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from WRKS, who, at the time, was a fill-in DJ for "DJ Red Alert" when Red Alert was out on tour or making appearances, thus competing directly with WRKS. WRKS responded by adding "The Bomb Squad Mix Show", hosted by "The N.O." (also known as "The Native One") featuring "DJ Enuff", "DJ Ace", and "Supernatural the Freestyle Fanatic". The Bomb Squad began "breaking" hot new hip-hop artists and ushering in the "Golden Era of Hip Hop". The Bomb Squad was the first hip-hop mix show in the country to play the records of
1357: 27: 844:) prevented the call letter change from happening. Still, Kelly attempted to make the station the same adult contemporary format he had in Chicago. These changes did not gain any new listeners for WXLO, and ratings sank even lower. Later, Kelly adjusted the music and very slowly and gradually began mixing more disco and soul into the format. In the fall of 1980, Kelly, in consultation with RKO General, decided to go after 682: 1116:. The Bomb Squad introduced its signature "bomb dropping" whistle sound effect as they played exclusive new hip-hop music and produced fresh remixes not heard on other urban stations across the country. Leaning towards a younger demographic, the station formulated a new morning show featuring Wendy Williams, who was replaced by "The Native One" during her former 6 p.m.-10 p.m. weeknights shift. 1421:—an operator of ESPN Radio affiliates in other markets—announced that it would acquire operational control of WEPN-FM from Disney/ESPN, with Good Karma assuming the remainder of Disney's lease agreement with Emmis Communications; Emmis maintains ownership of the station's license. In the same transaction, Good Karma purchased full ownership of WEPN (AM) and ESPN Radio-owned stations in 652:, became interested in the newly developed technology of FM radio. In the summer of 1939, WOR engineers, working with Bell Telephone engineers, set up an experimental 1,000-watt transmitter in Carteret, New Jersey, with the call sign W2XWI. In June 1940 experimental operations were moved to 444 Madison Avenue in New York City, now operating under the call sign W2XOR. 1159:". The shift in format resulted in notable personalities associated with the previous format, such as Wendy Williams and Red Alert, moving from WRKS to WQHT. The new sound on WRKS was introduced by the station during its annual "Twelve Days of Kiss-mas" promotion during the Christmas holiday, and was fully implemented in January 1995. Soul music legend 909: 802:, a reference to the WXLO frequency's close proximity on the FM dial to 99 MHz. This was a version of what was known as the "Q" format, so named because it was modeled after station KCBQ in San Diego. The format featured about 15-20 currents, with a heavy emphasis on constant contests and promotions. 1347:
system to monitor ratings around 2010, which caused the station to often fall into the bottom half, or out of New York City's top ten stations entirely. In addition, an increasing debt load at Emmis's corporate level which forced the company to sell 80 percent of WRXP to Merlin Media in 2011 was also
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music by adding Dahved Levy to do a Sunday night reggae show with Sting International. The battle between WRKS and WBLS continued into the 1990s, but a major turning point occurred in the spring of 1994, when WQHT changed formats from dance music to primarily hip-hop by luring "Funk Master Flex" away
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to conduct a weekend rap show, which helped WBLS reach number-three in the ratings that year, beating out WRKS. Nevertheless, the station had made such strides in its first two-and-a-half years that it resulted in Barry Mayo being promoted as general manager, the first African-American to hold such a
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Effective November 1, 1943, the FCC updated its call letter policy to allow FM stations to have call signs similar to those used on the AM band. The station initially chose WOR-FM, but six weeks later changed it on December 14 to WBAM. In 1945 the FM band was moved to higher frequencies, and WBAM was
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that it would not renew the LMA with Emmis when it expires and would thus relinquish the 98.7 FM frequency on August 31, 2024. GKB had made an offer to acquire WEPN-FM outright, but talks with Emmis were unproductive. The original plan was to consolidate WEPN-FM's local programming onto 1050 AM, and
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After the expiration of the LMA, WEPN-FM's operations would be returned to Emmis; it planned to carry a music-based format on 98.7 in the interim, pending the search for a new operator or the outright sale of the station. Shortly before the expiration, Emmis would reach an agreement with syndicator
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In early September 2010, the slogan for the station, "Old School & Today's R&B", changed to "'80s, '90s & Today's R&B", which included dropping most pre-1979 titles. This would later change to "Classic Soul & Today's R&B", which would last until the station's demise in 2012.
