955:
272:, and others. Two of his 1924 recording bands, "The Red Onion Jazz Babies" and "Clarence Williams' Blue Five" featured cornetist Armstrong and soprano saxophonist Bechet, two of the most important early jazz soloists, in their only recordings together before the 1940s. Clarence Williams' Blue Five, a studio band only, formed after the success of King Oliver's recordings in order to explore the market for blues-oriented music. The rivalry between Armstrong and Bechet, who tried to outdo each other with successive solo breaks, is exemplified in "Cake Walkin' Babies from Home", the most celebrated of these performances, which survives in versions recorded by both bands. Although the narrative of a rivalry during these recordings is frequently discussed in scholarship, Armstrong and Bechet do have moments of friendly collaboration, such as the shared break in "Texas Moaner Blues."
384:
984:
501:
487:
155:. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local
284:
362:
Clarence
Williams' name appears as composer or co-composer on numerous tunes, including a number which by Williams' own admission were written by others but which Williams bought all rights to outright, as was a common practice in the music publishing business at the time. Clarence Williams was also
193:
in the 1920s with the intention of creating a community of black artists. He envisioned a space where
African American artists could live, work, and collaborate together, free from the racial discrimination and segregation that was prevalent in other parts of the city at the time.
400:
755:
201:) and turned it into a gathering place for black artists, musicians, and intellectuals. They hosted regular parties and events, which attracted many notable figures from the Harlem Renaissance, including
31:
590:
405:
299:", "Close Fit Blues" and "Papa De-Da-Da" numerous times. Among his own compositions was "Shout, Sister, Shout" (1929), which was recorded by him, and also covered by
738:
1138:
221:
He was one of the primary pianists on scores of blues records recorded in New York during the 1920s. He supervised
African American recordings (the 8000
1093:
631:
949:
1023:
767:
586:
1143:
1063:
1018:
237:. He recruited many of the artists who performed on the label. He also recorded extensively, leading studio bands frequently for OKeh,
1043:
965:
393:
1113:
1073:
1028:
1103:
1078:
1033:
1148:
1058:
676:
1118:
1038:
926:
879:
857:
834:
519:
439:
1153:
1098:
315:
label and the recordings mostly featuring washboard percussion, through 1935 (and a session in 1938). He also recorded for
800:
702:
177:
in 1915, which by the 1920s was the leading
African-American owned music publisher in the country. He toured briefly with
1133:
1053:
1068:
777:
425:
296:
244:
He mostly used "Clarence
Williams' Jazz Kings" for his hot band sides and "Clarence Williams' Washboard Five" for his
1128:
1088:
960:
1123:
396:" (as publisher – not composer, suspected to be originally Armstrong's "Katie's Head" bought by Piron and Williams)
198:
1108:
970:
471:
368:
276:
played cornet on a number of
Williams's late 1920s recordings. He was the recording director for the short-lived
561:
1048:
464:
326:
for $ 50,000 and retired, but then bought a bargain used-goods store, the Harlem Thrift Shop. Williams died in
245:
1083:
899:
720:
371:", a song that was later recorded by Louis Armstrong. In 1970, Williams was posthumously inducted into the
269:
181:, set up a publishing office in Chicago, then settled in New York in the early 1920s. In 1921, he married
383:
295:
Most of his recordings were songs from his publishing house, which explains why he recorded tunes like "
553:
639:
635:
372:
167:
550:"Clarence Williams: Composer, Producer, Director, Performer, Writer, Lyricist, Musical Director"
331:
961:
Clarence
Williams on RedHotJazz.com; biography with photos and ram files of vintage recordings
1008:
351:
335:
140:
63:
197:
Williams and his wife, Eva Taylor, purchased a large house on Ruscoe Street (108th Ave near
1013:
230:
8:
557:
300:
128:
850:
Jelly Roll, Bix, and Hoagy: Gennett
Records and the Rise of America's Musical Grassroots
983:
432:
418:
206:
922:
875:
853:
830:
773:
524:
143:, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join
989:
680:
492:
411:
316:
238:
156:
903:
288:
261:
249:
202:
190:
174:
975:
804:
210:
163:
144:
30:
1002:
364:
323:
265:
253:
148:
945:
979:
257:
234:
549:
506:
339:
277:
273:
222:
178:
152:
801:"Katherine Henderson accompanied by Clarence Williams and his Orchestra"
342:. On her death in 1977, his wife, Eva Taylor, was interred next to him.
