Whisky Galore! (1949 film)

698: 31: 705: 536: 407:—a Scottish betrothal ceremony—in which whisky must be served. Taking the hint, the sergeant allows himself to be overpowered, and the locals manage to offload many cases before the ship goes down. Campbell, sent to his room by his mother for a prior transgression, is persuaded to leave through the window and assist with the salvage by MacCodrun. This proves fortunate, as Campbell rescues the Biffer when he is trapped in the sinking freighter. The whisky also gives the previously 983:, identifies what he sees as "the Scottish Discursive Unconscious" running through the film: an examination of the ethnicity of "the Scots (in particular the Gaelic-speaking, Highland Scots) as having an essential identity different from—indeed, in many respects the antithesis of—the Anglo-Saxon identified by (a certain class of) Englishmen". According to McArthur, this view of the Scots has permeated much of British culture, influenced by 1093:. The film was given an open certification in most territories, allowing people of all ages to see it, but in Denmark it was restricted to adults only. The Danish censor explained "There is in this film an obvious disregard for ordinary legislation, in this case the law against smuggling ... Also, we believed that it was damaging for children to see alcohol portrayed as an absolute necessity for normal self-expression". 1289:, states that although it was not an aim of releasing the three films together, together they "established the brand name of 'Ealing comedy'"; Duguid writes that the three films "forever linked 'Ealing' and 'comedy' in the public imagination". The film historians Duguid, Lee Freeman, Keith Johnston and Melanie Williams consider 1949 was one of two "pinnacle" years for Ealing, the other being 1951, when 949:

historian Roger Rawlings as a fish-out-of-water on Todday; he is the intruder in a film that contains what the film historian Christine Geraghty describes as "a narrative of rural resistance". Not all outsiders to the island are intruders: the other Englishman, Sergeant Odd, "acts as the audience's entry point into the community", and immerses himself in the island's ways.

745:. He played no part after the initial filming: according to the film historian Colin McArthur, Mackenzie had an "impatient disengagement from the filming and marketing". The summer of 1948 brought heavy rain and gales and the shoot ran five weeks over its planned 10-week schedule and the film went £20,000 over budget. 678:, estimated the film's budget to be around £100,000. The following month, Balcon wrote to the magazine to complain that "Your estimate of the cost is wrong by more than a thousand or two". He also stated in his letter that the film "over-ran its budget by the unprecedented figure of 60 per cent to 70 per cent". 1131:

s reviewer thought that the main credit for the film should be given to Mackenzie and MacPhail for the story. Lejeune thought that the story was treated "with the sort of fancy that is half childlike and half agelessly wise: it accepts facts for what they are and only tilts their representation, ever

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Mackendrick's biographer, Philip Kemp, identifies different strands of comedy, including what he describes as "crude incongruity", "verbal fencing—beautifully judged by the actors no less than the director in its underplayed humour" and "near-surreal" conversations. Martin-Jones sees such flexibility

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According to Daubney, the islanders "relish their isolation and simple way of life and go to considerable lengths to protect it against a moral code imposed from outside". An unspoken sense of community runs through the film, according to Geraghty, such as in salvaging the whisky, and particularly in

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heard that the ship was carrying 22,000 cases of whisky; they rescued up to 7,000 cases from the wreck before it sank. Mackenzie, a Home Guard commander on the island, took no action against the removal of the whisky or those who took it; Charles McColl and Ivan Gledhill, the local Customs and Excise

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Filming began in July 1948 on the island of Barra; a unit of 80 staff from Ealing was on location. As most of the established production staff were working on other films at Ealing, many of Mackendrick's team were inexperienced. On what was supposed to be the first day of filming, Mackendrick threw

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primarily centres on the conflict between two men, Macroon and Waggett; women have what McArthur describes as "peripheral roles". Much of the film's humour is at the expense of Waggett, and the film historian Mark Duguid considers there is a "cruel bite" to it. Waggett is described by the cultural

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nemesis, Mr Farquharson, and his men to search for the whisky. Forewarned, islanders manage to hide the bottles in ingenious places, including the ammunition cases that Waggett ships off the island. When the whisky is discovered in the cases, Waggett is recalled by his superiors on the mainland to

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Jonny Murray, the film and visual culture academic, considers the Scottish characters in the film as stereotypes: "the slightly drunk, slightly unruly local, the figures who are magically cut adrift or don't seem to respect at all the conventions of how we live in the modern world". He likens the

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The church hall on the island was converted into a makeshift studio, which included basic soundproofing. Nearly everything had to be brought from the mainland for filming and many of the sets had been prefabricated in Ealing; the islanders were perplexed by some of the items the crew brought with

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rhythmic fragment to reinforce the theme. The musicologist Kate Daubney writes that Irving's score "Seems positively lush with its expansive seascapes and emotive expressions of anxiety in the community". The opening music to the film begins with English brass notes, but this changes to Scottish

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The film surprised many at Ealing Studios for the level of popularity it gained in the US, where it became Ealing's first to achieve box office success. For Crowther, "the charm and distinction of this film reside in the wonderfully dry way it spins a deliciously wet tale". The critic Thomas M.

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The plot underwent some modification and condensation from the novel, a lot of the background being removed; in particular, much of the religious aspect of the novel was left out, the novel's Protestant Great Todday and Roman Catholic Little Todday being merged into the single island of Todday.

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There was tension between Danischewsky and Mackendrick during filming, which led to disagreements; this included a difference of opinion concerning the moral tone of the film. Mackendrick sympathised with the high-minded attempts of the pompous Waggett to foil the looting, while Danischewsky's

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concerned the actions of a small insular group facing and overcoming a more powerful opponent. The film historian George Perry writes that in doing so the film examines "dogged team spirit, the idiosyncrasies of character blended and harnessed for the good of the group". Like

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runs out. As a result, gloom descends on the disconsolate islanders. In the midst of this catastrophe, Sergeant Odd returns on leave from the army to court Peggy, the daughter of the local shopkeeper, Joseph Macroon. Odd had previously assisted with setting up the island's

614:; Mackenzie received £500 for the rights to the book and a further £1,000 because of the film's profitability. Mackendrick and Danischewsky also worked on the script before further input from the writers Elwyn Ambrose and Donald Campbell and the actor 1145:

considered Radford to have played his part "with unusual subtlety" and thought that among the remainder of the cast "there are so many excellent performances that it would be unfair to pick out two or three names for special praise". The critic

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runs aground near Todday and begins to sink. Two local inhabitants, the Biffer and Sammy MacCodrun, row out to lend assistance, and learn from its departing crew that the cargo consists of 50,000 cases of whisky. They quickly spread the news.

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was offered the role of Joseph Macroon in the film, but turned it down to avoid being typecast as "a professional Scotsman". It had been Mackenzie's ambition to appear in a film, and he was given the role of Captain Buncher, the master of SS

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to direct, but he turned the offer down and Mackendrick was given the opportunity to make his debut as a director. With studio space limited by the other films being produced, Balcon insisted that the film had to be made on location.

30: 823:, shot more footage at Ealing Studios and re-edited the film closer to the version Mackendrick had produced. Crichton said "All I did was put the confidence back in the film". The Crichton version was the one released to cinemas. 1040:

as a progressive comedy because it upsets the established social order to promote the well-being of a community. In this, and in the rejection of the colonial power by a small community, Aldgate and Richards compare the film to

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of literature, which represents a false image of Scotland. The film historian Claire Mortimer sees the Western Isles as portrayed as "being a magical space which is outside of time and the 'real' world". This is true of both

862: 1164:, wrote that the film was "another happy demonstration of that peculiar knack British movie makers have for striking a rich and universally appealing comic vein in the most unexpected and seemingly insular situations". 1510:

Murray describes Kailyard as "images of Scotland that portrayed it as parochial, cut off from the modern world, small-town, hapless lads, winsome lassies. They certainly weren't something you could recognise yourself

1066:"portrays a small populace closing ranks around their esoteric belief system that English law cannot completely contain". Along with the other Ealing comedies, this rejection of power and law reflects a time when the 749:

them, such as the artificial rocks they added to the already rock-strewn landscape. The studio also had to send out three cases of dummy whisky bottles, as the island was short of the real equivalent because of

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that the film would "probably turn out to be a dull documentary on island life". He later said "It looks like a home movie. It doesn't look like it was done by a professional at all. And it wasn't".

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With only one small hotel on the island, the cast were housed with the islanders, which had the advantage that it helped the actors pick up the local accent for the film. One local, who was adept at

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Captain Waggett, the stuffy English commander of the local Home Guard, orders Odd to guard the cargo, but Macroon casually remarks that, by long-standing custom, a man cannot marry without hosting a

1007:. The critic John Brown argues that the film, created by outsiders to the community, tries to "embody some kind of definitive essence", but fails to do so, although the result is not unsympathetic. 826:

Mackendrick was still not satisfied with the final film and thought it looked like an amateur work. Because of financial pressures on the studio Balcon decided to release it with little promotion.

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unit. Meanwhile, Macroon's other daughter, Catriona, has just become engaged to a meek schoolteacher, George Campbell, although Campbell's stern, domineering mother refuses to give her approval.

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One scene in the film, soon after the first whisky has been rescued from the ship, shows the male islanders celebrating the return of whisky to the island by drinking and singing in unison in

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explores the actions of a small insular group facing and overcoming a more powerful opponent. An unspoken sense of community runs through the film, and the story reflects a time when the

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scene; immediately coming from that celebration, the islanders come together to hide the whisky when they hear the customs men are on their way. Martin-Jones—describing the scene as a

594:, one of Ealing's production design team, could direct the work. Balcon did not want novices as producer and director, and persuaded Danischewsky to select someone else. They asked 861: 661:

was renamed in the book and film. Most of the cast were Scottish—with the exception of two of the lead actors, Basil Radford and Joan Greenwood—and many of the islanders from

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is one of several films that show an outsider coming to Scotland and being "either humiliated or rejuvenated (or both)", according to David Martin-Jones, the film historian.