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WRKS's playlist for its first year consisted almost exclusively of songs from the 1960s and 1970s; after 1996, the station began reintroducing current R&B back into rotation. But in 1999, WRKS switched from a classic soul-based Urban AC format to a mostly current R&B format. That same year,
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WXLO evolved to a younger skewing Top 40 format and the "99X" moniker remained until late 1979, when it became "FM 99 WXLO". This iteration had decent ratings for a while, but by the spring of 1980, the ratings fell dramatically. RKO General phased out the Top 40 format, and brought in new program
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launched WQHT (then at 103.5 FM), which had an early emphasis on dance music, forcing WRKS and WBLS to add more dance music to their playlists again. In 1988, Mayo left to organize a new broadcasting company with Lee S. Simonson and Bill Pearson, and RKO appointed Charles Warfield (former general
131: 1372:) acquired the intellectual property and trademarks of WRKS, primarily the New York City market rights to "Kiss-FM". As a result, Kiss signed off on the 30th with a goodbye show featuring all of the remaining airstaff, and went off the air at midnight, with "Brother's Gonna Work It Out" by 1230:
in July 2009. Emmis planned to syndicate the show, but after a dispute between Emmis and a proposed distributor over who would pay his salary, Hughley left the station and the program was cancelled on August 7, 2010. The station picked up Joyner's program again in 2011. In 2003, author and
664:(FCC) began permitting commercial operations by FM stations in 1941, and Bamberger's New York station was included among the first authorizations made for the original FM band. The station was given the call sign W71NY, which reflected its operation at 47.1 MHz. 840:
director Don Kelly from successful sister soft adult contemporary WFYR in Chicago in an attempt to duplicate that format's success on WXLO. The station at first attempted a call letter change back to WOR-FM, but an FCC challenge from competing crosstown WRFM (now
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In June 1981, the station was known on-air as "FM 99 WXLO making its move to 98.7". By the middle of July, the station had changed its call sign to WRKS-FM (the meaning of which originally referred to its being an RKO Station) and adopted the on-air brand
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in January 1981. The evolution was gradual, and by May 1981, WXLO was nearly all rhythmic, playing almost all disco, soul, and rhythmic-friendly pop. Almost all the rock and AC crossovers were gone. By today's standards, this station would be called
518:. It then became one of the first licensed commercial FM stations in 1941. Until 1965, when the FCC prohibited this practice in larger markets, the station served as an FM simulcast of WOR. At that time, the station—by then owned by 575:
Amid RKO General's exit from the broadcasting industry in the late-1980s, the station was sold to Atlanta-based Summit Communications Group in 1989. WRKS was, in turn, acquired by Emmis Communications in 1994, forming the first
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in Boston, RKO was left with no choice but to break up its broadcasting unit. In New York City, RKO's three stations were sold to different companies during a two-year period beginning in 1987. Two years after WOR-TV went to
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manager of WBLS) as the new general manager of WRKS. With Vinny Brown as the station's program director, WRKS became the No. 1 radio station in the largest media market in the world for six years right through the mid 1990s.
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album. Another weekend they held a "No Bee Gees" weekend, where they asked their listeners to request Bee Gee songs that they didn't want played. "I'll be sure to not get that on the air for you" a DJ said on that weekend.
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While WRKS had a long-standing repertoire among listeners in the African-American community alongside WBLS, it suffered an advertising revenue setback in later years. This was due in part to Arbitron switching to the
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ordered AM stations in large markets to end continuous simulcasting on co-owned FM frequencies, a move made to spark development of FM stations as individual entities. On July 30, 1966, WOR-FM began running a
852:. Mayo, shortly before his arrival, suggested a new format for the station to Kelly and then-general manager Lee S. Simonson after he received a surprising lambasting from his idol, WBLS Program Director 984:
in regular rotation. Also that year, non-R&B dance music and disco were phased out, as the station played strictly music catering mainly to an African-American audience. WBLS responded by hiring
767:, which was then New York's big Top 40 station. Some of the notable early personalities included Bill Brown (who was a holdover from the rock format and would leave for then-rock station 2340: 1521:, or will serve as a long-term interim format while Emmis continues to seek offers for the station; the station had billed that the current format would be "here... until we're not". 1876: 1147:
In December 1994, WQHT's parent Emmis Communications took advantage of newly relaxed FCC ownership regulations and agreed to purchase WRKS from Summit, forming the market's first FM
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full-time. After the closure of ESPN Deportes Radio in 2019, the AM station became a passthrough for overflow programming, including the national ESPN Radio weekday schedule.
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By the late 1980s, however, RKO General was forced out of the broadcasting business when the FCC began revoking its licenses to its radio and television stations in New York,
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songs blended together in a sound montage. The Beatles montage was about three seconds in duration and contained one or two notes of each of the songs. They were "Hey Jude", "
1806: 1250:—on February 11, 2012, WRKS dedicated the subsequent weekend to commemorating her career, including tributes by the station's staff and alumni, and listener phone-ins. 1218:, as Isaac Hayes chose not to renew his contract with the station; he remained for a few months to host the local segments within the program (known on the station as 1995: 1448:
direct users to the ESPN New York digital platform for overflow programming. However, on August 12, 2024, GKB instead announced that it would enter into an LMA with
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Beginning in December 1980, after further declines in ratings under the format, the station began to transition to a format focused primarily on
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and Emmis Communications agreed to a 12-year-lease of the 98.7 FM frequency for an undisclosed price. YMF Media (which acquired WBLS' parent
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to provide interim programming for WEPN-FM; the station's on-air imaging and programming was developed in around a week, and would be
3658: 3023: 2510: 463: 4646: 4412: 856:(who would later become his rival). Mayo would later become WXLO's program director when Kelly left to start his own consultancy. 4347: 2472: 1490: 2114: 4375: 2551: 1932: 568:, furthering its success. For a time, WRKS-FM was New York's highest-rated radio station, and was a prominent outlet for the 2520: 4407: 957:
was caught off-guard by the sudden rise of the new station, which represented its first direct competition in that format.
3111: 1369: 1174:, as its new morning show host, and later added Ashford & Simpson to helm its afternoon drive program. Funk musician 798:
On October 23, 1972, RKO General changed the station's call sign to WXLO, and starting in April 1974, it became known as
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The station's call sign changed to WEPN-FM on May 14, 2012, to match the AM call sign. YMF Media then transferred the
564:. The new format was immediately successful; in 1983, the station became the first in New York City to regularly play 91: 2566: 2514: 1832: 1692: 1673: 1546: 1472:
using the Radio.Cloud platform to integrate localized content. Plans were made for the programming to be anchored by
1123:" moniker for branding the station itself or its format. In the case of WRKS, the branding was grandfathered even as 722: 661: 110: 1708: 1620: 63: 2395: 1481: 1084:. (Foxx and Webb would continue on for the next several years, while Williams held various shifts on the station.) 4502: 4385: 2252: 2054: 731: 707: 530: 1489:
At midnight on August 31, 2024, WEPN-FM abruptly ended its ESPN Radio programming (to the point that it joined "
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became the station's imaging voice and promotional face, and would remain in this role until his death in 2003.
