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407:. It analyses the societal currents of the early 21st century and argues that those currents are radically different from the epoch of postmodernity. The book proposes a new framework for architecture and defines the seven underlying principles for non-referential architecture: 1) experience of space; 2) oneness; 3) newness; 4) construction; 5) contradiction; 6) order; 7) sensemaking.
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The first documented use of the term "non-referential" in architecture appears in a reprint of an interview between
Olgiati and Breitschmid in the Italian architecture journal Domus. In 2014, Breitschmid publishes a rebuttal titled "Architektur leitet sich von Architektur ab" (Architecture is Derived
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Olgiati and
Breitschmid write that "non-referential architecture is not an architecture that subsists as a referential vessel or as a symbol of something outside itself. Non-referential buildings are entities that are themselves meaningful and sense-making and, as such, no less the embodiment of
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One of the hallmarks of non-referential architecture, according to
Olgiati, is that each building exists for itself. Each building is governed by an architectural idea – and that idea has to be form-generative and sense-making. "Non-referential architecture denotes but it refuses to explain or
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This shift away from basing architecture on any kind of referentiality found its early theoretical form in his
Iconographic Autobiography, first published in 2006. The Iconographic Autobiography is an anthology of 55 illustrations. The Iconographic Autobiography foreshadows non-referential
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architecture in as much as it points to references, yet these references are not meaningful. Olgiati has said that he believes that only basic insight from the experience of space is able to move architecture of the present time within its highly heterogeneous society.
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from
Architecture) in the Swiss journal Werk, Bauen + Wohnen, thereby responding to an architectural claim made by others that attempts to imbue meaning into architecture from the extra-architectural, such as the economic, ecological, political. Architect
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argues that today’s architecture presupposes “not a particular meaning, but a specific kind of potentiality — a non-semantic materiality, a non-referential construct that can be developed into an actual architectural project.”
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Martin
Tschanz. “Schulhaus, Paspels, Graubünden, 1996-98,” in: Anna Meseure, Martin Tschanz, Wilfried Wang (eds.), Architektur im 20. Jahrhundert, Volume V: Schweiz, München/Frankfurt a.M.: Prestel/DAM, 1998,
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Valerio
Olgiati operates his architecture office with his wife Tamara and his staff in Portugal and Switzerland. Among other venues, his work has been the subject of single exhibitions at the
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narrate and it leaves behind any vestiges of a theatrical mode of persuasion and propagation." Describing the intent of the exhibition ‘Inscriptions: Architecture before Speech’, held at
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points out that architecture has been moving toward a non-referential objectivity for some time, in as much as architectural form is increasingly reduced “to a pure reality.”
436:, and not his upbringing in a specific culture, country, or landscape nor was it his architectural education. According to Olgiati, living in the radically heterogeneous
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Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance.
814:–, “Valerio Olgiati, 1996 – 2011,” in: El Croquis, No. 156, Madrid: 2011, pp.18-19. 17 –, “Valerio Olgiati. Non-Referential Architecture,” in: op.cit., p.5.
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Hubertus Adam. “Von der Idee zur
Erscheinung. Valerio Olgiatis Umbau des ‘Gelben Hauses’ in Flims,” in: Neue Züricher Zeitung, October 29, 1999, p.66.
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Non-Referential
Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. Basel: Simonett & Baer, 2018, pp. 13-28.
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Non-Referential
Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. Basel: Simonett & Baer, 2018, p. 97.
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Non-Referential Architecture. Ideated by Valerio Olgiati. Written by Markus Breitschmid. Basel: Simonett & Baer, 2018, p. 13.
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Non-Referential Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. Basel: Simonett & Baer, 2018, p. 7.
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Non-Referential Architecture. Ideated by Valerio Olgiati; Written by Markus Breitschmid. Basel: Simonett & Baer, 2018.
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investigated the limits of referentiality and speaks of "non-referential space" as a quality of his contribution for the
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Ali Ismail Karimi, “Pearling Path Visitors Center by Valerio Olgiati,” in: Architectural Record, 207, No.3, New York
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allowed him to begin to understand the world in formal and natural terms and not in symbolic and historical terms.
