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74:"7" or "8" appended to the beginning. By its second year of existence the couplings no longer matched the parent company, and there was no relation between Van Dyke's numbering (now divided into several separate numbering blocks) and Grey Gull's. Nonetheless, all material continued to originate from Grey Gull. There was some effort made to obscure the origins of Van Dyke.
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The text on the label of Van Dyke 78 discs proclaimed "Each Record a
Masterpiece". An unusual feature of the Van Dyke label was that the four-digit matrix number was split between two lines on the left side. Initially the Van Dyke catalog number mirrored the Grey Gull catalog number, with an added
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of Boston, Massachusetts and releases duplicated material found on the parent label. Despite claims of quality found on the label, the record was cheaply manufactured, and marketed to record dealers as a budget record with a high profit margin for the dealer. Accordingly the playing surface is
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When Grey Gull ceased operations in 1930, Van Dyke records also were no longer produced. However, substantial quantities of the product were exported to
England over the next few years, by an unknown distributor.
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was a budget
American record label which operated in 1929 and 1930. Van Dyke was a subsidiary of
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American Record Labels and
Companies – An Encyclopedia (1891–1943)
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Kendziora, Carl (November 1963). "Behind the
Cobwebs".
164:. No. 56. Brooklyn, New York. pp. 7, 20.
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186:. New York: Da Capo Press. p. 298.
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213:on the Internet Archive's
230:American record labels
124:Sutton, Allan (2000).
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88:List of record labels
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182:Rust, Brian (1984).
245:Jazz record labels
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52:Clarence Williams
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215:Great 78 Project
211:Van Dyke Records
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