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Umberto D.

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Flike, the dog finds him hiding under a footbridge. Finally in desperation, Umberto takes the dog in his arms and walks on to a railway track as a speeding train approaches. Flike becomes frightened, wriggles free and flees. Umberto runs after him. At first Flike warily hides, but eventually Umberto coaxes Flike out to play with a pine cone. Still homeless, Umberto scampers down the park lane while playing with his dog.
480:, the minister responsible for cinema at the time, published an open letter against De Sica, saying that if the movie was perceived as a realistic depiction of mid-twentieth century Italy, he " have rendered a very bad service to country". However, it was quite popular overseas and the film remained the one he was most proud of (even dedicating the film to his father). 408:
and he is discharged after a few days. When he returns to the apartment, he finds workmen renovating the entire place. The landlady is getting married. Umberto's room has a gaping hole in the wall. The maid tells him it is to become part of an enlarged living room. The maid was taking care of his dog
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Umberto attempts to find a place for Flike, first with a couple who board dogs, then a little girl he knows, but the latter's nanny makes her give the dog back. Flike goes to play with some children and Umberto slips away, hoping that one of them will adopt him. Despite Umberto's attempt to abandon
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Umberto rushes to the city pound and is relieved to find his dog; however, when he makes a veiled plea for a loan to one of his friends who has a job, the friend refuses to listen. Unable to bring himself to beg from strangers on the street Umberto contemplates suicide, but knows he must first see
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has rented it out for an hour to a young couple to have sex. She threatens to evict Ferrari at the end of the month if he cannot pay the overdue rent, fifteen thousand lire. He sells a watch and some books, but only raises a third of the amount. The landlady refuses to accept partial payment.
124: 525:(1952) is the story of the old man's struggle to keep from falling from poverty into shame. It may be the best of the Italian neorealist films--the one that is most simply itself, and does not reach for its effects or strain to make its message clear." 1259: 60:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 1252: 532:, the film holds a 98% "Certified Fresh" score based on 41 critic reviews, with an average rating of 9.0/10. The website's critics consensus reads, "Anchored by Carlo Battisti's moving performance as 393:
Meanwhile, the sympathetic maid confides in Umberto that she has her own problems. She is three months pregnant, but is unsure which of her two lovers (both soldiers) is the father, the tall one from
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that Flike is taken care of. He packs his belongings and leaves the apartment. His parting advice to the maid is to get rid of the boyfriend from Florence.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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of elderly men demanding a raise in their meager pensions. One of the marchers is Umberto D. Ferrari, a retired government worker.
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as too critical of the pride they were trying to engender in themselves. It evoked such opposition in conservatives that
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Content in this edit is translated from the existing Italian Knowledge article at ]; see its history for attribution.
1237: 536:, Vittorio de Sica's deeply empathetic character study is a bracing glimpse into the lives of the downtrodden." 2130: 1112: 939: 625: 848: 1128: 1096: 2125: 2085: 2075: 1881: 1720: 1000: 992: 566: 367: 2120: 1544: 1534: 976: 2100: 1931: 1314: 1024: 370:, a list of 100 films that "have changed the collective memory of the country between 1942 and 1978." 2070: 2060: 1841: 932: 554: 485: 1610: 1580: 541: 79: 544:, assigned the film a score of 92 out of 100, based on 9 critics, indicating "universal acclaim". 1831: 1630: 1524: 1168: 1056: 779: 1971: 1821: 1224: 1136: 1710: 1514: 1284: 1184: 349: 100: 1991: 1981: 1951: 1811: 1208: 1072: 918: 902: 379: 341:) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. 223: 8: 2055: 1901: 1871: 1780: 1620: 1570: 1469: 1409: 1304: 1008: 824: 570: 468:
De Sica said that the film was quite unpopular in Italy because it was in a period after
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Gundle, Stephen (2014). "Neorealism and Left-wing Culture". In Bondanella, Peter (ed.).