123:(October 8, 1898 or October 6, 1893 – November 6, 1965) was an American
186:
173:
Williams started a music publishing business with violinist/bandleader
159:
287:"I Can Beat You Doing What You're Doing Me" by Clarence Williams and
283:
67:
514:
312:
896:
993:
322:
In 1943, Williams sold his extensive back-catalogue of tunes to
248:
sides. He also produced and participated in early recordings by
327:
80:
500:
182:
162:
theater as well as at various saloons and dance halls around
109:
587:"Clarence Williams, Entrepreneur and Jazz and Blues Artist"
226:
124:
91:
921:. New York, NY: W.W. Norton & Company. p. 106.
829:. New York, NY: W.W. Norton & Company. p. 155.
16:
American jazz pianist, composer, producer, and publisher
189:, with whom he would frequently perform. They moved to
874:. New York: W.W. Norton & Company. p. 156.
482:
703:"Fun Maps: The Queens Jazz Trail by Ephemera Press"
401:I Ain't Gonna Give Nobody None o' this Jelly-Roll
1000:
956:Clarence Williams jukebox on Internet Archive
330:, New York City, in 1965, and was interred in
950:Discography of American Historical Recordings
460:"I Can Beat You Doing What You're Doing Me"
1139:20th-century African-American male singers
982:
671:
669:
667:
665:
663:
661:
659:
657:
626:
624:
622:
620:
618:
616:
614:
612:
610:
608:
29:
394:I Wish I Could Shimmy Like My Sister Kate
1094:20th-century American conductors (music)
916:
869:
824:
739:"A self-guided jazz tour through Queens"
382:
282:
894:Lockhart, John M. "Words & Music",
759:
654:
605:
229:phonograph company in the 1920s in the
127:pianist, composer, promoter, vocalist,
1001:
544:
542:
540:
350:Clarence Williams' grandson was actor
241:and occasionally other record labels.
765:
593:from the original on October 10, 2014
581:
579:
520:List of American big band bandleaders
216:
919:Louis Armstrong: Master of Modernism
872:Louis Armstrong: Master of Modernism
827:Louis Armstrong: Master of Modernism
225:series) for the New York offices of
1024:African-American conductors (music)
537:
13:
1144:20th-century American male singers
576:
14:
1165:
1064:Burials at Saint Charles Cemetery
1019:People from Plaquemine, Louisiana
939:
564:from the original on June 1, 2015
1044:American male conductors (music)
803:. Redhotjazz.com. Archived from
677:"The Music of Clarence Williams"
499:
485:
345:
61:October 8, 1898 (sources differ)
1114:20th-century American composers
1074:Jazz musicians from New Orleans
1029:African-American jazz composers
966:Clarence Williams by Tom Morgan
910:
888:
863:
843:
818:
793:
440:Ain't Nobody's Business If I Do
435:" (with Spencer Williams, 1919)
426:Baby Won't You Please Come Home
297:Baby Won't You Please Come Home
78:November 6, 1965 (age 67 or 72)
1104:20th-century American pianists
1079:American vaudeville performers
1034:African-American jazz pianists
749:
731:
713:
695:
679:. Basin Street. Archived from
465:Need a Little Sugar in My Bowl
231:Gaiety Theatre office building
1:
1149:20th-century American singers
1059:Blackface minstrel performers
971:Clarence Williams at Jass.com
632:"Clarence Williams Biography"
589:. African American Registry.
530:
166:, and at clubs and houses in
1119:American male jazz composers
1039:African-American male actors
946:Clarence Williams recordings
721:"Addisleigh Park | HDC"
472:My Bucket's Got a Hole in It
457:"Got To Cool My Doggies Now"
454:"Look What A Fool I've Been"
369:My Bucket's Got a Hole in It
319:in 1937, and again in 1941.
134:
7:
1154:American male jazz pianists
1099:20th-century jazz composers
478:
10:
1170:
1134:African-American Catholics
1054:American male stage actors
554:Internet Broadway Database
363:credited as the author of
311:In 1933, he signed to the
1069:American jazz bandleaders
917:Brothers, Thomas (2014).
870:Brothers, Thomas (2014).
825:Brothers, Thomas (2014).