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considered that "a talented cast sees to it that no island character study shall go unnoticed", while the lead actors "make the most of their opportunities". The critic for

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away the script and had Mackenzie and MacPhail rewrite it over two days. For a box of cigars, Mackenzie was persuaded to add material to the script from his 1943 novel

918:(trans: "mouth music"). According to McArthur, the music and the action show a social, communal event, with whisky the central focus of their enjoyment. The tune was " 4406: 840:, Harman and several other press reviewers visited the studios to see the film. They all wrote good reviews, which forced Balcon to provide funds for promotion. 1135:

The acting was also praised by many critics; Lejeune wrote that the actors portray "real people doing real things under real conditions", and the reviewer for

3200: 643: 926:. The scene mixed the professional actors and local islanders; Crichton said it was not possible to differentiate between the two in the final film. 1089:

was released in the US in December 1949, though because of restrictions on the use of the names of alcoholic drinks in titles, the film was renamed

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sympathy lay with the islanders and their removal of the drink. Mackendrick later said: "I began to realise that the most Scottish character in

570:. Danischewsky had been employed in the studio's advertising department, but was becoming bored by the work and was considering a position in 933:. According to the music historian Rosemary Coupe, the dance and music are "a vibrant expression of the Scottish spirit, second only to the ' 843:

Danischewsky later called the film "the longest unsponsored advertisement ever to reach cinema screens the world over"; the whisky producer

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melodies; Daubney describes how the "balance of material evokes the English-Scottish relationship which will emerge in the film's story".

4681: 1025:—considers that it offers a Kailyard image which "illustrates the curative charms Scotland offers to the tourist or visiting outsider". 414:

A battle of wits ensues between Waggett, who wants to confiscate the salvaged cargo, and the islanders. Waggett brings in Macroon's old

4646: 1053:, along with other of the Ealing comedies, as "conservative, but 'mildly anarchic' daydreams, fantasies". Like other Ealing comedies, 294:. The islanders find out the ship is carrying 50,000 cases of whisky, some of which they salvage, against the opposition of the local 5162: 5132: 3810: 1156:, thought that Radford and Watson were the stand-out actors of the film, although he also considered the rest of the cast strong. 305:; the weather was so poor that the production over-ran its 10-week schedule by five weeks, and the film went £20,000 over budget. 3578: 3520: 718: 2101: 1978: 1963: 1792: 5182: 5127: 5112: 1596: 5172: 5167: 5152: 4046: 3856: 3097: 3075: 3054: 3035: 3012: 2991: 2970: 2951: 2929: 2908: 2889: 2870: 2839: 2810: 2787: 1414: 1384: 1317: 819:

work. The initial editing had been done by Joseph Sterling, who was relatively inexperienced. Another of Ealing's directors,

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magazine, called it "one of the best post-war British films". Several critics identified the script as excellent and

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Honri, Baynham (November 1967). "Milestones in British Film Studios and Their Production Techniques – 1897–1967".

290:—concerns a shipwreck off a fictional Scottish island, the inhabitants of which have run out of whisky because of 5142: 5061: 4890: 4674: 1334:, thought it an "innocuous, unmemorable remake" and that there was "little reason for it to exist". In contrast, 750: 291: 4302: 3618: 892:, who had been involved in several other productions for Ealing Studios. His score incorporated adaptations of 133: 1081:

was released into UK cinemas on 16 June 1949 and was financially successful. In France, the film was retitled

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Cramb, Auslan (28 December 2016). "How Compton Mackenzie may have helped to pave the way for Trainspotting".

1434: 5177: 4422: 4246: 4118: 4094: 3803: 1383:£100,000 in 1948 equates to approximately £5 million in 2023, according to calculations based on the 972:. Both films evoke "a tension between myth and reality in the portrayal of the idyllic island community". 757:

meant the use of a mobile studio unit for filming. This was one of the earliest uses by a British studio.

5053: 4997: 4898: 4802: 4582: 4566: 4342: 3740: 3689: 3501: 3338: 1717: 741: 383: 351:, the film became the first from the studios to achieve box office success. It was followed by a sequel, 309:, the head of the studio, was unimpressed by the initial cut of the film, and one of Ealing's directors, 1747: 830:, one of the editors at Ealing, recommended the film to his father, Jympson Harman, the film critic for 791:

Mackendrick was unhappy with the film; as the cast and crew were preparing to return to London, he told

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was adapted for the stage as a musical; under the direction of Ken Alexander, it was performed at the

5102: 4638: 4598: 4550: 4534: 4390: 3928: 3665: 3547: 2939: 1355: 1291: 1137: 679: 343:, leading to 1949 being remembered as one of the peak years of the Ealing comedies. In the US, where 177: 4614: 4574: 4486: 4430: 4126: 4078: 4016: 3748: 1428: 586: 339: 1669: 1413:£20,000 in 1948 equates to approximately £900,000 in 2023, according to calculations based on the 1285:; all three comedies were released in UK cinemas over two months. Brian McFarlane, writing in the 4866: 4730: 3944: 3896: 3796: 2612: 1112: 847:

later presented those associated with the film a bottle of whisky each, given at a dinner at the

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Scottish folk music is used for the accompaniment of the eightsome reel, which is danced at the

5005: 4946: 4874: 4834: 4746: 4374: 4270: 3904: 3848: 3756: 3697: 3583: 1201: 844: 792: 761: 669: 451: 262: 120: 590:, and with the studio's directors all working on other projects, Danischewsky asked Balcon if 4906: 4630: 4526: 4518: 4222: 3952: 3642: 3378:

Romney, Jonathan (24 July 2011). "Another Shot of Scotch on the Rocks with a Splash of Wit".

1297: 611: 591: 509: 415: 295: 275: 266: 79: 47: 3065: 3023: 3002: 2981: 2919: 2858: 2777: 618:, who also appeared in the film. The film and novel's story was based on an incident in the 5029: 4954: 4786: 4478: 4000: 3880: 1263: 1029:

in approach as a method to allow important points in the plot to make themselves apparent.

3483: 2594: 1438:(both 1948) had been expensive to produce and neither had a good return at the box office. 811:—and his initial thought was to cut its running time down to an hour and classify it as a 642:

Mackenzie was annoyed with aspects of the adaptation and, referring to the removal of the

8: 5092: 4930: 4914: 4858: 4826: 4622: 4590: 4462: 4350: 4286: 4238: 3832: 3721: 1461: 1401: 1359: 897: 580: 333: 1110:, considered it "a film with the French genius in the British manner"; the reviewer for 4970: 4850: 4818: 4738: 4606: 4382: 4166: 4142: 4070: 3920: 3864: 3484: 3262: 3144: 2845: 2552: 1330: 1152: 996: 567: 563: 411:

Campbell the courage to stand up to his mother and insist that he will marry Catriona.

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ran a similar survey of 150 movie industry figures and critics, where it came 67th.

1045:. The device of pitting a small group of British against a series of changes to the 4938: 4882: 4358: 4230: 4214: 4198: 4182: 4158: 4024: 3888: 3788: 3240: 3205: 3178: 2827: 2773: 2686: 1485: 1467: 1245: 1033: 1000: 992: 984: 820: 815:. He did not provide Mackendrick with another directoral role, but assigned him to 674: 619: 310: 3217: 5045: 5021: 4754: 4722: 4714: 4454: 4294: 3600: 3464: 3292: 2821: 1491: 1473: 1211: 1147: 958: 893: 503: 463: 353: 314: 1219:. Danischewsky provided the screenplay, and several of the personnel who filmed 912: 874: 5107: 4762: 3872: 3820: 3429:"The Annual RPI and Average Earnings for Britain, 1209 to Present (New Series)" 3209: 3085: 2831: 2820:

Bell, Emily A. (2019). "Singing and Vocal Practices". In Sturman, Janet (ed.).

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thought "the gentle, subversive wit of the 1949 version has been left intact".

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scene; Greenwood, a talented ballet dancer, could not master the steps of the

542:, the writer of both the source novel and the screenplay, in a 1914 photograph 5086: 4810: 4770: 4659: 4502: 4438: 4414: 4334: 4054: 3313: 3190: 3140: 2624: 1325: 1216: 1188: 1101: 889: 623: 433: 284: 250: 151: 105: 36: 3428: 2644: 2390: 2029: 638:

officers, undertook raids and arrested many of those who had looted whisky.

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was his first job in production. The film was produced at the same time as

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are largely unaffected by wartime rationing until 1943, when the supply of

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Duguid, Mark; Freeman, Lee; Johnston, Keith M.; Williams, Melanie (2012).

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Electric Shock: From the Gramophone to the iPhone – 125 Years of Pop Music

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Pryor, Thomas M. (26 December 1949). "Based on Compton Mackenzie Novel".

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McFarlane, Brian (22 September 2005). "Ealing Studios (act. 1907–1959)".

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thought the film was "put together with ... tact and subtlety", and

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in the Outer Hebrides. Local inhabitants from the island and from nearby

479: 469: 254: 242: 3588: 3249: 3148: 1753: 1267:(1996). Much of the influence is because of the Kailyard effect used in 401: 4842: 4778: 4558: 4150: 3681: 3024:"Alexander Mackendrick. Dreams, Nightmares, and Myths in Ealing Comedy" 1455: 968: 634: 1019: 313:, added footage and re-edited the film before its release. Like other 3546: 3334: 2107: 1984: 1969: 1879: 1840: 1798: 1602: 1340: 1335: 1237:(1954)—had an influence over later Scottish-centred films, including 785: 3030:. Chichester, West Sussex: John Wiley & Sons. pp. 409–431. 1400:

and had an opportunity to travel to India to write a history of the

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from an external agent leads the British Film Institute to consider

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Macnab, Geoffrey (5 July 2016). "A Toast to Whimsy and Nostalgia".

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Fidler, Jimmie (23 November 1949). "Jimmie Fidler in Hollywood".

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Coupe, Rosemary (2010). "The Evolution of the 'Eightsome Reel'".

