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the first place. ... Where the book maintains the ambiguities to the end, the film admits to being a detective story by delivering its answer just in time for the final sequence to turn into a somewhat suspect hymn to the joys of good, hard toil. The land, it would seem, has more to offer than the laboratory – for all that
Martino himself would seem to be the ultimate achievement in prosthetics. Perhaps to avert our attention from too close a scrutiny of this paradox, perhaps as a concession to the supposed requirements of the box office,
424:
hectoring phrases and exaggerated scowls appear the more mannered beside the expressionless little victim of his aggression. Like
Martino himself, Who? finally gives the impression of something quite out of the ordinary that has lost the struggle to make itself heard. And like Martino, it survives as a patchwork of disparate material for which nobody, sadly, could find much use."
29:
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An enigmatic individual with a metal face is returned from East
Germany and claims to be Lucas Martino, an American scientist who was working on a top-secret project but was severely injured and scarred in a car crash. American authorities hold him in custody while they try to establish whether the
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wrote: "While there are clear signs of haste and penny-pinching in its lapses of continuity, and sets that are more symbolic than sumptuous, it has a no-nonsense directness in telling its story which, in the form of Algis Budrys' original novel, had the distinction of being superbly constructed in
423:
takes time off for a tolerably exciting car-chase and some later business with an FBI agent which does considerable damage by its sheer implausibility. And where Gold has clearly found congenial material in Trevor Howard as the
Russian spymaster, he is less successful with Elliott Gould, whose
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Although one 1983 British source stated that the film was shelved for five years after its completion in 1974, contemporary sources indicate the film was screened theatrically in the U.S. in 1975, and broadcast on
British television in 1976.
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man is the real
Martino or an impostor looking for secret information about the ultimate rocket project developed in the West.
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dismissed it as a "clinker", calling it an "inane... funereal mess".
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534:. Louisville, Kentucky. p. A11 – via Newspapers.com.
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described it as "distinctly average but better than mediocre".
506:"Who? Conventional Spy Plot, but its Ending is Imaginative"
552:. 24 July 1976. p. 16 – via Newspapers.com.
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512:. Cedar Rapids: Iowa – via Newspapers.com.
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576:(540): 12. 1 January 1979 – via ProQuest.
528:"After watching 'Who?' you start wondering why"
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279:. It was writteb by John Gould based on the
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462:British Film Institute Collections Search
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490:. p. 40 – via Newspapers.com.
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880:Films scored by John Cameron (musician)
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494:
930:English-language science fiction films
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481:
870:Films based on science fiction novels
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475:
408:
526:Dietrich, Jean (27 September 1975).
482:Selway, Jennifer (6 February 1983).
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546:"Weekend Television/Radio: BBC1"
326:James Noble as General Deptford
16:1974 British film by Jack Gold
935:English-language mystery films
895:Films based on American novels
556:
538:
504:Halliday, Doc (12 June 1975).
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855:British science fiction films
798:Ball Trap on the Cote Sauvage
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353:John Stewart as Frank Heywood
915:1970s English-language films
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875:Films directed by Jack Gold
646:My Father Knew Lloyd George
395:Frank Schuller as FBI agent
377:Dan Sazarino as uncle Lucas
281:1958 novel of the same name
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951:
925:1975 science fiction films
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905:Films set in West Germany
900:Films set in East Germany
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569:The Monthly Film Bulletin
415:The Monthly Film Bulletin
238:The Man in the Steel Mask
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33:Theatrical release poster
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890:British Lion Films films
380:Craig McConnel as Tonino
806:The Rose and the Jackal
702:The Naked Civil Servant
374:Fred Vincent as Douglas
299:
290:
168:19 April 1974
742:Little Lord Fauntleroy
885:British mystery films
750:Good and Bad at Games
332:Kay Tornborg as Edith
323:Ed Grover as Finchley
256:Prisoner of the Skull
176: (United Kingdom)
860:Allied Artists films
822:Goodnight Mister Tom
329:John Lehne as Haller
261:science fiction film
259:) is a 1974 British
191: (United States)
920:1970s British films
865:1970s mystery films
790:Escape from Sobibor
726:The Sailor's Return
678:The National Health
532:The Courier-Journal
632:Films directed by
484:"The Week in View"
409:Critical reception
363:Alexander Allerson
359:as general Stürmer
154:British Lion Films
142:Lion International
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314:as Colonel Azarin
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109:Petrus R. Schlömp
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338:as Dr. Barrister
320:as Lucas Martino
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183:August 1975
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235:(Also known as
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662:The Reckoning
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312:Trevor Howard
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273:Trevor Howard
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269:Elliott Gould
267:and starring
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81:Kurt Berthold
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465:. Retrieved
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392:as FBI agent
386:as FBI agent
384:Herb Andress
365:as Dr. Kothu
336:Lyndon Brook
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285:Algis Budrys
263:directed by
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216:West Germany
200:Running time
128:John Cameron
67:Algis Budrys
60:
758:Red Monarch
510:The Gazette
342:Joy Garrett
318:Joseph Bova
277:Joseph Bova
100:Joseph Bova
73:Produced by
39:Directed by
850:1975 films
845:1974 films
839:Categories
694:Man Friday
444:References
357:Ivan Desny
344:as Barbara
204:93 minutes
172:1974-04-19
144:Hemisphere
135:Production
52:John Gould
49:Written by
774:The Chain
710:Aces High
634:Jack Gold
427:The Iowa
390:Del Negro
371:as Miller
369:Bruce Boa
265:Jack Gold
209:Countries
137:companies
114:Edited by
43:Jack Gold
766:Sakharov
670:Conflict
250:Robo Man
221:Language
124:Music by
88:Starring
57:Based on
467:1 March
429:Gazette
400:Release
244:Roboman
224:English
187:1975-08
185: (
170: (
825:(1998)
817:(1995)
809:(1990)
801:(1989)
793:(1987)
785:(1986)
782:Murrow
777:(1984)
769:(1984)
761:(1983)
753:(1983)
745:(1980)
737:(1979)
729:(1978)
721:(1978)
713:(1976)
705:(1975)
697:(1975)
689:(1974)
681:(1973)
673:(1973)
665:(1970)
657:(1968)
649:(1965)
564:"Who?"
458:"Who?"
686:Who?
597:IMDb
592:Who?
469:2024
421:Who?
300:Cast
291:Plot
275:and
253:and
232:Who?
62:Who?
22:Who?
595:at
283:by
65:by
841::
574:46
572:.
566:.
548:.
530:.
518:^
508:.
496:^
486:.
460:.
287:.
271:,
247:,
241:,
625:e
618:t
611:v
471:.
189:)
174:)
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