355:'s army sweeps through Nakanogō, uprooting Genjūrō, Tōbei and their wives; Genjūrō decides to take his pots to a different marketplace. As the couples travel across Lake Biwa, a boat appears out of the thick fog. The sole passenger tells them he was attacked by pirates, warns them, and dies. The men decide to return their wives to the shore but Tōbei's wife Ohama refuses to go. Miyagi begs Genjūrō not to leave her, but is left on the shore with their young son Genichi clasped to her back. At market, Genjūrō's pottery sells well. After taking his share of the profits, Tōbei buys samurai armor and sneaks into a samurai clan. Lost from her companions, Ohama wanders beyond Nagahama searching for Tōbei and gets raped by soldiers. Noblewoman Lady Wakasa and her female servant visit Genjurō, ordering several pieces of pottery and telling him to take them to the Kutsuki mansion. There, Genjūrō learns that
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before she knew love, could experience it. They tell him to wash away the symbols. Genjūrō reaches for a sword, throws himself out of the manor, and passes out. The next day, he is awakened by soldiers accusing him of stealing the sword, but he denies it, saying it is from the
Kutsuki mansion. The soldiers laugh at him, saying the Kutsuki mansion was burned down over a month ago. Genjūrō arises and finds the mansion nothing more than a pile of burnt wood. The soldiers confiscate his money, but because Shibata's army burned down the prison, they leave him in the rubble. He returns home by foot, searching for his wife.
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Genjūrō's son. Genjūrō calls for Miyagi; the neighbor asks if Genjūrō is dreaming as Miyagi was killed after she was stabbed. The next morning, as Tōbei bought back Ohama's honor, they return to
Nakanogō. Tōbei reflects on his mistakes, both resolving to work hard from now on. Genjūrō continues looking after Genichi and working on his pottery. Ohama gives Genichi a plate of food, which he takes and puts on his mother's grave.
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Wakasa seduces Genjūrō. "The House in the
Thicket" gave the film its ending, in which the protagonist returns home after a long absence, only to meet the spirit of his lost wife. The film is set in the 16th century, though "The House in the Thicket" is set in the 15th century and "The Lust of the White Serpent" is set in an earlier time frame. Other inspirations for the film's script include
1086:. Richie called it "one of the most perfect movies in the history of Japanese cinema" and especially praised the beauty and morality of the film's opening and closing shots. Richie analyzed how the film starts with "a long panorama" and shots spanning from a lake to the shore and the village. He judged the ending's "upward tilting panorama" from the grave to above to reflect the beginning.
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personally handled the camera and did not participate in planning the lighting of his film. To achieve the appearance the filmmakers wanted, Miyagawa kept lighting low and filmed as near to sunset as circumstances would allow. Many of the shots were taken from cranes, with
Miyagawa claiming in 1992 that these shots made up 70% of the film.
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Tōbei presents the severed head of a general that he stole to the commander of the victor, receiving armor, a mount, and a retinue. Tōbei later rides into the marketplace on his new horse, eager to return home to show his wife. However, he visits a brothel and finds her working there as a prostitute.
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soldiers attacked the manor and killed all who lived there, except Wakasa and her servant. He also learns that Wakasa's father haunts the manor. Genjūrō is seduced by Lady Wakasa and she convinces him to marry her. Meanwhile, Nakanogō is under attack. In the woods, several soldiers desperately search
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and invites Genjūrō to his home, painting
Buddhist symbols on his body. Genjūrō returns to the Kutsuki mansion. He admits that he is married, has a child, and wishes to return home. Wakasa refuses to let him go. She and her servant admit they are spirits, returned to this world so that Wakasa, slain
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argues that the film's depiction of the main ghost character evolves from the mere demon of "The Lust of the White
Serpent" into the more humane and tragic Lady Wakasa, and this makes the story more complex. Wood further opines the combination of the story with "The House in the Thicket," combining
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was particularly an inspiration the filmmakers aspired to. The film has been praised for its cinematography, such as the opening shot and the scene where Genjūrō and Lady Wakasa have sex by a stream and the camera follows the flow of the water instead of lingering on the two lovers. Mizoguchi never
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Mizoguchi based his film on two stories from Ueda's book, "The House in the
Thicket" (Asaji ga Yado) and "The Lust of the White Serpent" (Jasei no In). "The Lust of the White Serpent" is about a demon who appears as a princess and attempts to seduce a man. It was the basis of the plot in which Lady
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Despite initial intentions, as the film developed, Yoda said anti-war messages, particularly about how war makes women suffer, kept surfacing and soon became the most prominent theme. While writing the script, Mizoguchi told Yoda "Whether war originates in the ruler's personal motives, or in some
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Miyagi, delighted to see him, will not let him tell of his terrible mistake. Genjūrō holds his sleeping son in his arms, and eventually falls asleep. The next morning, Genjūrō wakes to the village chief knocking on his door. He is surprised to see Genjūrō home and says that he has been caring for
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Genjūrō's pottery is also a major theme in the film. Professor Wood argues his pottery evolves in three phases, reflecting
Mizoguchi's changing approach to filmmaking. Genjūrō begins making the pottery for commercial reasons, shifts to pure aesthetics while isolated with Lady Wakasa, and finally
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the film's presentation of the vanity of a man, neglecting his family, is a critique of historic men in feudal
Japanese culture. In his relationship with Wakasa, Genjūrō is insignificant and is seduced by something greater, that he can never comprehend. However, by neglecting his family, Genjūrō
665:, who played Miyagi, found the scene where she is a ghost to be the most stressful, as she had to play a ghost and appear to be an actual wife at the same time. After rehearsals and the shooting, Mizoguchi lit a cigarette for Mori, indicating his rare degree of satisfaction with the scene.
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public concern, how violence, disguised as war, oppresses and torments the populace both physically and spiritually ... I want to emphasise this as the main theme of the film". During the shooting Yoda was constantly rewriting and revising scenes due to
Mizoguchi's perfectionism.
351:. A respected sage tells Genjūrō's wife Miyagi to warn him about seeking profit in times of upheaval, and to prepare for an attack on the village. Returning with profits, Miyagi asks him to stop but Genjūrō nevertheless works to finish his pottery. That night,
1075:, was probably not meant specifically to be sold to westerners as an "exotic" piece, it was perceived by studio executives as the kind of film that would not necessarily make a profit in Japanese theaters but would win awards at international film festivals.
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As a ghost story, the film delves into a relationship between a spirit and a living person, which runs contrary to nature and will lead to the death of the person. Although ghosts are not mentioned in the initial parts of the film, Japanese writer
836:. Mizoguchi struggled with Daiei to give the subplot an unhappier ending than what appears in the film, in line with real comfort women's experiences after the war. Tōbei's subplot reveals the mistake of war can also be a "tragicomedy".
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the male protagonist of each tale into one character, Genjūrō, also connects the demon character and the ghost wife. Both Lady Wakasa and Miyagi are killed by a male-dominated society, and both are wronged by Genjūrō. Wood believes
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studios. The deal promised Mizoguchi complete artistic control and a large budget. Despite this, Mizoguchi was eventually pressured to make a less pessimistic ending for the film. Mizoguchi's screenwriter and long-time collaborator
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and the assistant directors, and was not involved in their creative process. Fumio Hayasaka was a strong proponent of using Japanese music in Japanese films, though he incorporated several elements of Western music as well. For
300:(1568–1600). In a small rural community, a potter leaves his wife and young son behind to make money selling pottery and ends up being seduced by a spirit that makes him forget all about his family. A subplot, inspired by
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in 1953. The night before, Mizoguchi, believing that if the film did not win an award the shame would prevent him from returning to Japan, stayed in his hotel room and prayed. In Japan it was named third in
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on a boat was in fact shot on a pool in the studio, with added smoke. The assistant directors had to push the boat through the cold waters. Miyagawa identified this as one of the scenes shot from a crane.
