes to America
185:The Battle of Russia
50:improve this article
2703:Rendezvous in Space
2673:The Fallbrook Story
2645:Your Job in Germany
2597:The Battle of China
2137:The Battle of China
1828:Library of Congress
1804:Library of Congress
1313:Your Job in Germany
1197:The Battle of China
1036:Library of Congress
902:The Battle of China
884:Army Chief of Staff
871:Triumph of the Will
777:The Battle of China
706:conquest of Austria
621:Triumph of the Will
613:Triumph of the Will
605:Triumph of the Will
528:After the Japanese
454:Triumph of the Will
440:-winning filmmaker
193:The Battle of China
2746:(2023 documentary)
2738:(2017 documentary)
2573:Divide and Conquer
2525:A Hole in the Head
2501:State of the Union
2341:The Donovan Affair
2309:Say It with Sables
2277:That Certain Thing
2060:Divide and Conquer
1748:Why the Allies Won
1631:, pp. 151–52.
1435:, pp. 325–43.
1122:Divide and Conquer
1005:Franklin Roosevelt
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969:George C. Marshall
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790:Battle of Changsha
721:Divide and Conquer
526:
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459:noninterventionist
428:Franklin Roosevelt
290:Robert J. Flaherty
169:Divide and Conquer
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2659:The Negro Soldier
2381:The Miracle Woman
2357:Ladies of Leisure
1863:978-0-8131-2559-6
1308:military training
1296:The Negro Soldier
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240:Julius J. Epstein
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2565:The Nazis Strike
2405:American Madness
2293:The Matinee Idol
2285:So This Is Love?
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2142:Internet Archive
2120:Internet Archive
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2065:Internet Archive
2043:Internet Archive
2038:The Nazis Strike
2021:Internet Archive
1998:, pages 390-391
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1478:
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1474:
1463:
1457:
1456:
1454:
1453:
1442:
1436:
1430:
1401:
1395:
1389:
1383:
1372:
1366:
1244:Tunisian Victory
1217:
1216:
1192:
1191:
1167:
1166:
1142:
1141:
1117:
1116:
1097:The Nazis Strike
1092:
1091:
1066:
1065:
1029:Internet Archive
841:and narrated by
782:Nanking Massacre
697:The Nazis Strike
600:Leni Riefenstahl
478:William Hornbeck
446:Leni Riefenstahl
414:produced by the
412:propaganda films
300:William Hornbeck
161:The Nazis Strike
140:
128:
127:
121:
114:
110:
107:
101:
99:
58:
34:
26:
2862:
2861:
2857:
2856:
2855:
2853:
2852:
2851:
2812:1940s war films
2762:
2761:
2760:
2755:
2708:
2631:Here Is Germany
2611:
2539:
2389:Platinum Blonde
2232:
2219:
2214:
1972:
1890:
1868:
1866:
1864:
1846:
1841:
1832:
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1654:
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1642:
1635:
1627:
1623:
1612:Eagan, Daniel.
1611:
1607:
1598:
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1590:
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1396:
1392:
1384:
1380:
1376:
1375:
1367:
1363:
1358:
1353:
1326:
1278:Here Is Germany
1253:Anthony Veiller
1232:
1225:
1218:
1205:
1200:
1193:
1180:
1175:
1168:
1155:
1150:
1143:
1130:
1125:
1118:
1105:
1100:
1093:
1079:
1074:
1067:
1053:
1048:
1034:In 2000 the US
1021:
961:
931:To justify the
926:Tanaka Memorial
907:Tanaka Memorial
895:
887:George Marshall
819:
758:Royal Air Force
672:
634:
596:
558:George Marshall
494:
450:propaganda film
380:
373:
352:
351:
336:
334:
327:
318:Dimitri Tiomkin
281:
278:Anthony Veiller
254:
250:Anthony Veiller
228:
207:
143:
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
2860:
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2819:
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2809:
2804:
2799:
2794:
2789:
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2779:
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2757:
2756:
2754:
2753:
2748:
2740:
2736:Five Came Back
2732:
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2722:
2716:
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2710:
2709:
2707:
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2699:
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2617:
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2593:
2585:
2577:
2569:
2561:
2557:Prelude to War
2552:
2550:
2541:
2540:
2538:
2537:
2529:
2521:
2513:
2505:
2497:
2489:
2481:
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2433:
2425:
2421:Lady for a Day
2417:
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2393:
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2329:
2321:
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2297:
2289:
2281:
2273:
2265:
2257:
2253:The Strong Man
2249:
2240:
2238:
2237:Films directed
2234:
2233:
2231:
2230:
2224:
2221:
2220:
2213:
2212:
2205:
2198:
2190:
2184:
2183:
2179:Prelude to War
2171:
2166:
2155:
2144:
2133:
2122:
2111:
2100:
2089:
2078:
2067:
2056:
2045:
2034:
2023:
2016:Prelude to War
2012:
2001:
1985:
1971:
1970:External links
1968:
1967:
1966:
1956:
1935:
1925:
1904:
1894:
1888:
1875:
1862:
1845:
1842:
1840:
1839:
1815:
1791:
1779:
1777:, p. 122.
