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424:, was never happy in her marriage or in Tuscany. She wanted to return to France, and after years of strife went to live at Poggio a Caiano in 1672 or 1673, under guard to prevent her leaving for France. In order to alleviate the "captivity", in addition to the follow-up of some 150 people, Cosimo III built the theater on the ground floor. Marguerite Louise lived at the villa before returning permanently to France in 1675.
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depots of the Polo
Museale Fiorentino and other public bodies and thus largely visible to the general public for the first time. In a room there are 'papiers peints' of French manufacture, with an exotic theme of the early nineteenth century. The depicted views are wide-ranging with a line of low horizon and small characters depicting "Les sauvages de la Mer Pacifique" (1804).
1032:, (the "Bella Rosina") consisting of three rooms with antique furniture. The Bella Rosina's room is decorated in particular with a four-poster bed and walls entirely covered with pink silk with floral motifs (1865), radiated draped so as to see a pre-existing neoclassical fresco at the center. The French bath, designed by the court architect
338:, now an old man, was able to follow the work only occasionally and until 1516, the year of his death. However, the works continued according to his plan, probably also documented by a wooden model. The vault of the central hall on the first floor was made with the papal coat of arms (which was then referred to as
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and his expulsion with the subsequent triumphal return to
Florence. This fresco is dominated at the top by fantastic architectures featured in a rich landscape in aerial perspective. This scene was also enlarged by Aldi, and the original border is hidden from the porphyry obelisk that rises unusually
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replaced the gutter, where there was a walkway and a crowning with a railing with fires, with a sloping roof, also obtaining an elevation of the prospect that altered significantly the proportions of
Sangallo's initial project. The windows that were initially crossed, that is, divided into four parts
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On the second floor, the "Museum of Still Life" is set up, which is unique in its kind and exhibits about 200 paintings dating from the late sixteenth to the middle of the eighteenth century and coming from the Medici collections. Many of these paintings, up to the opening of the museum, were in the
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that links it to the villa. This environment is one of the best preserved examples of architecture tailored to the home needs of a court: it includes several rooms for laundry use and also a vegetable garden with aromatic herbs for use in kitchens. Along with the 'Ballroom Hall', once a playground,
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At the death of
Lorenzo in 1492 the work at the villa was still largely unfinished and was halted between 1495 and 1513 because of the exile of the Medici from Florence. The villa was complete only for a third, the base (Ttura) with the already complete porch and the floor planks on the first floor
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The room is dedicated to two important masterpieces of the Medici era recently restored: the imposing frieze that adorned the façade of the villa and was commissioned by
Lorenzo himself, and the precious tapestry of the Hunting Swan, one of 36 tapestries designed by Giorgio Vasari on commission of
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They lived some of their most important moments at Poggio a Caiano. Bianca was relegated to the villa, hated by the family and the Medici court, who sided with the legitimate wife, strategically removed from
Florence. At first she was confined to a secondary villa on the heights of Poggio a Caiano
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to build a villa that became the prototype of the country's noble residences in the following centuries. In fact, Lorenzo, through his favorite architect, was among the first to conceive of an agrarian space in which the territory was ordered and shaped according to the requirements of harmony. At
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In 1984 it became a national museum and since then has begun an important restoration cycle, where thanks to a precious inventory dated 1911, the interior of the villa was re-constructed as much as possible, recovering all the objects, furniture and artwork scattered among the various museums and
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In order to remedy these disadvantages several steps were taken: the road to Prato was rerouted, the numerous walls that separated the seating areas and unified in one fence were cut down, while on the square of the villa were made some serpentine driveways with various vegetable decoration; The
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The refined and emblematic theme could also represent the choice of souls according to
Platonic myth. In any case, it is clear the nature of the expression of the complex initiatory climate, relating to the philosophical circle of Lorenzo, through a series of allegorical allegories, of evocative
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designed, in addition to the exterior stairs, the internal staircase connecting the ground floor to the remaining floors of the building, and was also commissioned for some restoration work on the upper floor of the villa. In the same period there are also fresco paintings in some saloons, of a
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close to the center of the representation to the top of the painting. The painted column was partly preserved in the fresco, in fact, the Allori inserted it beside the obelisk. Allori added figures to both frescoes that he copied from both Andrea del Sarto's and
Franciabigio's frescoes in the
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towards 1480. It is no coincidence that this is a private building, where there are elements that later modeled for the future developments of the type of villas: internal and external penetration through filters such as loggias, symmetrical distribution of environments around a central salon
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before, and Allori then. There were numerous hunting scenes depicted, taking the inspiration from the real jumps that were held in the huge park around the villa (far bigger than today). However, it is not possible to admire them as a whole because the collection is now dispersed among some
1163:, an allusion to the gifts received by Lorenzo the Magnificent from the Sultan of Egypt in 1487. The fresco finished about one-third of the surface of the wall where nearer to the outer wall there was a large column painted in the wall, which was later removed and the fresco painted by
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noted the desolation of the square in front of the villa and proposed to remedy the fact that the various highlights of the park, which would be vast, are actually isolated From the other: the villa and the backyard are adjacent, but the
Italian garden is cut off from the road to
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Alessandro Allori was the one who integrated the earlier paintings and completed the decorative program of the saloon, and worked there between 1578 And 1582, more than fifty years after the commencement of the decorations of the other painters. He was commissioned by
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A door at the same level leads to
Bedroom of the Grand Duchess Bianca, covered with pressed papermaking, imitating the coramas (decorated leather panels) and neo-Renaissance furniture, the result of a complete reconstruction of the 1865 style (non-visitable).
