164:) 12:42, 19 June 2010 (UTC)==Blacklock== Many artists may be said to have been proto-Pre-Raphaelite in some way. Christoper Newell, who I know personally, is probably not the main expert on PR landscape, though he is certainly very knowledgable. That would be Allen Staley, though I'm no fan of his tedious writings. The fact is that we have a ridiculously long list already, since virtually every Victorian artist gets linked by someone or other to the PRB. There is simply no point in adding names willy-nilly. There are a number of artists who are generally acknowledged as precursors, such as
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132:"Ground breaking" is one of those terms which authors sometimes use to try to make someone appear important or significant without actually stating anything specific about what they did. In a similar way, other editors describe people as "renowned", or "important", etc. In writing the article I tried to use facts to communicate his importance instead of making unspecific assertions.
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You are not making any sense at all. The article should give a reasonable overview not promote fringe claims and make excessive claims for very minor and largely obscure artists. You do not even cite your claims. If you have references to the writings of
Nicholas Eastaugh that support your points
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yes I know Anne Bacon, who has now retired. I'm afraid I don't know who you are, but I think it's a bit rich to be lectured on knowledge of art by someone who spells Cézanne with an S! I am actually an expert on the Pre-Raphaelites after all.
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The other factor to consider when editing
Knowledge is that it is very important to cite reliable references to back up the facts you are adding. The comparison with Mulready's work comes directly from the excellent biography of the artist at
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Don't think I don't appreciate
Blacklock's work. It's beautiful and very subtle. But I think you make some insupportable claims about his influence, for example you say that Blacklock's painting of Haddon Hall influenced Millais'
239:, and that it contains huguenot figures. I can only see a couple of figures in modern (Victorian) dress, and the style of the lanscape is in the picturesque tradition. It doesn't look like Millais' early work at all.
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then provide them, but they are best placed in the
Blacklock article, since the artist has almost no presence in mainstream literature on the PRB. It looks to me as though Blacklock's style is closest to the
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types of edits are unacceptable. Your block is not indefinite; I suggest you take the time to review your edits and why they are disrupting the encyclopedia. If you need any advice, please feel free to ask.
176:. None of these appear in the list, because that is not its purpose. In any case the PRB were not essentially landscape painters. Landscape as such was a genre of associated artists.
129:"Unique" can probably be applied to any artist who is not engaged in deliberate forgery or imitation. So I don't really think that it adds much to the factual content of the article.
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THe image will not confuse anyone as ling as it is properly captioned. Removing it is utterly bizarre, since it is actually a painting by this artist.
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doing nothing wrong people deleting what i have been saying. it is the truth do some research before acting. Paul Barlow was one of the
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I thought I'd just drop you a note about the fact that I reverted one of your edits. You changed "
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