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husband, he was unable to live. A sub-plot involving a pair of comic villains, trying to steal the talisman that started the trouble, however, wanders rather aimlessly. The real pleasure of the picture lies in the central performances of the role-switchers. Fred Savage is a likeable little boy, not handicapped by his physical cuteness, and turning in a good comic performance as the fussy, peremptory and
Martini-guzzling cut-down father. Judge Reinhold is as amusing as a daffy impulsive 11-year-old in a matured body, alternately delighting in the unaccustomed privileges (as well as the body hair) of adulthood, and tearfully terrified by the duties.
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If the material was bad when it was fresh, how could it be good when it was familiar? My state of mind lasted for perhaps the first five minutes of the movie. Then I was laughing too hard to care. I suppose film students of the future will want to analyze the differences between the two treatments of similar material, to see how
Reinhold and Savage, director Brian Gilbert and writers Dick Clement and Ian La Frenais got it right when the 1987 team got it all wrong. I would prefer to think maybe it was a matter of style.
460:." The screenplays for the two movies were amazingly similar, through a rare Hollywood coincidence. But what a difference there is in the movies. It was, I must admit, with lagging step and a heavy heart that I made my way to the theater where "Vice Versa" was having its sneak preview. I had sincerely disliked "Like Father, Like Son," which starred
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in the story of a father and son whose minds magically enter each other's bodies, forcing them to trade identities. Now here was "Vice Versa," which stars Judge
Reinhold and Fred Savage in the story of a father and son whose minds magically enter each other's bodies, forcing them to trade identities.
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Who would have guessed it? Who would have been able to predict that the plot of one of last year's worst movies could produce one of this year's most endearing comedies? Here at last is proof that the right actors can make anything funny, or perhaps it is proof that the wrong actors cannot. The name
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that "the film opens well, since father has divorced his wife and has little time for his son, making the sudden transformation the more piquant And
Reinhold plays himself as a boy with considerable mimic skill. But the film, though scripted by Dick Clement and Ian La Frenais, never strays very far
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With Turk and
Lillian holding Marshall for ransom, Charlie retrieves the skull from the lama. He then exchanges it for Marshall. However, he and Charlie rush to reacquire the skull so that they can switch themselves back. They catch the thieves just after they have accidentally switched bodies, and
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department store. He is divorced and has an 11-year-old son named
Charlie, for whom he has little time. He and his girlfriend Sam visit Thailand to purchase exotic merchandise. At the same time, an art thief named Turk must find a way to smuggle an ornate skull out of the country. He places it with
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The script, by Ian La
Frenais and Dick Clement, develops some amusing variations on the story, like the infant father's chagrin at watching his mistress lavish her affections on the sexually unresponding grown-up child; and at being handed over to the smothering custody of the woman with whom, as
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After failing to reacquire the skull, the thieves embark on a mission to steal it. Charlie learns from
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Marshall returns home, he takes Charlie for a few days while his mother Robyn and stepfather Cliff are on vacation. While holding the skull, they wish that they could be in each other's bodies. The skull possesses magical powers, and they suddenly find that they have switched bodies.
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and other theaters, has Judge
Reinhold, who concentrates more on the innocent silliness of the situation. Both of them have found gentle humor in the plight of a grown man sent off to junior high school while his carefree, irresponsible, career-wrecking son fills in for him on the job."
505:"Vice Versa" has its moments. Occasionally there's a genuinely funny scene, or an affecting interchange between Reinhold and Savage. Yet the invention in either of these father-son switch movies is dubious. As high concept or low comedy, they're movies probably only a mother could love.
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Charlie and Marshall touch the skull, switching back into their own bodies. Marshall then goes to see Sam while Charlie listens to their conversation about the proposal. Though initially caught off guard, Marshall relents and embraces the proposal that Charlie made for him.
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The police arrest Charlie for possible kidnapping, so Cliff posts his bail. Marshall asks Sam to take him home so that he can give Charlie a present. On the way, he proposes marriage.
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each other, Marshall listens in on the boardroom meeting and instructs Charlie on what to say. However, Turk kidnaps Marshall, leaving Charlie to fend for himself in the boardroom.
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The two realize they must live out their lives as each other. Marshall heads to school, while Charlie assumes his father's role as a vice president.
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of the movie is "Vice Versa," and when they made it last year it was called "
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Based on the novel by F. Anstey - free from manybooks.net
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wrote that "Luck doesn't get any worse than it has for
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204:$ 10 million
176:Running time
153:Release date
83:Dick Clement
66:
53:Dick Clement
1432:Still Crazy
1264:(1983–2004)
621:card-based
538:Vice Versa,
443:Roger Ebert
393:Elya Baskin
333:Fred Savage
255:, 1937 and
237:Fred Savage
136:David Shire
119:King Baggot
102:Fred Savage
80:Produced by
39:Directed by
1576:1988 films
1570:Categories
1408:Vice Versa
1320:The Jokers
1066:Vice Versa
978:Vice Versa
970:Vice Versa
962:Vice Versa
875:Vice Versa
864:Vice Versa
853:Vice Versa
842:Vice Versa
821:Vice Versa
806:2023-03-02
780:2023-03-02
754:2012-07-14
727:2012-07-14
701:2012-07-14
675:Vice Versa
644:References
623:party game
520:Vice Versa
411:Jane Lynch
405:Ajay Naidu
399:James Hong
220:Vice Versa
209:Box office
180:98 minutes
164:1988-03-11
68:Vice Versa
49:Written by
22:Vice Versa
1556:(1991–93)
1548:(1980–84)
1285:Archangel
1272:(1986–94)
1237:(2008–09)
1229:(1996–99)
1189:(1974–77)
1181:(1973–74)
1165:(1964–66)
1141:Works by
800:The Times
599:Community
563:The Times
549:wrote in
437:Reception
245:F. Anstey
124:Edited by
74:F. Anstey
1392:Bullshot
1368:Porridge
1242:Henry IX
1186:Porridge
858:AllMovie
632:See also
386:as Floyd
269:Thailand
193:Language
132:Music by
90:Starring
63:Based on
1553:Spender
1352:Villain
1269:Lovejoy
1154:Sitcoms
989:Related
566:wrote:
299:martini
280:Chicago
196:English
185:Country
162: (
1521:(1982)
1502:(1974)
1483:(2011)
1475:(2008)
1467:(2007)
1459:(2006)
1451:(2005)
1443:(2000)
1440:Honest
1435:(1998)
1427:(1997)
1419:(1991)
1411:(1988)
1403:(1985)
1395:(1983)
1387:(1983)
1379:(1979)
1371:(1979)
1363:(1976)
1355:(1971)
1347:(1971)
1339:(1969)
1331:(1968)
1323:(1967)
1304:(2013)
1296:(2005)
1288:(2005)
1280:(1993)
1245:(2017)
1221:(1992)
1213:(1982)
1205:(1978)
1197:(1974)
1173:(1967)
1101:(2003)
1093:(1997)
1085:(1994)
1077:(1991)
1069:(1988)
1061:(1985)
981:(1988)
973:(1948)
965:(1916)
946:(1883)
929:(1882)
429:Malice
401:as Kwo
341:as Sam
201:Budget
1499:Billy
1448:Goal!
1400:Water
1328:Otley
1312:Films
1090:Wilde
954:Films
498:Water
492:Otley
1145:and
935:Play
847:IMDb
617:The
608:and
605:Glee
464:and
320:Cast
295:lama
263:Plot
257:1948
253:1916
235:and
923:'s
878:at
867:at
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267:In
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