847:, and a newly married woman, was one of the greatest scandals of the Renaissance and one of the most romantic pages of the Medici saga: even though the two lovers did everything to be secret, their story was a topic of rumors from the beginning.
1386:. In the eighteenth century some areas of the garden were restored, extending the hunting ground, the so-called 'phagianaia'. In the Italian garden area, a fountain is placed in the center instead of a grove of trees, fed by a new water tank.
1167:, who appointed his signature with that of Andrea del Sarto near the boy with the turkey in the foreground. By the time the frame of the primitive fresco was re-emerged, cutting the scene in two, but was again hidden by recent restorations.
431:. It was a picture gallery set in a single room of the villa, which contained 174 paintings of as many different painters, the largest of which measured 100x75 cm, and which included works by some of the most important artists,
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but the stuccos in question, with portraits of Medici within medallions and other decorations, were removed in 1812 because they were considered too redundant. Only in some periods of the year is decorated the table with the
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and the surviving residences. Poggio a Caiano did not suffer this fate, and only a few furnishings testify to that period, such as the small wooden chest of drawers with inlays depicting views and landscapes. The architects
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apartments, where it is possible to perceive more clearly than elsewhere the Renaissance aspect of the villa. Bianca Cappello was a well-educated and sophisticated Venetian noblewoman who had a relationship with Grand Duke
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Following is the "room of the Camino" of the apartments of Bianca Cappello. The room, although eclectically restored in the 19th century, still retains the beautiful white marble fireplace, with the floor supported by two
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Behind the staircase, under the loggia surrounding the villa, where there are four Roman sarcophagi, you enter the apartments on the ground floor. This floor in the sixteenth century was considered still secondary to the
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The necessary maintenance work and periodic restoration were carried out, though, according to their economic strategy, they intended to resize their landholdings: they began to no longer use some villas (such as the
795:. It was in fact relegated to Poggio a Caiano, and to alleviate his reclusive life he thought to make a theater, of which we have the first mention in 1697. The use of the theater became more frequent with Prince
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The dominant theme of the first constructive phase Was the interpretation of the ancient in modern and decorative style and this fresco testifies to the kernel, as well as the frieze of the tympanum, maybe of
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Altori then created a magnificent architecture throughout the room, which almost contrasts with architecture realities, with figures that seem to be carved in their strong and crystalline colors typical of
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and the space between the lunettes and the windows and the lunettes. The elaborate and fantastic compositions with floral, zoomorphic and anthropomorphic figures are typical of the taste for the
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Among the innovations of the era, the porch was placed on the ground floor (almost an interconnected area between the surrounding landscape and the villa), the classic porch and pediment on the
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503:, the park in front of the villa was equipped with some fun facilities: a "flying arcana", a swing, a "donkey rider" and a "carousel of horses", which are still stored today by the museum.
258:, the grandfather of Lorenzo). This new aptitude was due to political issues, thanks to the period of peace and stability reached by Lorenzo's politics, and philosophical, according to the
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rearranged the gardens and finished the construction of the stables (1548). The overall view of the garden and the stables after the Tribolo's intervention is in the famous lunette of
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Between 1513 and 1520, after the return of the Medici, the works were completed on the initiative of the son of Lorenzo the Magnificent, Giovanni, who had in the meantime became
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Van der Windt, Hans. “New Light on Alessandro Allori's Additions to the Frescoes at Poggio a Caiano.” The Burlington Magazine, vol. 142, no. 1164, 2000, pp. 170–175. JSTOR,
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and performed by Giovanni Stradano and Francesco Allori. The center of interest was represented by the tapestries depicting "The Wild Goose Hunt" and "The Swan Hunt".
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On the first floor is the most interesting environment of the villa: the Leo X saloon, placed in the middle of the building and finished around 1513. According to
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The activity of researchers and restorers has now focused on restoration to make available to the public other parts of the villa. Among them are the 17th-century
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are in this hallway in the entrance hall on the first floor and in seventeen rooms of the villa, to which various guided artists collaborated Always from Catani.
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The triangle (white, blue and green) frieze that today is seen on the tympanum mantel on the main façade of the villa is a copy made in 1986 by the manufacturer
146:). Today it is state owned and it houses two museums: one of the historic apartments (ground floor and first floor) and the Museum of Still Life (second floor).
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Completing the first floor is Victor Emmanuel II's apartment with four rooms: Cloakroom, Studio, Reception Room and Bedroom, and that of Countess of Mirafiori,
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is a building at the corner of the garden, which dates back to the late eighteenth century to practice this game, and today houses the concierge and a store.
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1406:" placed on the Montalbano ridge), a hunting forest that still rises on the hill in front of the villa to the church of San Francesco, from the road to
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is in the Savoyard style, with a frescoed ceiling as a pergola from which overlook cherubs and cupids while a cloth painting displays real signs of the
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1382:: garden areas and wooded areas with an Italian garden on the right, all without fountains and sculptural decorations, as appears from the painting of
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as "A sacrifice, fresh, in a loggia that remained imperfect" and which would go back to before Lorenzo's death, or in any case completed by 1494.
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On the night of 6 March 2017, about 30 meters of the wall surrounding the villa grounds collapsed. Heavy rainfall had undermined its foundation.