304:'s 1883 short story "How He Got the Legion of Honor" ("Décoré !"), involves his brother-in-law, who dreams of becoming a samurai and chases this goal at the unintended expense of his wife.
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has also listed it as one of his favourite films of all time and included it on a list of "39 Essential Foreign Films for a Young Filmmaker." It was also listed by Russian filmmaker
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and a definitive piece during Japan's Golden Age of Film. It is one of a number of films arguably more popular in western countries than in Japan. Japanese film historian
1443:, released the same year, particularly created awareness of other Japanese filmmakers. Mizoguchi cemented his reputation among film aficionados in Europe with his film
828:, greed and arrogance connected with audiences not only in Japan but around the world in the wake of the war. The subplot of Tōbei and Ohama particularly reflects the
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898:, Mizoguchi made his first trip outside Japan to attend the festival. He spent much of his time in Italy in his hotel room praying to a scroll with a portrait of
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Genjūrō meets a priest who tells him to return to his loved ones or accept death. When Genjūrō mentions Wakasa, the priest reveals that she is dead and must be
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of 9.40/10. The site's critical consensus states, "With its thought-provoking themes, rich atmosphere, and brilliant direction, Kenji Mizoguchi's
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was also screening in competition at the festival and was rumoured to be the winner of the Silver Lion for best director. The film opened in
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stated Mizoguchi foreshadowed it using the scenery, which suggests a detachment from real life. The scene where the protagonists cross
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by ignoring his wife's adultery with a member of the Legion. Similarly, Tōbei becomes a samurai while his wife becomes a prostitute.
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released a two-disc edition of the film, which includes numerous special features such as a 150-minute documentary on Mizoguchi,
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series. The two-disc special edition containing new transfers is released in a double pack which twins it with Mizoguchi's film
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magazine's top 10 critics poll of the greatest films ever made, which is held once every decade, in 1962 and 1972. In the 2012
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According to Professor Martha P. Nochimson, a common interpretation of the film is that Mizoguchi refashioned the stories of
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staff praised the film's visuals for reminiscence to Japanese prints, costumes and set design, and the performances of
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McRoy, Jay (2015). "Spectral remainders and Transcultural Hauntings: Even the ghosts are haunted: Kenji Mizoguchi's
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Miyagawa also stated that this film was the only occasion in which Mizoguchi complimented him for his camera work.
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and chanting. The film's sounds also include bells heard in improbable places. There is significant use of the
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1169:, aware we have seen a fable, we also feel curiously as if we have witnessed true lives and fates". Director
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615:). This story provided a basis for Tōbei's subplot. In the short story, the protagonist receives the French
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2355:"The HFPA Honors Another Classic: Japan's "Ugetsu Monogatari" at Bologna's Cinema Ritrovato 2016"
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failed to appreciate he has already been blessed with a good life, and in the process, loses it.
273:. It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from
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as "one of the most amazing of the Japanese movies that played American art houses". In 2000,
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A Hundred Years of Japanese Film: A Concise History, with a Selective Guide to DVDs and Videos
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Miyagi for food. She fights them and is stabbed, collapsing with her son clutching her back.
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and armor, personally chosen by Mizoguchi. The scene where the protagonists travel through
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The film was immediately popular in western countries and praised by such film critics as
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on November 24, 1993. On 8 November 2005, the film became available for the first time on
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Lee, Jonathan H. X.; Matsuoka, Fumitaka; Yee, Edmond; Nakasone, Ronald Y., eds. (2015).
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1006:. The box-set also includes a booklet with an essay by Keiko I. McDonald, the author of
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1557:. Translated by Chambers, Anthony H. New York: Columbia University Press. p. 13.
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is one of Mizoguchi's most celebrated films, regarded by critics as a masterpiece of
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2847:"Martin Scorsese Creates a List of 39 Essential Foreign Films for a Young Filmmaker"
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Stone, Bryan (2009). "Modern Protestant approaches to film (1960 to the present)".
2187:"BFI | Sight & Sound | Mizoguchi Kenji: Artist Of The Floating World"
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screened the film in New York City over six days, opening a Mizoguchi tribute. A
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Cinematic Ghosts: Haunting and Spectrality from Silent Cinema to the Digital Era
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remarked that while this film, along with Mizoguchi's other works of the period
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is credited with having popularised Japanese cinema in the West. The film, and
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by Home Vision Entertainment, with English subtitles. The film was released on
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Watanabe Shihai-jin no oshaberi shinema: "Mizoguchi Kenji: Ugetsu Monogatari"
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3212:. Jefferson, North Carolina and London: McFarland & Company Publishers.
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Dreaming of Cinema: Spectatorship, Surrealism, and the Age of Digital Media
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that he wanted the film "to unroll seamlessly like a scroll-painting". The
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3084:(1 November 1997). "TALES FROM THE UNDERGROUND AN EARLY INDIE TIME LINE".
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moves on to a style that reflects life and strives to understand it.
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theatre. As such, her eyebrows were styled using a practice known as
645:. As Lady Wakasa, Kyō's costume was modeled after fashion before the
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Drawing from Ueda's tales, the film is set in Japan's civil war–torn
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635:'s second collaboration with Mizoguchi, as she had a small role in
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2911:"100 Best Films of the 20th Century Village Voice Critics' Poll"
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and her face was designed to appear similar to a mask common in
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is an example, given the fogs that turn the film away from the
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576:(1952), Mizoguchi was offered to make a film by his old friend
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29th on their list of the 100 best films of the 20th century.
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958:. The restoration "was undertaken by The Film Foundation and
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2216:"The Screen in Review; Ugetsu, From Japan, Offered at Plaza"
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also screened as part of the Cannes Classics section at the
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was released in Japan on 26 March 1953. It was shown at the
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for its exploration of the negative impact of a patriarchy.
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The Foreign Film Renaissance on American Screens, 1946–1973
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Ueda, Akinari (2007). "About Tales of Moonlight and Rain".
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said that originally, Mizoguchi did not envision making an
3389:. New York: The Continuum International Publishing Group.
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The Toho Studios Story: A History and Complete Filmography
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found it to be "subtle, violent yet magical", and termed
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to express regret about the pro-war extremism leading to
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This article is about the 1953 film. For other uses, see
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Sexual Politics and Narrative Film: Hollywood and Beyond
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poll, it was voted the 50th greatest film of all time.
641:(1944). She had collaborated much more frequently with
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Spicer, Paul (2010). "Japanese Cinema and Landscape".
3349:
The Aesthetics of Shadow: Lighting and Japanese Cinema
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Motion Picture Producers Association of Japan website
2357:(Press release). Hollywood Foreign Press Association.
1978:"50 years, 50 films Vol II: Ugetsu Monogatari (1953)"
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Kenji Mizoguchi: a Guide to References and Resources
815:, with Mizoguchi personally having made the pro-war
3504:. Vol. 1. New York: The H. W. Wilson Company.
2529:"DVD reviews: Ugetsu Monogatari, Oyu-Sama and more"
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3071:, Issues 25–30, Editions de l'Etoile, 1971, p. 21.
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566:made the effects of war a major theme of his film.