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Ripping England!: Postwar British Satire from Ealing to the Goons

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The inhabitants of the isolated Scottish island of Todday in the

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British Cinema in the Fifties: Gender, Genre and the 'New Look'

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Films set on the United Kingdom home front during World War II

2366: 646:, described the production as "nother of my books gone west". 331:

was well received on release. It came out in the same year as

283:. The story—based on a true event, the running aground of the 2898: 2743: 2674: 2650: 2396: 2188: 2035: 1951: 1233:—along with Mackendrick's other Scottish-based Ealing comedy 1085:; the name was later used as that of a discothèque in Paris. 722: 662: 302: 2865:. Aldershot, Hampshire: Ashgate Publishing. pp. 60–72. 2826:. Thousand Oaks, CA: SAGE Publications. pp. 1961–1968. 1328:

took the role of Macroon. The critic Guy Lodge, writing for

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Brown, John (Winter 1983). "The Land Beyond Brigadoon".

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The SAGE International Encyclopedia of Music and Culture

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Best of British: Cinema and Society from 1930 to Present

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film's portrayals of the Scots to the portrayals in the

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so slightly, towards the fantastic and the humorous".

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and Mackendrick's other Scottish-based Ealing comedy,

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Whisky Galore! & The Maggie: A British Film Guide

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Lethal Innocence: The Cinema of Alexander Mackendrick

