1958:
1968:
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of the past half-century. He brings an appropriately sepulchral tone to the second song, where at times the huge voice is scaled down to a whisper, an effect that's sparingly used but (as done here) can make strong hearts melt. In the third song Hotter infuses his voice with bitterness, and in the
1131:
44:
426:
that Brahms had indicated. Later, zur-Mühlen spoke to Brahms and said he hoped he didn't mind this diversion from the score. Brahms replied "You sang them magnificently. I did not notice anything wrong".
685:
The vocal line spans nearly two octaves, some of it lying rather awkwardly for the voice, but Miss
Ferrier meets all its demands triumphantly—and nowhere more so than in the wonderful third song,
747:. Anne Ozorio described it as "another seminal moment in song history. The singer had barely turned 24 but already captured the profundity of Brahms’ meditation on death". He recorded them with
689:, in which she beautifully covers the top notes, and in the last song, in which she gives such noble expression, with full voice, to the great phrase set to the words '
1971:
693:' ('Now abideth faith and hope and love, these three'). Here, then, we have a major achievement of the singer's art, a definitive performance of great songs.
1212:
727:
In the grim opening song, the music's funereal sideways steps are broken by a stormy section in which we're reminded that Hotter was the reigning
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March 1896. Brahms completed the composition of this set of songs, his last, by his birthday on 7 May that year, in anticipation of her death.
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The first performance was given in Vienna on 9 November 1896 in the presence of the composer, by two Dutch artists: the baritone
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393:. Brahms came backstage and thanked Sistermans and Bos for the performance, which he said "perfectly realised intentions".
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194:. Three songs deal with death and the transience of life, while the fourth has an outlook of
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in 1947 with pianist
Phyllis Spurr, and in 1950 with John Newmark. A reviewer commented in
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365:. Written for a low voice, they were also transcribed for high voice. They have been
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Wenn ich mit
Menschen- und mit Engelszungen (S. Pauli an die Corinther I., Kap. 13)
203:
1910:
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1382:
1213:
Brahms recital / Helen
Traubel Soprano Coenraad Bos Piano 10" LP Colombia ML-2072
706:
443:
are also given. The links to separate scores provide the version for high voice.
390:
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181:
35:
925:"Lieder für eine Singstimme mit Klavierbegleitung / Brahms, Johannes, 1833–1897"
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recorded the songs several times, beginning in 1949 in his first recording with
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1986:
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202:. The songs were premiered there in the presence of the composer by baritone
1275:, Op.121, and Late Nineteenth-Century Pessimism". In Brodbeck, David (ed.).
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228:), dealing with death, based on a compilation of biblical quotations in
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31:
1313:"Brahms's Late Spirituality / Hope in the Vier ernste Gesänge, Op.121"
1227:
803:
1090:
Musgrave, Michael; Blume, Walter; Sherman, Bernard D. (2003-10-02).
1935:
1192:"Dietrich Fischer-Dieskau: Early Recordings on Deutsche Grammophon"
1516:
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577:
532:
487:
272:
Denn es gehet dem
Menschen wie dem Vieh (Prediger Salomo, Kap. 3)
210:. They have been recorded often by both female and male singers.
198:. Brahms composed the work in Vienna in 1896 and dedicated it to
1097:, 1949, as quoted in Michael Musgrave & Bernard D. Sherman,
720:
328:
1967:
1248:
Op.121: Enrichment and
Uniformity". In Pascall, Robert (ed.).
1140:, Op. 121. Kathleen Ferrier (contralto), John Newmark (piano)"
406:
as marked in the score, so he instructed Bos to continue the
400:
in the four songs. Zur-Mühlen could not achieve the final
218:
Between 1865 and 1868, as a young man, Brahms had composed
173:
1250:
Brahms : Biographical, Documentary and
Analytical Studies
769:
recorded the songs in 1949 with pianist
Coenraad V. Bos.