2984:. Motion Picture Producers Association of Japan.
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715:The set depicting Kutsuki Manor was based on the
331:In the farming village Nakanogō, on the shore of
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3481:. New York, London and Toronto: Cornwall Books.
2009:Chang, Chris (March–April 2006). "Ghost Tones".
776:theatre. Additional, uncredited composers were
343:, Genjūrō, a potter, takes his wares to nearby
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1149:] is a towering classic of world cinema".
519:Mitsusaburō Ramon as Captain of Tamba Soldiers
4203:Films with screenplays by Matsutarō Kawaguchi
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3250:Music in the Western: Notes From the Frontier
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1572:. Tokyo: Kodansha International. p. 47.
1025:DVD by Eureka Entertainment as part of their
902:for victory. While in Venice he met director
727:evocative of feudal-era aristocrats, such as
254:, lit. "Rain-moon tales") is a 1953 Japanese
3914:Venice Film Festival Silver Lion (1953–1994)
3456:The Routledge Companion to Religion and Film
3351:. Durham and London: Duke University Press.
3210:Movie Medievalism: The Imaginary Middle Ages
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1932:
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1884:Kenji Mizoguchi: The Life of a Film Director
1855:Kenji Mizoguchi: The Life of a Film Director
1831:Kenji Mizoguchi: The Life of a Film Director
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1795:Kenji Mizoguchi: The Life of a Film Director
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999:Kenji Mizoguchi: The Life of a Film Director
3169:The Japanese Filmography: 1900 through 1994
3012:Academy of Motion Picture Arts and Sciences
2416:. Google Books: Kodansha USA. p. 289.
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1887:(Motion picture). The Criterion Collection.
1858:(Motion picture). The Criterion Collection.
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1834:(Motion picture). The Criterion Collection.
1798:(Motion picture). The Criterion Collection.
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2722:"Votes for Ugetsu Monogatari (1953) | BFI"
2471:"'Chocolate Factory' a sweet treat on DVD"
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3523:. Detroit: Wayne State University Press.
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3439:. Bristol and Chicago: Intellect Books.
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3171:. Jefferson, North Carolina: McFarland.
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3271:. Santa Barbara, California: ABC-CLIO.
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4135:
3434:
3413:. Tokyo: Iwanami Shoten. p. 236.
2938:
2936:
2439:"Letterbox Format's Popularity Widens"
2409:
2264:"Kenji Mizoguchi's Movies Seek Beauty"
2125:
1975:
1966:
1759:
1177:as one of his top ten favorite films.
1035:(1951). This U.K. set was released on
962:at Cineric Laboratories in New York".
501:Reiko Kongo as an Old Woman in Brothel
379:Tōbei promises to buy back her honor.
3886:
3629:
3453:
3346:
3323:
3128:
3112:
3048:from the original on 20 December 2016
2785:
2776:
2642:from the original on 20 December 2016
2627:
2541:from the original on 22 December 2016
2526:
2101:
2050:
2008:
1741:
1693:
1593:Andrew, Dudley; Andrew, Paul (1981).
1161:list in 2004, calling it "one of the
1055:is often regarded as a masterwork of
1047:
3734:The Story of the Last Chrysanthemums
3537:
3521:Personal Views: Explorations in Film
3518:
3403:
3226:
3150:Introduction to Japanese Horror Film
3080:
2897:
2853:from the original on 7 February 2015
2692:"Sight and Sound Poll 1972: Critics"
2662:"Sight and Sound Poll 1962: Critics"
2615:
2606:
2594:from the original on 12 October 2012
2508:from the original on 20 October 2012
2369:"Revivals :: Ugetsu Monogatari"
2161:
2149:
2137:
1976:Clarke, Donald (13 September 2014).
1681:from the original on 12 October 2012
1672:
1567:
1552:
1271:Best Costume Design, Black and White
1253:
3387:Classical Japanese Cinema Revisited
3266:
2933:
2399:(Press release). Janus Films. 2016.
2113:
1597:. Boston: G. K. Hall. p. 184.
688:Mizoguchi told his cinematographer
13:
3458:. London and New York: Routledge.
2871:
2696:California Institute of Technology
2666:California Institute of Technology
2585:
2469:Germain, David (2 November 2005).
2437:McGowan, Chris (6 November 1993).
14:
4244:
4178:Films produced by Masaichi Nagata
4173:Films directed by Kenji Mizoguchi
4046:Recollections of the Yellow House
3557:
3269:Asian American Religious Cultures
3133:. University of Wisconsin Press.
2988:from the original on 22 July 2015
2849:. Open Culture. 15 October 2014.
2567:from the original on 5 March 2016
2276:from the original on 21 July 2016
2228:from the original on 2 April 2014
3018:from the original on 6 July 2011
2797:from the original on 2 June 2013
2702:from the original on 5 July 2009
2410:Richie, Donald (1 August 2005).
1990:from the original on 1 July 2016
1480:Mishima: A Life in Four Chapters
1219:Award for Best Direction at the
1165:", and said that "At the end of
723:. These sets are decorated with
684:was the basis for Katsuki Manor.
421:
412:
403:
3122:
3106:
3074:
3060:
3030:
3000:
2970:
2903:
2891:
2865:
2839:
2809:
2744:
2714:
2684:
2654:
2621:
2579:
2553:
2527:Horne, Philip (19 April 2008).
2520:
2490:
2462:
2430:
2403:
2386:
2361:
2343:
2318:
2302:. 20 April 2016. Archived from
2252:
2240:
2179:
2167:
2155:
2143:
2131:
2119:
2107:
2095:
2083:
2056:
2044:
2032:
2019:
2002:
1954:
1802:
759:, Mizoguchi relied on composer
613:How He Got the Legion of Honour
4213:Japanese black-and-white films
4183:Films scored by Fumio Hayasaka
3758:The Love of Sumako the Actress
3368:World on Film: An Introduction
3152:. Edinburgh University Press.
3008:"THE 28TH ACADEMY AWARDS 1956"
2817:"Scorsese's 12 favorite films"
2588:"Ugetsu: From the Other Shore"
1586:
1561:
1546:
1137:, based on 30 reviews, with a
916:on 7 September 1954, with the
824:in 1941. These reflections on
553:
534:Sugisaka Koyama as High Priest
480:Ichisaburo Sawamura as Genichi
1:
4223:1950s Japanese-language films
3366:Nochimson, Martha P. (2011).
3309:. Boston: Twayne Publishers.
3167:Galbraith IV, Stuart (1996).
2630:"Review: 'Ugetsu Monogatari'"
2025:Tony Rayns audio commentary,
1498:
965:
548:
537:Ryuzaburo Mitsuoka as Soldier
498:Sugisaku Aoyama as Old Priest
4188:Films scored by Ichirō Saitō
4168:Films based on short fiction
3612:Ugetsu: From the Other Shore
2590:. The Criterion Collection.
2504:. The Criterion Collection.
1677:. The Criterion Collection.
1379:20 August – 4 September 1953
1207:
1042:
1021:was released in the U.K. on
839:According to British critic
525:Ryuuji Fukui as Lost Soldier
522:Jun Fujikawa as Lost Soldier
516:Keiko Koyanagi as Prostitute
510:Kichijirō Ueda as Shop Owner
504:Shozo Nanbu as Shinto Priest
289:(period drama) genre with a
283:, combining elements of the
7:
4193:Films set in country houses
3410:Nihon Eiga-shi 2: 1941–1959
3385:Russell, Catherine (2011).