1764:
1756:
1744:Overy, Richard
1735:
1723:
1721:, p. 241.
1711:
1696:
1694:, p. 240.
1684:
1672:
1670:, p. 238.
1660:
1658:, p. 237.
1648:
1633:
1629:Biskupski 2010
1621:
1605:
1584:
1563:
1542:
1521:
1500:
1479:
1458:
1437:
1402:
1400:, p. 326.
1390:
1388:, p. 322.
1377:
1374:
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1359:
1357:
1354:
1352:
1349:
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1301:Stuart Heisler
1291:
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1126:
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1103:
1101:
1094:
1077:
1075:
1071:Prelude to War
1068:
1051:
1047:
1044:
1020:
1017:
1013:Lowell Mellett
1009:Prelude to War
960:
957:
935:' help to the
933:Western Allies
924:hoax, but the
898:Prelude to War
894:
891:
876:Disney Studios
851:Harry von Zell
818:
815:
814:
813:
797:
773:
761:
745:
730:Fall of France
717:
710:Czechoslovakia
693:
677:Prelude to War
671:
668:
633:
630:
595:
592:
502:Prelude to War
493:
490:
482:War Department
432:public viewing
401:
400:
397:
393:
392:
389:
385:
384:
381:
378:
375:
374:
372:
371:
366:
360:
358:
357:Distributed by
354:
353:
350:
349:
344:
340:
339:
337:
332:
329:
328:
326:
325:
323:Howard Jackson
320:
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297:
293:
292:
287:
286:Cinematography
283:
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264:
263:
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256:
255:
253:
252:
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234:
230:
229:
227:
226:
224:Anatole Litvak
221:
215:
213:
209:
208:
206:
205:
197:
189:
181:
173:
165:
157:
153:Prelude to War
148:
145:
144:
141:
133:
132:
124:
123:
65:"Why We Fight"
38:
36:
29:
15:
9:
6:
4:
3:
2:
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2767:
2752:
2751:Robert Riskin
2749:
2747:
2745:
2741:
2739:
2737:
2733:
2731:
2728:
2726:
2725:Liberty Films
2723:
2721:
2718:
2717:
2715:
2711:
2705:
2704:
2700:
2696:
2695:
2691:
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2514:
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2510:
2506:
2503:
2502:
2498:
2495:
2494:
2490:
2487:
2486:
2482:
2479:
2478:
2477:Meet John Doe
2474:
2471:
2470:
2466:
2463:
2462:
2458:
2455:
2454:
2450:
2447:
2446:
2442:
2439:
2438:
2437:Broadway Bill
2434:
2431:
2430:
2426:
2423:
2422:
2418:
2415:
2414:
2410:
2407:
2406:
2402:
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2391:
2390:
2386:
2383:
2382:
2378:
2375:
2374:
2370:
2367:
2366:
2365:Rain or Shine
2362:
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2354:
2351:
2350:
2346:
2343:
2342:
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2335:
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2250:
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2222:
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2211:
2206:
2204:
2199:
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2176:
2172:
2170:
2167:
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2143:
2139:
2138:
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2110:
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2105:
2101:
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2079:
2077:
2073:
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2055:
2051:
2050:
2046:
2044:
2040:
2039:
2035:
2033:
2029:
2028:
2024:
2022:
2018:
2017:
2013:
2011:
2007:
2006:
2002:
2000:
1997:
1993:
1989:
1986:
1984:
1980:
1977:
1974:
1973:
1962:
1957:
1953:
1949:
1945:
1941:
1936:
1931:
1926:
1922:
1918:
1915:(2): 237–48,
1914:
1910:
1905:
1900:
1895:
1891:
1889:0-306-80771-8
1885:
1881:
1876:
1865:
1859:
1855:
1854:
1848:
1847:
1829:
1825:
1819:
1805:
1801:
1795:
1789:, p. 81.
1788:
1783:
1776:
1771:
1769:
1759:
1757:0-393-03925-0
1753:
1749:
1745:
1739:
1732:
1727:
1720:
1715:
1709:, p. 70.
1708:
1703:
1701:
1693:
1688:
1682:, p. 76.
1681:
1676:
1669:
1664:
1657:
1652:
1646:, p. 69.