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came to Florence. The princess, profoundly different from Cosimo's dark and ultra-religious character, and at odds with the Grand Duke's mother
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The villa was the place where foreign brides of the family members in Florence were welcomed. Here, among other events, were the weddings of
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carved with remarkable plastic strength. The paternity of the work has not yet been clarified, but the scope of creation is surely close to
400:, already his lover (1579). Bianca and Francesco also found death in this villa, for causes not fully clarified and suspected of poisoning.
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and involved the demolition of some of the older rooms. Today it is well preserved, with its marble basin with carvings and a sculpture of
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Giuliano da Sangallo designed another building within the estate: It is a square and bastioned structure at the central court, called "
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The noble floor is a traditional and typical element of urban noble buildings from the early Renaissance to the nineteenth century.
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built at the beginning of the 17th century and the neoclassical cellar (or limonaia) "with anchored water retention", the work of
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158:("Centrifugal" space), dominant position in the landscape, conscious recovery of classical architectural elements (such as the
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Memory, Landscape, Project: The Cascine of Tavola and the Medici Villa of Poggio a Caiano from the historical use of resources
1426:. The garden thus came to be an irregular shape. The kitchens, the watercourse and the chapel were hidden by new tree groups.
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In the summer of 2009 the villa welcomed the works of Helene Brandt and Donatella Mei who pay tribute to Isabella de' Medici
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The interior of the villa has undergone several transformations that have changed its original appearance over the years.
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In the first hall of these apartments, a simple anteroom, there are three paintings on a biblical subject attributed to
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1859:"Finding the remains of Bianca Cappello opens the possibility of an autopsy clarifying the True reasons for the death"
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Afterwards, the theme of decoration changed, probably due to the arrival in the house of the first noble titles of
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Villa Medice of Poggio a Caiano. The Fregio Room / The Room of the Frieze. Medicis in the villa / Medici mementoes
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La Hunting was the theme of the exhibition that was held at the villa where a series of tapestries were taken by
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cared for a general restoration, with the renovation of the theater and the affixing of a clock on the facade.
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Already in Leo X's day, the frescoes of the salon were started by the greatest Florentine masters of the time:
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There were often comedies in the theatrical theater and here he had assembled a unique collection called the
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Laurenziani Itineraries: from the Villa of Cafaggiolo to the Villa of Poggio a Caiano through the Prese area
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The most ancient fresco of the villa, belonging to the period of Lorenzo the Magnificent, is the so-called
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with a kind of central stone cross, were modified, according to a late-fifteenth century model invented by
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Niccolò Tribolo between art, architecture and landscape, Acts of the convention for the centenary of birth
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and the lack of a central courtyard. Gradually the villa was enriched with works in a 'continuum' between
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With the restoration (1819) repairs and restoration work continued (especially in the garden where the
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The restoration was concluded in 2007 with the opening to the public of the second floor, where the
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1800:"The town of Poggio a Caiano, the Villa, from which is a part of the text, kindly licensed to GDFL"
1723:, Acts of the Conferential Study for the Centenary of Birth, Municipality of Poggio a Caiano, 2000.
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He also frescoed, with numerous aids, the two boxes above the portals, the second bezel With the
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On the first floor is the entrance hall (with monochrome paintings of the eighteenth century, by
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the decoration of the vault belongs only in part to Sangallo, the rest would be the work of
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The gardens around the villa date back to the nineteenth century and are very interesting.
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in a niche, in addition to the original toiletries. The two mythological frescoes depict
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between the 1533 and 1548, beautifully woven with silk and filaments of gold and silver.
1008:, father of the homeland. The painting dates back to 1698 and was commissioned by Prince
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The entrance hall is plastered in A light yellow color and contains some inscriptions on
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In the 1828 the sundials were arranged on the sides of the building. While following the
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the interior of the villa was updated with fine furnishings from the royal palaces of
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Ombrone course was straightened and a new ironable bridge was built to connect with
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Up until the 17th century, the villa's garden was quite simple compared to those of
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dates back to the period under the loggia on the first floor and perhaps the glazed
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had caused concern to the buyers, who feared a collapse. This fear was allayed by
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and Franciabigio himself. The paintings were completed some fifty years later by
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Lorenzo the Magnificent who receives the villa's model from Giuliano da Sangallo
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The Myth of Lorenzo the Magnificent in the Villa Decorations of Poggio a Caiano
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these rooms could be used for the exhibition of the eighteenth-century rides.
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and so on. Today it is no longer present, because it was dispersed in 1773 by
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Days of War Time (Poggio a Caiano, June–October 1944) Diary of Ermanno Cecchi
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The villa is located in the middle of a hilltop, the last offshoot of the
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1212:. In addition to expanding the existing panels, he created two new ones:
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strictly neoclassical style, with subjects drawn from ancient mythology.
968:. Fresco decoration is one of the most important pictorial cycles of the
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La Quadreria di Don Lorenzo de' Medici: Villa Medicea di Poggio a Caiano
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Adjacent to the Villa are some buildings such as the chapel, (where the
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because of the work on his own Palazzo Ximenes da Sangallo in Florence.
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mountains, in a strategic position, lying on the promontory towards the
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The villa is perhaps the best example of architecture commissioned by
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that time it began to set the idea of the villa-fortress (like the
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Recent studies have denied the design of the stables to architect
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In the villa and in the gardens were filmed scenes of the movie
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and the first decorated lunette in the salon of Leo X, that of
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at the Medici villa with Buontalenti during the same period.
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Niccolò called the Tribe of Art, Architecture and Landscape
293:(some historians refer to a second phase of construction).