2498:"The Criterion Collection:
1555:Tales of Moonlight and Rain
1486:
956:2016 New York Film Festival
528:Masayoshi Kikuno as Soldier
10:
4249:
3750:Utamaro and His Five Women
3233:. Henry Holt and Company.
3208:Haydock, Nickolas (2008).
2752:"Ugetsu monogatari (1953)"
2628:Staff (31 December 1952).
894:. Accompanied by Yoda and
882:
672:
626:
18:
4072:J'entends plus la guitare
4029:
3920:
3664:
3286:Lowenstein, Adam (2015).
3248:Kalinak, Kathryn (2012).
3230:5001 Nights at the Movies
3148:Balmain, Colette (2008).
1414:
1395:
1377:
1372:
1368:
1354:
1349:
1330:
1314:
1309:
1305:
1291:
1286:
1282:
1264:
1259:
1252:
1249:
1246:
1243:
1240:
1237:
1183:5001 Nights at the Movies
948:2016 Cannes Film Festival
892:1953 Venice Film Festival
802:
477:as Tōbei (as Sakae Ozawa)
313:1953 Venice Film Festival
235:
227:
217:
193:
185:
169:
159:
151:
141:
105:
95:
78:
57:
47:
42:Theatrical release poster
35:
30:
3473:Sultanik, Aaron (1986).
3305:McDonald, Keiko (1984).
1653:The Criterion Collection
994:the Criterion Collection
981:in the United States by
739:
513:Teruko Omi as Prostitute
507:Ichirō Amano as Boatsman
3862:Tales of the Taira Clan
3782:Portrait of Madame Yuki
3603:Japanese Movie Database
3347:Miyao, Daisuke (2013).
3252:. New York: Routledge.
1570:Japanese Film Directors
1477:for advice on the film
394:
326:
202:26 March 1953
21:Ugetsu (disambiguation)
3854:Princess Yang Kwei-Fei
3838:The Woman in the Rumor
3670:The Morning Sun Shines
3496:Wakeman, John (1987).
3227:Kael, Pauline (1991).
2373:New York Film Festival
2296:"Cannes Classics 2016"
932:on 20 September 1954.
924:being a truncation of
834:Imperial Japanese Army
752:
717:Katsura Imperial Villa
709:
685:
682:Katsura Imperial Villa
567:
375:
298:Azuchi–Momoyama period
4060:Raise the Red Lantern
4052:Death of a Tea Master
4038:Landscape in the Mist
3798:The Lady of Musashino
1351:Ministry of Education
1163:greatest of all films
1113:The film appeared in
747:
707:
680:
561:
495:Saburo Date as Vassal
492:Eigoro Onoe as Knight
366:
4233:1950s Japanese films
4218:Japanese ghost films
3846:The Crucified Lovers
3621:Criterion Collection
3538:Wood, Robin (1998).
3519:Wood, Robin (2006).
3500:World Film Directors
3437:Cinema and Landscape
3187:Galbraith IV, Stuart
3129:Balio, Tino (2010).
3087:Entertainment Weekly
3042:Mainichi Film Awards
2874:"Tarkovsky's Choice"
2476:The Associated Press
2394:"Ugetsu press notes"
2300:Cannes Film Festival
2262:(3 September 2006).
2214:(8 September 1954).
2027:Criterion Collection
1568:Bock, Audie (1985).
1469:, and U.S. director
1374:Venice Film Festival
1319:Best Sound Recording
1311:Mainichi Film Awards
1230:Mainichi Film Awards
1221:Venice Film Festival
1131:100% approval rating
1066:The Crucified Lovers
960:Kadokawa Corporation
954:in Bologna, and the
871:can be considered a
4148:1950s fantasy films
3726:Sisters of the Gion
3370:. Wiley-Blackwell.
3193:. Scarecrow Press.
2978:"Ugetsu Monogatari"
2827:on 26 December 2013
2672:on 22 February 2012
2561:"Ugetsu monogatari"
2534:The Daily Telegraph
2502:by Kenji Mizoguchi"
2330:Il Cinema Ritrovato
2326:"Ugetsu Monogatari"
1493:List of ghost films
1288:Kinema Junpo Awards
952:Il Cinema Ritrovato
935:In September 2006,
782:Tamekichi Mochizuki
751:composed the score.
315:and other honours.
65:Matsutarō Kawaguchi
4108:Heavenly Creatures
3973:Sansho the Bailiff
3830:Sansho the Bailiff
3766:Women of the Night
3694:The Water Magician
3656:Films directed by
3477:Film, a Modern Art
2793:. rogerebert.com.
2764:on 17 January 2017
2732:on 2 December 2017
2269:The New York Times
2260:Rafferty, Terrence
2249:, pp. 103–104
2221:The New York Times
2065:, pp. 213–214
2053:, pp. 202–203
1651:(Motion picture).
1457:made an impact on
1455:Sansho the Bailiff
1446:Sansho the Bailiff
1336:Best Art Direction
1129:currently holds a
1093:The New York Times
1072:Sansho the Bailiff
1048:Critical reception
1039:on 23 April 2012.
787:The score employs
753:
710:
708:Shooting of Ugetsu
686:
638:The Three Danjuros
568:
376:
4130:
4129:
4092:A Heart in Winter
3967:On the Waterfront
3880:
3879:
3806:The Life of Oharu
3465:978-0-415-44853-6
3446:978-1-84150-309-7
3396:978-1-4411-0777-0
3377:978-1-4443-5833-9
3358:978-0-8223-5422-2
3339:978-1-62892-216-5
3326:Ugetsu Monogotari
3297:978-0-231-53848-0
3278:978-1-59884-331-6
3259:978-1-136-62057-7
3200:978-1-4616-7374-3
3159:978-0-7486-2475-1
3068:Cahiers du cinéma
2958:on 4 October 2011
2586:Lopate, Phillip.
2197:on 3 August 2012.
1673:McDonald, Keiko.
1515:Galbraith IV 1996
1467:François Truffaut
1412:
1411:
1299:Ugetsu Monogatari
1241:Date of ceremony
1200:newspaper ranked
1197:The Village Voice
1143:Ugetsu monogatari
1122:Sight & Sound
1116:Sight & Sound
1027:Masters of Cinema
1019:Ugetsu Monogatari
926:Ugetsu Monogatari
862:genre. Professor
809:Ugetsu Monogatari
605:Guy de Maupassant
596:Ugetsu Monogatari
573:The Life of Oharu
543:Fumihiko Yokoyama
489:as Village Master
442:star in the film.