2656: 2561: 2446: 2282: 2246: 2212: 2210: 2208: 2206: 2065: 2053: 1861: 1623: 1611: 1537: 1017: 910: 872: 399: 3818: 2859:"Music as a Satirical Device in the Ealing Comedies" 2695: 2595:"Film: British Film in 1950". British Film Institute 2534: 2497: 2470: 2402: 2116: 2089: 1737: 1735: 1654: 1644: 1642: 1640: 1638: 1574: 1572: 1525: 776:, and the feet of one of the islanders were filmed. 2576: 2270: 2798: 2342: 2330: 2318: 2203: 3409: 2749: 2707: 1732: 1635: 1569: 5084: 3410:Calhoun, Dave; de Semlyen, Phil (12 July 2023). 2719: 1676:"Customs and Excise". Merseyside Maritime Museum 419:explain himself, leaving the locals triumphant. 2771: 2619:"Rockets Galore (1958)". British Film Institute 2384: 2372: 4689: 1885:, Events occur at 17:50–18:10 and 21:35–21:45. 1846:, Events occur at 13:35–13:45 and 21:50–21:57. 4675: 3804: 3626: 3026:. In Horton, Andrew; Rapf, Joanna E. (eds.). 900:to include in his compositions, and used the 4407:The Life and Adventures of Nicholas Nickleby 3204:(online ed.). Oxford University Press. 2979: 2360: 2312: 2197: 803:Balcon disliked the completed rough cut of 629:ran aground in 1941 off the north coast of 4682: 4668: 3811: 3797: 3633: 3619: 3448:"Customs and Excise take a different view" 2944:Polly: The True Story Behind Whisky Galore 2938: 2861:. In Mera, Miguel; Burnand, David (eds.). 1906: 1855: 1563: 784:is Waggett the Englishman. He is the only 389:During a night-time fog, the freighter SS 361:has since been adapted for the stage, and 29: 3197: 3107: 2986:. Edinburgh: Edinburgh University Press. 2662: 3523:. British Film Institute. Archived from 3295:(15 January 1950). "In Blythe Spirits". 3291: 3063: 3021: 3000: 2917: 2638: 2606: 2570: 2440: 2423: 2300: 2264: 2252: 2240: 2228: 2182: 2170: 2158: 2146: 2134: 2083: 2047: 1999: 1957: 1933: 1894: 1816: 1771: 1711: 1699: 1687: 1629: 1617: 1531: 1271:, according to the author Auslan Cramb. 1073: 1032:The film historians Anthony Aldgate and 858: 682:, who wrote a history of the sinking of 534: 5158:Films directed by Alexander Mackendrick 3312: 3201:Oxford Dictionary of National Biography 3084: 2879: 2856: 2508: 2491: 2464: 2452: 2288: 2071: 2059: 2023: 2011: 1945: 1921: 1828: 1786: 1590: 1546: 1365: 1287:Oxford Dictionary of National Biography 5085: 3462: 3377: 3324: 3303: 3224: 2701: 2630: 2540: 2476: 1663: 1648: 686:, states that the budget was £60,000. 4663: 3857:The Lodger: A Story of the London Fog 3792: 3614: 3499: 3426: 3368: 3282: 3228:(April 1950). "Nothing to Laugh At". 3168: 3126: 3113: 3044: 2713: 2634: 2582: 2408: 2276: 2216: 2122: 1867: 1741: 1318:Edinburgh International Film Festival 3333: 3316:(19 June 1949). "Tipping a Winner". 2960: 2946:. Edinburgh: Mainstream Publishing. 2819: 2796: 2738:"Best 100 British Films – List". BBC 2725: 2348: 2336: 2324: 2095: 1578: 427: 4647:The Long and the Short and the Tall 3554:(Television production). Channel 4. 13: 3241:"Stage Design; Going off-screen". 2687:"Stage Design; Going off-screen". 798: 273:, an adaptation of his 1947 novel 265:. It was the directorial debut of 14: 5194: 3560: 3090:The Secret Life of Ealing Studios 1447:Other films to show this include 1316:of the film was premiered at the 1277:was produced at the same time as 546: 5163:Films produced by Michael Balcon 1426:Two previous films from Ealing, 975:McArthur, in his work comparing 703: 696: 5133:Films set in the Outer Hebrides 3502:"Film Review: 'Whisky Galore!'" 3395:"Best 100 British Films – List" 1504: 1441: 1420: 1407: 1390: 1377: 301:It was filmed on the island of 2903:. London: Palgrave Macmillan. 2113:, Event occurs at 42:00–42:20. 1990:, Event occurs at 41:50–42:00. 1975:, Event occurs at 41:40–41:50. 1804:, Event occurs at 14:30–14:55. 1608:, Event occurs at 11:15–11:30. 1354:was voted 24th on the list of 836:. Although there was to be no 807:—mostly put together from the 602:The screenplay was written by 1: 5183:Films scored by Ernest Irving 5128:Films based on British novels 5113:British black-and-white films 3276: 2750:Calhoun & de Semlyen 2023 1518: 1215:in 1958, with direction from 704: 530: 16:Film by Alexander Mackendrick 5173:1940s English-language films 5168:1949 directorial debut films 5153:Films about alcoholic drinks 4247:The Black Sheep of Whitehall 4119:The Man Who Changed His Mind 3485:"Film: British Film in 1950" 3450:. Merseyside Maritime Museum 3412:"The Top 100 British Movies" 3218:UK public library membership 2980:Martin-Jones, David (2010). 2918:Geraghty, Christine (2002). 1209:, was adapted and filmed as 7: 4899:Keep the Home Guard Turning 4567:The Night My Number Came Up 4343:Pink String and Sealing Wax 3387: 2385:Aldgate & Richards 1999 2373:Aldgate & Richards 1999 1396:At heart, Mackenzie was an 742:Keep the Home Guard Turning 10: 5199: 4399:The Loves of Joanna Godden 4263:The Foreman Went to France 4207:The Ghost of St. Michael's 3500:Lodge, Guy (12 May 2017). 3364:. 18 June 1949. p. 5. 3070:. Albany, NY: SUNY Press. 3049:. London: Pavilion Books. 3028:A Companion to Film Comedy 2832:10.4135/9781483317731.n650 2759: 1356:100 greatest British films 1349:The British Film Institute 1310:Pitlochry Festival Theatre 1172:British Academy Film Award 880:music sung during the film 689: 4989: 4698: 4535:The Man in the White Suit 4391:It Always Rains on Sunday 4047:The Man Who Knew Too Much 3827: 3767: 3732: 3666:The Man in the White Suit 3649: 3552:Distilling Whisky Galore! 3380:The Independent on Sunday 3265:The Monthly Film Bulletin 3022:Mortimer, Claire (2015). 2555:The Monthly Film Bulletin 2109:Distilling Whisky Galore! 1986:Distilling Whisky Galore! 1971:Distilling Whisky Galore! 1881:Distilling Whisky Galore! 1842:Distilling Whisky Galore! 1800:Distilling Whisky Galore! 1604:Distilling Whisky Galore! 1292:The Man in the White Suit 1195: 1138:The Monthly Film Bulletin 940: 922:", a nonsense song about 226: 218: 208: 184: 178:General Film Distributors 173: 157: 147: 139: 129: 98: 88: 74: 53: 43: 28: 23: 4487:Kind Hearts and Coronets 4431:Saraband for Dead Lovers 3749:Saraband for Dead Lovers 3540: 3487:. British Film Institute 3471:. British Film Institute 3397:. BBC. 23 September 1999 3263:"Whisky Galore (1948)". 3064:Rawlings, Roger (2017). 3001:McArthur, Colin (2003). 2884:. London: Random House. 2765: 2553:"Whisky Galore (1948)". 1429:Saraband for Dead Lovers 1370: 1283:Kind Hearts and Coronets 1205:, Mackenzie's sequel to 1186:, although they lost to 1184:Kind Hearts and Coronets 854: 672:'s monthly publication, 587:Kind Hearts and Coronets 340:Kind Hearts and Coronets 269:; the screenplay was by 4891:The Monarch of the Glen 3521:"Rockets Galore (1958)" 3465:"Whisky Galore! (1949)" 3427:Clark, Gregory (2018). 3362:The Manchester Guardian 3360:"New Films in London". 3355:(subscription required) 3164:(3): 103–104. May 1950. 3092:. London: Aurum Press. 2983:Scotland: Global Cinema 2880:Doggett, Peter (2016). 2528:The Manchester Guardian 2526:"New Films in London". 1143:The Manchester Guardian 1126:The Manchester Guardian 1113:The Manchester Guardian 1096:Critics warmly praised 616:James Robertson Justice 610:, based on Mackenzie's 446:James Robertson Justice 436:as Captain Paul Waggett 422: 368: 116:James Robertson Justice 5143:Films shot in Scotland 4875:The Four Winds of Love 4835:Buttercups and Daisies 4447:Scott of the Antarctic 3849:The Triumph of the Rat 3714:A High Wind in Jamaica 3698:Sweet Smell of Success 3584:British Film Institute 3210:10.1093/ref:odnb/93789 3108:Journals and magazines 3045:Perry, George (1981). 3007:. London: I.B.Tauris. 2857:Daubney, Kate (2006). 2797:Barr, Charles (1977). 2782:. London: I.B.Tauris. 1435:Scott of the Antarctic 1170:was nominated for the 1018: 911: 881: 873: 845:The Distillers Company 670:British Film Institute 622:, when the cargo ship 543: 400: 365:was released in 2016. 193:16 June 1949 4631:The Siege of Pinchgut 4519:The Lavender Hill Mob 4223:Turned Out Nice Again 4095:Things Are Looking Up 4009:Friday the Thirteenth 3953:The Return of the Rat 3643:Alexander Mackendrick 3463:Duguid, Mark (2013). 2961:Kemp, Philip (1991). 2924:. London: Routledge. 