789:– via Google Books.
769:Broadway: An Encyclopedia
448:"You Missed A Good Woman"
306:
291:, 1915 sheet music cover
185:singer and stage actress
105:
97:
87:
74:
42:
37:
28:
21:
1129:Biograph Records artists
1089:Vocalion Records artists
907:, February 4, 2008, p. 5
772:. Taylor & Francis.
636:Songwriters Hall of Fame
378:
373:Songwriters Hall of Fame
1124:American jazz composers
852:by Rick Kennedy, 2013,
357:
1109:Singers from Louisiana
445:"Shout, Sister, Shout"
388:
332:Saint Charles Cemetery
292:
38:Background information
1049:American jazz singers
451:"That Ought To Do It"
386:
352:Clarence Williams III
286:
141:Plaquemine, Louisiana
139:Williams was born in
1084:Okeh Records artists
897:The Riverside Reader
442:" (and others, 1922)
766:Bloom, Ken (2003).
709:. 12 December 2013.
683:on October 17, 2013
558:The Broadway League
301:the Boswell Sisters
270:Katherine Henderson
129:theatrical producer
53:October 8, 1893 or
902:2012-12-14 at the
745:. 30 January 2014.
707:Untappedcities.com
433:Royal Garden Blues
389:
293:
217:Harlem Renaissance
207:Zora Neale Hurston
101:Musician, composer
990:Clarence Williams
976:Clarence Williams
928:978-0-393-06582-4
881:978-0-393-06582-4
858:978-0-253-00747-6
836:978-0-393-06582-4
727:. 31 August 2012.
525:List of big bands
387:Sheet music cover
131:, and publisher.
121:Clarence Williams
115:
114:
23:Clarence Williams
1161:
986:
933:
932:
914:
908:
892:
886:
885:
867:
861:
847:
841:
840:
822:
816:
815:
813:
812:
797:
791:
790:
788:
786:
763:
757:
753:
747:
746:
735:
729:
728:
717:
711:
710:
699:
693:
692:
690:
688:
673:
652:
651:
649:
647:
642:on March 3, 2016
638:. Archived from
628:
603:
602:
600:
598:
583:
574:
573:
571:
569:
546:
509:
504:
503:
495:
493:Biography portal
490:
489:
488:
412:Spencer Williams
409:
157:African American
151:, then moved to
60:
58:
52:
50:
33:
19:
18:
1169:
1168:
1164:
1163:
1162:
1160:
1159:
1158:
999:
998:
992:discography at
942:
937:
936:
929:
915:
911:
904:Wayback Machine
893:
889:
882:
868:
864:
848:
844:
837:
823:
819:
810:
808:
799:
798:
794:
784:
782:
780:
764:
760:
754:
750:
737:
736:
732:
719:
718:
714:
701:
700:
696:
686:
684:
675:
674:
655:
645:
643:
630:
629:
606:
596:
594:
585:
584:
577:
567:
565:
548:
547:
538:
533:
505:
498:
491:
486:
484:
481:
403:
381:
360:
348:
309:
289:Armand J. Piron
280:label in 1928.