371:, the setting of
307:The film won the
302:Guy de Maupassant
280:Ugetsu Monogatari
252:Ugetsu Monogatari
243:
242:
84:Ugetsu Monogatari
4240:
4163:Daiei Film films
4019:Le Notti Bianche
3907:
3900:
3893:
3884:
3883:
3774:Flame of My Love
3650:
3643:
3636:
3627:
3626:
3607:
3553:
3534:
3515:
3503:
3492:
3480:
3469:
3450:
3431:
3429:
3427:
3400:
3381:
3362:
3343:
3320:
3301:
3282:
3263:
3244:
3223:
3204:
3182:
3163:
3144:
3116:
3110:
3104:
3098:
3092:
3091:
3078:
3072:
3064:
3058:
3057:
3055:
3053:
3034:
3028:
3027:
3025:
3023:
3004:
2998:
2997:
2995:
2993:
2974:
2968:
2967:
2965:
2963:
2954:. Archived from
2940:
2931:
2930:
2928:
2926:
2917:. Archived from
2907:
2901:
2895:
2889:
2888:
2886:
2884:
2869:
2863:
2862:
2860:
2858:
2843:
2837:
2836:
2834:
2832:
2823:. Archived from
2813:
2807:
2806:
2804:
2802:
2783:
2774:
2773:
2771:
2769:
2760:. Archived from
2748:
2742:
2741:
2739:
2737:
2728:. Archived from
2718:
2712:
2711:
2709:
2707:
2688:
2682:
2681:
2679:
2677:
2668:. Archived from
2658:
2652:
2651:
2649:
2647:
2625:
2619:
2613:
2604:
2603:
2601:
2599:
2583:
2577:
2576:
2574:
2572:
2557:
2551:
2550:
2548:
2546:
2524:
2518:
2517:
2515:
2513:
2494:
2488:
2487:
2485:
2483:
2466:
2460:
2459:
2457:
2455:
2443:
2434:
2428:
2427:
2407:
2401:
2400:
2398:
2390:
2384:
2383:
2381:
2379:
2365:
2359:
2358:
2347:
2341:
2340:
2338:
2336:
2322:
2316:
2315:
2313:
2311:
2306:on 21 April 2016
2292:
2286:
2285:
2283:
2281:
2256:
2250:
2244:
2238:
2237:
2235:
2233:
2212:Crowther, Bosley
2208:
2199:
2198:
2193:. Archived from
2183:
2177:
2171:
2165:
2159:
2153:
2147:
2141:
2135:
2129:
2123:
2117:
2111:
2105:
2099:
2093:
2087:
2081:
2075:
2066:
2060:
2054:
2048:
2042:
2036:
2030:
2023:
2017:
2016:
2006:
2000:
1999:
1997:
1995:
1973:
1964:
1958:
1952:
1946:
1940:
1934:
1925:
1919:
1910:
1904:
1889:
1888:
1871:
1860:
1859:
1842:
1836:
1835:
1818:
1812:
1806:
1800:
1799:
1782:
1776:
1770:
1757:
1751:
1745:
1739:
1733:
1727:
1721:
1715:
1706:
1700:
1691:
1690:
1688:
1686:
1670:
1657:
1656:
1635:
1626:
1620:
1609:
1608:
1590:
1584:
1583:
1565:
1559:
1558:
1550:
1544:
1543:
1541:
1539:
1524:
1518:
1512:
1400:Pasinetti Award
1276:Tadaoto Kainosho
1255:
1235:
1234:
1175:Andrei Tarkovsky
1139:weighted average
1080:Lindsay Anderson
973:was released on
698:Chinese painting
617:Legion of Honour
531:Hajime Koshikawa
425:
416:
407:
209:
207:
40:
28:
27:
4248:
4247:
4243:
4242:
4241:
4239:
4238:
4237:
4228:Jidaigeki films
4153:1950s war films
4133:
4132:
4131:
4126:
4066:The Fisher King
4025:
4011:The Grasshopper
3929:Little Fugitive
3916:
3911:
3881:
3876:
3870:Street of Shame
3660:
3658:Kenji Mizoguchi
3654:
3605:
3592:Rotten Tomatoes
3560:
3550:
3531:
3512:
3489:
3466:
3447:
3425:
3423:
3421:
3397:
3378:
3359:
3340:
3317:
3298:
3279:
3260:
3241:
3220:
3201:
3179:
3160:
3141:
3125:
3120:
3119:
3111:
3107:
3099:
3095:
3079:
3075:
3065:
3061:
3051:
3049:
3036:
3035:
3031:
3021:
3019:
3006:
3005:
3001:
2991:
2989:
2976:
2975:
2971:
2961:
2959:
2942:
2941:
2934:
2924:
2922:
2921:on 13 June 2016
2909:
2908:
2904:
2896:
2892:
2882:
2880:
2870:
2866:
2856:
2854:
2845:
2844:
2840:
2830:
2828:
2815:
2814:
2810:
2800:
2798:
2791:"Ugetsu (1953)"
2784:
2777:
2767:
2765:
2757:Rotten Tomatoes
2750:
2749:
2745:
2735:
2733:
2726:www2.bfi.org.uk
2720:
2719:
2715:
2705:
2703:
2690:
2689:
2685:
2675:
2673:
2660:
2659:
2655:
2645:
2643:
2626:
2622:
2614:
2607:
2597:
2595:
2584:
2580:
2570:
2568:
2559:
2558:
2554:
2544:
2542:
2525:
2521:
2511:
2509:
2496:
2495:
2491:
2481:
2479:
2467:
2463:
2453:
2451:
2441:
2435:
2431:
2424:
2408:
2404:
2396:
2392:
2391:
2387:
2377:
2375:
2367:
2366:
2362:
2353:(5 July 2016).
2348:
2344:
2334:
2332:
2324:
2323:
2319:
2309:
2307:
2294:
2293:
2289:
2279:
2277:
2257:
2253:
2245:
2241:
2231:
2229:
2209:
2202:
2185:
2184:
2180:
2172:
2168:
2160:
2156:
2148:
2144:
2136:
2132:
2124:
2120:
2112:
2108:
2100:
2096:
2088:
2084:
2076:
2069:
2061:
2057:
2049:
2045:
2037:
2033:
2024:
2020:
2007:
2003:
1993:
1991:
1983:The Irish Times
1974:
1967:
1959:
1955:
1947:
1943:
1935:
1928:
1920:
1913:
1905:
1892:
1872:
1863:
1843:
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1709:
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1660:
1636:
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1621:
1612:
1605:
1591:
1587:
1580:
1566:
1562:
1551:
1547:
1537:
1535:
1526:
1525:
1521:
1513:
1506:
1501:
1489:
1463:Jean-Luc Godard
1459:French New Wave
1417:
1404:Kenji Mizoguchi
1389:Kenji Mizoguchi
1358:Cinematography
1210:
1171:Martin Scorsese
1135:Rotten Tomatoes
1088:Bosley Crowther
1057:Japanese cinema
1050:
1045:
1017:In April 2008,
983:Voyager Company
968:
930:Tales of Ugetsu
885:
817:propaganda film
805:
742:
694:Southern School
675:
629:
578:Masaichi Nagata
564:Kenji Mizoguchi
556:
551:
546:
446:
445:
444:
443:
428:
427:
426:
418:
417:
409:
408:
397:
353:Shibata Katsuie
329:
321:Japanese cinema
263:Kenji Mizoguchi
220:
213:
205:
203:
196:
181:
174:
172:
137:
100:Masaichi Nagata
87:
74:
52:Kenji Mizoguchi
43:
24:
17:
12:
11:
5:
4246:
4236:
4235:
4230:
4225:
4220:
4215:
4210:
4205:
4200:
4195:
4190:
4185:
4180:
4175:
4170:
4165:
4160:
4158:Anti-war films
4155:
4150:
4145:
4128:
4127:
4125:
4124:
4104:
4096:
4076:
4056:
4042:
4033:
4031:
4027:
4026:
4024:
4023:
4015:
3989:
3963:
3947:Thérèse Raquin
3924:
3922:
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3910:
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3714:
3706:
3698:
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3674:
3665:
3662:
3661:
3653:
3652:
3645:
3638:
3630:
3624:
3623:
3617:Phillip Lopate
3608:
3594:
3583:
3572:
3559:
3558:External links
3556:
3555:
3554:
3548:
3535:
3529:
3516:
3510:
3493:
3487:
3470:
3464:
3451:
3445:
3432:
3419:
3401:
3395:
3382:
3376:
3363:
3357:
3344:
3338:
3332:. Bloomsbury.