1645:
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1346:
1343:
1341:
1338:
1336:
1333:
1331:
1328:
1327:
1321:
1319:
1316:, written by
1315:
1314:
1309:
1304:
1302:
1298:
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1224:
1223:
1202:
1199:
1198:
1177:
1174:
1173:
1152:
1149:
1148:
1127:
1124:
1123:
1102:
1099:
1098:
1076:
1073:
1072:
1050:
1049:
1046:List of films
1043:
1041:
1037:
1032:
1030:
1026:
1025:public domain
1016:
1014:
1010:
1006:
1001:
996:
994:
990:
984:
980:
978:
970:
965:
956:
954:
950:
946:
942:
938:
934:
929:
927:
923:
922:anti-Japanese
919:
918:
913:
909:
908:
904:refer to the
903:
899:
890:
888:
885:
881:
877:
873:
872:
867:
866:stock footage
862:
860:
856:
853:, film actor
852:
848:
847:Elliott Lewis
844:
843:Walter Huston
840:
836:
835:public domain
832:
823:
811:
807:
803:
802:
798:
795:
791:
787:
783:
779:
778:
774:
771:
767:
766:
762:
759:
755:
751:
750:
746:
743:
739:
735:
731:
727:
723:
722:
718:
715:
711:
707:
703:
699:
698:
694:
691:
687:
683:
679:
678:
674:
673:
666:
662:
658:
656:
650:
647:
641:
637:
628:
626:
623:; keep alive
622:
616:
614:
609:
607:
606:
601:
590:
588:
584:
578:
574:
569:
567:
563:
559:
555:
554:
549:
548:
543:
542:Academy Award
539:
535:
531:
523:
519:
518:North America
516:demonstrates
515:
511:
504:
503:
498:
489:
487:
483:
479:
474:
472:
468:
464:
460:
456:
455:
451:
447:
443:
439:
438:Academy Award
435:
433:
429:
425:
424:United States
421:
417:
413:
409:
408:
398:
394:
391:United States
390:
386:
382:
376:
370:
367:
365:
362:
361:
359:
355:
348:
345:
342:
341:
338:
330:
324:
321:
319:
316:
314:
313:Alfred Newman
311:
310:
308:
304:
301:
298:
294:
291:
288:
284:
277:
275:
274:Walter Huston
272:
271:
269:
265:
261:
257:
251:
248:
246:
243:
241:
238:
237:
235:
233:Screenplay by
231:
225:
222:
220:
217:
216:
214:
210:
203:
202:
198:
195:
194:
190:
187:
186:
182:
179:
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166:
163:
162:
158:
155:
154:
150:
149:
146:
139:
134:
129:
120:
117:
109:
106:November 2012
98:
95:
91:
88:
84:
81:
77:
74:
70:
67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
2772:Why We Fight
2743:
2735:
2720:Bibliography
2701:
2692:
2685:
2678:
2671:
2664:
2657:
2650:
2643:
2636:
2629:
2622:
2603:
2595:
2587:
2579:
2571:
2563:
2555:
2546:Why We Fight
2545:
2544:
2531:
2523:
2515:
2507:
2499:
2491:
2483:
2475:
2467:
2459:
2453:Lost Horizon
2451:
2443:
2435:
2427:
2419:
2411:
2403:
2395:
2387:
2379:
2371:
2363:
2355:
2347:
2339:
2331:
2323:
2315:
2307:
2299:
2291:
2283:
2275:
2267:
2259:
2251:
2243:
2178:
2175:Why We Fight
2174:
2157:
2147:
2135:
2125:
2113:
2102:
2092:
2080:
2070:
2058:
2048:
2036:
2026:
2014:
2004:
1988:Why We Fight
1987:
1976:Why We Fight
1975:
1960:
1946:(4): 81, 6,
1943:
1939:
1929:
1912:
1908:
1898:
1879:
1867:, retrieved
1852:
1844:Bibliography
1831:. Retrieved
1827:
1818:
1807:. Retrieved
1803:
1794:
1787:Rollins 1996
1782:
1747:
1738:
1726:
1714:
1687:
1675:
1663:
1651:
1624:
1614:
1608:
1597:. Retrieved
1587:
1576:. Retrieved
1566:
1555:. Retrieved
1545:
1534:. Retrieved
1524:
1513:. Retrieved
1503:
1492:. Retrieved
1482:
1471:. Retrieved
1461:
1450:. Retrieved
1440:
1393:
1381:
1364:
1311:
1305:
1294:
1292:
1284:
1276:
1265:
1261:Roy Boulting
1257:Hugh Stewart
1242:
1236:Why We Fight
1235:
1233:
1220:
1195:
1170:
1145:
1120:
1095:
1069:
1033:
1022:
1008:
1000:Why We Fight
999:
997:
985:
981:
974:
937:Soviet Union
930:
925:
915:
905:
901:
897:
896:
880:utter defeat
879:
869:
863:
828:
