334:. Art's nationality was inspired by Parrish's wife, who is also Japanese American. In addition, Parrish wanted to depict older people, who are often underrepresented. It was vital to the production team to have individuals that symbolized the characters they had in the film. According to Parrish, it was a significant commitment for them and the studio as a whole. Disney's Diversity & Inclusion Team worked with them throughout the process to ensure that a character was acting as authentically as possible.
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Parrish aimed to use as much as possible—with a 1960s atmosphere when it became dark and began raining. As Art and Dot drew closer to the end of the pier and away from the carnival, the crew withdrew the colors. They utilized the Ferris Wheel's shifting light for the moment when Art realizes his love for Dot, and began to add additional saturation.
289:. He conceived the film after he noticed he was beginning to grow older and yearned for a younger body. Parrish said: "It made me realize that if I spent all my time focused on what I thought I was missing, then I was going to miss the beauty in the present". He was also influenced by his grandparents' differing attitudes to aging. One set traveled far distances in a
341:, an old couple, and a dance universe. As he was working on these ideas, he remembered seeing the viral video of Keone and Mari Madrid, both choreographers, dancing as an elderly couple in 2016. He asked them to meet in April 2019, and the Madrids eagerly accepted the invitation to work on the project. The two were incorporated into his idea and, eventually, his
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Art encounters Dot, who has also become young through the rain. The two begin to dance vibrantly through the streets. When the rain clouds begin to move, they revert to old age. Art begins dragging Dot through the city in an attempt to remain young. They flee to
Paradise Pier, and as Art continues to
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As the people of a vibrant city dance to the beat of the music, the elderly Art stays in his apartment and grumpily watches TV. His wife, Dot, enters, and tries to have him get out and enjoy the day. He refuses, leaving her heartbroken. Art soon regrets this decision and looks upon a photo of himself
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and other short films. However, most of the animation in the film was original. Disney's tools mainly allowed the crew to easily adapt a rig to a fresh model and then improve it. John
Kahwaty, the head of characters, designed and managed a large number of characters, including the two major ones who
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Art and Dot's opposing viewpoints are communicated through their facial expressions, body language, and dancing. Disney juxtaposed the dreary aesthetic of Art and Dot's small apartment with the colorful look of the New York dance world outside. The animators enhanced the neon lights—which
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necessitated social distancing. They needed to figure out how to record with 40 strings and a large band. The strings were recorded first before leaving. The brass musicians arrived next, and they had to be separated. Toprak was insistent on recording everything precisely the way it was supposed to
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For the lead characters, Parrish desired something that was close to yet different from Disney designs. He also wanted something that was slightly smaller and simpler in form. Art and Dot's ultimate design was a combination of several ideas that sought to capture their personalities and
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As he walks back, Art sees Dot sitting by herself and joins her. The two look into each other's eyes and wordlessly acknowledge their love for one another. Art and Dot proceed to dance together, though not as vibrantly as before, as the rain puddle beneath them reflects their younger selves.
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style of motion that reminded him of animation. The
Madrids used various dance styles, which ranged from "big, athletic, gravity-bending to small, communicative, and gestural to couple-y romantic". In the storyboards, they attempted to communicate the film's emotional moments.
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using a video reference of the Madrid's choreography, which served as the foundation for the animation. The crowd team filled the city with background dancers and vehicles. During this, the animation was keyframed and the rain was created in
300:, he observed something that intrigued him in working with Parrish. Simonsen believed Parrish had a remarkable eye for animation and an uncanny ability to envisage a tale. The film was written without dialogue, with the story told through
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gave the short a five out of five rating, praising its direction, choreography and animation. He further stated that "everything is mind-blowingly perfect ... t'll make you wish it was a full-length feature film". Umesh
Punwani of
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The
Madrids recorded their choreography based on Parrish's own recordings of himself talking about each scene. They aimed to make the characters' motions look like a discussion and represent the film's themes. Disney created an
192:. It follows Art, a grumpy old man, and Dot, his energetic wife, in a vibrant city of dance. The two enjoy themselves in a rainstorm that makes them young until it disappears and reverts them back to old age. Parrish conceived
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also provided influence, mostly due to the collection of musical references to research. The short's city is inspired by
Chicago, New York City, and Los Angeles. The piers and boardwalks are influenced by those in
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and animation to give the choreographers something work with, since the
Madrids "re very specific with the music and the sound and the emotion for the time stamps". The recording of the soundtrack during the
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and Dot when they were young and full of life. He steps out on his fire escape when it suddenly begins to rain. The rain makes him younger and rejuvenates him, prompting him to set out to look for Dot.