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format for most of its broadcast day, though the station continued to simulcast WOR radio's morning program
619:. In August 2024, the LMA with Emmis expired; as a result, WEPN-FM's programming was migrated to the former 4332: 4322: 2559: 1124: 814: 752:, the freeform format was the first of its kind in New York City radio. Later, Muni and Rosko departed for 396: 689:
WBAM changed its call sign to WOR-FM on June 13, 1948. Like most early FM stations, the station initially
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and Los Angeles because of gross misconduct and lack of candor on the part of its corporate parent, the
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was hired as an announcer and a weekend DJ. The station slowly began to reintroduce rap in 2000. When
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Magazine, November 2004, "Hip Hop Iconz Volume 9: Chuck Chillout Breaking The Ice," pp. 78–80.
1575: 1152: 585: 386: 44: 2312:"Ahead of Station Sale, Good Karma To End LMA Of WEPN-FM And Move 'ESPN New York' To AM Next Year" 4292: 4277: 4207: 3416: 3048: 1877:"Barry Mayo Reframed: From Radio Mogul to Photographer and Award Winning Filmmaker Chasing Light" 1712: 1649: 1591: 1518: 1365: 1214: 727: 600: 514:
The station originally began operations as an experimental FM station in 1939, spun off from 710
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RKO General, Inc. v. FCC (1981)-II. Invalid Bases of the FCC Decision; III. RKO's Lack of Candor
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became host of the afternoon show, which later became syndicated nationally in January 2005.
973: 873: 569: 508: 4651: 4511: 4297: 4287: 4272: 1972: 1646:"WXLO 98.7 New York – Launch of 98.7 Kiss FM – Charlie Burger / Mary Thomas – July 31 1981" 1465: 1407: 1293: 1105: 1066: 1033: 1017: 500: 1095:-influenced format. WRKS was also the first radio station in the United States to embrace 8: 4495: 4453: 4267: 4237: 4171: 4141: 2770: 2287:"Good Karma Brands is acquiring ESPN radio stations in New York, Los Angeles and Chicago" 1396: 580:
in New York City radio; prioritizing the urban contemporary format of new sister station
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with the Walt Disney Company. Inner City/YMF also moved WBLS and its AM sister station
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initially reassigned to 96.5 MHz, before moving to 98.7 MHz in October 1947.
645: 538: 141: 2536: 627:, while WEPN-FM flipped to an automated hot adult contemporary format in the interim. 4257: 4217: 2766: 2260: 2003: 1418: 1356: 1329: 1311: 1275: 1128: 1049: 1021: 616: 234: 84: 2366: 763:-consulted, Top 40-formatted WOR-FM played new songs but in less of a rotation than 560:; the format officially launched in August 1981, with the station becoming WRKS-FM, 4136: 3426: 3165: 3142: 2541: 1607: 1119:
Based on WRKS's success, several radio stations in other markets began to use the "
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airing twice-daily during morning and afternoon drive. It is not yet known if the
2792: 2773: 2633: 2139: 1981: 1696: 1677: 1559: 1323: 1243: 1232: 1191: 1183: 1136: 1120: 949:, were commissioned to create longer versions of current popular songs. Longtime 868: 853: 848:'s urban audience and WKTU's Rhythmic audience by bringing in new music director 805:
In 1976, WXLO held a contest in which listeners had to guess the identity of six
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briefly returned as general manager for WRKS, WQHT and jazz-formatted WQCD (now
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was launched in March 2002, the station shifted back to classic soul. In 2003,
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into WRKS's former office/studio space at Emmis' New York broadcast facility.
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weekend. Listeners had to count how many Elton songs were played and win his
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In April 2001, WRKS became the New York home for the nationally syndicated
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and Rubber Company. Having already been stripped in 1982 of its license to
1045: 1029: 1013: 980:. In Fall 1983, WRKS became the first station in the United States to play 977: 969: 775:(who would go to WABC in 1972 and remain there until his 2015 retirement); 741: 624: 608: 526: 211: 2503: 1933:"Celebrating 15 years of Running Back with Gerd Janson and Tony Humphries" 1689: 1670: 1142: 908: 477: 3835: 3446: 3161: 3138: 1305: 1179: 1171: 1167: 1160: 1061:), on June 26, 1989, RKO sold WRKS to the Summit Communications Group of 993: 938: 771:
in 1969); Joe McCoy (who would later become general manager of WCBS-FM);
711: 681: 549: 519: 366: 4480: 4176: 2603: 2367:"Good Karma Brands To LMA 880 WCBS From Audacy Following 98.7 Sign-Off" 1377: 1317: 1257: 1211: 1199: 1156: 892: 849: 826: 745: 648:, and owned by the Bamberger Broadcasting Service, Inc., a division of 612: 341: 130: 4585: 4535: 4282: 4202: 4022: 3936: 3911: 3904: 3889: 3884: 3869: 3864: 3781: 3734: 3695: 3685: 3595: 3590: 3585: 3575: 3371: 3366: 3361: 3301: 3171: 3156: 2975: 2920: 2895: 2875: 2858: 2746: 2691: 2686: 2676: 2666: 2661: 2651: 2641: 1426: 1392: 1263: 1113: 1096: 1009: 985: 981: 925:
format was completed by that August. The first song on "Kiss FM" was
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for a time afterwards. Under the leadership of legendary disc jockey
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Ross, Sean; Rosen, Craig; Stark, Phyllis (May 12, 1990). "Vox jox".