810:isolationism
799:
793:
775:
763:
747:
738:British Army
734:Maginot Line
719:
695:
675:
664:
660:
654:
652:
645:
643:
639:
635:
624:
620:
618:
612:
610:
603:
597:
586:
582:
580:
576:
571:
566:Signal Corps
551:
545:
534:World War II
527:
522:Afro-Eurasia
513:
500:
475:
463:Soviet Union
452:
436:
420:World War II
407:Why We Fight
406:
405:
404:
379:Running time
199:
191:
183:
175:
167:
159:
151:
131:Why We Fight
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
2687:Our Mr. Sun
2616:Other works
2509:Riding High
2228:Filmography
2217:Frank Capra
1731:German 1990
1719:German 1990
1692:German 1990
1668:German 1990
1656:German 1990
1272:Joris Ivens
1249:John Huston
993:Axis powers
977:World War I
855:Lloyd Nolan
839:Frank Capra
806:Axis powers
702:geopolitics
670:Description
550:(1934) and
538:Frank Capra
467:Axis powers
442:Frank Capra
267:Narrated by
262:Frank Capra
259:Produced by
219:Frank Capra
212:Directed by
2766:Categories
2261:Long Pants
1996:0826429777
1833:2020-05-14
1809:2020-05-14
1599:2014-03-16
1578:2014-03-16
1557:2014-03-16
1536:2014-03-16
1515:2014-03-16
1494:2014-03-16
1473:2014-03-16
1452:2014-03-16
1433:Capra 1971
1398:Capra 1971
1386:Capra 1971
1351:References
945:Winter War
917:Mein Kampf
817:Production
786:Burma Road
587:principles
333:Production
76:newspapers
2397:Forbidden
2373:Dirigible
2325:Submarine
1318:Dr. Seuss
754:Luftwaffe
742:North Sea
736:, drives
335:companies
296:Edited by
1746:(1996).
1340:War film
1324:See also
1007:watched
991:and the
943:and the
893:Accuracy
788:and the
728:and the
684:and the
544:such as
448:'s 1935
396:Language
306:Music by
2713:Related
1869:4 March
726:Benelux
573:office.
492:Purpose
399:English
388:Country
90:scholar
2608:(1945)
2600:(1944)
2592:(1943)
2584:(1943)
2576:(1943)
2568:(1943)
2560:(1942)
2549:series
2536:(1961)
2528:(1959)
2520:(1951)
2512:(1950)
2504:(1948)
2496:(1946)
2488:(1944)
2480:(1941)
2472:(1939)
2464:(1938)
2456:(1937)
2448:(1936)
2440:(1934)
2432:(1934)
2424:(1933)
2416:(1933)
2408:(1932)
2400:(1932)
2392:(1931)
2384:(1931)
2376:(1931)
2368:(1930)
2360:(1930)
2352:(1929)
2349:Flight
2344:(1929)
2336:(1929)
2328:(1928)
2320:(1928)
2312:(1928)
2304:(1928)
2296:(1928)
2288:(1928)
2280:(1928)
2272:(1927)
2264:(1927)
2256:(1926)
2248:(1922)
2181:(Text)
1994:
1978:essay
1886:
1860:
1754:
1595:. 1945
1574:. 1944
1553:. 1943
1532:. 1943
1511:. 1943
1490:. 1943
1469:. 1943
1448:. 1942
1019:Legacy
989:Allies
975:After
971:, 1945
959:Impact
796:Asia."
714:Poland
704:: the
560:, the
471:Allies
204:(1945)
196:(1944)
188:(1943)
180:(1943)
172:(1943)
164:(1943)
156:(1942)
92:
85:
78:
71:
63:
2177:#1 -
1356:Notes
1310:film
912:Japan
740:into
646:enemy
97:JSTOR
83:books
2153:IMDb
2131:IMDb
2098:IMDb
2076:IMDb
2054:IMDb
2032:IMDb
2010:IMDb
1992:ISBN
1884:ISBN
1871:2011
1858:ISBN
1752:ISBN
1259:and
998:The
900:and
712:and
655:know
69:news
2151:at
2129:at
2096:at
2074:at
2052:at
2030:at
2008:at
1948:doi
1917:doi
914:'s
831:DVD
794:all
625:our
583:why
52:by
2768::
1944:19
1942:,
1913:54
1911:,
1826:.
1802:.
1767:^
1699:^
1636:^
1405:^
1320:.
1303:.
1255:,
1251:,
1042:.
1031:.
955:.
889:.
861:.
849:,
708:,
473:.
434:.
2209:e
2202:t
2195:v
1965:.
1955:.
1950::
1934:.
1924:.
1919::
1903:.
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1836:.
1812:.
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104:(
94:·
87:·
80:·
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46:.
23:.
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