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because his dinner has to be made. When the mother tells him to go away and eat whatever he has for dinner in his lair, he knocks again, saying his bed needs to be made. Again the mother tells him to leave them alone, after which the goblin says their child is hungry and crying. To this plea the mother tells him to bring the child to them. In a furious rage the goblin returns to the lake and through the shrieking storm screams that pierce the soul are heard. The storm ends with a loud crash that stirs up the mother and her daughter. When opening the door the mother finds a tiny head without a body and a tiny body without a head lying in their blood on the doorstep of her hut.
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They again play the three note repeats, but Dvořák makes a variation on it as well. He changes from three 8th notes to five 16th notes and back and forth and so on. He might have wanted to show the spell the daughter is under, but for sure it makes the coming apocalypse more vivid than if he had only used the original 3 beats. This section ends with a ritardando (slow down), so the listener is prepared for a sudden fast and short swirl in the violins when the bridge cracks.
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tone scale was considered
Mikhail Glinka's brainchild, but recent research shows that Schubert already used this; see Leitmotiv in Russia: Glinka's Use of the Whole-Tone Scale, by Mary S. Woodside © 1990 University of California Press. Dvořák had made extensive studies of Schubert, and even published
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The next section Dvořák changes from the minor to B major to indicate the persistent state of mind of the daughter when she heads off to the lake. In this section an important role has been given to the timpani, who play a solo, even though it is to be played less loud than the rest of the orchestra.
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The third theme introduces the mother with a suspense theme in B minor which makes the mood even more sad. Again her theme starts with three notes, though the rhythm of the notes is turned around. The suspense is formed by the chromaticism in the secondary theme. Later on Dvořák uses these two themes
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Second the daughter is introduced with a lovely innocent theme, where the triangle gives her a sparkling twinkle in her eyes. However nice this theme may sound the basis is the same three repeat that formed the basis for the goblin theme. The great difference is in the way they are played: the goblin
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around her neck. She feels this dream was a presentiment and warns her daughter not to go to the lake. Despite the mother's warnings, the daughter is drawn to the lake as if possessed and leaves for the lake to do her laundry. The moment she hands down her first garment into the water, the bridge on
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He takes her to his underwater castle and marries her with black crayfish for the groomsmen and fishes for her bridesmaids. After the birth of their first child, the abducted wife sings it a lullaby, which enrages the water goblin. She tries to calm him down and pleads to be allowed ashore to visit
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For the
Austrian première in Vienna by the Vienna Philharmonic under Hans Richter on 22 November 1896, Dr. Robert Hirschfeld was asked to write the program notes. For this occasion Dvořák composed a letter stating his intentions and musical solutions for the translation of Erbens poem into music.
131:, follows Erben's written verses remarkably closely; in many places the text fits literally to Dvořák's music. This may well be a result of the fact that Dvořák derived his themes from putting Erben's words to music. This way Dvořák produced 7 themes, mostly four bars long for this symphonic poem.
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The reunion of mother and daughter is very sad but full of love. When evening falls the distraught mother keeps her daughter and forbids her to go even when the bells are ringing. The water goblin becomes angry, forsakes his lair in the lake and thumps on the door ordering the girl to go with him
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First the water goblin is introduced with a four bar theme starting three repeated notes. These three repeats prove to be vital for the whole composition: Most other themes start with three repeats, the timpani gives a three beat rhythm to the section where the girl wants to go to the lake, the
244:: croaking frogs (piccolo and flutes), the mother's moaning about that Friday, which was an unlucky day (cor anglais and bass clarinet), the mother's terrible distress (oboes, cellos and basses). The water goblin's mysterious disappearance into the depth of the lake.
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her mother once. He gives in on three conditions: She is not to embrace a single soul, not even her mother; she has to leave the baby behind as a hostage; and she will return by the bells of the evening vespers.
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is in a staccato form presented, where all three notes are short and distinctive of sound, and the girl has a legato played theme, where the three notes are played long, and almost glide over in each other.
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is scored for piccolo, 2 flutes, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, triangle, tam-tam, bells and strings.
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226:: The water goblin tells her to stop singing in a fury and they have a quarrel, which ends that the girl is permitted to go visit her mother, but has to be back before the bells of the vespers.
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The next section starts with a sudden E–C–G chord, as the girl hits the water. Dvořák changes key back to B minor for the water goblin theme, and he speeds up the tempo to a lively
238:: The storm on the lake, the church bells are heard after which knocking on the door and eventually a loud bang when the goblin throws the dead child against the door.
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is sitting on a poplar by the lake, singing to the moon and sewing a green coat and red boots for his wedding soon to come.
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which she was sitting collapses. As the water engulfs her she is abducted by the malevolent water goblin who lives there.