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jukebox stocked with Beatles 45s. The station also once held an all-
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format. Amid declining listenership, the station briefly adopted an
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Notable station personalities during the KISS-FM years included:
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in Los Angeles, whose "KIIS" name was trademarked by prior owner
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in 1952. General Tire reorganized its broadcasting division into
703: 565: 542: 2473:"'TJ' Begins Stunting on Emmis' 98.7 NYC FM Following ESPN Exit" 1432: 779:, later the longtime midday personality on Chicago Top 40 giant 4222: 3570: 3565: 3560: 3555: 3550: 3545: 3540: 3535: 3530: 3525: 3096: 3091: 3086: 3081: 3076: 3071: 3066: 3061: 3056: 2781: 2253:"WFAN parent company reaches deal to license 880 AM to ESPN NY" 1750:"D.L. Hughley to host morning show on New York's Kiss-FM radio" 1100: 1041: 934: 884: 864: 791:
Not to be confused with Fitchburg, Massachusetts radio station
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lured on-air personality Mike Love (formerly of the original
860: 553: 2421:"Emmis Launches TJ 98.7 "The Pop Up Radio Station" New York" 4605: 4600: 4595: 4590: 4580: 4570: 4545: 4530: 4525: 4252: 4247: 4120: 4098: 4081: 4076: 4071: 4066: 4061: 4039: 4034: 4027: 4010: 4005: 3995: 3978: 3961: 3946: 3916: 3879: 3857: 3852: 3847: 3840: 3830: 3825: 3820: 3808: 3776: 3771: 3761: 3754: 3749: 3744: 3727: 3722: 3717: 3668: 3653: 3646: 3641: 3636: 3631: 3624: 3619: 3614: 3602: 3580: 3501: 3496: 3491: 3456: 3451: 3441: 3411: 3401: 3396: 3391: 3386: 3376: 3346: 3336: 3321: 3311: 3306: 3266: 3261: 3251: 3236: 3231: 3226: 3221: 3216: 3211: 3000: 2995: 2980: 2970: 2950: 2945: 2940: 2925: 2910: 2905: 2870: 2865: 2853: 2835: 2823: 2815: 2805: 2756: 2751: 2741: 2736: 2731: 2726: 2721: 2716: 2711: 2706: 2701: 2696: 2681: 2671: 2646: 2198: 1477: 1453: 1422: 1403: 1385: 1151:. WRKS subsequently stopped playing hip-hop and flipped to 1073: 954: 792: 702:. Macy's/Bamberger sold the WOR stations (which launched a 620: 581: 499:, "TJ 98.7") is a radio station in New York City. Owned by 267: 262: 257: 1206:), and WRKS returned to its full-fledged Urban AC format. 4242: 3151: 3120: 1441:
On September 19, 2023, GKB owner Craig Karmazin told the
359: 174: 1833:"Michael Baisden Says 'FAREWELL TO KISS' FM in New York" 1778:"D.L. Hughley Morning Show officially off WRKS New York" 903: 1222:). Joyner's first stint on WRKS lasted only two years. 635: 599:
brand came to an end when Emmis leased the station to
2546: 1476:—a United Stations-distributed show hosted by former 1182:) and former disc jockey-turned-motivational speaker 1592:"Decisions of the Federal Communications Commission" 1155:
format using the slogan "Smooth R&B and Classic
2115:"Kiss it goodbye: Station meets unceremonious fate" 1016:into the same rotation as such established acts as 744:, and featuring other notable disc jockeys such as 51:. Unsourced material may be challenged and removed. 2602:This area also includes the following counties in 1166:In September 1995, WRKS hired another deep-voiced 859:By December 1980, the station was leaning towards 714:in 1957. WOR-FM simulcast its AM sister station's 1780:. Radio-Info.com. August 18, 2010. Archived from 1131:pop stations in the late 1990s, largely based on 883:" (which today would be considered as a strictly 4618: 1376:being the last song on Kiss. Immediately after, 2224:"ESPN New York ditching 98.7 FM signal in 2024" 2195:"Format Changes Bring End to NYC Radio Rivalry" 1690:RKO General, Inc. v. FCC (1981)-(Intro) Opinion 1186:also hosted programs on WRKS around this time. 1065:. Around the same time, WOR radio was sold to 2055:"Final Farewells at a Legendary Radio Station" 1969: 1963: 4496: 2567: 2511:Facility details for Facility ID 63781 (WEPN) 1406:call sign to the ESPN Radio affiliate in the 1143:"Smooth R&B and Classic Soul" (1994–2012) 615:network. In 2021, the LMA was transferred to 1220:The Tom Joyner Morning Show with Isaac Hayes 2447:"News Bites: TJ98.7,' RAB, Chris Broussard" 1087:For many years, WRKS was number one in the 976:. He then passed the gig on to his cousin, 4503: 4489: 2574: 2560: 1996:"ASHFORD & SIMPSON: VERSED IN ANGELOU" 1976:. Vol. 102, no. 19. p. 14. 