1960:, pp. 24, 27–28. 1417:measure of inflation. 1387:measure of inflation. 1298:The Lavender Hill Mob 1074:Release and reception 865: 768:for Greenwood in the 665:were used as extras. 592:Alexander Mackendrick 538: 267:Alexander Mackendrick 48:Alexander Mackendrick 5148:Films set on beaches 5123:Ealing Studios films 5118:British comedy films 4955:The Lunatic Republic 4787:Rogues and Vagabonds 4479:A Run for Your Money 4135:Where There's a Will 3258:(4): 182. June 1950. 3245:: 14. 6 August 2009. 3171:Journal of the SMPTE 1415:Consumer Price Index 1385:Consumer Price Index 1366:Notes and references 1347:In a 1999 survey by 1301:were both released. 1160:Pryor, reviewing in 719:class=notpageimage| 84:by Compton Mackenzie 5178:1940s British films 5062:Monarch of the Glen 4931:Ben Nevis Goes East 4915:Hunting the Fairies 4859:The Darkening Green 4803:Extraordinary Women 4463:Passport to Pimlico 4351:They Came to a City 4287:San Demetrio London 3776:Mary Queen of Scots 3527:on 20 December 2016 3285:The Daily Telegraph 2965:. London: Methuen. 2863:European Film Music 2387:, pp. 157–158. 2026:, pp. 151–152. 2014:, pp. 150–151. 1948:, pp. 182–183. 1593:, pp. 146–147. 1462:Trouble in the Glen 1324:played Waggett and 1279:Passport to Pimlico 1180:Passport to Pimlico 1091:Tight Little Island 1060:Passport to Pimlico 1043:Passport to Pimlico 898:Scottish folk music 581:Passport to Pimlico 506:as Catriona Macroon 349:Tight Little Island 334:Passport to Pimlico 4971:The Stolen Soprano 4851:Water on the Brain 4819:The Three Couriers 4739:Sylvia and Michael 4607:The Man in the Sky 4303:For Those in Peril 4239:Went the Day Well? 4167:The Gaunt Stranger 4143:Windbag the Sailor 4071:Me and Marlborough 3921:A South Sea Bubble 3865:The Mountain Eagle 3819:Films produced by 3550:(8 January 1991). 3371:The New York Times 3297:The New York Times 3156:"The Front Page". 3129:Folk Music Journal 2772:Aldgate, Anthony; 2675:Duguid et al. 2012 2651:Duguid et al. 2012 2397:Duguid et al. 2012 2036:Duguid et al. 2012 1724:"The Front Page". 1162:The New York Times 1153:The New York Times 997:Sir Edwin Landseer 882: 764:, stood in as the 568:associate producer 564:Monja Danischewsky 544: 518:as Captain Buncher 512:as Angus MacCormac 500:as Sammy MacCodrun 454:as George Campbell 416:Customs and Excise 296:Customs and Excise 241:is a 1949 British 35:UK film poster by 5098:1949 comedy films 5080: 5079: 5014:Dance Pretty Lady 4923:The Rival Monster 4692:Compton Mackenzie 4657: 4656: 4367:The Captive Heart 4319:The Halfway House 4311:Champagne Charlie 4279:The Bells Go Down 4255:My Learned Friend 4191:Let George Do It! 4175:The Four Just Men 4103:The First Offence 4017:Princess Charming 3786: 3785: 3706:Sammy Going South 3252:Sight & Sound 3250:"Whisky Galore". 3230:Sight & Sound 3216:(Subscription or 3177:(11): 1116–1121. 3158:Sight & Sound 3116:Sight & Sound 3099:978-1-78131-397-8 3077:978-1-4384-6733-7 3056:978-0-907516-60-6 3037:978-1-1191-6955-0 3014:978-1-86064-633-1 2993:978-0-7486-8654-4 2972:978-0-4136-4980-5 2953:978-1-8401-8071-8 2940:Hutchinson, Roger 2931:978-1-134-69464-8 2910:978-1-84457-510-7 2891:978-0-09-957519-1 2872:978-0-7546-3659-5 2841:978-1-5063-5338-8 2812:978-0-7153-7420-7 2789:978-1-86064-288-3 2774:Richards, Jeffrey 2361:Martin-Jones 2010 2313:Martin-Jones 2010 2200:, pp. 46–47. 2198:Martin-Jones 2010 2185:, pp. 46–47. 2161:, pp. 39–40. 1936:, pp. 27–28. 1756:Sight & Sound 1754:"Whisky Galore". 1726:Sight & Sound 1690:, pp. 16–18. 1176:Best British Film 1122:Sight & Sound 989:Felix Mendelssohn 863: 755:location shooting 675:Sight & Sound 604:Compton Mackenzie 540:Compton Mackenzie 527: 526: 516:Compton Mackenzie 488:as Mr Farquharson 460:as Joseph Macroon 292:wartime rationing 271:Compton Mackenzie 234: 233: 61:Compton Mackenzie 5190: 5103:1948 in Scotland 4883:The Red Tapeworm 4684: 4677: 4670: 4661: 4660: 4423:Against the Wind 4359:Johnny Frenchman 4231:The Big Blockade 4215:Ships with Wings 4199:The Proud Valley 4183:Cheer Boys Cheer 4159:A Yank at Oxford 4040:Along Came Sally 3889:The Rolling Road 3813: 3806: 3799: 3790: 3789: 3722:Don't Make Waves 3635: 3628: 3621: 3612: 3611: 3555: 3536: 3534: 3532: 3516: 3514: 3512: 3496: 3494: 3492: 3480: 3478: 3476: 3459: 3457: 3455: 3443: 3441: 3439: 3423: 3421: 3419: 3406: 3404: 3402: 3383: 3374: 3365: 3356: 3353: 3351: 3349: 3339:"Whisky Galore!" 3330: 3321: 3309: 3306:The Joplin Globe 3300: 3293:Crowther, Bosley 3288: 3272: 3259: 3246: 3237: 3221: 3213: 3194: 3165: 3152: 3123: 3103: 3081: 3060: 3041: 3018: 2997: 2976: 2957: 2935: 2914: 2901:Ealing Revisited 2895: 2876: 2853: 2816: 2804: 2793: 2753: 2747: 2741: 2735: 2729: 2723: 2717: 2711: 2705: 2699: 2693: 2684: 2678: 2672: 2666: 2660: 2654: 2648: 2642: 2628: 2622: 2616: 2610: 2604: 2598: 2592: 2586: 2580: 2574: 2568: 2559: 2550: 2544: 2538: 2532: 2523: 2512: 2506: 2495: 2489: 2480: 2474: 2468: 2462: 2456: 2450: 2444: 2438: 2427: 2421: 2412: 2406: 2400: 2394: 2388: 2382: 2376: 2370: 2364: 2358: 2352: 2346: 2340: 2334: 2328: 2322: 2316: 2310: 2304: 2298: 2292: 2286: 2280: 2274: 2268: 2262: 2256: 2250: 2244: 2238: 2232: 2226: 2220: 2214: 2201: 2195: 2186: 2180: 2174: 2168: 2162: 2156: 2150: 2144: 2138: 2132: 2126: 2120: 2114: 2111:, 8 January 1991 2105: 2099: 2093: 2087: 2081: 2075: 2069: 2063: 2057: 2051: 2045: 2039: 2033: 2027: 2021: 2015: 2009: 2003: 1997: 1991: 1988:, 8 January 1991 1982: 1976: 1973:, 8 January 1991 1967: 1961: 1955: 1949: 1943: 1937: 1931: 1925: 1919: 1910: 1904: 1898: 1892: 1886: 1883:, 8 January 1991 1877: 1871: 1865: 1859: 1853: 1847: 1844:, 8 January 1991 1838: 1832: 1826: 1820: 1814: 1805: 1802:, 8 January 1991 1796: 1790: 1784: 1775: 1769: 1760: 1751: 1745: 1739: 1730: 1721: 1715: 1709: 1703: 1697: 1691: 1685: 1679: 1673: 1667: 1661: 1652: 1646: 1633: 1627: 1621: 1615: 1609: 1606:, 8 January 1991 1600: 1594: 1588: 1582: 1576: 1567: 1561: 1550: 1544: 1535: 1529: 1512: 1508: 1502: 1445: 1439: 1424: 1418: 1411: 1405: 1394: 1388: 1381: 1229: 1130: 1100:on its release. 1034:Jeffrey Richards 1023: 1001:Sir Harry Lauder 993:James Macpherson 985:Sir Walter Scott 916: 888:was composed by 878: 864: 833:The Evening News 821:Charles Crichton 762:Scottish dancing 707: 706: 700: 680:Roger Hutchinson 668:In May 1950 the 655:Cabinet Minister 644:religious divide 620:Second World War 554:was produced by 442:as Peggy Macroon 428: 405: 391:Cabinet Minister 311:Charles Crichton 200: 198: 33: 21: 20: 5198: 5197: 5193: 5192: 5191: 5189: 5188: 5187: 5083: 5082: 5081: 5076: 5054:Sinister Street 5046:Rockets Galore! 5022:Sylvia Scarlett 5006:Sinister Street 4998:The Ballet Girl 4985: 4867:Figure of Eight 4755:The Vanity Girl 4731:Sylvia Scarlett 4723:Guy and Pauline 4715:Sinister Street 4694: 4688: 4658: 4653: 4583:The Ladykillers 4455:Train of Events 4375:The Overlanders 3905:One of the Best 3823: 3817: 3787: 3782: 3763: 3741:Midnight Menace 3728: 3690:The Ladykillers 3645: 3639: 3563: 3558: 3543: 3530: 3528: 3510: 3508: 3490: 3488: 3474: 3472: 3453: 3451: 3437: 3435: 3417: 3415: 3400: 3398: 3390: 3354: 3347: 3345: 3327:The Independent 3279: 3271:(181–192): 117. 3215: 3110: 3100: 3086:Sellers, Robert 3078: 3057: 3038: 3015: 2994: 2973: 2954: 2932: 2911: 2892: 2873: 2842: 2813: 2790: 2768: 2762: 2757: 2756: 2748: 2744: 2736: 2732: 2724: 2720: 2712: 2708: 2700: 2696: 2685: 2681: 2673: 2669: 2661: 2657: 2649: 2645: 2629: 2625: 2617: 2613: 2605: 2601: 2593: 2589: 2581: 2577: 2569: 2562: 2551: 2547: 2539: 2535: 2524: 2515: 2507: 2498: 2490: 2483: 2475: 2471: 2463: 2459: 2451: 2447: 2439: 2430: 2422: 2415: 2407: 2403: 2395: 2391: 2383: 2379: 2371: 2367: 2359: 2355: 2347: 2343: 2335: 2331: 2323: 2319: 2311: 2307: 2299: 2295: 2287: 2283: 2275: 2271: 2263: 2259: 2251: 2247: 2239: 2235: 2227: 2223: 2215: 2204: 2196: 2189: 2181: 2177: 2169: 2165: 2157: 2153: 2145: 2141: 2133: 2129: 2121: 2117: 2106: 2102: 2098:, p. 1966. 2094: 2090: 2082: 2078: 2070: 2066: 2058: 2054: 2046: 2042: 2034: 2030: 2022: 2018: 2010: 2006: 1998: 1994: 1983: 1979: 1968: 1964: 1956: 1952: 1944: 1940: 1932: 1928: 1920: 1913: 1907:Hutchinson 2007 1905: 1901: 1893: 1889: 1878: 1874: 1870:, p. 1121. 