242:, later in Swiss dialect versions of boulevard plays, for example, in 1988 in the title role of Jack Popplewell's successful play "Katharina die Kühne" and Swiss tour performances and television broadcasting. Moreover, Schaeppi created her own arrangements for Swiss productions of the Bernhard Theater where she also performed in leading roles. There, also the long-standing collaboration with Rudolf Haas and Franco Romano began. She had further guest appearances at other theaters, for example, in 1979 as
393:. Schaeppi was married with Rudolf Haas, a Swiss and actor with whom she also toured. In 1998 on Swiss television SRF Schaeppi talked about her depression to which she suffered after seven friends died within a short period; it was accompanied by a career slump, and she stepped back public appearance. She also suffers of chronic lymphoid leukaemia which did not to allow to stage again on
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when even a song was listed in the Swiss radio charts. Starting in 1987, Schaeppi produced independent theater productions with Haas, Romano and Müller, in which she also starred and for which she often wrote the Swiss dialect versions, including in 1987 the Swiss premiere of Pierre
Chesnot's "Vier
173:. From 1959 she worked at German city theatres, among other things, in Castrop-Rauxel, Berlin, München and in Rendsburg. At this time also began Schaeppi's career with children and trouser roles that later became one of her trademarks, including the title role in Saint-Exupéry's
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lake shore. Celebrating her 75th anniversary, Ursula
Schaeppi announced to focus finally, at the request of a group of seniors, increasingly on theater productions with their peers because "many of the existing plays are just too dull".
333:. After a long pause Schaeppi published other theater directing credits and Swiss dialect edits: in 1998 "Tatort: Goldküste!" according to Popplewell, and in 2001 the Swiss premiere of Jack Jacquin's "Der Mord zum Sonntag" on
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Ursula Schäppi wrote and spoke children's stories and fairy tales, which are available as audiobooks. She also became popular by numerous radio appearances. Beside the stage, she became popular, along with
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comedian, radio personality, and stage, voice and film actress starring usually in Swiss German language stage productions and as voice actress in children's literature.
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linke Hände" with Müller and directed by Haas, in 1991 as "Käthi - Superstar", and in 1994 the dialect version of "Die
Sternstunde der Hanna Bieder", which on
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in
Switzerland, Ursula Schäppi began acting at the conservatory in Bern at Margarethe Schell von Noé in 1955 and in 1956/58 lessons with Walter Fried on
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stages in 1971/72. Since 1969 she appeared in guest roles at Swiss theaters, for example, in 1969 at the
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was resumed in 2000. In 1990, she starred in a dual role as
Lisbethli and her mother the infomercial
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in the premiere of
Alexander Ziegler's "Zellengeflüster". In 1976 she starred in the title role of
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National merits gained Ursula Schäppi since 1977 through her appearances on Swiss television as
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After many years absence from the stage, in 2012 she toured again in her signature role as
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in the premiere of Max Rüeger's "Hochzeit in Hägglingen", under the direction of
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Stage, television and film actress, playwright, comedian, radio personality
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A great success was "Stan und Ollie in der
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Ursula
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through South and
Central America, and received an engagement at
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in Ludwig Thomas' "Moral", and in 1970 at the gallery theater
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in "Sie spillt wieder mit öis. Aber nume no eimal!".
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717:(in German). schweizer-illustrierte.ch. 2013-04-21
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529:(in German). theaterwissenschaft.ch. 2013-12-05
508:(in German). theaterwissenschaft.ch. 2013-11-22
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458:References
248:Jerry Bock
244:Oma Zeitel
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370:Zürichsee
325:, at the
264:in Bern.
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