262:Virginia Liston
250:Louis Armstrong
219:
203:Langston Hughes
199:Addisleigh Park
175:Armand J. Piron
137:
118:
83:, New York City
79:
62:
56:
54:
48:
46:
24:
17:
12:
11:
5:
1167:
1157:
1156:
1151:
1146:
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1106:
1101:
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1051:
1046:
1041:
1036:
1031:
1026:
1021:
1016:
1011:
997:
996:
987:
973:
968:
963:
958:
953:
941:
940:External links
938:
935:
934:
927:
909:
887:
880:
862:
842:
835:
817:
792:
779:978-0203644355
778:
758:
748:
730:
712:
694:
653:
604:
575:
535:
534:
532:
529:
528:
527:
522:
517:
511:
510:
496:
480:
477:
476:
475:
468:
461:
458:
455:
452:
449:
446:
443:
436:
429:
422:
415:
397:
380:
377:
359:
356:
347:
344:
308:
305:
218:
215:
211:Duke Ellington
164:Rampart Street
145:Billy Kersands
136:
133:
117:Musical artist
116:
113:
112:
107:
103:
102:
99:
95:
94:
89:
85:
84:
76:
72:
71:
44:
40:
39:
35:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
1166:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1127:
1125:
1122:
1120:
1117:
1115:
1112:
1110:
1107:
1105:
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1006:
1004:
995:
991:
988:
985:
981:
977:
974:
972:
969:
967:
964:
962:
959:
957:
954:
951:
947:
944:
943:
930:
924:
920:
913:
906:
905:
901:
898:
891:
883:
877:
873:
866:
859:
855:
851:
846:
838:
832:
828:
821:
807:on 2016-03-04
806:
802:
796:
781:
775:
771:
770:
762:
756:
752:
744:
740:
734:
726:
722:
716:
708:
704:
698:
682:
678:
672:
670:
668:
666:
664:
662:
660:
658:
641:
637:
633:
627:
625:
623:
621:
619:
617:
615:
613:
611:
609:
597:September 10,
592:
588:
582:
580:
568:September 10,
563:
559:
555:
551:
545:
543:
541:
536:
526:
523:
521:
518:
516:
513:
512:
508:
502:
497:
494:
483:
473:
469:
466:
462:
459:
456:
453:
450:
447:
444:
441:
437:
434:
430:
427:
423:
420:
416:
413:
407:
402:
398:
395:
391:
390:
385:
376:
374:
370:
366:
365:Hank Williams
355:
353:
346:Personal life
343:
341:
337:
333:
329:
325:
324:Decca Records
320:
318:
314:
304:
302:
298:
290:
285:
281:
279:
275:
271:
267:
266:Irene Scruggs
263:
259:
255:
254:Sidney Bechet
251:
247:
242:
240:
236:
232:
228:
224:
214:
212:
208:
204:
200:
195:
192:
188:
184:
180:
176:
171:
169:
165:
161:
158:
154:
150:
149:Minstrel Show
146:
142:
132:
130:
126:
122:
111:
108:
104:
100:
98:Occupation(s)
96:
93:
90:
86:
82:
77:
73:
69:
65:
45:
41:
36:
32:
27:
20:
1009:1890s births
980:Find a Grave
918:
912:
895:
890:
871:
865:
849:
845:
826:
820:
809:. Retrieved
805:the original
795:
783:. Retrieved
768:
761:
751:
742:
733:
724:
715:
706:
697:
685:. Retrieved
681:the original
644:. Retrieved
640:the original
595:. Retrieved
566:. Retrieved
367:' 1949 hit "
361:
349:
321:
310:
294:
268:, his niece
258:Bessie Smith
243:
235:Times Square
220:
196:
172:
147:' Traveling
138:
120:
119:
1014:1965 deaths
507:Jazz portal
419:Sugar Blues
404: [
340:Long Island
336:Farmingdale
303:, in 1931.
278:QRS Records
274:King Oliver
179:W. C. Handy
153:New Orleans
1003:Categories
811:2014-09-13
743:Qchron.com
687:October 2,
646:October 2,
531:References
187:Eva Taylor
168:Storyville
160:vaudeville
106:Instrument
64:Plaquemine
57:1898-10-08
49:1893-10-08
246:washboard
135:Biography
68:Louisiana
900:Archived
785:16 April
591:Archived
562:Archived
515:Big band
479:See also
474:" (1933)
467:" (1931)
428:" (1919)
421:" (1919)
410:" (with
317:Bluebird
313:Vocalion
239:Columbia
994:Discogs
948:at the
860:, p. 87
725:Hdc.org
414:, 1919)
925:
878:
856:
833:
776:
328:Queens
307:Labels
209:, and
191:Queens
88:Genres
81:Queens
70:, U.S.
408:]
379:Songs
183:blues
110:Piano
923:ISBN
876:ISBN
854:ISBN
831:ISBN
787:2023
774:ISBN
689:2014
648:2014
599:2015
570:2015
358:Work
227:Okeh
223:race
125:jazz
92:Jazz
75:Died
43:Born
978:at
560:).
338:on
334:in
233:in
1005::
741:.
723:.
705:.
656:^
634:.
607:^
578:^
552:.
539:^
406:de
375:.
354:.
264:,
260:,
256:,
252:,
213:.
205:,
170:.
66:,
952:.
931:.
884:.
839:.
814:.
691:.
650:.
601:.
572:.
556:(
470:"
463:"
438:"
431:"
424:"
417:"
399:"
392:"
59:)
55:(
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)