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included the film in his selection of Great Movies, writing that "Vittorio De Sica's
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included it on a list of "39 Essential Foreign Films for a Young Filmmaker."
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Feeling ill, Umberto gets himself admitted to a hospital. It turns out to be
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who plays the title role of Umberto Domenico Ferrari, a poor elderly man in
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when the country was just getting back on its feet. Subsequently, they saw
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magazine's "All-TIME 100 Movies" in 2005. The film's sets were designed by
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is ... a movie I have seen a hundred times, that I may love most of all."
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to the source of your translation. A model attribution edit summary is
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Seeing Clearly Through Tears: On the Smart Sentiment of Umberto D.
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New York Film Critics Circle Award for Best Foreign Language Film
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who is desperately trying to keep his rented room. His landlady (
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named Flike, but a door was left open and Flike ran away.
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New York Film Critics Circle Award for Best Foreign Film
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Vittorio De Sica was nominated for the Grand Prix –
53: 841: 680:, Giuseppe Amato, Lello Bersani, Vittorio De Sica 2047: 701:. London: British Film Institute. p. 79. 78:accompanying your translation by providing an 44:Click for important translation instructions. 36:expand this article with text translated from 1253: 940: 600:in his first role in seven years, alongside 588:premiered in 2008. The film was directed by 444:Ileana Simova as the woman in Umberto's room 729:. Ingmar Bergman Foundation. Archived from 456:Alberto Albari Barbieri as Antonia's friend 2106:Films with screenplays by Cesare Zavattini 1260: 1246: 947: 933: 385:He returns to his room and finds that his 122: 1671:Women on the Verge of a Nervous Breakdown 547: 362:. In 2008, the film was included on the 565:Cesare Zavattini was nominated for the 2048: 696: 628:. Time Entertainment. 12 February 2005 1241: 928: 777: 759:from the original on February 7, 2015 669: 667: 364:Italian Ministry of Cultural Heritage 309: 16:1952 Italian film by Vittorio De Sica 2116:Films scored by Alessandro Cicognini 901:a 1990 essay by Peter Becker at the 447:Elena Rea as the nun at the hospital 18: 673: 483:In an interview where he discussed 13: 2081:Films directed by Vittorio De Sica 1651:The Decline of the American Empire 664: 14: 2147: 868: 755:. Open Culture. 15 October 2014. 608:and Francis Huster among others. 2111:Films produced by Angelo Rizzoli 1193:The Garden of the Finzi-Continis 849:"Festival de Cannes: Umberto D." 723:"Bergman about other filmmakers" 441:as Antonia Belloni, the landlady 23: 778:Ebert, Roger (April 28, 2002). 