921:, as the station's transition to this new 507:format. Its transmitter is located at the 129: 2164: 2073: 1626:. Broadcasting. June 14, 1948. p. 29 1351: 1127:trademarked "Kiss FM" for its use on its 111:Learn how and when to remove this message 4510: 2221: 1747: 1355: 960:Around mid-1983, the station approached 933:. Early on, WRKS played a great deal of 907: 680: 676: 2222:Marchand, Andrew (September 19, 2023). 2112: 1709:"Summit gets WRKS-FM for $ 50 million." 655: 4619: 2394:Ross, T. Carter (September 12, 2024). 2192: 1652:from the original on December 22, 2021 1380:began broadcasting on 98.7 FM under a 968:show. He liked the idea and appointed 898: 786: 667: 4484: 2555: 2389: 2387: 2335: 2333: 2246: 2244: 2217: 2215: 2108: 2106: 2104: 2102: 1927: 1925: 1848: 1844: 1842: 1801: 1799: 4632:1941 establishments in New York City 2393: 2250: 2165:Terranova, Justin (April 26, 2012). 1874: 1497:already in progress) and flipped to 1314:(Mastermixer) (1983–1994; 2007–2012) 813:", "Day Tripper", "Come Together", " 685:The WOR-FM logo from the late 1960s. 541:format modeled after Chicago sister 522:—flipped to one of New York's first 49:adding citations to reliable sources 20: 4637:Emmis Communications radio stations 1370:Inner City Broadcasting Corporation 1360:Logo as "ESPN New York" (2012-2024) 636:Experimental operations (1939–1941) 13: 4642:Radio stations established in 1941 4401:List of radio stations in New York 2384: 2330: 2241: 2212: 2099: 2079: 1922: 1839: 1796: 1729:. U.S. Patent and Trademark Office 992:WRKS incorporated artists such as 592:branding, now focused on R&B. 239:(Emmis New York Radio License LLC) 14: 4663: 4440:with extended nighttime coverage. 2495: 2284: 2193:Hajela, Deepti (April 26, 2012). 1902: 1875:Jazz, All About (July 11, 2019). 1849:Trust, Gary (February 12, 2012). 1748:Hinckley, David (July 15, 2009). 1608:"Station Information for WEPN-FM" 1576:"New FM Grants Bring Total to 29" 1547:Federal Communications Commission 989:position in the RKO radio chain. 723:Federal Communications Commission 662:Federal Communications Commission 4446:Under a "Shared Time" agreement. 2396:"Cloud System Powers NYC Pop Up" 2167:"ESPN Radio confirms move to FM" 2113:JOHNSON, STEPHON (May 6, 2012). 1727:"Trademark registration 1540895" 1566:, pages 18, 92 (durenberger.com) 1483:Elvis Duran and the Morning Show 611:as WEPN-FM, the flagship of the 25: 4647:Radio stations in New York City 4469:Audio from channel 6 TV station 4462:Defunct internet radio station. 2547:Tribute site to WOR-FM and WXLO 2517:Licensing and Management System 2465: 2439: 2413: 2359: 2304: 2278: 2186: 2158: 2132: 2047: 2021: 1988: 1951: 1896: 1868: 1825: 1770: 1741: 1719: 1702: 1543:Licensing and Management System 708:General Tire and Rubber Company 607:(LMA). The station switched to 36:needs additional citations for 2140:"Ed Lover Joins KISS FM - XXL" 1683: 1664: 1638: 1613: 1601: 1585: 1569: 1553: 1531: 1462:United Stations Radio Networks 1228:The D. L. Hughley Morning Show 16:Radio station in New York City 1: 3205:by frequency & subchannel 2537:History of Urban Contemporary 2531:FCC History cards for WEPN-FM 1598:, December 20, 1943, page 68. 1539:"Facility Technical Data for" 1524: 1391:The 98.7 frequency simulcast 1813:. New York. February 7, 2011 1716:, December 12, 1988, pg. 66. 1582:, January 20, 1941, page 55. 1125:Clear Channel Communications 815:Do You Want to Know a Secret 7: 4408:Mass media in New York City 912:WRKS logo from 1981 to 1994 904:Enter "Kiss FM" (1981–1994) 811:Got to Get You into My Life 644:(710 AM), then licensed to 451:Public license information 10: 4668: 4318:New York metropolitan area 3162:Radio Maria Estados Unidos 2291:Milwaukee Journal Sentinel 790: 630: 401:415 meters (1,362 ft) 158:New York metropolitan area 4518: 4311: 4263:WJY (Hoboken, New Jersey) 4195: 4129: 3510: 3200: 3180: 3109: 3047: 3009: 2790: 2765: 2631: 2598: 2080:D, Davey; Smith, Troy L. 1505:It is being billed as a " 1382:local marketing agreement 1332:(Mastermixer) (2011–2012) 1272:(Mastermixer) (1981–1984) 777:Tommy