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In 1900, he was named a
Professor of Drawing at the Instituto General y Técnico de Segovia. From 1903 to 1904, he was Director of the Escuela de Artes y Oficios de Logroño (School of Arts and Crafts). When he returned to Toledo, he became the Professor of "Special studies of drawing and decorative
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When he first arrived in Toledo, he received a number of commissions for religious paintings. In 1884, he became a
Professor of Drawing at the Sociedad Cooperativa de Obreros de Toledo (Co-operative Workers' Society) and was able to marry his childhood sweetheart, Luisa Salazar.
205:, he was led to abandon his preference for works in the style of Rosales and turned to social realism. This tendency was heightened by a stay in Italy, at the Regio Instituto delle Belle Arte de Roma, supported by a hard-won scholarship. It was fully confirmed when
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in 1887, he had been awarded a Third Class prize for his painting, "At the Feet of the Savior". Five years later, he was honored with a First Class prize for "A Workers' Strike in
Vizcaya", his first major work in social realist style.
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depictions of the lives of working people. One of his favorite places to find subjects for those works was in the
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At the Feet of the Savior, massacre of Jews in Toledo, oil on canvas
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Real
Academia de Bellas Artes y Ciencias Históricas de Toledo
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composition" at the
Escuela Superior de Artes Industriales.
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on the condition of the working classes, was issued in 1891.
327:"Vicente Cutanda (1850-1925) un pintor realista y social"
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Through his long-standing friendship with the painter,
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Real
Academia de Bellas Artes de San Fernando alumni
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Ondare: cuadernos de artes plásticas y monumentales
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241:He later became a corresponding member of the
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143:) was a Spanish painter and
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