1216:, alluding to the journey Lorenzo the Magnificent made to
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Cabinet of Works in Small of All The Most Famous Painters
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The Villa of Poggio a Caiano (Library of "Lo Studiolo")
1570:"Wall collapses at the Medici Villa in Poggio a Caiano"
1254:
Completed the pictorial decoration a superb series of
1116:. Between 1519 and 1521, Depicts the Roman deities of
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The "Teatro delle Commedie" was first created by 1675
1226:
Consul Flaminio speaks to the council of the Achaeans
403:
1745:
1555:
M. Attucci, L. Corsetti, S. Gelli, P. Gennai (ed.),
599:
225:
After a period of intensive land acquisition by the
191:
river and the plain and dominating the road between
1267:Florentine museums, deposits and embassies abroad.
511:Concerts held at the theater of the villa included
46:. Unsourced material may be challenged and removed.
1847:"The love between Francesco I and Bianca Cappello"
1839:"Lawn art and history – The Villa Medicea "Ambra""
1673:The Villa of Lorenzo de' Medici in Poggio a Caiano
732:, as It refers to the theme of the return to the
699:The loggia between the two steps of the staircase
650:As well as other works from the Medici villas of
3184:
1621:Elisabetta Pieri and Luigi Zangheri, edited by,
1367:The fountain at the center of the Italian garden
534:Detail of the Diana Temple in the English garden
1707:The Stables of Villa Medicea of Poggio a Caiano
1251:, creating a magnificent and virtuoso scenery.
1328:In the middle of the sixteenth century, under
906:'s work in the villa 1575, who was engaged by
469:Ferdinando de' Medici, Grand Prince of Tuscany
237:, between 1470 and 1474, Lorenzo commissioned
2954:
1881:
1719:Elisabetta Pieri, Luigi Zangheri, edited by,
1702:, Prato Savings Bank and Deposit, Prato 1981.
1185:realized in the wall diagonally opposite the
1587:
1124:embedded in an unusual classical landscape.
857:Church of Santa Maria Assunta at Bonistalloh
813:
646:was housed, in which the great paintings of
1606:
1293:Buildings adjacent to the Villa and Gardens
668:
467:and today in the theater, is the result of
222:at the beginning of the fifteenth century.
199:, which overwhelms the small heights here.
2961:
2947:
2271:Genealogical tables of the House of Medici
1888:
1874:
1402:(not to be confused with the much bigger "
882:; Here after the restoration was also the
1812:"Pro Loco di Poggio a Caiano – The villa"
1709:, Autonomous Tourism Company, Prato 1980.
952:Detail of the ceiling in the Leo X saloon
304:of the vault covering the central salon.
106:Learn how and when to remove this message
1726:Pierluigi De Vecchi and Elda Cerchiari,
1675:, Poggio a Caiano, Poggio a Caiano 1992.
1559:, Municipality of Poggio a Caiano, 2005.
1535:Pierluigi De Vecchi and Elda Cerchiari,
1433:
1362:
1351:
1296:
1169:
1141:
1096:(according to Halm's interpretation) by
1078:
1067:
947:
825:
817:
694:
529:
317:Eleanor of Toledo enters Poggio a Caiano
311:
117:
3185:
1063:
1050:Teti attends the departure of Achilles
2942:
1869:
506:
2970:Medici villas and gardens in Tuscany
1820:"The villa among the Tuscan Gardens"
1214:Numidia's Syphace Receiving Scipione
1133:Giuliano de' Medici, Duke of Nemours
859:. (The official chronicles speak of
834:To the right there is access to the
728:regarding the construction phase of
307:
178:
44:adding citations to reliable sources
15:
1895:
1700:The Medici Villa of Poggio a Caiano
1652:La Villa medicea di Poggio a Caiano
1046:Achilles immersed in the Lete River
988:who crowns with laurel the bust of
776:and the plebiscite that united the
703:The roof was modified when in 1575
451:. The Cabinet Room was frescoed by
13:
2818:Crown of the Grand Duke of Tuscany
2650:Painters, sculptors and architects
1730:, Volume 2, Bompiani, Milan 1999.
1668:, Editions Medicea, Florence 1992.
1595:http://www.jstor.org/stable/888694
1539:, Volume 2, Bompiani, Milan 1999.
1307:PietĂ con i Santi Cosimo e Damiano
1279:
1262:and his son Francesco, drawing on
1181:More or less at the same time the
1157:worked at the villa, painting the
1129:Lorenzo de' Medici, Duke of Urbino
925:and where it was probably that of
561:, and English park was completed.
404:Seventeenth and Eighteenth Century
14:
3224:
1784:
1688:, Becossi Editore, Florence 1986.
1659:The Medici Villas of Giusto Utens
1640:The Medici Villas. Complete Guide
600:20th Century and Contemporary Era
483:), bringing the furnishings into
3139:
2723:Poets and other literary figures
2283:
1748:
1492:should not be confused with the
996:On the ceiling of the so-called
350:. From the beginning, the large
206:after buying a rustic farm from
20:
1632:
1625:, City of Poggio a Caiano, 2001
1270:
759:
620:, etc. In addition, during the
592:and used as a residence by the
523:. The frescoes of neoclassical
128:Medici Villa of Poggio a Caiano
122:Medici Villa of Poggio a Caiano
31:needs additional citations for
1615:
1600:
1562:
1549:
1529:
1505:
1482:
1473:
1429:
1356:The villa in 1599, Lunetta of
1347:
1012:. This hall was also known as
932:
685:
250:made only thirty years ago by
1:
2901:Stories set to music: "opera"
1741:
1522:
1243:that is typical of the time.