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The production team hoped to depict as many underrepresented groups as possible. Art—who is
Japanese American—and Dot—who is African American—were purposely made to be an underrepresented
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composed the soundtrack for the short, which drew inspiration from the 1960s's funk and soul music. In contrast to the usual filmmaking process, the score needed to be written before
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The production team was able to repurpose elements from previous projects. For things such as buildings in the background or vehicles, the film borrowed some aspects from
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for the film. Parrish and the
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chase the rain clouds, Dot willingly falls behind. Eventually, the clouds leave completely and the two revert to their old age.
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and animation, unlike the typical filmmaking process. For dance reference, Disney hired choreographers Keone and Mari Madrid.
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is a 2021 American animated short film directed and written by Zach Parrish and distributed by
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922:"Director Zach Parrish on the Inspiration Behind the Walt Disney Animation Studios Short
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Review: A Vibrant Disney Animated Short Musical On The Struggles Of Accepting Old Age"
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First Look: Disney's First Theatrical Animated Short in Five Years is an Ode to Dance"
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after noticing that he was growing older and took inspiration from his grandparents.
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457:", a behind-the-scenes look of the short by Parrish, was included on the Blu-ray.
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be captured, and she was not willing to sacrifice on anything.
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Parrish, a longtime dance enthusiast, intended to mix the concepts of a
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Wins Best Picture, Jane Campion and Denis Villeneuve Tie for Director"
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Director on Bringing 'World of Dance' Stars to Disney Animation and a
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845:: The Magical Story Behind Disney's Milestone New Short (Exclusive)"
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Filmmakers on Making the First Disney Animated Short in Five Years"
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was released on March 5, 2021, preceding theatrical showings of
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In February 2021, it was announced that theatrical showings of
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for Best Short-Form (Animated). It was shortlisted for the
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1563:"Oscar nominations 2022: See the full list of nominees"
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was theatrically released on March 5, 2021, preceding
304:, dance, and music instead. This idea was inspired by
1489:"Oscars: Academy Unveils Shortlists in 10 Categories"
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Among Winners on Night 5 of Non-Televised Ceremonies"
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has received positive reviews. Pramit Chatterjee of
266:Zach Parrish, who previously helmed the short film
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1045:: A First Look At Walt Disney's Theatrical Short"
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618:"Disney Debuts New Animated Short Film Us Again"
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1522:"Oscars Predictions: Best Animated Short –
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2494:Animated films set in New York City
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1076:Radish, Christina (March 5, 2021).
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120:Walt Disney Studios Motion Pictures
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616:White, James (February 15, 2021).
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2434:2020s Disney animated short films
1998:The Grain That Built a Hemisphere
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1372:Labat, Samantha (March 5, 2021).
1039:Bentz, Adam (February 16, 2021).
16:2021 American animated short film
2469:American computer-animated films
1333:Punwani, Umesh (March 3, 2021).
747:Parrish, Zach (March 10, 2021).
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1154:Drum, Nicole (June 5, 2021).
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2134:The Story of Anyburg U.S.A.
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850:Entertainment Tonight
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2276:The Ballad of Nessie
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2206:Oilspot and Lipstick
1824:Donald and the Wheel
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979:Comic Book Resources
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291:recreational vehicle
2484:Films about old age
2401:Once Upon a Snowman
2198:Fun with Mr. Future
2006:Education for Death
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2014:Reason and Emotion
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1684:2000–present
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351:Is This Love
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201:Pinar Toprak
198:
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157:Running time
143:
127:Release date
94:Pinar Toprak
85:Jesse Averna
71:Chris McKane
52:Zach Parrish
44:Zach Parrish
18:
2369:Super Rhino
2142:Paul Bunyan
2094:Social Lion
1950:short films
1948:Stand-alone
1900:(1966–1983)
1868:(1921–1923)
1766:film series
1757:film series
1750:(1939–2007)
1748:film series
1741:(1938–1947)
1739:film series
1730:film series
1721:film series
1719:Donald Duck
1714:(1928–2013)
1712:film series
1695:and friends
1579:February 8,
1383:CinemaBlend
1050:Screen Rant
495:CinemaBlend
243:Development
161:6–7 minutes
142: (with
57:Produced by
41:Directed by
2424:2021 films
2418:Categories
2246:One by One
2222:John Henry
2158:Goliath II
2150:Noah's Ark
2062:Ben and Me
1855:Additional
1546:January 1,
1341:La La Land
1335:"Disney's
1281:January 3,
1263:The Father
1180:January 3,
1102:January 3,
1084:Big Hero 6
1061:January 1,
942:August 26,
931:Disney.com
905:January 2,
861:January 2,
819:January 1,
769:January 1,
727:January 1,
709:La La Land
655:Alongside
563:References
490:La La Land
447:Digital HD
388:Big Hero 6
315:La La Land
298:Big Hero 6
279:Big Hero 6
238:Production
138:2021-03-05
101:Production
74:Amol Sathe
49:Written by
1924:(2020–22)
1916:(2009–11)
1908:(1989–93)
1892:(1929–39)
1884:(1927–28)
1876:(1923–27)
1832:Aquamania
1759:(1951–54)
1732:(1937–51)
1723:(1937–61)
1679:1986–1999
1674:1960–1985
1669:1950–1959
1664:1940–1949
1659:1928–1939
1654:1923–1928
1448:Black-ish
716:IndieWire
511:HCA Award
502:Accolades
461:Reception
310:franchise
302:pantomime
263:in 2016.