1866: 1862: 1856:Hutchinson 2007 1854: 1850: 1839: 1835: 1827: 1823: 1815: 1808: 1797: 1793: 1785: 1778: 1770: 1763: 1752: 1748: 1740: 1733: 1722: 1718: 1710: 1706: 1698: 1694: 1686: 1682: 1674: 1670: 1662: 1655: 1647: 1636: 1628: 1624: 1616: 1612: 1601: 1597: 1589: 1585: 1577: 1570: 1564:Hutchinson 2007 1562: 1553: 1545: 1538: 1530: 1526: 1521: 1516: 1515: 1509: 1505: 1492:The Rocket Post 1474:Rockets Galore! 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In June 2016 1227: 1225:Rockets Galore! 1223:also worked on 1212:Rockets Galore! 1198: 1148:Bosley Crowther 1128: 1076: 1070:was weakening. 959:Kailyard school 943: 859: 857: 801: 799:Post-production 736: 735: 734: 721: 715: 714: 713: 712: 708: 692: 562:; he appointed 549: 533: 528: 504:Gabrielle Blunt 482:as Sergeant Odd 472:as Mrs Campbell 464:Catherine Lacey 425: 371: 354:Rockets Galore! 325:was weakening. 315:Ealing comedies 211: 204: 196: 194: 187: 169: 162: 160: 143:Joseph Sterling 125: 83: 70: 39: 17: 12: 11: 5: 5196: 5186: 5185: 5180: 5175: 5170: 5165: 5160: 5155: 5150: 5145: 5140: 5135: 5130: 5125: 5120: 5115: 5110: 5105: 5100: 5095: 5078: 5077: 5075: 5074: 5070:Whisky Galore! 5066: 5058: 5050: 5042: 5038:Whisky Galore! 5034: 5026: 5018: 5010: 5002: 4993: 4991: 4987: 4986: 4984: 4983: 4975: 4967: 4959: 4951: 4947:Rockets Galore 4943: 4935: 4927: 4919: 4911: 4903: 4895: 4887: 4879: 4871: 4863: 4855: 4847: 4839: 4831: 4823: 4815: 4807: 4799: 4791: 4783: 4775: 4767: 4763:Rich Relatives 4759: 4751: 4747:Poor Relations 4743: 4735: 4727: 4719: 4711: 4702: 4700: 4696: 4695: 4687: 4686: 4679: 4672: 4664: 4655: 4654: 4652: 4651: 4643: 4635: 4627: 4619: 4611: 4603: 4595: 4587: 4579: 4571: 4563: 4555: 4547: 4539: 4531: 4527:Pool of London 4523: 4515: 4507: 4499: 4491: 4483: 4475: 4471:Whisky Galore! 4467: 4459: 4451: 4443: 4435: 4427: 4419: 4411: 4403: 4395: 4387: 4379: 4371: 4363: 4355: 4347: 4339: 4331: 4327:Fiddlers Three 4323: 4315: 4307: 4299: 4291: 4283: 4275: 4267: 4259: 4251: 4243: 4235: 4227: 4219: 4211: 4203: 4195: 4187: 4179: 4171: 4163: 4155: 4147: 4139: 4131: 4123: 4115: 4107: 4099: 4091: 4087:Stormy Weather 4083: 4075: 4067: 4059: 4051: 4043: 4037: 4029: 4021: 4013: 4005: 3997: 3989: 3985:Jack's the Boy 3981: 3977:Woman to Woman 3973: 3965: 3957: 3949: 3941: 3937:The First Born 3933: 3925: 3917: 3909: 3901: 3893: 3885: 3877: 3869: 3861: 3853: 3845: 3841:The Sea Urchin 3837: 3828: 3825: 3824: 3821:Michael Balcon 3816: 3815: 3808: 3801: 3793: 3784: 3783: 3781: 3780: 3771: 3769: 3765: 3764: 3762: 3761: 3753: 3745: 3736: 3734: 3730: 3729: 3727: 3726: 3718: 3710: 3702: 3694: 3686: 3678: 3670: 3662: 3658:Whisky Galore! 3653: 3651: 3650:Films directed 3647: 3646: 3638: 3637: 3630: 3623: 3615: 3609: 3608: 3601:Whisky Galore! 3597: 3590:Whisky Galore! 3586: 3579:Whisky Galore! 3575: 3568:Whisky Galore! 3562: 3561:External links 3559: 3557: 3556: 3542: 3539: 3538: 3537: 3517: 3497: 3481: 3460: 3444: 3433:MeasuringWorth 3424: 3407: 3389: 3386: 3385: 3384: 3375: 3366: 3357: 3337:(5 May 2017). 3331: 3322: 3314:Lejeune, C. A. 3310: 3301: 3289: 3278: 3275: 3274: 3273: 3260: 3247: 3238: 3222: 3195: 3183:10.5594/J13675 3166: 3153: 3135:(5): 693–722. 3124: 3109: 3106: 3105: 3104: 3098: 3082: 3076: 3061: 3055: 3047:Forever Ealing 3042: 3036: 3019: 3013: 2998: 2992: 2977: 2971: 2958: 2952: 2936: 2930: 2915: 2909: 2896: 2890: 2877: 2871: 2854: 2840: 2817: 2811: 2801:Ealing Studios 2794: 2788: 2767: 2764: 2763: 2761: 2758: 2755: 2754: 2742: 2730: 2718: 2706: 2694: 2679: 2667: 2663:McFarlane 2005 2655: 2653:, p. 225. 2643: 2641:, p. 413. 2633:, p. 42; 2623: 2611: 2609:, p. 100. 2599: 2587: 2575: 2560: 2545: 2533: 2513: 2496: 2494:, p. 151. 2481: 2469: 2467:, p. 353. 2457: 2445: 2428: 2413: 2411:, p. 111. 2401: 2399:, p. 137. 2389: 2377: 2375:, p. 155. 2365: 2353: 2341: 2329: 2317: 2315:, p. 163. 2305: 2293: 2281: 2269: 2257: 2245: 2243:, p. 411. 2233: 2231:, p. 413. 2221: 2202: 2187: 2175: 2163: 2151: 2139: 2127: 2125:, p. 716. 2115: 2100: 2088: 2076: 2064: 2052: 2040: 2038:, p. 107. 2028: 2016: 2004: 1992: 1977: 1962: 1950: 1938: 1926: 1924:, p. 150. 1911: 1909:, p. 141. 1899: 1887: 1872: 1860: 1858:, p. 140. 1848: 1833: 1831:, p. 147. 1821: 1806: 1791: 1789:, p. 149. 1776: 1761: 1746: 1731: 1716: 1704: 1692: 1680: 1668: 1653: 1634: 1622: 1610: 1595: 1583: 1568: 1566:, p. 135. 1551: 1549:, p. 146. 1536: 1523: 1522: 1520: 1517: 1514: 1513: 1503: 1498:Made of Honour 1440: 1419: 1406: 1389: 1375: 1374: 1372: 1369: 1367: 1364: 1352:Whisky Galore! 1306:Whisky Galore! 1275:Whisky Galore! 1269:Whisky Galore! 1252:The Wicker Man 1231:Whisky Galore! 1221:Whisky Galore! 1202:Rockets Galore 1197: 1194: 1168:Whisky Galore! 1098:Whisky Galore! 1087:Whisky Galore! 1079:Whisky Galore! 1075: 1072: 1068:British Empire 1064:Whisky Galore! 1055:Whisky Galore! 1051:Whisky Galore! 1038:Whisky Galore! 1005:Queen Victoria 977:Whisky Galore! 964:Whisky Galore! 951:Whisky Galore! 946:Whisky Galore! 942: 939: 886:Whisky Galore! 884:The music for 856: 853: 813:second feature 805:Whisky Galore! 800: 797: 793:Gordon Jackson 782:Whisky Galore! 731:Whisky Galore! 727:Outer Hebrides 717: 716: 710: 709: 702: 701: 695: 694: 693: 691: 688: 608:Angus MacPhail 576:Whisky Galore! 560:Ealing Studios 558:, the head of 556:Michael Balcon 552:Whisky Galore! 548: 547:Pre-production 545: 532: 529: 525: 524: 520: 519: 513: 507: 501: 495: 492:Morland Graham 489: 486:Henry Mollison 483: 475: 474: 473: 467: 466:as Mrs Waggett 461: 455: 452:Gordon Jackson 449: 448:as Dr Maclaren 443: 440:Joan Greenwood 437: 426: 424: 421: 375:Outer Hebrides 370: 367: 359:Whisky Galore! 345:Whisky Galore! 329:Whisky Galore! 323:British Empire 319:Whisky Galore! 307:Michael Balcon 281:Angus MacPhail 263:Gordon Jackson 259:Joan Greenwood 247:Ealing Studios 238:Whisky Galore! 232: 231: 228: 224: 223: 222:United Kingdom 220: 216: 215: 212: 209: 206: 205: 203: 202: 190: 188: 185: 182: 181: 175: 174:Distributed by 171: 170: 167:Ealing Studios 165: 163: 158: 155: 154: 149: 145: 144: 141: 137: 136: 131: 130:Cinematography 127: 126: 124: 123: 121:Gordon Jackson 118: 113: 111:Joan Greenwood 108: 102: 100: 96: 95: 93:Michael Balcon 90: 86: 85: 76: 72: 71: 69: 68: 66:Angus MacPhail 63: 57: 55: 51: 50: 45: 41: 40: 34: 26: 25: 24:Whisky Galore! 15: 9: 6: 4: 3: 2: 5195: 5184: 5181: 5179: 5176: 5174: 5171: 5169: 5166: 5164: 5161: 5159: 5156: 5154: 5151: 5149: 5146: 5144: 5141: 5139: 5136: 5134: 5131: 5129: 5126: 5124: 5121: 5119: 5116: 5114: 5111: 5109: 5106: 5104: 5101: 5099: 5096: 5094: 5091: 5090: 5088: 5072: 5071: 5067: 5064: 5063: 5059: 5056: 5055: 5051: 5048: 5047: 5043: 5040: 5039: 5035: 5032: 5031: 5027: 5024: 5023: 5019: 5016: 5015: 5011: 5008: 5007: 5003: 5000: 4999: 4995: 4994: 4992: 4988: 4981: 4980: 4976: 4973: 4972: 4968: 4965: 4964: 4960: 4957: 4956: 4952: 4949: 4948: 4944: 4941: 4940: 4936: 4933: 4932: 4928: 4925: 4924: 4920: 4917: 4916: 4912: 4909: 4908: 4907:Whisky Galore 4904: 4901: 4900: 4896: 4893: 4892: 4888: 4885: 4884: 4880: 4877: 4876: 4872: 4869: 4868: 4864: 4861: 4860: 4856: 4853: 4852: 4848: 4845: 4844: 4840: 4837: 4836: 4832: 4829: 4828: 4824: 4821: 4820: 4816: 4813: 4812: 4811:Extremes Meet 4808: 4805: 4804: 4800: 4797: 4796: 4792: 4789: 4788: 4784: 4781: 4780: 4776: 4773: 4772: 4768: 4765: 4764: 4760: 4757: 4756: 4752: 4749: 4748: 4744: 4741: 4740: 4736: 4733: 4732: 4728: 4725: 4724: 4720: 4717: 4716: 4712: 4709: 4708: 4704: 4703: 4701: 4697: 4693: 4685: 4680: 4678: 4673: 4671: 4666: 4665: 4662: 4649: 4648: 4644: 4641: 4640: 4639:The Scapegoat 4636: 4633: 4632: 4628: 4625: 4624: 4620: 4617: 4616: 4612: 4609: 4608: 4604: 4601: 4600: 4599:Barnacle Bill 4596: 4593: 4592: 4588: 4585: 4584: 4580: 4577: 4576: 4572: 4569: 4568: 4564: 4561: 4560: 4556: 4553: 4552: 4551:The Cruel Sea 4548: 4545: 4544: 4540: 4537: 4536: 4532: 4529: 4528: 4524: 4521: 4520: 4516: 4513: 4512: 4508: 4505: 4504: 4503:The Blue Lamp 4500: 4497: 4496: 4492: 4489: 4488: 4484: 4481: 4480: 4476: 4473: 4472: 4468: 4465: 4464: 4460: 4457: 4456: 4452: 4449: 4448: 4444: 4441: 4440: 4439:Another Shore 4436: 4433: 4432: 4428: 4425: 4424: 4420: 4417: 4416: 4412: 4409: 4408: 4404: 4401: 