Edwards (announcer) 605:local marketing agreement 472: 449: 444: 405: 395: 385: 375: 365: 353: 348: 332: 301: 281: 276: 246: 227: 222: 210: 200: 195: 187: 163: 153: 137: 128: 2086:Davey D's Hip Hop Corner 1695:August 31, 2006, at the 1676:August 31, 2006, at the 1246:—who was born in nearby 1153:urban adult contemporary 706:in October 1949) to the 586:urban adult contemporary 584:, Emmis flipped WRKS to 533:. In 1974, it adopted a 289: (83 years ago) 4208:Art International Radio 4162:Voice of NY Radio Korea 3139:Radio Maria Stati Uniti 2119:New York Amsterdam News 1560:"W71NY New York, N. Y." 1517:format is a short-term 1433:End of ESPN Radio LMA, 1366:the Walt Disney Company 1242:Following the death of 1226:was brought on to host 601:The Walt Disney Company 407:Transmitter coordinates 4438:Clear-channel stations 4316:Radio stations in the 3126:Chinese Radio New York 2527:'s FM station database 1499:hot adult contemporary 1361: 1352:ESPN Radio (2012–2024) 1320:(2001–2003; 2011–2012) 1231:"relationship expert" 913: 867:. The station dropped 742:Murray "the K" Kaufman 737:Rambling with Gambling 686: 588:while maintaining the 505:hot adult contemporary 217:Hot adult contemporary 4381:Poughkeepsie-Kingston 3134:radio reading service 1699:. Retrieved 12/09/06. 1680:. Retrieved 11/27/06. 1486:co-host TJ Taormina. 1415:Beaver Dam, Wisconsin 1359: 1345:portable people meter 1294:Ashford & Simpson 1018:Ashford & Simpson 972:, a fellow member of 964:about an underground 911: 887:-type format whether 684: 677:As WOR-FM (1948–1972) 650:R.H. Macy and Company 623:under a new LMA with 570:golden age of hip hop 509:Empire State Building 349:Technical information 4512:Emmis Communications 4362:Other nearby regions 2542:New York Radio Guide 2318:. September 19, 2023 1660:– via YouTube. 1408:Jackson, Mississippi 1106:The Notorious B.I.G. 1067:Buckley Broadcasting 1034:Emmis Communications 832:Greatest Hits Vol. 1 656:As W71NY (1941–1943) 501:Emmis Communications 45:improve this article 4376:Middletown-Newburgh 4333:Lower Hudson Valley 4293:WPAT-FM (1949–1951) 4288:WBBR/WPOW (1330 AM) 4268:WJY (New York City) 4172:Radio Free Brooklyn 4142:D100 Radio New York 2453:. September 3, 2024 2427:. September 2, 2024 2002:. January 8, 2024. 2000:The Washington Post 1939:. September 7, 2017 1397:ESPN Deportes Radio 1364:On April 26, 2012, 1091:ratings due to its 899:As WRKS (1981–2012) 787:As WXLO (1972–1981) 668:As WBAM (1943–1948) 425: /  355:Licensing authority 325:WRKS-FM (1981–2012) 125: 4278:WMGM-FM (100.3 FM) 4147:East Village Radio 3182:NOAA Weather Radio 2592:Newark, New Jersey 2582:Radio stations in 2257:The New York Times 2251:Marchand, Andrew. 2059:The New York Times 2035:. January 18, 1997 2033:The New York Times 1784:on August 22, 2010 1610:(nyradioguide.com) 1413:In December 2021, 1362: 1248:Newark, New Jersey 951:urban contemporary 923:urban contemporary 914: 881:Urban Contemporary 821:. The prize was a 704:television station 687: 646:Newark, New Jersey 640:In the late 1930s 539:adult contemporary 503:, it broadcasts a 319:WOR-FM (1948–1972) 142:New York, New York 123: 4627:HD Radio stations 4614: 4613: 4478: 4477: 4218:New Country Y-107 3105: 3104: 2479:. August 31, 2024 1621:"WBAM Now WOR-FM" 1491:Shut Up and Dance 1419:Good Karma Brands 1330:DJ Cocoa Chanelle 1312:Kool DJ Red Alert 1276:DJ Chuck Chillout 1129:mainstream top 40 1078:Kiss Wake-Up Club 1022:Kool and the Gang 718:Talk/MOR format. 617:Good Karma Brands 490: 489: 429:40.748°N 73.986°W 344:(previous format) 310:W71NY (1941–1943) 303:Former call signs 235:Emmis Corporation 121: 120: 113: 95: 4659: 4505: 4498: 4491: 4482: 4481: 4471: 4463: 4457: 4447: 4441: 4386:Stamford-Norwalk 3007: 3006: 2576: 2569: 2562: 2553: 2552: 2507: 2506: 2504:Official website 2489: 2488: 2486: 2484: 2469: 2463: 2462: 2460: 2458: 2443: 2437: 2436: 2434: 2432: 2417: 2411: 2410: 2408: 2406: 2391: 2382: 2381: 2379: 2377: 2363: 2357: 2356: 2354: 2352: 2347:. 