3321:
3315:
3302:
3296:
3283:
3277:
3264:
3258:
3245:
3239:
3224:
3219:978-0786451371
3218:
3205:
3199:
3183:
3177:
3164:
3158:
3145:
3140:978-0299247935
3139:
3124:
3121:
3118:
3117:
3105:
3093:
3073:
3059:
3029:
2999:
2969:
2932:
2902:
2890:
2878:Nostalghia.com
2864:
2838:
2808:
2789:(9 May 2004).
2775:
2743:
2713:
2683:
2653:
2620:
2605:
2578:
2563:. DVD Beaver.
2552:
2519:
2489:
2461:
2429:
2423:978-4770029959
2422:
2402:
2385:
2360:
2342:
2317:
2287:
2251:
2239:
2200:
2191:old.bfi.org.uk
2178:
2166:
2154:
2142:
2130:
2118:
2106:
2094:
2090:Nochimson 2011
2082:
2067:
2063:Nochimson 2011
2055:
2043:
2039:Nochimson 2011
2031:
2018:
2001:
1965:
1953:
1941:
1926:
1911:
1890:
1879:Kazuo Miyagawa
1861:
1837:
1813:
1809:Nochimson 2011
1801:
1777:
1758:
1746:
1744:, p. 121.
1734:
1722:
1707:
1692:
1658:
1643:Yoshikata Yoda
1627:
1610:
1603:
1585:
1578:
1560:
1545:
1519:
1517:, p. 382.
1503:
1502:
1500:
1497:
1496:
1495:
1488:
1485:
1475:Kazuo Miyagawa
1421:Akira Kurosawa
1416:
1413:
1410:
1409:
1406:
1401:
1397:
1396:
1394:
1391:
1386:
1381:
1376:
1370:
1369:
1367:
1364:
1362:Kazuo Miyagawa
1359:
1356:
1353:
1347:
1346:
1343:
1338:
1332:
1331:
1329:
1326:
1321:
1316:
1313:
1307:
1306:
1304:
1301:
1296:
1293:
1290:
1284:
1283:
1281:
1278:
1273:
1268:
1263:
1261:Academy Awards
1257:
1256:
1251:
1248:
1245:
1242:
1239:
1209:
1206:
1186:, film critic
1049:
1046:
1044:
1041:
1010:and editor of
1002:, directed by
967:
964:
884:
881:
850:Kazushi Hosaka
804:
801:
768:, he employed
761:Fumio Hayasaka
749:Fumio Hayasaka
741:
738:
690:Kazuo Miyagawa
674:
671:
628:
625:
587:Yoshikata Yoda
555:
552:
550:
547:
545:
544:
541:
538:
535:
532:
529:
526:
523:
520:
517:
514:
511:
508:
505:
502:
499:
496:
493:
490:
487:Ryōsuke Kagawa
484:
481:
478:
472:
466:
460:
454:
453:as Lady Wakasa
447:
430:
429:
420:
419:
411:
410:
402:
401:
400:
399:
398:
396:
393:
341:Sengoku period
328:
325:
241:
240:
237:
233:
232:
229:
225:
224:
221:
218:
215:
214:
212:
211:
199:
197:
194:
191:
190:
187:
186:Distributed by
183:
182:
177:
175:
170:
167:
166:
164:Fumio Hayasaka
161:
157:
156:
155:Mitsuzō Miyata
153:
149:
148:
146:Kazuo Miyagawa
143:
142:Cinematography
139:
138:
136:
135:
130:
125:
120:
115:
109:
107:
103:
102:
97:
93:
92:
80:
76:
75:
73:
72:
70:Yoshikata Yoda
67:
61:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
4245:
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4224:
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4154:
4151:
4149:
4146:
4144:
4141:
4140:
4138:
4122:
4121:
4116:
4115:
4114:Little Odessa
4110:
4109:
4105:
4102:
4101:
4097:
4094:
4093:
4088:
4087:
4082:
4081:
4077:
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4068:
4067:
4062:
4061:
4057:
4054:
4053:
4048:
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4040:
4039:
4035:
4034:
4032:
4028:
4021:
4020:
4016:
4013:
4012:
4007:
4006:
4005:Ciske the Rat
4001:
4000:
3999:The Big Knife
3995:
3994:
3990:
3987:
3986:
3981:
3980:
3979:Seven Samurai
3975:
3974:
3969:
3968:
3964:
3961:
3960:
3955:
3954:
3949:
3948:
3943:
3942:
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3646:
3644:
3639:
3637:
3632:
3631:
3628:
3622:
3618:
3614:
3613:
3609:
3606:(in Japanese)
3604:
3600:
3599:
3595:
3593:
3589:
3588:
3584:
3582:
3578:
3577:
3573:
3571:
3567:
3566:
3562:
3561:
3551:
3549:0-231-07605-3
3545:
3541:
3536:
3532:
3530:0-8143-3278-1
3526:
3522:
3517:
3513:
3511:0-8242-0757-2
3507:
3502:
3501:
3494:
3490:
3488:0-8453-4752-7
3484:
3479:
3478:
3471:
3467:
3461:
3457:
3452:
3448:
3442:
3438:
3433:
3422:
3420:4-00-026578-4
3416:
3412:
3411:
3406:
3402:
3398:
3392:
3388:
3383:
3379:
3373:
3369:
3364:
3360:
3354:
3350:
3345:
3341:
3335:
3331:
3327:
3322:
3318:
3316:0-8057-9295-3
3312:
3308:
3303:
3299:
3293:
3289:
3284:
3280:
3274:
3270:
3265:
3261:
3255:
3251:
3246:
3242:
3240:0-8050-1367-9
3236:
3232:
3231:
3225:
3221:
3215:
3211:
3206:
3202:
3196:
3192:
3188:
3184:
3180:
3178:0-7864-0032-3
3174:
3170:
3165:
3161:
3155:
3151:
3146:
3142:
3136:
3132:
3127:
3126:
3115:, p. 255
3114:
3109:
3102:
3097:
3090:. p. 82.
3089:
3088:
3083:
3077:
3070:
3069:
3063:
3047:
3043:
3039:
3033:
3017:
3013:
3009:
3003:
2987:
2983:
2979:
2973:
2957:
2953:
2949:
2947:
2939:
2937:
2920:
2916:
2912:
2906:
2900:, p. 802
2899:
2894:
2879:
2875:
2872:Lasica, Tom.
2868:
2852:
2848:
2842:
2826:
2822:
2818:
2812:
2796:
2792:
2788:
2782:
2780:
2763:
2759:
2758:
2753:
2747:
2731:
2727:
2723:
2717:
2701:
2697:
2693:
2687:
2671:
2667:
2663:
2657:
2641:
2637:
2636:
2631:
2624:
2618:, p. 236
2617:
2612:
2610:
2593:
2589:
2582:
2566:
2562:
2556:
2540:
2536:
2535:
2530:
2523:
2507:
2503:
2501:
2493:
2478:
2477:
2472:
2465:
2449:
2448:
2440:
2433:
2425:
2419:
2415:
2414:
2406:
2395:
2389:
2374:
2370:
2364:
2356:
2352:
2351:Armando Gallo
2346:
2331:
2327:
2321:
2305:
2301:
2297:
2291:
2275:
2271:
2270:
2265:
2261:
2255:
2248:
2247:McDonald 1984
2243:
2227:
2223:
2222:
2217:
2213:
2207:
2205:
2196:
2192:
2188:
2182:
2176:, p. 181
2175:
2174:McDonald 1984
2170:
2164:, p. 288
2163:
2158:
2152:, p. 245
2151:
2146:
2140:, p. 243
2139:
2134:
2128:, p. 236
2127:
2122:
2116:, p. 780
2115:
2110:
2104:, p. 173
2103:
2098:
2092:, p. 214
2091:
2086:
2080:, p. 136
2079:
2078:Sultanik 1986
2074:
2072:
2064:
2059:
2052:
2047:
2041:, p. 213
2040:
2035:
2028:
2022:
2015:. p. 16.