1678:Marchi Annalisa, edited by,
1597:. Accessed 8 September 2024.
1000:there is a large fresco, by
134:, is one of the most famous
7:
2677:Michelangelo and the Medici
2521:Palazzo Medici di Ottaviano
2471:Casino Mediceo di San Marco
1716:, Centro Di, Florence 1977.
1454:
1438:The entrance and guardhouse
1400:Barco mediceo di Bonistallo
1188:Return of Cicero From Exile
830:Bianca Cappello's staircase
789:Marguerite Louise d'Orléans
751:
690:
471:'s deep interest in music.
410:Marguerite Louise d'Orléans
10:
3229:
2744:Humanists and philosophers
2496:Palazzo Medici Tornaquinci
1712:Borea Evelina, edited by,
872:Moses and the Burning Bush
614:Monument of the Four Moors
557:was built, solemn work by
342:), under the direction of
208:Giovanni di Paolo Rucellai
173:
55:"Villa di Poggio a Caiano"
3213:Royal residences in Italy
3208:National museums of Italy
3137:
2976:
2883:
2847:
2831:
2805:
2780:
2764:
2743:
2722:
2649:
2642:
2596:
2550:
2529:
2463:
2305:
2298:
2281:
2263:
2245:Giovanni delle Bande Nere
2237:
2206:
2090:
2064:
2043:
1995:
1972:
1928:Lorenzo "The Magnificent"
1910:
1903:
1638:Isabella Lapi Ballerini,
1607:M.M. Simari, ed. (2012).
1010:Ferdinando III de' Medici
822:The Buontalenti fireplace
814:Bianca Cappello Apartment
791:the little-known wife of
715:
1654:, Sillabe, Livorno 2000.
1466:
1237:Garden of the Hesperides
1137:Stories of Roman History
1004:, depicting the work of
904:Alfonso Parigi the Elder
705:Alfonso Parigi the Elder
669:Proposals for the future
622:Allied invasion of Italy
501:Ferdinand III of Tuscany
2476:Palazzo Medici Riccardi
2207:Bishops and archbishops
1648:, Edifir, Florence 2001
1002:Anton Domenico Gabbiani
917:The stone staircase in
880:Resurrection of Lazarus
494:Giovan Battista Ruggeri
289:pediment attributed to
244:Villa Medici at Careggi
2823:Order of Saint Stephen
2704:Antonio del Pollaiuolo
1997:Grand Dukes of Tuscany
1774:Francesco I de' Medici
1682:, Giunti, Prato, 1992.
1439:
1391:Louis-Martin Berthault
1368:
1360:
1323:Hall of the Pallacorda
1302:
1206:Francesco I de' Medici
1191:, a clear metaphor of
1178:
1153:Between 1519 and 1521
1150:
1089:
1076:
1036:, was commissioned by
953:
876:Passage of the Red Sea
831:
823:
778:Grand Duchy of Tuscany
700:
535:
327:
123:
2623:Cappella dei Principi
2530:Fountains and gardens
1982:Alessandro "The Moor"
1964:Alessandro "The Moor"
1671:Foster Philip Ellis,
1513:Nanni di Baccio Bigio
1437:
1366:
1355:
1300:
1222:Ferdinand I of Naples
1198:Chiostro dello Scalzo
1173:
1145:
1082:
1071:
1021:drawings designed by
951:
829:
821:
698:
533:
517:Etienne Nicolas MĂ©hul
422:Vittoria della Rovere
378:Alessandro de' Medici
315:
121:
3101:Gardens of Pratolino
2788:Emilio de' Cavalieri
2751:Pico della Mirandola
2709:Jacopo della Quercia
2684:Bernardo Buontalenti
2667:Filippo Brunelleschi
2657:Bartolomeo Ammannati
2506:Palazzo delle Vedove
1938:Giovanni, Pope Leo X
1705:Gurrieri Francesco,
1698:Bardazzi Silvestro,
1490:Sacrifice of Laocoön
1094:Sacrifice of Laocoön
1085:Vertumnus and Pomona
1073:Sacrifice of Laocoön
1014:Salone degli stucchi
900:Bernardo Buontalenti
738:Giuliano da Sangallo
730:Lorenzo il Magnifico
677:and the underground
644:Museum of Still Life
566:unification of Italy
457:Allegory of the Arts
336:Giuliano da Sangallo
239:Giuliano da Sangallo
155:Giuliano da Sangallo
151:Lorenzo il Magnifico
40:improve this article
3169:43.8174°N 11.0562°E
3165: /
2813:Medici coat of arms
2735:Niccolò Machiavelli
2198:Vincenzo II Gonzaga
1756:Architecture portal
1695:, Trevi, Rome 1982.
1664:Medri Litta Maria,
1646:Giardini di Toscana
1611:. Livorno: Sillabe.