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April 29, 2012 2051: 2045: 2044: 2042: 2040: 2025: 2019: 2018: 2016: 2014: 1992: 1986: 1985: 1967: 1961: 1955: 1949: 1948: 1946: 1944: 1929: 1920: 1919: 1917: 1915: 1909:rockthebells.com 1900: 1894: 1893: 1891: 1889: 1872: 1866: 1865: 1863: 1861: 1846: 1837: 1836: 1829: 1823: 1822: 1820: 1818: 1803: 1794: 1793: 1791: 1789: 1774: 1768: 1767: 1765: 1763: 1745: 1739: 1738: 1736: 1734: 1723: 1717: 1706: 1700: 1687: 1681: 1668: 1662: 1661: 1659: 1657: 1642: 1636: 1635: 1633: 1631: 1625: 1617: 1611: 1605: 1599: 1589: 1583: 1573: 1567: 1557: 1551: 1550: 1535: 1509:" station, with 1348:a major factor. 1072:That same year, 962:Afrika Bambaataa 819:Tappan, New York 732:progressive rock 603:under a 12-year 531:progressive rock 486: 483: 481: 479: 440: 439: 437: 436: 435: 430: 426: 423: 422: 421: 418: 322:WXLO (1972–1981) 316:WBAM (1943–1948) 297: 295: 290: 178: 177: 172: 133: 126: 122: 116: 109: 105: 102: 96: 94: 53: 29: 21: 4667: 4666: 4662: 4661: 4660: 4658: 4657: 4656: 4617: 4616: 4615: 4610: 4514: 4509: 4479: 4474: 4467: 4461: 4451: 4445: 4436: 4429: 4359: 4307: 4191: 4125: 3506: 3204: 3196: 3184: 3176: 3101: 3043: 3005: 2786: 2761: 2627: 2594: 2580: 2502: 2501: 2498: 2493: 2492: 2482: 2480: 2471: 2470: 2466: 2456: 2454: 2451:Insideradio.com 2445: 2444: 2440: 2430: 2428: 2419: 2418: 2414: 2404: 2402: 2392: 2385: 2375: 2373: 2365: 2364: 2360: 2350: 2348: 2345:Insideradio.com 2339: 2338: 2331: 2321: 2319: 2316:Insideradio.com 2310: 2309: 2305: 2295: 2293: 2283: 2279: 2269: 2267: 2249: 2242: 2232: 2230: 2220: 2213: 2203: 2201: 2191: 2187: 2177: 2175: 2163: 2159: 2149: 2147: 2146:. March 4, 2011 2138: 2137: 2133: 2123: 2121: 2111: 2100: 2090: 2088: 2078: 2074: 2064: 2062: 2053: 2052: 2048: 2038: 2036: 2027: 2026: 2022: 2012: 2010: 1994: 1993: 1989: 1968: 1964: 1956: 1952: 1942: 1940: 1931: 1930: 1923: 1913: 1911: 1901: 1897: 1887: 1885: 1873: 1869: 1859: 1857: 1847: 1840: 1831: 1830: 1826: 1816: 1814: 1805: 1804: 1797: 1787: 1785: 1776: 1775: 1771: 1761: 1759: 1746: 1742: 1732: 1730: 1725: 1724: 1720: 1707: 1703: 1697:Wayback Machine 1688: 1684: 1678:Wayback Machine 1669: 1665: 1655: 1653: 1644: 1643: 1639: 1629: 1627: 1623: 1619: 1618: 1614: 1606: 1602: 1590: 1586: 1574: 1570: 1558: 1554: 1537: 1536: 1532: 1527: 1439: 1354: 1324:Michael Baisden 1244:Whitney Houston 1233:Michael Baisden 1192:Frankie Crocker 1145: 1137:Gannett Company 906: 901: 869:American Top 40 854:Frankie Crocker 796: 789: 759:Initially, the 679: 670: 658: 638: 633: 476: 468: 452: 434:40.748; -73.986 433: 431: 427: 424: 419: 416: 414: 412: 411: 408: 356: 338: 328: 304: 293: 291: 288: 284: 272: 251: 249:Sister stations 242: 173: 170: 169: 149: 117: 106: 100: 97: 54: 52: 42: 30: 17: 12: 11: 5: 4665: 4655: 4654: 4649: 4644: 4639: 4634: 4629: 4612: 4611: 4609: 4608: 4603: 4598: 4593: 4588: 4583: 4578: 4573: 4568: 4563: 4558: 4553: 4548: 4543: 4538: 4533: 4528: 4522: 4520: 4519:Radio stations 4516: 4515: 4508: 4507: 4500: 4493: 4485: 4476: 4475: 4473: 4472: 4464: 4458: 4448: 4442: 4433: 4428: 4427: 4426: 4425: 4420: 4415: 4413:Radio stations 4404: 4403: 4398: 4394: 4393: 4388: 4383: 4378: 4373: 4368: 4363: 4358: 4357: 4356: 4355: 4350: 4345: 4340: 4338:Monmouth-Ocean 4335: 4330: 4320: 4313: 4312: 4309: 4308: 4306: 4305: 4300: 4295: 4290: 4285: 4280: 4275: 4270: 4265: 4260: 4258:WJDM (1530 AM) 4255: 4250: 4245: 4240: 4235: 4230: 4225: 4220: 4215: 4210: 4205: 4199: 4197: 4193: 4192: 4190: 4189: 4184: 4179: 4174: 4169: 4164: 4159: 4154: 4149: 4144: 4139: 4133: 4131: 4127: 4126: 4124: 4123: 4118: 4113: 4112: 4111: 4106: 4101: 4091: 4090: 4089: 4084: 4074: 4069: 4064: 4059: 4058: 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2518: 2508: 2497: 2496:External links 2494: 2491: 2490: 2464: 2438: 2412: 2383: 2358: 2329: 2303: 2285:Hauer, Sarah. 2277: 2240: 2211: 2185: 2157: 2131: 2098: 2072: 2046: 2020: 1987: 1962: 1950: 1921: 1895: 1882:All About Jazz 1867: 1838: 1824: 1795: 1769: 1740: 1718: 1701: 1682: 1663: 1637: 1612: 1600: 1584: 1568: 1552: 1529: 1528: 1526: 1523: 1438: 1437:(2024–present) 1431: 1353: 1350: 1340: 1339: 1333: 1327: 1321: 1315: 1309: 1303: 1297: 1291: 1288:Wendy Williams 1285: 1282:Tony Humphries 1279: 1273: 1270:Shep Pettibone 1267: 1261: 1176:Roger Troutman 1144: 1141: 1082:Wendy Williams 947:Tony Humphries 943:Shep Pettibone 927:Make That Move 905: 902: 900: 897: 788: 785: 773:Johnny Donovan 761:Drake-Chenault 697:sister station 678: 675: 669: 666: 657: 654: 637: 634: 632: 629: 529:, focusing on 