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Woodside, Mary S., Leitmotiv in Russia: Glinka's Use of the Whole-Tone Scale © (University of
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Clapham, John, "Dvořák, Musician and
Craftsman", (London: Faber and Faber Ltd./New York: St. Martin's Press 1966)
82:. Four of the six symphonic poems that Dvořák composed were inspired by works of poetry found in that collection.
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Vodník tells a story in four parts of a mischievous water goblin who traps drowning souls in upturned teacups.
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church bells ring three times each at eight o'clock, the water goblin knocks three times on the door.
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A mother tells her daughter of a dream she had about clothing her daughter in white robes
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on 14 November 1896. It had received a semi-public performance on 1 June 1896 at the
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device of a descending whole tone scale and the diabolic delight of the water goblin.
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Dvořák's symphonic piece, which is written in the form of a
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Rehearsal numbers 5 and 6 or bars 151 and 167 in the score
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Clapham, John, ed. Stanley Sadie, "Dvořák, Antonin",
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English translation of Dvořák's letter to
Hirschfeld
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for a look at the piece's motifs based on the poem.
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256:The New Grove Dictionary of Music and Musicians
72:was a poem found in a collection published by
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1332:Adaptations of works by Karel Jaromír Erben
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334:Rehearsal number 7 or bar 197 in the score
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426:International Music Score Library Project
168:The work had its full public premiere in
1164:Serenade in D minor for Wind Instruments
289:The original Czech poem Vodník by Erben
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479:List of compositions by Antonín Dvořák
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431:Classical Music and Literature (blog)
214:: The misery of the underwater world.
258:(London: Macmillan, 1980), 20 vols.
218:Un poco più lento e molto tranquillo
61: 107 (B. 195), written by
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979:String Quartet movement in F major
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196:: The water goblin (flutes) alone.
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43:; initially published by
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370:See letter to Hirschfeld
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47:with the English title
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1270:Antonín Dvořák Museum
754:Symphonic Variations
602:The Bells of Zlonice
184:Letter to Hirschfeld
1196:Terzetto in C major
1186:Sonatina in G major
989:No. 12 in F major (
884:The Spectre's Bride
720:Nocturne in B major
686:Scherzo capriccioso
533:The Cunning Peasant
517:The Stubborn Lovers
174:Prague Conservatory
105:and with pearls of
74:Karel Jaromír Erben
1240:Suite in A major (
1089:No. 4 in E minor (
831:Romance in F minor
744:Suite in A major (
647:From the New World
557:The Devil and Kate
403:2010-03-28 at the
385:2008-09-25 at the
1317:1896 compositions
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1276:Dvorak - In Love?
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998:No. 13 in G major
984:No. 11 in C major
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700:In Nature's Realm
672:Carnival Overture
613:No. 3 in E♭ major
608:No. 2 in B♭ major
242:Andante sostenuto
200:Andante sostenuto
178:Antonín Bennewitz
16:(Redirected from
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1141:No. 2 in A major
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775:The Water Goblin
726:Othello Overture
693:Hussite Overture
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1279:(1988 film)
1221:Humoresques
1214:Piano music
1061:Piano trios
1003:No. 14 in A
964:No. 10 in E
842:Vocal music
679:Czech Suite
549:The Jacobin
230:Lento assai
123:Composition
1311:Categories
1169:Bagatelles
1114:No. 2 in E
1068:No. 1 in B
1042:No. 3 in E
913:No. 2 in B
591:Symphonies
484:(by genre)
358:artificial
249:References
45:N. Simrock
1015:Cypresses
856:Psalm 149
803:Concertos
343:Clapham,
312:Clapham,
299:Clapham,
65:in 1896.
1296:Category
1242:American
1117:♭
1071:♭
1050:American
1045:♭
1006:♭
991:American
972:Slavonic
967:♭
916:♭
746:American
541:Dimitrij
401:Archived
383:Archived
303:, 5:779.
1253:Related
1227:Legends
1201:Ballade
1048:major (
970:major (
873:Requiem
714:My Home
707:Legends
565:Rusalka
347:, p.117
316:, p.117
224:Andante
156:Russian
53:) is a
576:(1904)
573:Armida
568:(1901)
560:(1898)
552:(1887)
544:(1882)
536:(1877)
528:(1875)
520:(1874)
512:(1874)
504:(1870)
501:Alfred
493:Operas
262:
176:under
170:London
79:Kytice
41:Vodník
1150:Other
1120:major
1091:Dumky
1074:major
1009:major
919:major
657:Other
525:Vanda
356:This
276:Notes
129:rondo
37:Czech
260:ISBN
86:Poem
59:Op.
1313::
180:.
94:A
57:,
39::
1244:)
1093:)
1052:)
993:)
974:)
748:)
649:)
645:(
604:)
600:(
460:e
453:t
446:v
35:(
20:)
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