1149:by Andrea del Sarto
1064:Renaissance frescos
635:(1965) directed by
463:(1703), already in
382:Margaret of Austria
3198:Gardens in Tuscany
2542:Villa di Pratolino
1918:Cosimo "The Elder"
1691:Agriesti Luciano,
1440:
1369:
1361:
1319:Pasquale Poccianti
1309:, painted in 1560
1303:
1179:
1151:
1090:
1077:
1075:by Filippino Lippi
1057:Pasquale Poccianti
954:
923:Victor Emmanuel II
832:
824:
774:Victor Emmanuel II
736:, or performed by
701:
559:Pasquale Poccianti
536:
507:Nineteenth Century
356:Sebastiano Ximenes
328:
216:Cancellieri family
204:Lorenzo de' Medici
153:, in this case to
138:and is located in
124:
3203:Villas in Tuscany
3148:
3147:
2936:
2935:
2875:Arazzeria Medicea
2801:
2800:
2689:Leonardo da Vinci
2662:Sandro Botticelli
2638:
2637:
2578:San Piero a Sieve
2279:
2278:
2178:Bernardo Salviati
2168:Giovanni Salviati
1974:Dukes of Florence
1933:Piero "The Brief"
1923:Piero "The Gouty"
1911:Lords of Florence
1657:Mignani Daniela,
1420:Cascine di Tavola
1175:Triumph of Cicero
1165:Alessandro Allori
1160:Tribute to Caesar
1147:Tribute to Caesar
1034:Giuseppe Cacialli
845:Joanna of Austria
513:Giovanni Paisello
437:Leonardo da Vinci
390:Eleanor of Toledo
371:Alessandro Allori
321:Giovanni Stradano
308:Sixteenth Century
179:Fifteenth Century
116:
115:
108:
90:
3220:
3180:
3179:
3177:
3176:
3175:
3174:43.8174; 11.0562
3170:
3166:
3163:
3162:
3161:
3158:
3143:
3091:Poggio Imperiale
2963:
2956:
2949:
2940:
2939:
2911:Pazzi conspiracy
2870:Venus de' Medici
2860:Medici porcelain
2730:Agnolo Poliziano
2647:
2646:
2405:Poggio Imperiale
2303:
2302:
2293:
2287:
2219:Bernardo Antonio
2193:Ferrante Gonzaga
2044:Queens of France
1908:
1907:
1890:
1883:
1876:
1867:
1866:
1862:
1854:
1849:. Archived from
1842:
1834:
1832:
1831:
1822:. Archived from
1815:
1807:
1802:. Archived from
1795:
1758:
1753:
1752:
1728:The Times of Art
1626:
1619:
1613:
1612:
1604:
1598:
1591:
1585:
1584:
1582:
1581:
1566:
1560:
1553:
1547:
1537:The Times of Art
1533:
1516:
1509:
1503:
1486:
1480:
1477:
1230:Dieta di Cremona
1193:Cosimo the Elder
1155:Andrea del Sarto
1110:Andrea Sansovino
1006:Cosimo The Elder
986:Agnolo Poliziano
945:
944:
940:
782:Kingdom of Italy
726:Andrea Sansovino
648:Bartolomeo Bimbi
637:John Schlesinger
606:Second World War
544:Giuseppe Manetti
538:Commissioned by
521:Gaspare Spontini
453:Sebastiano Ricci
384:(1536), between
367:Andrea del Sarto
344:Andrea di Cosimo
291:Andrea Sansovino
281:. The fresco of
256:Cosimo the Elder
202:It was built by
111:
104:
100:
97:
91:
89:
48:
24:
16:
3228:
3227:
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3173:
3171:
3167:
3164:
3159:
3156:
3154:
3152:
3151:
3149:
3144:
3135:
3086:Poggio a Caiano
2972:
2967:
2937:
2932:
2879:
2843:
2827:
2797:
2776:
2772:Galileo Galilei
2760:
2756:Marsilio Ficino
2739:
2718:
2634:
2592:
2546:
2537:Medici fountain
2525:
2459:
2345:Poggio a Caiano
2294:
2289:
2288:
2275:
2259:
2233:
2202:
2188:Lorenzo Strozzi
2183:Niccolò Ridolfi
2163:Luigi de' Rossi
2157:
2150:Francesco Maria
2086:
2060:
2039:
1991:
1968:
1899:
1897:House of Medici
1894:
1857:
1845:
1837:
1829:
1827:
1818:
1810:
1798:
1792:"Official Site"
1790:
1787:
1779:Rosa Vercellana
1764:Poggio a Caiano
1754:
1747:
1744:
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1601:
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1554:
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1534:
1530:
1525:
1520:
1519:
1510:
1506:
1500:Vatican Museums
1487:
1483:
1478:
1474:
1469:
1457:
1432:
1350:
1342:Florence Museum
1340:(1599) kept in
1334:Niccolò Tribolo
1295:
1282:
1280:The frieze room
1273:
1210:Bianca Cappello
1177:by Franciabigio
1098:Filippino Lippi
1066:
1038:Elisa Bonaparte
1030:Rosa Vercellana
1023:Agnolo Bronzino
966:Cosimo Feltrini
946:
942:
938:
936:
935:
836:Bianca Cappello
816:
780:to the nascent
762:
754:
718:
710:Baccio d'Agnolo
693:
688:
671:
602:
548:English Gardens
540:Elisa Bonaparte
509:
499:At the time of
406:
398:Bianca Cappello
325:Palazzo Vecchio
310:
283:Filippino Lippi
214:, built by the
181:
176:
140:Poggio a Caiano
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37:
25:
12:
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3103:
3098:
3093:
3088:
3083:
3078:
3076:Montevettolini
3073:
3068:
3063:
3058:
3053:
3048:
3043:
3038:
3033:
3028:
3023:
3018:
3013:
3008:
3003:
3001:Boboli Gardens
2998:
2993:
2988:
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2965:
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2943:
2934:
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2930:
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2928:
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2913:
2908:
2903:
2898:
2896:Galilean moons
2893:
2891:Medici giraffe
2887:
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2726:
2724:
2720:
2719:
2717:
2716:
2714:Giorgio Vasari
2711:
2706:
2701:
2696:
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2686:
2681:
2680:
2679:
2669:
2664:
2659:
2653:
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2644:
2640:
2639:
2636:
2635:
2633:
2632:
2627:
2626:
2625:
2620:
2609:Medici Chapels
2606:
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2527:
2526:
2524:
2523:
2518:
2513:
2508:
2503:
2498:
2493:
2488:
2483:
2481:Palazzo Madama
2478:
2473:
2467:
2465:
2461:
2460:
2458:
2457:
2452:
2447:
2442:
2437:
2435:Montevettolini
2432:
2427:
2422:
2417:
2412:
2407:
2402:
2397:
2392:
2387:
2382:
2377:
2372:
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2362:
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2195:
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2175:
2173:Innocenzo Cybo
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2137:
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2127:
2122:
2116:
2111:
2105:
2094:
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2027:
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2017:
2012:
2007:
2001:
1999:
1993:
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1989:
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1978:
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1967:
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1956:
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1945:
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1935:
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1920:
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1905:
1901:
1900:
1893:
1892:
1885:
1878:
1870:
1864:
1863:
1855:
1853:on 2005-03-28.