82:Edited by
2335:Based on
2308:Us Again
2284:Paperman
1599:Us Again
1573:Archived
1540:Archived
1524:Us Again
1499:Archived
1466:Archived
1429:March 1,
1423:Archived
1394:March 7,
1388:Archived
1376:Us Again
1357:March 5,
1351:Archived
1337:Us Again
1318:March 5,
1312:Archived
1307:Mashable
1300:Us Again
1275:Archived
1255:Big Fish
1215:Archived
1199:Us Again
1174:Archived
1158:Us Again
1133:Archived
1121:Us Again
1096:Archived
1091:Collider
1080:Us Again
1055:Archived
1043:Us Again
1018:Archived
1008:Us Again
990:March 8,
984:Archived
972:Us Again
936:Archived
924:Us Again
899:Archived
887:Us Again
855:Archived
843:Us Again
813:Archived
801:Us Again
763:Archived
751:Us Again
721:Archived
705:Us Again
669:Archived
653:Us Again
628:Archived
595:Archived
590:Collider
509:won the
507:Us Again
476:Mashable
471:Us Again
455:Us Again
437:Us Again
425:Us Again
405:animatic
396:staccato
308:Fantasia
287:Us Again
255:Us Again
209:Us Again
194:Us Again
185:Us Again
174:Language
90:Music by
24:Us Again
2238:Lorenzo
2230:Destino
2190:Vincent
1535:Variety
1419:Variety
1221:July 8,
1086:Sequel"
555:banner.
528:Variety
488:" from
451:Blu-ray
433:Disney+
420:Release
410:Houdini
325:Seattle
268:Puddles
177:English
166:Country
136: (
103:company
2404:(2020)
2396:(2017)
2388:(2015)
2380:(2012)
2356:(1954)
2348:(1941)
2327:(2023)
2319:(2021)
2311:(2021)
2303:(2016)
2295:(2014)
2287:(2012)
2279:(2011)
2271:(2010)
2265:(2008)
2257:(2006)
2249:(2004)
2241:(2004)
2233:(2003)
2225:(2000)
2217:(1992)
2209:(1987)
2201:(1982)
2193:(1982)
2185:(1978)
2177:(1969)
2169:(1961)
2161:(1960)
2153:(1959)
2145:(1958)
2137:(1957)
2129:(1957)
2121:(1956)
2113:(1956)
2105:(1954)
2097:(1954)
2089:(1953)
2081:(1953)
2073:(1953)
2070:Melody
2065:(1953)
2057:(1952)
2049:(1952)
2041:(1952)
2033:(1950)
2025:(1944)
2017:(1943)
2009:(1943)
2001:(1943)
1993:(1943)
1985:(1942)
1977:(1941)
1969:(1941)
1961:(1938)
1940:(2021)
1932:(2020)
1843:(1966)
1835:(1961)
1827:(1961)
1819:(1950)
1811:(1942)
1803:(1942)
1795:(1942)
1776:(2021)
1768:(1956)
1347:Koimoi
1261:, And
1259:Minari
707:: How
482:Koimoi
444:'s
349:song "
283:'s
2292:Feast
1746:Goofy
1728:Pluto
1270:/Film
1243:Speed
1128:/Film
894:/Film
535:Notes
357:Music
343:pitch
1604:IMDb
1581:2022
1548:2022
1507:2021
1474:2022
1431:2022
1413:CODA
1396:2021
1359:2021
1320:2021
1283:2022
1257:4K,
1253:4K,
1245:4K,
1223:2021
1201:and
1182:2022
1141:2021
1104:2022
1063:2022
1026:2021
992:2021
944:2021
907:2022
863:2022
821:2022
771:2022
729:2022
677:2021
636:2021
603:2021
521:for
449:and
441:Raya
323:and
306:the
221:Plot
1602:at
1568:CNN
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