43:
995:
719:, along with other songs by Brahms and the Bach cantata
341:(If I speak with the tongues of humans and angels) from
236:
late in life, again on words from the Bible. His friend
1271:
701:, she sang an orchestrated version in English with the
1099:
Performing Brahms: Early
Evidence of Performance Style
277:
Ich wandte mich, und sahe an (Prediger Salomo, Kap. 4)
252:
The texts of the first three songs are taken from the
48:
Brahms, posthumous portrait adapted from a photograph
1089:
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last offers consoling comfort. A great performance.
691:
Nun aber bleibet glaube, hoffnung, liebe, diese drei
439:is that of the original composition, marking and
299:(It is for a person as it is for an animal) from
282:O Tod, wie bitter bist du (Jesus Sirach, Kap. 41)
1984:
775:recorded the Glanert orchestration on his album
373:(whose orchestration adds linking preludes) and
260:. The text of the fourth song is taken from the
256:and deal with death, the transience of life and
863:The New Grove Dictionary of Music and Musicians
410:after the vocal line finished and end the work
1348:text and translations at the LiederNet Archive
751:in March 1972 (449 633–2) and again with
1367:
1017:
16:Final song cycle composed by Johannes Brahms
1169:"Bach: Cantata No 82; Brahms / Hans Hotter"
264:and is focused on faith, hope and charity.
1374:
1360:
1124:
42:
1926:International Johannes Brahms Competition
1732:Variations and Fugue on a Theme by Handel
1341:International Music Score Library Project
313:(I turned and looked upon everyone) from
1346:Vier ernste Gesänge (Four serious songs)
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715:recorded the songs in 1951 with pianist
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1985:
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1824:"Wiegenlied (Lullaby)", Op. 49, no. 4
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1811:Two Songs for Voice, Viola and Piano
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900:) for Bass Voice and Piano, Op. 121"
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1726:Three Intermezzi for piano, Op. 117
1381:
1183:
1080:
1043:
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327:(O death, how bitter you are) from
13:
1237:
1055:The Organ Music of Johannes Brahms
1027:. 401dutchdivas.nl. Archived from
943:
697:In a 1949 live broadcast from the
361:in 1896. Brahms dedicated them to
190:, the texts are compiled from the
147:Voice (baritone or alto) and piano
14:
2019:
1739:Variations on a Theme of Paganini
1327:
396:Two weeks later, Bos accompanied
1966:
1957:
1956:
1494:
1224:"Teddy Tahu Rhodes Gets Serious"
343:First Epistle to the Corinthians
2008:Classical song cycles in German
1217:
1206:
794:On his CD, "Encounter" (2020),
1993:Song cycles by Johannes Brahms
1686:Four Pieces for Piano, Op. 119
1441:Variations on a Theme by Haydn
1103:. Cambridge University Press.
1050:Owen, Barbara (25 June 2007).
1005:. Nederlandsmuziekinstituut.nl
1:
1716:Six Pieces for Piano, Op. 118
1095:The Well-Tempered Accompanist
1003:"Nederlands Muziek Instituut"
809:
663:
1320:The Florida State University
1281:University of Nebraska Press
1194:. musicweb-international.com
832:(4), for voice & piano (
781:Tasmanian Symphony Orchestra
763:recorded the songs in 2002.
523:Ich wandte mich, und sahe an
435:In the following table, the
430:
389:and the 20-year-old pianist
357:The songs were published by
311:Ich wandte mich, und sahe an
7:
1901:Brahms Museum, Mürzzuschlag
1645:Two String Quartets, Op. 51
1059:. Oxford University Press.
380:
240:had suffered a stroke on 26
10:
2024:
1891:Brahms House (Baden-Baden)
1406:Academic Festival Overture
1298:Anno Hellenbroich (2003).
1254:Cambridge University Press
960:Scottish Chamber Orchestra
870:. pp. 200, 218, 226.