1843:
1835:
1816:
1808:
1806:on 2002-09-29.
1796:
1786:
1785:External links
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1782:
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1661:, Arnaud, 1993
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1642:, Giunti 2003.
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1576:. 7 March 2017
1574:The Florentine
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1311:Giorgio Vasari
1294:
1291:
1281:
1278:
1272:
1269:
1220:to treat with
1065:
1062:
1042:Venus and Love
934:
931:
888:Giorgio Vasari
868:Paolo Veronese
815:
812:
808:House of Savoy
761:
758:
753:
750:
722:Richard Ginori
717:
714:
692:
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687:
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628:state depots.
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594:House of Savoy
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246:, more like a
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130:, also called
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2:
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3196:
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3193:Medici villas
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2291:Festina Lente
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2110:(Clement VII)
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2025:Ferdinando II
2023:
2021:
2018:
2016:
2013:
2011:
2008:
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1994:
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1955:(Clement VII)
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1826:on 2013-03-11
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1514:
1508:
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1497:
1496:
1495:Laocoön Group
1491:
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1462:
1461:Medici villas
1459:
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919:Pietra serena
915:
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908:Cerreto Guidi
905:
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869:
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861:tertian fever
858:
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804:Billiard Hall
800:
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679:Criptoportico
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546:designed new
545:
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485:Palazzo Pitti
482:
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465:Palazzo Pitti
462:
461:Lorenzo Testa
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227:Medici family
223:
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212:Palla Strozzi
209:
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136:Medici villas
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107:
99:
88:
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81:
78:
74:
71:
67:
64:
60:
57: –
56:
52:
51:Find sources:
45:
41:
35:
34:
29:This article
27:
23:
18:
17:
3150:
3085:
2991:Arena Metato
2986:L'Ambrogiana
2855:Medici lions
2832:Institutions
2672:Michelangelo
2630:Old Sacristy
2618:New Sacristy
2491:Villa Medici
2415:L'Ambrogiana
2400:Arena Metato
2290:
2250:Don Giovanni
2158:
2140:Giovan Carlo
2130:Ferdinando I
2097:
2035:Gian Gastone
2015:Ferdinando I
1851:the original
1828:. Retrieved
1824:the original
1804:the original
1727:
1720:
1713:
1706:
1699:
1692:
1685:
1679:
1672:
1665:
1658:
1651:
1645:
1639:
1633:Bibliography
1622:
1617:
1608:
1602:
1589:
1578:. Retrieved
1573:
1564:
1556:
1551:
1536:
1531:
1507:
1493:
1489:
1484:
1475:
1416:
1388:
1384:Giusto Utens
1373:
1370:
1358:Giusto Utens
1338:Giusto Utens
1327:
1322:
1321:(1825). The
1314:
1306:
1304:
1301:The limonaia
1283:
1274:
1271:Second floor
1253:
1245:
1240:
1236:
1234:
1225:
1213:
1202:
1200:, Florence.
1186:
1183:Franciabigio
1180:
1174:
1158:
1152:
1146:
1136:
1126:
1106:
1093:
1091:
1088:by Pontormo
1083:
1072:
1054:
1049:
1045:
1041:
1027:
1018:
1013:
997:
995:
984:
980:
977:Luigi Catani
974:
962:Franciabigio
955:
916:
912:
892:
883:
879:
875:
871:
865:
853:Il Cerretino
852:
849:
833:
803:
801:
786:
771:
767:piano nobile
763:
760:Ground floor
755:
748:classicism.
746:
733:
719:
702:
678:
674:
672:
664:
662:and others.