4400: 4396: 4393: 4392: 4388: 4385: 4384: 4380: 4377: 4376: 4372: 4369: 4368: 4364: 4361: 4360: 4356: 4353: 4352: 4348: 4345: 4344: 4340: 4337: 4336: 4335:Dead of Night 4332: 4329: 4328: 4324: 4321: 4320: 4316: 4313: 4312: 4308: 4305: 4304: 4300: 4297: 4296: 4292: 4289: 4288: 4284: 4281: 4280: 4276: 4273: 4272: 4268: 4265: 4264: 4260: 4257: 4256: 4252: 4249: 4248: 4244: 4241: 4240: 4236: 4233: 4232: 4228: 4225: 4224: 4220: 4217: 4216: 4212: 4209: 4208: 4204: 4201: 4200: 4196: 4193: 4192: 4188: 4185: 4184: 4180: 4177: 4176: 4172: 4169: 4168: 4164: 4161: 4160: 4156: 4153: 4152: 4148: 4145: 4144: 4140: 4137: 4136: 4132: 4129: 4128: 4124: 4121: 4120: 4116: 4113: 4112: 4108: 4105: 4104: 4100: 4097: 4096: 4092: 4089: 4088: 4084: 4081: 4080: 4076: 4073: 4072: 4068: 4065: 4064: 4060: 4057: 4056: 4055:Car of Dreams 4052: 4049: 4048: 4044: 4041: 4038: 4035: 4034: 4030: 4027: 4026: 4022: 4019: 4018: 4014: 4011: 4010: 4006: 4003: 4002: 3998: 3995: 3994: 3990: 3987: 3986: 3982: 3979: 3978: 3974: 3971: 3970: 3966: 3963: 3962: 3958: 3955: 3954: 3950: 3947: 3946: 3942: 3939: 3938: 3934: 3931: 3930: 3929:A Light Woman 3926: 3923: 3922: 3918: 3915: 3914: 3910: 3907: 3906: 3902: 3899: 3898: 3894: 3891: 3890: 3886: 3883: 3882: 3878: 3875: 3874: 3870: 3867: 3866: 3862: 3859: 3858: 3854: 3851: 3850: 3846: 3843: 3842: 3838: 3835: 3834: 3830: 3829: 3826: 3822: 3814: 3809: 3807: 3802: 3800: 3795: 3794: 3791: 3778: 3777: 3773: 3772: 3770: 3766: 3759: 3758: 3754: 3751: 3750: 3746: 3743: 3742: 3738: 3737: 3735: 3731: 3724: 3723: 3719: 3716: 3715: 3711: 3708: 3707: 3703: 3700: 3699: 3695: 3692: 3691: 3687: 3684: 3683: 3679: 3676: 3675: 3671: 3668: 3667: 3663: 3660: 3659: 3655: 3654: 3652: 3648: 3644: 3641:The films of 3636: 3631: 3629: 3624: 3622: 3617: 3616: 3613: 3607: 3603: 3602: 3598: 3596: 3592: 3591: 3587: 3585: 3581: 3580: 3576: 3574: 3570: 3569: 3565: 3564: 3553: 3549: 3548:Cooper, Derek 3545: 3544: 3526: 3522: 3518: 3507: 3503: 3498: 3486: 3482: 3470: 3466: 3461: 3449: 3445: 3434: 3430: 3425: 3413: 3408: 3396: 3392: 3391: 3382:. p. 42. 3381: 3376: 3373:. p. 33. 3372: 3367: 3363: 3358: 3344: 3340: 3336: 3332: 3329:. p. 41. 3328: 3323: 3319: 3315: 3311: 3308:. p. 12. 3307: 3302: 3298: 3294: 3290: 3286: 3281: 3280: 3270: 3266: 3261: 3257: 3253: 3248: 3244: 3239: 3235: 3231: 3227: 3226:Raynor, Henry 3223: 3219: 3211: 3207: 3203: 3202: 3196: 3192: 3188: 3184: 3180: 3176: 3172: 3167: 3163: 3159: 3154: 3150: 3146: 3142: 3138: 3134: 3130: 3125: 3121: 3117: 3112: 3111: 3101: 3095: 3091: 3087: 3083: 3079: 3073: 3069: 3068: 3062: 3058: 3052: 3048: 3043: 3039: 3033: 3029: 3025: 3020: 3016: 3010: 3006: 3005: 2999: 2995: 2989: 2985: 2984: 2978: 2974: 2968: 2964: 2959: 2955: 2949: 2945: 2941: 2937: 2933: 2927: 2923: 2922: 2916: 2912: 2906: 2902: 2897: 2893: 2887: 2883: 2878: 2874: 2868: 2864: 2860: 2855: 2851: 2847: 2843: 2837: 2833: 2829: 2825: 2824: 2818: 2814: 2808: 2803: 2802: 2795: 2791: 2785: 2781: 2780: 2775: 2770: 2769: 2751: 2746: 2739: 2734: 2727: 2722: 2715: 2710: 2704:, p. 41. 2703: 2698: 2691: 2690: 2683: 2676: 2671: 2664: 2659: 2652: 2647: 2640: 2639:Mortimer 2015 2637:, p. 5; 2636: 2632: 2627: 2620: 2615: 2608: 2607:McArthur 2003 2603: 2596: 2591: 2585:, p. 33. 2584: 2579: 2572: 2571:Crowther 1950 2567: 2565: 2557: 2556: 2549: 2543:, p. 68. 2542: 2537: 2530: 2529: 2522: 2520: 2518: 2510: 2505: 2503: 2501: 2493: 2488: 2486: 2479:, p. 12. 2478: 2473: 2466: 2461: 2455:, p. 51. 2454: 2449: 2443:, p. 81. 2442: 2441:McArthur 2003 2437: 2435: 2433: 2426:, p. 74. 2425: 2424:Rawlings 2017 2420: 2418: 2410: 2405: 2398: 2393: 2386: 2381: 2374: 2369: 2363:, p. 29. 2362: 2357: 2351:, p. 31. 2350: 2345: 2339:, p. 30. 2338: 2333: 2327:, p. 27. 2326: 2321: 2314: 2309: 2303:, p. 44. 2302: 2301:Geraghty 2002 2297: 2291:, p. 61. 2290: 2285: 2279:, p. 41. 2278: 2273: 2267:, p. 12. 2266: 2265:McArthur 2003 2261: 2254: 2253:McArthur 2003 2249: 2242: 2241:Mortimer 2015 2237: 2230: 2229:Mortimer 2015 2225: 2218: 2213: 2211: 2209: 2207: 2199: 2194: 2192: 2184: 2183:Geraghty 2002 2179: 2173:, p. 46. 2172: 2171:Geraghty 2002 2167: 2160: 2159:Geraghty 2002 2155: 2149:, p. 73. 2148: 2147:Rawlings 2017 2143: 2137:, p. 11. 2136: 2135:McArthur 2003 2131: 2124: 2119: 2112: 2110: 2104: 2097: 2092: 2086:, p. 47. 2085: 2084:McArthur 2003 2080: 2074:, p. 63. 2073: 2068: 2062:, p. 62. 2061: 2056: 2050:, p. 35. 2049: 2048:McArthur 2003 2044: 2037: 2032: 2025: 2020: 2013: 2008: 2002:, p. 28. 2001: 2000:McArthur 2003 1996: 1989: 1987: 1981: 1974: 1972: 1966: 1959: 1958:McArthur 2003 1954: 1947: 1942: 1935: 1934:McArthur 2003 1930: 1923: 1918: 1916: 1908: 1903: 1897:, p. 27. 1896: 1895:McArthur 2003 1891: 1884: 1882: 1876: 1869: 1864: 1857: 1852: 1845: 1843: 1837: 1830: 1825: 1819:, p. 15. 1818: 1817:McArthur 2003 1813: 1811: 1803: 1801: 1795: 1788: 1783: 1781: 1774:, p. 24. 1773: 1772:McArthur 2003 1768: 1766: 1758: 1757: 1750: 1743: 1738: 1736: 1728: 1727: 1720: 1714:, p. 34. 1713: 1712:McArthur 2003 1708: 1702:, p. 16. 1701: 1700:McArthur 2003 1696: 1689: 1688:McArthur 2003 1684: 1677: 1672: 1666:, p. 42. 1665: 1660: 1658: 1650: 1645: 1643: 1641: 1639: 1632:, p. 26. 1631: 1630:McArthur 2003 1626: 1620:, p. 20. 1619: 1618:McArthur 2003 1614: 1607: 1605: 1599: 1592: 1587: 1581:, p. 80. 1580: 1575: 1573: 1565: 1560: 1558: 1556: 1548: 1543: 1541: 1533: 1532:McArthur 2003 1528: 1524: 1507: 1500: 1499: 1494: 1493: 1488: 1487: 1482: 1481: 1476: 1475: 1470: 1469: 1464: 1463: 1458: 1457: 1452: 1451: 1444: 1437: 1436: 1431: 1430: 1423: 1416: 1410: 1403: 1399: 1393: 1386: 1380: 1376: 1363: 1361: 1357: 1353: 1350: 1345: 1343: 1342: 1338:, writing in 1337: 1333: 1332: 1327: 1326:Gregor Fisher 1323: 1319: 1315: 1311: 1307: 1302: 1300: 1299: 1294: 1293: 1288: 1284: 1280: 1276: 1272: 1270: 1266: 1265: 1264:Trainspotting 1260: 1259: 1254: 1253: 1248: 1247: 1242: 1241: 1236: 1232: 1226: 1222: 1218: 1217:Michael Relph 1214: 1213: 1208: 1207:Whisky Galore 1204: 1203: 1193: 1191: 1190: 1189:The Third Man 1185: 1181: 1177: 1173: 1169: 1165: 1163: 1157: 1155: 1154: 1150:, writing in 1149: 1144: 1140: 1139: 1133: 1127: 1123: 1119: 1115: 1114: 1109: 1108: 1104:, writing in 1103: 1102:C. A. Lejeune 1099: 1094: 1092: 1088: 1084: 1083:Whisky à gogo 1080: 1071: 1069: 1065: 1061: 1056: 1052: 1048: 1044: 1039: 1035: 1030: 1026: 1024: 1022: 1021: 1014: 1008: 1006: 1002: 998: 994: 990: 986: 982: 978: 973: 971: 970: 965: 960: 954: 952: 947: 938: 936: 935:water of life 932: 927: 925: 921: 917: 915: 914: 906: 903: 899: 895: 891: 890:Ernest Irving 887: 879: 877: 876: 869: 852: 850: 846: 841: 839: 838:trade viewing 835: 834: 829: 824: 822: 818: 814: 810: 806: 796: 794: 789: 787: 783: 777: 775: 771: 767: 763: 758: 756: 752: 746: 744: 743: 732: 728: 724: 720: 699: 687: 685: 681: 677: 676: 671: 666: 664: 660: 656: 651: 647: 645: 639: 636: 632: 628: 627: 621: 617: 613: 609: 605: 600: 597: 593: 589: 588: 583: 582: 577: 573: 569: 565: 561: 557: 553: 541: 537: 523: 517: 514: 511: 510:Duncan Macrae 508: 505: 502: 499: 496: 494:as the Biffer 493: 490: 487: 484: 481: 478: 477: 476: 471: 468: 465: 462: 459: 456: 453: 450: 447: 444: 441: 438: 435: 434:Basil Radford 432: 431: 430: 429: 420: 417: 412: 410: 406: 404: 403: 395: 392: 387: 385: 380: 376: 366: 364: 360: 356: 355: 350: 346: 342: 341: 336: 335: 330: 326: 324: 320: 316: 312: 308: 304: 299: 297: 293: 289: 288: 282: 278: 277: 276:Whisky Galore 272: 268: 264: 260: 256: 252: 251:Basil Radford 248: 244: 240: 239: 229: 225: 221: 217: 213: 207: 192: 191: 189: 183: 179: 176: 172: 168: 164: 156: 153: 152:Ernest Irving 150: 146: 142: 138: 135: 132: 128: 122: 119: 117: 114: 112: 109: 107: 106:Basil Radford 104: 103: 101: 97: 94: 91: 87: 82: 81: 80:Whisky Galore 77: 73: 67: 64: 62: 59: 58: 56: 52: 49: 46: 42: 38: 37:Tom Eckersley 32: 27: 22: 19: 5068: 5060: 5052: 5044: 5037: 5036: 5028: 5020: 5012: 5004: 4996: 4977: 4969: 4961: 4953: 4945: 4937: 4929: 4921: 4913: 4905: 4897: 4889: 4881: 4873: 4865: 4857: 4849: 4841: 4833: 4825: 4817: 4809: 4801: 4793: 4785: 4777: 4769: 4761: 4753: 4745: 4737: 4729: 4721: 4713: 4705: 4645: 4637: 4629: 4621: 4615:The Shiralee 4613: 4605: 4597: 4591:The Long Arm 4589: 4581: 4575:Touch and Go 4573: 4565: 4557: 4549: 4541: 4533: 4525: 4517: 4509: 4501: 4495:Cage of Gold 4493: 4485: 4477: 4470: 4469: 4461: 4453: 4445: 4437: 4429: 4421: 4413: 4405: 4397: 4389: 4381: 4373: 4365: 4357: 4349: 4341: 4333: 4325: 4317: 4309: 4301: 4293: 4285: 4277: 4269: 4261: 4253: 4245: 4237: 4229: 4221: 4213: 4205: 4197: 4189: 4181: 4173: 4165: 4157: 4149: 4141: 4133: 4127:Secret Agent 4125: 4117: 4109: 4101: 4093: 4085: 4079:The 39 Steps 4077: 4069: 4063:First a Girl 4061: 4053: 4045: 4039: 4031: 4023: 4015: 4007: 3999: 3991: 3983: 3975: 3969:Taxi for Two 3967: 3961:City of Play 3959: 3951: 3943: 3935: 3927: 3919: 3911: 3903: 3895: 3887: 3879: 3871: 3863: 3855: 3847: 3839: 3831: 3774: 3755: 3747: 3739: 3720: 3712: 3704: 3696: 3688: 3680: 3672: 3664: 3657: 3656: 3606:Screenonline 3599: 3589: 3577: 3567: 3551: 3529:. Retrieved 3525:the original 3509:. Retrieved 3505: 3489:. Retrieved 3473:. Retrieved 3469:Screenonline 3468: 3452:. Retrieved 3436:. Retrieved 3432: 3416:. Retrieved 3399:. Retrieved 3379: 3370: 3361: 3346:. Retrieved 3342: 3326: 3320:. p. 6. 