488: 487: 480:.gemini13media 474: 470: 469: 467: 466: 461: 455: 453: 450: 447: 446: 442: 441: 409: 406: 403: 402: 399: 393: 392: 389: 383: 382: 379: 373: 372: 369: 363: 362: 357: 354: 351: 350: 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3155: 3153: 3149: 3148: 3144: 3140: 3137: 3135: 3132: 3129: 3127: 3124: 3122: 3118: 3117: 3115: 3113: 3112:FM subcarrier 3108: 3098: 3095: 3093: 3090: 3088: 3085: 3083: 3080: 3078: 3075: 3073: 3070: 3068: 3065: 3063: 3060: 3058: 3055: 3054: 3052: 3050: 3046: 3038: 3035: 3033: 3030: 3029: 3027: 3025: 3022: 3020: 3017: 3016: 3014: 3012: 3008: 3002: 2999: 2997: 2994: 2992: 2989: 2987: 2984: 2982: 2979: 2977: 2974: 2972: 2969: 2967: 2964: 2962: 2959: 2957: 2954: 2952: 2949: 2947: 2944: 2942: 2939: 2937: 2934: 2932: 2929: 2927: 2924: 2922: 2919: 2917: 2914: 2912: 2909: 2907: 2904: 2902: 2899: 2897: 2894: 2892: 2889: 2887: 2884: 2882: 2879: 2877: 2874: 2872: 2869: 2867: 2864: 2860: 2857: 2855: 2852: 2850: 2847: 2846: 2844: 2842: 2839: 2837: 2834: 2830: 2827: 2825: 2822: 2821: 2819: 2817: 2814: 2812: 2809: 2807: 2804: 2802: 2799: 2798: 2796: 2794: 2789: 2783: 2780: 2779: 2777: 2775: 2772: 2768: 2764: 2758: 2755: 2753: 2750: 2748: 2745: 2743: 2740: 2738: 2735: 2733: 2730: 2728: 2725: 2723: 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1975: 1974: 1966: 1959: 1954: 1938: 1934: 1928: 1926: 1910: 1906: 1903:Scott, Dana. 1899: 1884: 1883: 1878: 1871: 1856: 1852: 1845: 1843: 1834: 1828: 1812: 1808: 1802: 1800: 1783: 1779: 1773: 1757: 1756: 1751: 1744: 1728: 1722: 1715: 1714: 1710: 1705: 1698: 1694: 1691: 1686: 1679: 1675: 1672: 1667: 1651: 1647: 1641: 1622: 1616: 1609: 1604: 1597: 1593: 1588: 1581: 1577: 1572: 1565: 1561: 1556: 1548: 1544: 1540: 1534: 1530: 1522: 1520: 1516: 1512: 1508: 1504: 1500: 1496: 1495:Walk the Moon 1492: 1487: 1485: 1484: 1479: 1475: 1471: 1470:voice-tracked 1467: 1463: 1457: 1455: 1451: 1446: 1445: 1444:New York Post 1436: 1430: 1429:from Disney. 1428: 1424: 1420: 1416: 1411: 1409: 1405: 1400: 1398: 1394: 1389: 1387: 1383: 1379: 1375: 1371: 1367: 1358: 1349: 1346: 1337: 1334: 1331: 1328: 1325: 1322: 1319: 1316: 1313: 1310: 1307: 1304: 1301: 1300:Roberta Flack 1298: 1295: 1292: 1289: 1286: 1283: 1280: 1277: 1274: 1271: 1268: 1265: 1262: 1259: 1256: 1255: 1254: 1251: 1249: 1245: 1240: 1236: 1234: 1229: 1225: 1224:D. 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Hughley 1221: 1217: 1216: 1213: 1207: 1205: 1201: 1197: 1193: 1187: 1185: 1181: 1178:(of the band 1177: 1173: 1169: 1164: 1162: 1158: 1154: 1150: 1140: 1138: 1134: 1130: 1126: 1122: 1117: 1115: 1111: 1107: 1102: 1098: 1094: 1090: 1085: 1083: 1079: 1075: 1070: 1068: 1064: 1060: 1057:(and renamed 1056: 1051: 1047: 1043: 1038: 1035: 1031: 1027: 1026:Gladys Knight 1023: 1019: 1015: 1011: 1007: 1003: 999: 995: 990: 987: 983: 979: 975: 971: 967: 966:hip hop music 963: 958: 956: 952: 948: 944: 940: 936: 932: 928: 924: 920: 910: 896: 894: 890: 886: 882: 878: 875: 870: 866: 862: 857: 855: 851: 847: 843: 837: 834: 833: 828: 824: 820: 816: 812: 808: 803: 801: 794: 784: 782: 778: 774: 770: 766: 762: 757: 755: 751: 747: 743: 739: 738: 733: 729: 724: 721:In 1965, the 719: 717: 713: 709: 705: 701: 698: 695: 692: 683: 674: 665: 663: 653: 651: 647: 643: 628: 626: 622: 618: 614: 610: 606: 602: 598: 595:In 2012, the 593: 591: 587: 583: 579: 573: 571: 567: 563: 559: 555: 551: 546: 544: 540: 536: 532: 528: 527:radio formats 525: 521: 517: 512: 510: 506: 502: 498: 494: 485: 475: 471: 465: 462: 460: 457: 456: 454: 448: 443: 438: 410: 404: 400: 398: 394: 390: 388: 384: 380: 378: 374: 370: 368: 364: 361: 358: 352: 347: 343: 340: 336: 331: 324: 321: 318: 315: 313:WOR-FM (1943) 312: 309: 308: 306: 300: 286: 280: 275: 269: 266: 264: 261: 259: 256: 255: 253: 250: 245: 238: 236: 233: 232: 230: 226: 221: 218: 215: 213: 209: 206: 203: 199: 194: 190: 186: 182: 176: 168: 166: 162: 159: 156: 152: 146:United States 145: 143: 140: 139: 136: 132: 127: 115: 112: 104: 93: 90: 86: 83: 79: 76: 72: 69: 65: 62: –  61: 57: 56:Find sources: 50: 46: 40: 39: 34:This article 32: 28: 23: 22: 19: 4575: 4561:Radio Fresh! 4223:W2XEA/KE2XCC 4137:8-Ball Radio 3690: 2935: 2793:FM frequency 2634:AM frequency 2483:September 4, 2481:. 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