31:
360:, tried to dismiss it as a mere passing fad, but by 1955, this apparently was hardly the case. ABC, which did not have the contracts with stars and their hit former radio shows on the CBS and NBC networks, approached Warner Bros. about acquiring the rights to broadcast some of its relatively recent theatrical films, which were then not available for television broadcast. Instead, Warner saw a different potential for his company, inspired by ABC's
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television. It also began a long-running partnership between Warner Bros. and ABC. Over the course of the following decade, the two companies provided
American viewers with a string of popular programs. The relationship pulled ABC from the bottom of the ratings and helped it avoid the fate of the
463:
The problem for ABC's newly acquired advertisers was that it amounted to a 15-minute commercial for Warner Bros.' products. They had ABC exert pressure to abolish the segment before the season concluded.
382:
Originally, the hour-long episodes consisted of only about 45 minutes of dramatic programming, followed by a 10- to 15-minute "Behind the Camera" section. During this portion of the program, viewers saw
593:
WB retained a pair of features from 1949 that they merely distributed, and all short subjects released on or after
September 1, 1948; in addition to all cartoons released in August 1948.
467:
The concept changed in other ways as the season progressed. The dramatic portions of the program were attacked from the beginning as inept. All three series were overhauled, but only
1033:
366:. He believed that perhaps television could be used to cross-market upcoming Warner Bros. films. Thus, he created a television department and promoted his son-in-law,
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finished the remainder of the 1955 season and continued on into 1956, but it, too, ultimately failed. By 1957, the only element remaining from the 1955 season was
370:, to the new position of Head of Television Production. The initial goal was to provide new short fiction which they could wrap around segments hosted by actor
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emerged as successful. It would have ranked in the top 20 if its ratings had been calculated independently. Despite the relative success of
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may be regarded as a forerunner of an entirely new era of television —- one in which big
Hollywood studios actively made original,
425:, one of the first attempts to document the making of a major Hollywood film and a similar three-part feature on the making of
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is an historically important program. Perhaps most significantly, it is the first television program of any kind made by
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319:, the first hour-long television Western series and the first wholly original television series produced by a major
374:, giving information about upcoming Warner's film projects. Orr's first effort in that capacity was this program.
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460:." Dean's sudden death prompted the studio to refilm the section, and the piece was never aired.
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part, survived almost to the end of the season. However, when they both went, the umbrella of
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304:. The series ran from September 13, 1955, until September 4, 1956, or September 11, 1956.
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in which Dean, instead of saying the popular phrase "The life you save may be your own",
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in the original film, was axed within just a few weeks of its first broadcast, while
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Total
Television: the Comprehensive Guide to Programming from 1948 to the Present
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segments were sold, along with the rest of WB's pre-1950 theatrical library, to
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The
Complete Directory to Prime Time Network and Cable TV Shows 1946-Present
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studios, had seen television as a threat that it wished would disappear.
657:(7th ed.). New York: The Ballentine Publishing Group. p. 1096.
632:(4th ed.). New York, New York: Penguin Books USA, Inc. p. 896.
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is the umbrella title for three series that were telecast as part of the
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967:
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475:, ABC and Warner Bros. continued to have problems injecting
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Television series by Warner Bros. Television
Studios
307:While neither a critical nor popular success, this
1019:American Broadcasting Company original programming
537:. Around this time, the films which inspired the
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483:with sufficient drama. These efforts failed.
733:You Must Remember This: The Warner Bros. Story
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38:and Lydia Reid in "Shadow on the Sand", 1955
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1029:American English-language television shows
1014:1950s American anthology television series
790:
776:
723:Putnam Adult; First edition (May 17, 1990)
29:
1024:Black-and-white American television shows
695:Museum of Broadcast Communications edits
573:other struggling 1950s broadcaster, the
342:At first, Warner Bros., like most other
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1009:1956 American television series endings
1004:1955 American television series debuts
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444:, Dean filmed a short interview with
719:Hope, Bob & Shavelson, Melville
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292:motion picture properties, becoming
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653:Brooks, Tim; Marsh, Earle (1999).
456:"The life you might save might be
16:1955 American TV series or program
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315:It was also the original home of
798:Television series produced by
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533:by ABC and relaunched as an
519:effectively closed, pushing
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288:, and two based on classic
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691:"Warner Brothers Presents"
357:Always Leave Them Laughing
350:, stung by the failure of
284:series that originated on
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721:Don't Shoot, Its Only Me
615:Warner Brothers Presents
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689:Anderson, Christopher.
495:in the roles played by
412:The Spirit of St. Louis
187:Warner Bros. Television
954:No Time for Sergeants
812:Warner Bros. Presents
761:Warner Bros. Presents
750:Warner Bros. Presents
628:McNeil, Alex (1996).
517:Warner Bros. Presents
450:Warner Bros. Presents
441:Rebel Without a Cause
338:Historical background
263:Warner Bros. Presents
23:Warner Bros. Presents
701:on February 15, 2002
617:at classicthemes.com
330:and tobacco company
72:Theme music composer
898:Bourbon Street Beat
332:Liggett & Myers
178:45–48 minutes
448:for an episode of
354:'s expensive film
211:September 20, 1955
183:Production company
145:Executive producer
83:"Dominque's Theme"
75:Opening fanfare by
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926:Room for One More
564:. Nevertheless,
523:out on its own.
438:, and to promote
434:While completing
378:Program evolution
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110:Original language
102:Country of origin
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697:. Archived from
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89:The Fountainhead
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703:. Retrieved
699:the original
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313:Warner Bros.
309:wheel series
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221:May 22, 1956
175:Running time
165:Camera setup
87:
81:main theme,
78:Ray Heindorf
62:Presented by
48:Wheel series
22:
940:The Dakotas
507:, starring
487:, starring
389:rope tricks
290:Warner Bros
159:Roy Huggins
132:of episodes
96:Max Steiner
56:Documentary
998:Categories
912:Surfside 6
833:Casablanca
705:August 19,
601:References
543:Casablanca
505:Casablanca
489:Jack Kelly
481:Casablanca
385:James Dean
363:Disneyland
295:Casablanca
225:1956-05-22
215:1955-09-20
140:Production
121:of seasons
849:Sugarfoot
819:Kings Row
553:Aftermath
539:Kings Row
485:Kings Row
477:Kings Row
454:ad-libbed
446:Gig Young
417:John Ford
372:Gig Young
344:Hollywood
321:Hollywood
301:Kings Row
66:Gig Young
52:Anthology
863:Colt .45
856:Maverick
842:Conflict
826:Cheyenne
570:episodic
566:Presents
562:Cheyenne
558:Conflict
530:Conflict
525:Presents
521:Cheyenne
473:Cheyenne
469:Cheyenne
419:Western
317:Cheyenne
286:Presents
280:, a new
277:Cheyenne
250:Cheyenne
243:Conflict
155:Producer
968:F Troop
511:in the
282:Western
233:Related
223: (
219: –
213: (
208:Release
198:Network
113:English
877:Lawman
870:Bronco
661:
636:
513:Bogart
387:doing
324:studio
581:Notes
436:Giant
394:Giant
85:from
44:Genre
975:Hank
755:IMDb
707:2023
659:ISBN
634:ISBN
541:and
499:and
491:and
479:and
458:mine
401:and
298:and
753:at
409:of
272:ABC
270:on
202:ABC
130:No.
119:No.
94:by
1000::
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673:^
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397:,
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274::
135:36
791:e
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709:.
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227:)
217:)
124:1
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