641:
630:
626:
610:Michelangelo
603:
563:
552:
537:
525:Luigi Catani
510:
498:
473:
456:
428:
426:
416:and wife of
412:, cousin of
407:
375:
360:
352:barrel vault
348:Franciabigio
340:Leo X's Lion
339:
329:
319:, Fresco of
316:
302:
295:
271:architecture
267:piano nobile
264:
224:
201:
182:
160:barrel vault
148:
131:
127:
125:
102:
93:
83:
76:
69:
62:
50:
38:Please help
33:verification
30:
3172: /
2865:Medici Vase
2839:Medici Bank
2793:Jacopo Peri
2613:San Lorenzo
2604:Magi Chapel
2238:Condottieri
2159:female line
2077:Clement VII
2010:Francesco I
1430:Exhibitions
1404:Barco Reale
1348:The Gardens
998:Dining Room
933:Noble floor
927:Francesco I
841:Francesco I
734:Age of gold
686:Description
604:During the
394:Francesco I
3187:Categories
3160:11°03′22″E
3157:43°49′03″N
3116:Spedaletto
3081:La Petraia
3071:Mezzomonte
3066:Marignolle
3016:Camugliano
3011:Cafaggiolo
2916:Savonarola
2765:Scientists
2699:Michelozzo
2551:Fortresses
2395:Marignolle
2375:Camugliano
2370:La Petraia
2365:Spedaletto
2355:Mezzomonte
2315:Cafaggiolo
2119:Alessandro
2030:Cosimo III
1948:Lorenzo II
1830:2017-08-16
1769:Pope Leo X
1580:2017-10-12
1523:References
1258:wanted by
1256:tapestries
1019:table carp
793:Cosimo III
660:Ambrogiana
477:Ambrogiana
418:Cosimo III
332:Pope Leo X
252:Michelozzo
233:river, at
185:Montalbano
66:newspapers
3126:La Topaia
3111:Seravezza
3106:La Quiete
3096:Pratolino
2921:TV series
2781:Musicians
2694:Donatello
2643:Patronage
2450:Seravezza
2385:La Topaia
2335:La Quiete
2299:Buildings
2264:Genealogy
2155:Francesco
2098:male line
2091:Cardinals
2020:Cosimo II
1424:Pavoniere
1249:manierism
1118:Vertumnus
1055:In 1807,
970:Mannerism
797:Ferdinand
542:in 1811,
449:Leopold I
414:Louis XIV
279:sculpture
260:humanists
96:June 2017
3061:La Magia
3056:Lilliano
3051:Lappeggi
3026:Castello
2996:Artimino
2926:episodes
2806:Heraldry
2588:Volterra
2568:Piombino
2563:Grosseto
2516:Materdei
2440:Artimino
2420:La MĂ gia
2350:Castello
2224:Giuliano
2145:Leopoldo
2125:Giovanni
2121:(Leo XI)
2114:Ippolito
2102:Giovanni
2051:Caterina
2005:Cosimo I
1987:Cosimo I
1959:Ippolito
1943:Giuliano
1742:See also
1455:See also
1448:Cosimo I
1389:In 1813
1376:Castello
1330:Cosimo I
1315:Cucinone
1287:Cosimo I
1264:Stradano
1260:Cosimo I
1114:Pontormo
972:period.
896:telamons
878:and the
752:Interior
742:Bertoldo
691:Exterior
675:Cucinone
652:Castello
574:Piacenza
555:lemonaia
490:Giuseppe
481:Lappeggi
455:with an
408:In 1661
392:(1539),
386:Cosimo I
363:Pontormo
287:majolica
275:painting
193:Florence
162:and the
3131:Trebbio
3121:Stabbia
3046:Fiesole
3041:Coltano
3021:Careggi
2906:Albizzi
2884:Related
2597:Chapels
2573:Pistoia
2501:Livorno
2464:Palaces
2430:Coltano
2425:Liliano
2410:Lapeggi
2380:Stabbia
2330:Fiesole
2325:Careggi
2320:Trebbio
2255:Mattias
2214:Filippo
2104:(Leo X)
1498:in the
1414:river.
1412:Ombrone
1408:Pistoia
1380:Petraia
851:called
633:Darling
618:Livorno
590:Bologna
441:Raphael
298:Cascine
231:Ombrone
220:Pistoia
197:Pistoia
189:Ombrone
174:History
166:temple
80:scholar
2981:Agnano
2558:Arezzo
2455:Madama
2360:Agnano
2307:Villas
2229:Zanobi
2108:Giulio
2082:Leo XI
1953:Giulio
1904:People
1734:
1543:
1224:; The
1218:Naples
1122:Pomona
1102:Vasari
958:Vasari
937:": -->
874:, The
716:Frieze
656:Topaia
570:Modena
445:Rubens
248:castle
235:Tavola
168:façade
82:
75:
68:
61:
53:
2583:Siena
2135:Carlo
2072:Leo X
2065:Popes
2056:Maria
1467:Notes
1396:Prato
990:Homer
884:PietĂ
586:Lucca
582:Turin
578:Parma
433:DĂĽrer
164:ionic
144:Prato
132:Ambra
87:JSTOR
73:books
3006:Buti
2511:Pisa
2445:Buti
1732:ISBN
1541:ISBN
1488:The
1422:and
1398:and
1241:whim
1131:and
1120:and
1048:and
983:and
964:and
939:edit
802:The
588:and
519:and
492:and
479:and
396:and
388:and
380:and
277:and
254:for
195:and
126:The
59:news
2848:Art
1378:or
886:of
863:.)
740:or
616:of
612:or
323:in
218:of
170:).
42:by
3189::
2611:,
2161::
2100::
1572:.
1344:.
1332:,
1232:.
1139:.
1052:.
993:.
929:.
870::
810:.
799:.
784:.
658:,
654:,
639:.
596:.
584:,
580:,
576:,
572:,
515:,
443:,
439:,
435:,
365:,
334:.
273:,
262:.
2962:e
2955:t
2948:v
1889:e
1882:t
1875:v
1861:.
1841:.
1833:.
1814:.
1794:.
1583:.
943:]
142:(
109:)
103:(
98:)
94:(
84:·
77:·
70:·
63:·
36:.
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