3318:The Observer 3317: 3305: 3299:. p. 1. 3296: 3287:. p. 5. 3284: 3268: 3264: 3255: 3251: 3242: 3233: 3229: 3199: 3174: 3170: 3161: 3157: 3132: 3128: 3119: 3115: 3089: 3066: 3046: 3027: 3003: 2982: 2962: 2943: 2920: 2900: 2881: 2862: 2822: 2800: 2778: 2745: 2733: 2721: 2709: 2697: 2688: 2682: 2677:, p. 9. 2670: 2658: 2646: 2626: 2614: 2602: 2590: 2578: 2573:, p. 1. 2554: 2548: 2536: 2527: 2511:, p. 6. 2509:Lejeune 1949 2492:Sellers 2015 2472: 2465:Doggett 2016 2460: 2453:Sellers 2015 2448: 2404: 2392: 2380: 2368: 2356: 2344: 2332: 2320: 2308: 2296: 2289:Daubney 2006 2284: 2272: 2260: 2255:, p. 8. 2248: 2236: 2224: 2219:, p. 5. 2178: 2166: 2154: 2142: 2130: 2118: 2108: 2103: 2091: 2079: 2072:Daubney 2006 2067: 2060:Daubney 2006 2055: 2043: 2031: 2024:Sellers 2015 2019: 2012:Sellers 2015 2007: 1995: 1985: 1980: 1970: 1965: 1953: 1946:Sellers 2015 1941: 1929: 1922:Sellers 2015 1902: 1890: 1880: 1875: 1863: 1851: 1841: 1836: 1829:Sellers 2015 1824: 1799: 1794: 1787:Sellers 2015 1755: 1749: 1725: 1719: 1707: 1695: 1683: 1671: 1625: 1613: 1603: 1598: 1591:Sellers 2015 1586: 1547:Sellers 2015 1534:, p. 1. 1527: 1506: 1496: 1490: 1484: 1478: 1472: 1466: 1460: 1454: 1450:Laxdale Hall 1448: 1443: 1433: 1427: 1422: 1409: 1392: 1379: 1351: 1346: 1339: 1329: 1322:Eddie Izzard 1305: 1303: 1296: 1290: 1286: 1282: 1278: 1274: 1273: 1268: 1262: 1256: 1250: 1244: 1240:Laxdale Hall 1238: 1234: 1230: 1224: 1220: 1210: 1206: 1200: 1199: 1187: 1183: 1179: 1178:, alongside 1167: 1166: 1161: 1158: 1151: 1142: 1136: 1134: 1125: 1121: 1118:Henry Raynor 1111: 1107:The Observer 1105: 1097: 1095: 1090: 1086: 1082: 1078: 1077: 1063: 1059: 1054: 1050: 1046: 1042: 1037: 1031: 1027: 1016: 1012: 1009: 980: 976: 974: 967: 963: 955: 950: 945: 944: 930: 928: 913:puirt à beul 909: 907: 885: 883: 875:puirt à beul 871: 842: 831: 828:John Jympson 825: 804: 802: 790: 781: 778: 769: 759: 747: 740: 737: 730: 683: 673: 667: 658: 654: 650:Alastair Sim 648: 640: 625: 601: 596:Ronald Neame 585: 579: 575: 572:Fleet Street 551: 550: 521: 498:John Gregson 458:Wylie Watson 413: 398: 396: 390: 388: 372: 358: 352: 348: 347:was renamed 344: 338: 332: 328: 327: 318: 300: 286: 274: 245:produced by 237: 236: 235: 210:Running time 186:Release date 134:Gerald Gibbs 78: 18: 5065:(2000-2005) 4990:Adaptations 4979:Paper Lives 4827:April Fools 4795:Vestal Fire 4383:Hue and Cry 3993:I Was a Spy 3945:The Wrecker 3897:Easy Virtue 3733:Screenplays 3511:16 November 3491:3 September 3475:29 November 3348:16 November 3243:Design Week 3122:(1): 40–46. 2702:Macnab 2016 2689:Design Week 2631:Romney 2011 2541:Raynor 1950 2477:Fidler 1949 1664:Romney 2011 1649:Duguid 2013 1495:(2004) and 1402:Indian Army 1398:imperialist 1261:(1983) and 937:' itself". 920:Brochan Lom 902:Scotch snap 868:Brochan Lom 851:in London. 849:Savoy Hotel 817:second unit 766:body double 480:Bruce Seton 470:Jean Cadell 255:Bruce Seton 249:, starring 243:comedy film 89:Produced by 44:Directed by 5093:1949 films 5087:Categories 4843:Our Street 4779:Fairy Gold 4559:The Maggie 4511:The Magnet 4271:Undercover 4151:Doctor Syn 4111:Tudor Rose 4033:Red Ensign 4001:It's a Boy 3913:The Vortex 3757:Dance Hall 3682:The Maggie 3531:7 December 3438:30 January 3414:. Time Out 3335:Muir, Kate 3277:Newspapers 3220:required.) 2714:Lodge 2017 2635:Cramb 2016 2583:Pryor 1949 2409:Perry 1981 2277:Brown 1983 2217:Cramb 2016 2123:Coupe 2010 1868:Honri 1967 1742:Clark 2018 1519:References 1480:Local Hero 1456:The Maggie 1358:. In 2023 1258:Local Hero 1235:The Maggie 1047:status quo 981:The Maggie 969:The Maggie 733:was filmed 684:Politician 659:Politician 635:South Uist 626:Politician 531:Production 384:Home Guard 287:Politician 214:82 minutes 197:1949-06-16 159:Production 54:Written by 4963:Mezzotint 4690:Works by 4025:Evergreen 3454:11 August 3343:The Times 3191:0361-4573 3141:0531-9684 2850:239288360 2726:Muir 2017 2349:Kemp 1991 2337:Kemp 1991 2325:Kemp 1991 2096:Bell 2019 1579:Barr 1977 1486:Loch Ness 1468:Brigadoon 1341:The Times 1336:Kate Muir 1246:Brigadoon 1036:describe 786:Calvinist 751:rationing 201: (UK) 140:Edited by 5030:Carnival 4939:Thin Ice 4707:Carnival 4295:Nine Men 3881:Downhill 3573:AllMovie 3388:Websites 3236:(2): 68. 3149:25654208 3088:(2015). 2942:(2007). 2776:(1999). 1489:(1996), 1483:(1983), 1477:(1957), 1471:(1954), 1465:(1954), 1459:(1954), 1453:(1953), 1360:Time Out 1314:a remake 1304:In 2009 1255:(1973), 1249:(1954), 1243:(1953), 1192:(1949). 1013:rèiteach 931:rèiteach 924:porridge 770:rèiteach 729:, where 409:teetotal 402:rèiteach 363:a remake 227:Language 148:Music by 99:Starring 75:Based on 4623:Dunkirk 3873:Blighty 3833:The Rat 3768:Scripts 3582:at the 3506:Variety 3418:16 June 3401:16 June 2760:Sources 1501:(2008). 1331:Variety 1228: 1020:cèilidh 870:", the 690:Filming 631:Eriskay 566:as the 230:English 219:Country 195: ( 161:company 5073:(2016) 5057:(1969) 5049:(1958) 5041:(1949) 5033:(1946) 5025:(1935) 5017:(1931) 5009:(1922) 5001:(1916) 4982:(1966) 4974:(1965) 4966:(1961) 4958:(1959) 4950:(1957) 4942:(1956) 4934:(1954) 4926:(1952) 4918:(1949) 4910:(1947) 4902:(1943) 4894:(1941) 4886:(1941) 4878:(1937) 4870:(1936) 4862:(1934) 4854:(1933) 4846:(1931) 4838:(1931) 4830:(1930) 4822:(1929) 4814:(1928) 4806:(1928) 4798:(1927) 4790:(1927) 4782:(1926) 4774:(1925) 4766:(1921) 4758:(1920) 4750:(1919) 4742:(1919) 4734:(1918) 4726:(1915) 4718:(1913) 4710:(1912) 4699:Novels 4650:(1961) 4642:(1959) 4634:(1959) 4626:(1958) 4618:(1957) 4610:(1957) 4602:(1957) 4594:(1956) 4586:(1955) 4578:(1955) 4570:(1955) 4562:(1954) 4554:(1953) 4546:(1952) 4538:(1951) 4530:(1951) 4522:(1951) 4514:(1950) 4506:(1950) 4498:(1950) 4490:(1949) 4482:(1949) 4474:(1949) 4466:(1949) 4458:(1949) 4450:(1948) 4442:(1948) 4434:(1948) 4426:(1948) 4418:(1947) 4415:Frieda 4410:(1947) 4402:(1947) 4394:(1947) 4386:(1947) 4378:(1946) 4370:(1946) 4362:(1945) 4354:(1945) 4346:(1945) 4338:(1945) 4330:(1944) 4322:(1944) 4314:(1944) 4306:(1944) 4298:(1943) 4290:(1943) 4282:(1943) 4274:(1943) 4266:(1942) 4258:(1943) 4250:(1942) 4242:(1942) 4234:(1942) 4226:(1941) 4218:(1941) 4210:(1941) 4202:(1940) 4194:(1940) 4186:(1939) 4178:(1939) 4170:(1938) 4162:(1938) 4154:(1937) 4146:(1936) 4138:(1936) 4130:(1936) 4122:(1936) 4114:(1936) 4106:(1936) 4098:(1935) 4090:(1935) 4082:(1935) 4074:(1935) 4066:(1935) 4058:(1935) 4050:(1934) 4042:(1934) 4036:(1934) 4028:(1934) 4020:(1934) 4012:(1933) 4004:(1933) 3996:(1933) 3988:(1932) 3980:(1929) 3972:(1929) 3964:(1929) 3956:(1929) 3948:(1929) 3940:(1928) 3932:(1928) 3924:(1928) 3916:(1927) 3908:(1927) 3900:(1927) 3892:(1927) 3884:(1927) 3876:(1927) 3868:(1926) 3860:(1926) 3852:(1926) 3844:(1926) 3836:(1925) 3779:(1961) 3760:(1950) 3752:(1948) 3744:(1937) 3725:(1967) 3717:(1965) 3709:(1963) 3701:(1957) 3693:(1955) 3685:(1954) 3677:(1952) 3669:(1951) 3661:(1949) 3214: 3189: 3147: 3139: 3096: 3074: 3053: 3034: 3011: 2990: 2969: 2950: 2928: 2907: 2888: 2869: 2848: 2838: 2809: 2786: 1196:Legacy 941:Themes 894:themes 809:rushes 753:. 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