478:Denn es gehet dem Menschen
297:Denn es gehet dem Menschen
247:
213:
1952:
1883:
1857:
1839:
1748:
1668:
1547:
1480:
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1431:Symphony No. 4 in E minor
1426:Symphony No. 3 in F major
1421:Symphony No. 2 in D major
1416:Symphony No. 1 in C minor
1398:
1389:
1306:. The Schiller Institute.
1244:Whittall, A (1983). "The
1132:"Schumann : Brahms.
687:O Tod, wie bitter bist du
618:Andante con moto et anima
608:
568:O Tod, wie bitter bist du
563:
518:
473:
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325:O Tod, wie bitter bist du
143:
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119:9 November 1896
114:
104:
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53:
41:
30:
23:
1304: — An Introduction"
737:Dietrich Fischer-Dieskau
1896:Brahms Museum (Hamburg)
1762:Fest- und Gedenksprüche
1756:Eleven Chorale Preludes
1721:Sixteen Waltzes, Op. 39
950:Gardner, David (2012).
868:Oxford University Press
196:faith, hope and charity
1134:Frauenliebe und -leben
802:arranged for piano by
785:Sebastian Lang-Lessing
734:
703:BBC Symphony Orchestra
695:
398:Raimund von zur-Mühlen
1190:Ozorio, Anne (2005).
902:. kellydeanhansen.com
826:Palmer, John (2012).
725:
683:
613:Wenn ich mit Menschen
339:Wenn ich mit Menschen
267:The original titles:
221:Ein deutsches Requiem
187:Ein deutsches Requiem
1792:Liebeslieder Waltzes
1630:String Quintet No. 2
1625:String Quintet No. 1
1620:String Quartet No. 3
1467:Piano Concerto No. 2
1462:Piano Concerto No. 1
1392:List of compositions
1283:. pp. 170–188.
1256:. pp. 191–207.
230:Luther's translation
1818:Vier ernste Gesänge
1660:Violin Sonata No. 3
1655:Violin Sonata No. 2
1650:Violin Sonata No. 1
1640:String Sextet No. 2
1635:String Sextet No. 1
1595:Piano Quartet No. 3
1590:Piano Quartet No. 2
1585:Piano Quartet No. 1
1273:Vier ernste Gesänge
1246:Vier ernste Gesänge
1167:Davis, Dan (2004).
1138:Vier ernste Gesänge
830:Vier ernste Gesänge
800:Vier ernste Gesänge
741:Deutsche Grammophon
673:Vier ernste Gesänge
292:The Bible sources:
234:Vier ernste Gesänge
155:Vier ernste Gesänge
25:Vier ernste Gesänge
1931:Musical cryptogram
1921:German Romanticism
1806:Two Motets, Op. 74
1749:Other compositions
1711:Rhapsodies, Op. 79
1706:Piano Sonata No. 3
1701:Piano Sonata No. 2
1696:Piano Sonata No. 1
1681:Fantasies, Op. 116
1560:Cello Sonata No. 2
1555:Cello Sonata No. 1
1311:Church, L (2011).
1302:Four Serious Songs
1300:"Johannes Brahms'
1031:on 12 January 2013
954:Four Serious Songs
929:Indiana University
894:Four Serious Songs
834:Four Serious Songs
757:Christian Gerhaher
654:Analysis of song 4
603:Analysis of song 3
558:Analysis of song 2
513:Analysis of song 1
454:Beginning of text
161:Four Serious Songs
58:Four Serious Songs
2003:Songs about death
1998:1896 compositions
1980:
1979:
1800:Neue Liebeslieder
1510:Gesang der Parzen
1322:College of Music.