2014:
2013:
2005:
1989:
1985:
1984:
1979:
1972:
1970:
1963:, p. 167
1962:
1957:
1950:
1945:
1938:
1933:
1931:
1923:
1918:
1916:
1909:, p. 799
1908:
1903:
1901:
1899:
1897:
1895:
1886:
1885:
1880:
1876:
1875:Kaneto Shindo
1870:
1868:
1866:
1857:
1856:
1851:
1847:
1846:Kaneto Shindo
1841:
1833:
1832:
1827:
1826:Kinuyo Tanaka
1823:
1822:Kaneto Shindo
1817:
1811:, p. 211
1810:
1805:
1797:
1796:
1791:
1787:
1786:Kaneto Shindo
1781:
1775:, p. 104
1774:
1773:McDonald 1984
1769:
1767:
1765:
1763:
1755:
1750:
1743:
1738:
1732:, p. 53.
1731:
1726:
1719:
1714:
1712:
1705:, p. 116
1704:
1703:McDonald 1984
1699:
1697:
1680:
1676:
1669:
1667:
1665:
1663:
1654:
1650:
1649:
1644:
1640:
1639:Kaneto Shindo
1634:
1632:
1625:, p. 798
1624:
1619:
1617:
1615:
1606:
1604:9780816184699
1600:
1596:
1589:
1581:
1579:9784770012142
1575:
1571:
1564:
1556:
1549:
1534:(in Japanese)
1533:
1529:
1523:
1516:
1511:
1509:
1504:
1494:
1491:
1490:
1484:
1482:
1481:
1476:
1473:, who sought
1472:
1471:Paul Schrader
1468:
1464:
1460:
1456:
1452:
1448:
1447:
1442:
1441:
1436:
1432:
1428:
1427:
1422:
1407:
1405:
1402:
1399:
1398:
1392:
1390:
1387:
1385:
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1375:
1371:
1365:
1363:
1360:
1357:
1352:
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1344:
1342:
1339:
1337:
1334:
1333:
1327:
1325:
1322:
1320:
1317:
1312:
1308:
1302:
1300:
1297:
1294:
1289:
1285:
1279:
1277:
1274:
1272:
1269:
1267:
1266:21 March 1956
1262:
1258:
1247:Recipient(s)
1236:
1233:
1231:
1227:
1222:
1218:
1214:
1205:
1203:
1199:
1198:
1193:
1189:
1185:
1184:
1178:
1176:
1172:
1168:
1164:
1160:
1156:
1152:
1148:
1144:
1140:
1136:
1132:
1128:
1124:
1123:
1118:
1117:
1111:
1109:
1105:
1104:Masayuki Mori
1101:
1100:
1095:
1094:
1089:
1085:
1084:Donald Richie
1081:
1076:
1074:
1073:
1068:
1067:
1062:
1058:
1054:
1040:
1038:
1034:
1033:
1028:
1024:
1020:
1015:
1013:
1009:
1005:
1004:Kaneto Shindo
1001:
1000:
995:
991:
988:
984:
980:
976:
972:
963:
961:
957:
953:
949:
945:
942:
938:
933:
931:
927:
923:
919:
915:
914:New York City
911:
910:
909:Roman Holiday
906:, whose film
905:
904:William Wyler
901:
897:
896:Kinuyo Tanaka
893:
889:
880:
876:
874:
873:feminist film
870:
865:
861:
860:
855:
851:
845:
842:
837:
835:
831:
830:comfort women
827:
823:
822:
818:
814:
810:
800:
798:
794:
790:
785:
783:
779:
775:
771:
767:
762:
758:
750:
746:
737:
734:
730:
726:
722:
718:
713:
706:
702:
699:
695:
691:
683:
679:
670:
668:
664:
663:Kinuyo Tanaka
660:
658:
657:
652:
648:
644:
643:Masayuki Mori
640:
639:
634:
631:The film was
624:
620:
618:
614:
610:
606:
600:
598:
597:
592:
591:anti-war film
588:
583:
579:
575:
574:
565:
560:
542:
539:
536:
533:
530:
527:
524:
521:
518:
515:
512:
509:
506:
503:
500:
497:
494:
491:
488:
485:
482:
479:
476:
473:
470:
469:Masayuki Mori
467:
464:
463:Kinuyo Tanaka
461:
458:
455:
452:
449:
448:
441:
440:Kinuyo Tanaka
437:
433:
432:Masayuki Mori
424:
415:
406:
392:
388:
385:
380:
374:
370:
365:
361:
358:
354:
350:
346:
342:
338:
334:
324:
322:
318:
314:
311:Award at the
310:
305:
303:
299:
294:
292:
288:
287:
282:
281:
277:'s 1776 book
276:
272:
268:
267:Masayuki Mori
264:
260:
257:
253:
249:
248:
238:
234:
230:
226:
222:
216:
201:
200:
198:
192:
188:
184:
180:
176:
168:
165:
162:
158:
154:
150:
147:
144:
140:
134:
131:
129:
128:Masayuki Mori
126:
124:
123:Kinuyo Tanaka
121:
119:
116:
114:
111:
110:
108:
104:
101:
98:
94:
91:
86:
85:
81:
77:
71:
68:
66:
63:
62:
60:
58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
4118:
4112:
4106:
4100:Kosh ba kosh
4098:
4090:
4084:
4080:Luxury Hotel
4078:
4070:
4064:
4058:
4050:
4044:
4036:
4017:
4009:
4003:
3997:
3991:
3983:
3977:
3971:
3965:
3957:
3952:
3951:
3945:
3939:
3935:Moulin Rouge
3933:
3927:
3868:
3860:
3852:
3844:
3836:
3828:
3820:
3813:
3812:
3804:
3796:
3788:
3780:
3772:
3764:
3756:
3748:
3742:The 47 Ronin
3740:
3732:
3724:
3716:
3710:Orizuru Osen
3708:
3700:
3692:
3686:Tōjin Okichi
3684:
3676:
3668:
3615:an essay by
3611:
3597:
3586:
3575:
3564:
3539:
3520:
3499:
3476:
3455:
3436:
3424:. Retrieved
3409:
3386:
3367:
3348:
3329:
3325:
3306:
3287:
3268:
3249:
3228:
3209:
3190:
3168:
3149:
3130:
3123:Bibliography
3108:
3103:, p. 61
3101:Russell 2011
3096:
3085:
3076:
3066:
3062:
3050:. Retrieved
3038:"8th (1953)"
3032:
3020:. Retrieved
3002:
2990:. Retrieved
2981:
2972:
2960:. Retrieved
2956:the original
2945:
2923:. Retrieved
2919:the original
2915:filmsite.org
2905:
2893:
2881:. Retrieved
2877:
2867:
2855:. Retrieved
2841:
2829:. Retrieved
2825:the original
2811:
2799:. Retrieved
2787:Ebert, Roger
2766:. Retrieved
2762:the original
2755:
2746:
2734:. Retrieved
2730:the original
2725:
2716:
2704:. Retrieved
2686:
2674:. Retrieved
2670:the original
2656:
2644:. Retrieved
2633:
2623:
2596:. Retrieved
2581:
2569:. Retrieved
2555:
2543:. Retrieved
2532:
2522:
2510:. Retrieved
2499:
2492:
2480:. Retrieved
2474:
2464:
2452:. Retrieved
2450:. p. 73
2445:
2432:
2412:
2405:
2388:
2376:. Retrieved
2363:
2345:
2333:. Retrieved
