25:
282:, he told the story of the atavistic Muslim practice of male polygamy. It became controversial upon release. In an interview, Pavithran commented, "Salt is a trifle better - the truth always is. The religious laws are almost unknowingly misused by people, leading to the exploitation of those who succumb or resign themselves to religious and social pressures. Our intention was not to victimise or ridicule a minority."
254:
composed the music. The film was about the travails of urban life and identity crisis in the city. It introduced to
Malayalam a genre of personal cinema, which is deliberately anti-realist. This won state awards for Best Direction, Best Editing and Best Cinematography. In 1981, he composed the music
307:
in the lead role. The film is about the investigative journey that the protagonist embarks on in order to find the reasons behind a poet's suicide, a bizarre step she took despite her picture-perfect life. The film became a major commercial and critical success. It has earned cult status and is now
223:. This failure made him join a Law College nearby the film institute at Pune. Instead of studying law, he spent his time in the Film Institute seeing world classics and how films were made. He used this opportunity to befriend the institute students and understand cinema closely.
319:, 2002) begins in the pre-independence era when the communist movement was coming up in Kerala and inspiring poor peasants and other workers to raise their voice against the feudalism and the exploitation of the
411:
287:
384:
456:
89:
471:
451:
61:
491:
68:
476:
108:
42:
75:
46:
57:
332:
232:
177:
219:
After completing his graduation
Pavithran made two unsuccessful attempts to get admission at the
35:
82:
486:
481:
300:
8:
385:"30 years since its release, why Mammootty's 'Utharam' still remains a relevant thriller"
220:
416:
335:, with whom he had two daughters, Eva, an actress in South Indian films, and Lakshmi.
446:
389:
123:
This article is about the movie director. For the scriptwriter and lyricist, see
256:
308:
regarded as one of the best investigative thriller films in
Malayalam cinema.
465:
261:
204:
201:
143:
124:
320:
251:
227:
442:
344:
304:
242:
208:
24:
356:
295:
240:, 1975), which he produced. He made his directorial debut with
412:"Five best investigative crime thrillers in Malayalam cinema"
278:, 1986), where he adopted the middle-stream cinema model. In
350:
270:
331:
Pavithran died on 26 February 2006. He was married to
268:
Later he made a shift in his form of filmmaking with
49:. Unsourced material may be challenged and removed.
463:
382:
288:National Film Award for Best Regional Film
109:Learn how and when to remove this message
464:
47:adding citations to reliable sources
18:
13:
14:
503:
436:
383:Aradhya Kurup (19 October 2019).
194:Vattamparambil Krishnan Pavithran
238:When the River Kabani Turned Red
23:
207:. He primarily concentrated on
34:needs additional citations for
404:
376:
338:
230:led to the making of the film
1:
369:
226:His friendship with director
472:Film directors from Thrissur
7:
452:Cinema of Malayalam profile
10:
508:
492:20th-century Indian people
122:
214:
183:
173:
165:
157:
149:
139:
132:
477:Malayalam film directors
365:Kuttappan Sakshi (2002)
333:Kalamandalam Kshemavathy
326:
233:Kabani Nadi Chuvannappol
196:, known mononymously as
178:Kalamandalam Kshemavathy
317:Kuttappan, the Witness
187:Eva Pavithran, Lakshmi
299:which was written by
293:In 1989, he directed
259:'s directorial debut
301:M. T. Vasudevan Nair
43:improve this article
16:Indian film director
221:Pune Film Institute
200:(1950–2006) was an
417:The Times of India
250:, 1978) for which
161:Director, Producer
191:
190:
166:Years active
119:
118:
111:
93:
58:"V. K. Pavithran"
499:
430:
429:
427:
425:
420:. 16 August 2018
408:
402:
401:
399:
397:
380:
313:Kuttappan Sakshi
150:Other names
130:
129:
114:
107:
103:
100:
94:
92:
51:
27:
19:
507:
506:
502:
501:
500:
498:
497:
496:
462:
461:
439:
434:
433:
423:
421:
410:
409:
405:
395:
393:
390:The News Minute
381:
377:
372:
341:
329:
217:
135:
134:V. K. Pavithran
128:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
505:
495:
494:
489:
484:
479:
474:
460:
459:
454:
449:
443:V.K. Pavithran
438:
437:External links
435:
432:
431:
403:
374:
373:
371:
368:
367:
366:
363:
360:
354:
348:
340:
337:
328:
325:
311:His last film
257:T. V. Chandran
216:
213:
189:
188:
185:
181:
180:
175:
171:
170:
167:
163:
162:
159:
155:
154:
151:
147:
146:
141:
137:
136:
133:
117:
116:
31:
29:
22:
15:
9:
6:
4:
3:
2:
504:
493:
490:
488:
485:
483:
480:
478:
475:
473:
470:
469:
467:
458:
455:
453:
450:
448:
444:
441:
440:
419:
418:
413:
407:
392:
391:
386:
379:
375:
364:
361:
358:
355:
352:
349:
346:
343:
342:
336:
334:
324:
322:
318:
314:
309:
306:
303:and featured
302:
298:
297:
291:
289:
285:
281:
277:
273:
272:
266:
264:
263:
262:Krishnankutty
258:
253:
249:
245:
244:
239:
235:
234:
229:
224:
222:
212:
210:
206:
203:
202:Indian cinema
199:
195:
186:
182:
179:
176:
172:
168:
164:
160:
158:Occupation(s)
156:
152:
148:
145:
142:
138:
131:
126:
125:Dr. Pavithran
121:
113:
110:
102:
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
422:. Retrieved
415:
406:
394:. Retrieved
388:
378:
362:Bali (1991)
330:
321:Nampoothiris
316:
312:
310:
294:
292:
283:
279:
275:
269:
267:
260:
252:G. Aravindan
247:
241:
237:
231:
228:P. A. Backer
225:
218:
197:
193:
192:
120:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
487:2006 deaths
482:1950 births
424:23 February
396:23 February
339:Filmography
140:Nationality
466:Categories
370:References
99:March 2023
69:newspapers
345:Yaro Oral
305:Mammootty
243:Yaro Oral
209:Malayalam
198:Pavithran
169:1975-2002
457:Obituary
286:won the
205:director
184:Children
359:(1989)
357:Utharam
353:(1986)
347:(1978)
296:Utharam
248:Someone
211:films.
83:scholar
215:Career
174:Spouse
144:Indian
85:
78:
71:
64:
56:
327:Death
90:JSTOR
76:books
447:IMDb
426:2023
398:2023
351:Uppu
284:Uppu
280:Uppu
276:Salt
271:Uppu
255:for
153:Pavi
62:news
445:at
45:by
468::
414:.
387:.
323:.
290:.
265:.
428:.
400:.
315:(
274:(
246:(
236:(
127:.
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