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Markus Breitschmid. “Architektur leitet sich von Architektur ab” in: Werk, Bauen + Wohnen, Zurich: 9/2014, 45-47.
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Olgiati mentioned that the most important step for his formation as an architect was his temporary emigration to
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Valerio Olgiati, Markus Breitschmid. Non-Referential Architecture. Ideated by Valerio Olgiati. Written by Markus
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Markus Breitschmid, “Valerio Olgiati’s Ideational Inventory,” in: El Croquis, No. 156, Madrid: 2011, pp.18-19.
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Tom Vanderbilt, “Castle in the Sky,” in: The Wall Street Journal Magazine, New York City: September 2016, pp.
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Valerio Olgiati, Weber Auditorium Plantahof, editor Grisons Building Department, Switzerland 2011; German:
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Valerio Olgiati, Parliament Entrance Chur, editor Grisons Building Department, Switzerland 2011; German:
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The Significance of the Idea in the Architecture of Valerio Olgiati, Text in German and English by
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Olgiati calls his work "non-referential architecture", the title of a 2018 treatise by Olgiati and
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in 1999. Other recognized buildings by him include the House for the Musician/Atelier Bardill in
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society than buildings were in the past when they were the bearers of common social ideals."
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Valerio Olgiati , “Sulla non referezialita” in: Domus No. 974, Milano: 13/2013, pp. 45–46.
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Olgiati/Breitschmid, “After Postmodernity: Non-Referential World,” in: op.cit., pp.32-41.
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Valerio Olgiati. “Iconographic Autobiography,” in: 2G, n.37, Barcelona: 2006, pp.135-141.
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Hubertus Adam, “Die Kraft der Materie,” in: archithese, no. 1, Zurich: 2021, pp.9-15.
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It may require cleanup to comply with Knowledge's content policies, particularly
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about the social purpose of architecture for the people of the 21st century.
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World Architecture, VALERIO OLGIATI - Hello China, Beijing, Nr. 266, 2012,
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14 Studentenprojekte bei Valerio Olgiati 1998 - 2000, Quart Verlag, 2000,
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Valerio Olgiati, Scharans - House for a Musician, Edition Dino Simonett,
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Valerio Olgiati at the Museum / ヴァレリオ・オルジャティ展, Editor Hosaka Kenjiro,
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In 2018, Olgiati and Breitschmid published the architectural treatise
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VALERIO OLGIATI, Das Gelbe Haus, Publikation zur Ausstellung an der
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Valerio Olgiati, edited by Laurent Stalder, Texts by Mario Carpo,
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Dado, Built and Inhabited by Rudolf Olgiati and Valerio Olgiati,
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Olgiati was well-known for constructing the School Building in
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and Laurent Stalder, Verlag der Buchhandlung Walther König,
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Darco Magazine, monograph Valerio Olgiati, Darco Editions,
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Valerio Olgiati, PLAN 1:100, Edition Dino Simonett, 2004,
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2G, Valerio Olgiati, Gustavo Gili Barcelona, n.37, 2006,
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Valerio Olgiati, PASPELS, Edition Dino Simonett, 1998,
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Valerio Olgiati, Conversation with Students, Edited by
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A major contributor to this article appears to have a
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894:. Gedacht von Valerio Olgiati; Geschrieben von
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877:. Ideato da Valerio Olgiati; Scritto da
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898:. 2. Auflage, Zürich: Park Books 2019
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460:National Museum of Modern Art in Tokyo
1351:28. Mai - 15. Juli 1999, gta Verlag,
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396:in 2016. In the same year, architect
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962:. Basel: Simonett & Baer 2017
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241:, a public research university in
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864:. Ciudad de México: Arquine 2020
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137:. Please discuss further on the
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830:. 구상 Valerio Olgiati; 저술
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556:quick guide
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1377:, 65 pages
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