817: 790: 771: 745: 715: 690: 640: 618: 88:You may also add the template 1: 2066:Italian black-and-white films 2012:The Worst Person in the World 1129:Yesterday, Today and Tomorrow 611: 378:Police disperse an organized 368:100 Italian films to be saved 2136:Italian-language drama films 2091:1950s Italian-language films 1882:4 Months, 3 Weeks and 2 Days 1001:The Children Are Watching Us 993:A Garibaldian in the Convent 567:Academy Award for Best Story 463: 453:as a patient at the hospital 90:{{Translated|it|Umberto D.}} 7: 977:Maddalena, Zero for Conduct 727:Ingmar Bergman Face to Face 592:, co-written by Huster and 429:as Umberto Domenico Ferrari 10: 2152: 1932:Blue Is the Warmest Colour 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Aldo 141:Written by 117:Umberto D. 40:in Italian 1562:1978–2000 1285:Mayerling 1276:1937–1977 1185:Sunflower 1089:Two Women 1017:Shoeshine 969:Red Roses 809:August 5, 534:Umberto D 523:Umberto D 464:Reception 234:Dear Film 210:Edited by 190:Elena Rea 94:talk page 1992:Parasite 1982:Cold War 1952:Timbuktu 1450:My Uncle 1440:Gervaise 1430:The Road 1073:The Roof 892:AllMovie 757:Archived 399:Florence 387:landlady 291:Language 220:Music by 170:Starring 70:provide 2002:Bacurau 1761:Ponette 1370:L'Amore 1305:Harvest 1121:Il Boom 917:at the 573:in 1957 569:at the 316:Italian 294:Italian 283:Country 260: ( 249: ( 160:De Sica 156:Rizzoli 92:to the 74:in the 2035:(2023) 2025:(2022) 2015:(2021) 2005:(2020) 1995:(2019) 1985:(2018) 1975:(2017) 1965:(2016) 1955:(2015) 1945:(2014) 1935:(2013) 1925:(2012) 1915:(2011) 1905:(2010) 1902:Carlos 1895:(2009) 1885:(2008) 1875:(2007) 1865:(2006) 1855:(2005) 1845:(2004) 1835:(2003) 1825:(2002) 1815:(2001) 1794:(2000) 1784:(1999) 1774:(1998) 1764:(1997) 1754:(1996) 1744:(1995) 1734:(1994) 1724:(1993) 1714:(1992) 1704:(1991) 1694:(1990) 1684:(1989) 1674:(1988) 1664:(1987) 1654:(1986) 1644:(1985) 1634:(1984) 1624:(1983) 1614:(1982) 1604:(1981) 1601:Pixote 1594:(1980) 1584:(1979) 1574:(1978) 1548:(1968) 1538:(1967) 1528:(1966) 1518:(1965) 1508:(1964) 1498:(1963) 1483:(1961) 1473:(1960) 1463:(1959) 1453:(1958) 1443:(1957) 1433:(1956) 1423:(1955) 1413:(1954) 1403:(1953) 1393:(1952) 1383:(1951) 1373:(1950) 1363:(1949) 1353:(1948) 1350:Paisan 1343:(1947) 1333:(1946) 1318:(1940) 1308:(1939) 1298:(1938) 1288:(1937) 1228:(1974) 1220:(1973) 1212:(1972) 1204:(1970) 1196:(1970) 1188:(1970) 1180:(1968) 1172:(1967) 1164:(1967) 1156:(1966) 1148:(1966) 1140:(1964) 1132:(1963) 1124:(1963) 1116:(1962) 1108:(1962) 1100:(1961) 1092:(1960) 1084:(1958) 1076:(1956) 1068:(1954) 1060:(1953) 1052:(1952) 1044:(1951) 1036:(1948) 1028:(1948) 1020:(1946) 1012:(1945) 1004:(1944) 996:(1942) 988:(1941) 980:(1940) 972:(1940) 737:26 May 705:  578:Remake 492:Psycho 395:Naples 1922:Amour 1791:Yi Yi 632:1 Jan 559:1955 286:Italy 164:Amato 54:DeepL 1852:2046 881:IMDb 811:2024 765:2015 739:2011 703:ISBN 634:2012 495:and 421:Cast 374:Plot 355:TIME 331:Rome 68:must 66:You 1942:Ida 1641:Ran 890:at 879:at 366:’s 348:of 56:or 42:. 2052:: 2022:EO 1495:8½ 827:. 800:. 782:. 725:. 666:^ 650:. 604:, 501:, 489:, 401:. 1261:e 1254:t 1247:v 948:e 941:t 934:v 921:. 905:. 860:. 837:. 813:. 786:. 767:. 741:. 711:. 660:. 636:. 305:( 264:) 253:) 162:- 158:- 103:. 96:.

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Vittorio De Sica
Cesare Zavattini
Rizzoli
De Sica
Amato
Carlo Battisti
Maria-Pia Casilio
Lina Gennari
Ileana Simova
Elena Rea
Memmo Carotenuto
G. R. Aldo
Eraldo Da Roma
Alessandro Cicognini
Dear Film
[umˈbɛrtodi]
Italian
neorealist
Vittorio De Sica
Carlo Battisti
Rome

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