1290:978-0-8032-1243-5
1277:Brahms Studies, i
1263:978-0-521-24522-7
1093:Coenraad V. Bos,
877:978-0-19-517067-2
779:in 2011 with the
773:Teddy Tahu Rhodes
743:, accompanied by
699:Royal Albert Hall
659:
658:
151:
150:
2015:
1970:
1960:
1959:
1884:Related articles
1858:Named for Brahms
1785:Geistliches Lied
1691:Hungarian Dances
1676:Ballades, Op. 10
1615:Piano Trio No. 3
1610:Piano Trio No. 2
1605:Piano Trio No. 1
1570:Clarinet Sonatas
1565:Clarinet Quintet
1498:
1491:A German Requiem
1399:Orchestral works
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1339:: Scores at the
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1171:. arkivmusic.com
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226:A German Requiem
204:Anton Sistermans
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1472:Violin Concerto
1457:Double Concerto
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1436:Tragic Overture
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1335:4 Serious Songs
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1238:Further reading
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1230:, 29 March 2011
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866:. Vol. 4.
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182:Johannes Brahms
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1503:Alto Rhapsody
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1916:Brahms-Preis
1875:Brahms Inlet
1848:F-A-E Sonata
1846:
1828:
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1769:Fünf Gesänge
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1196:. Retrieved
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1173:. Retrieved
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1114:. Retrieved
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1033:. Retrieved
1029:the original
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840:. Retrieved
833:
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789:ABC Classics
776:
771:
765:
761:Gerold Huber
759:and pianist
745:Hertha Klust
735:
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717:Gerald Moore
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206:and pianist
192:Luther Bible
185:
184:. As in his
160:
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57:
24:
18:
1865:1818 Brahms
1777:Fünf Lieder
1669:Piano works
1538:Triumphlied
1481:Vocal works
1450:Concertante
836:), Op. 121"
713:Hans Hotter
363:Max Klinger
232:. He wrote
200:Max Klinger
109:Max Klinger
1987:Categories
1145:Gramophone
983:. zeno.org
981:"zeno.org"
838:. Allmusic
810:References
796:Igor Levit
753:Jörg Demus
678:Gramophone
664:Recordings
403:diminuendo
258:oppression
168:121, is a
123:1896-11-09
105:Dedication
32:Song cycle
1779:, Op. 105
1771:, Op. 104
1580:Horn Trio
1411:Serenades
1337:, Op. 121
1228:ABC Music
956:, Op 121"
804:Max Reger
798:performs
671:recorded
469:Analysis
431:Structure
408:crescendo
136:Movements
115:Performed
1962:Category
1936:Three Bs
1813:, Op. 91
1794:, Op. 52
1198:22 April
1175:22 April
1152:22 April
935:21 April
842:21 April
626:♭
457:Marking
381:Premiere
172:of four
90:Composed
82:Language
1944:(Berio)
1524:Rinaldo
578:E minor
533:G minor
528:Andante
488:D minor
483:Andante
359:Simrock
305:3:19–22
248:Sources
214:History
144:Scoring
121: (
95: (
54:English
1287:
1260:
1148:. 2012
1116:29 May
1107:
1072:29 May
1063:
1035:29 May
1009:29 May
987:29 May
931:. 2012
874:
783:under
721:BWV 82
466:Score
347:13:1–3
333:41:1–2
329:Sirach
242:
129:Vienna
85:German
1972:Audio
1517:Nänie
1316:(PDF)
965:3 May
906:4 May
729:Wotan
629:major
573:Grave
463:Time
351:12–13
319:4:1–3
174:songs
170:cycle
77:Bible
1285:ISBN
1258:ISBN
1200:2012
1177:2012
1154:2012
1118:2012
1105:ISBN
1074:2012
1061:ISBN
1037:2012
1011:2012
989:2012
967:2012
937:2012
908:2012
872:ISBN
844:2012
787:for
460:Key
451:No.
441:time
178:bass
176:for
97:1896
93:1896
74:Text
65:Opus
437:key
414:fff
369:by
166:Op.
164:),
69:121
34:by
1989::
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