2320:
2308:. Retrieved
2304:the original
2299:
2290:
2278:. Retrieved
2267:
2254:
2242:
2230:. Retrieved
2219:
2195:the original
2190:
2181:
2169:
2157:
2145:
2133:
2121:
2109:
2097:
2085:
2058:
2046:
2034:
2021:
2012:Film Comment
2010:
2004:
1992:. Retrieved
1981:
1961:Kalinak 2012
1956:
1951:, p. 60
1949:Russell 2011
1944:
1939:, p. 57
1937:Russell 2011
1924:, p. 54
1922:Russell 2011
1907:Wakeman 1987
1882:
1877:(Director);
1853:
1850:Eitaro Ozawa
1848:(Director);
1840:
1829:
1824:(Director);
1816:
1804:
1793:
1788:(Director);
1780:
1756:, p. 56
1754:Russell 2011
1749:
1737:
1730:Haydock 2008
1725:
1720:, p. 55
1718:Russell 2011
1683:. Retrieved
1646:
1641:(Director);
1623:Wakeman 1987
1594:
1588:
1569:
1563:
1554:
1548:
1536:. Retrieved
1531:
1522:
1478:
1454:
1450:
1444:
1438:
1435:Yasujirō Ozu
1430:
1424:
1418:
1298:
1226:Kinema Junpo
1212:
1211:
1201:
1195:
1191:
1188:Pauline Kael
1181:
1179:
1166:
1159:Great Movies
1154:
1146:
1142:
1126:
1120:
1114:
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1097:
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846:
838:
821:The 47 Ronin
819:
813:World War II
808:
806:
786:
778:Ichirō Saitō
772:, common in
765:
754:
714:
711:
687:
667:Eitaro Ozawa
661:
654:
636:
630:
621:
612:
608:
601:
594:
571:
569:
475:Eitaro Ozawa
457:Mitsuko Mito
389:
381:
377:
372:
369:Ōmi Province
367:Location of
337:Ōmi Province
330:
316:
306:
295:
284:
278:
275:Ueda Akinari
261:directed by
259:fantasy film
251:
246:
245:
244:
219:Running time
210: (Japan)
195:Release date
118:Mitsuko Mito
90:Ueda Akinari
82:
25:
4086:Jamón jamón
3959:I Vitelloni
3718:Osaka Elegy
3678:Tokyo March
3405:Satō, Tadao
3052:13 December
3022:13 December
2831:25 December
2801:31 December
2646:12 December
2598:31 December
2571:13 December
2545:13 December
2482:13 December
2280:14 December
2126:Spicer 2010
1994:15 December
1790:Machiko Kyō
1685:31 December
1538:12 November
1440:Tokyo Story
1419:Along with
1384:Silver Lion
1217:Silver Lion
1151:Roger Ebert
1108:Machiko Kyō
944:restoration
633:Machiko Kyō
554:Development
540:Koji Murata
451:Machiko Kyō
436:Machiko Kyō
309:Silver Lion
291:ghost story
271:Machiko Kyō
133:Sakae Ozawa
113:Machiko Kyō
96:Produced by
48:Directed by
4143:1953 films
4137:Categories
3426:22 January
3113:Miyao 2013
2992:19 January
2962:14 January
2925:20 January
2883:19 January
2857:1 February
2454:4 February
2102:Stone 2009
2051:McRoy 2015
1742:Balio 2010
1499:References
1461:directors
1341:Kisaku Itō
1324:Iwao Ōtani
1280:Nominated
1145: [
1061:Tadao Satō
966:Home media
941:4K digital
937:Film Forum
864:Robin Wood
841:Tony Rayns
826:militarism
770:geza music
757:film score
647:Edo period
582:Daiei Film
549:Production
471:as Genjūrō
357:Nobunaga's
223:96 minutes
206:1953-03-26
189:Daiei Film
179:Daiei Film
171:Production
4030:1988–1994
3993:Le Amiche
3985:La Strada
3921:1953–1957
3702:Aizō Tōge
3307:Mizoguchi
2898:Kael 1991
2616:Satō 2006
2512:1 January
2447:Billboard
2232:1 January
2162:Wood 2006
2150:Wood 1998
2138:Wood 1998
1295:Best Ten
1244:Category
1208:Accolades
1043:Reception
1008:Mizoguchi
979:LaserDisc
859:jidaigeki
854:Lake Biwa
733:Lake Biwa
562:Director
465:as Miyagi
384:exorcised
333:Lake Biwa
286:jidaigeki
265:starring
152:Edited by
16:1953 film
3822:A Geisha
3790:Miss Oyu
3581:AllMovie
3407:(2006).
3189:(2008).
3082:Burr, Ty
3046:Archived
3016:Archived
2986:Archived
2851:Archived
2795:Archived
2700:Archived
2640:Archived
2592:Archived
2565:Archived
2539:Archived
2506:Archived
2378:20 April
2335:20 April
2310:21 April
2274:Archived
2226:Archived
2114:Lee 2015
1988:Archived
1881:(1975).
1852:(1975).
1828:(1975).
1792:(1975).
1679:Archived
1675:"Ugetsu"
1645:(1975).
1532:Kinenote
1487:See also
1483:(1985).
1449:(1954).
1429:(1950),
1426:Rashomon
1423:'s film
1215:won the
1032:Miss Oyu
1023:Region 2
987:Region 1
755:For the
656:hikimayu
459:as Ohama
239:Japanese
236:Language
160:Music by
106:Starring
79:Based on
4120:Il toro
3619:at the
3601:at the
2821:Miramax
2768:30 June
2635:Variety
1250:Result
1157:to his
1099:Variety
1037:Blu-ray
918:English
883:Release
673:Filming
627:Casting
609:Décoré!
349:samurai
339:in the
250:(雨月物語,
228:Country
204: (
173:company
4123:(1994)
4103:(1993)
4095:(1992)
4075:(1991)
4055:(1989)
4041:(1988)
4022:(1957)
4014:(1955)
3988:(1954)
3962:(1953)
3953:Ugetsu
3873:(1956)
3865:(1955)
3857:(1955)
3849:(1954)
3841:(1954)
3833:(1954)
3825:(1953)
3817:(1953)
3814:Ugetsu
3809:(1952)
3801:(1951)
3793:(1951)
3785:(1950)
3777:(1949)
3769:(1948)
3761:(1947)
3753:(1946)
3745:(1941)
3737:(1939)
3729:(1936)
3721:(1936)
3713:(1935)
3705:(1934)
3697:(1933)
3689:(1930)
3681:(1929)
3673:(1929)
3598:Ugetsu
3587:Ugetsu
3576:Ugetsu
3565:Ugetsu
3546:
3527:
3508:
3485:
3462:
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3417:
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3256:
3237:
3216:
3197:
3175:
3156:
3137:
2736:28 May
2706:29 May
2676:29 May
2500:Ugetsu
2420:
2029:, 2005
1601:
1576:
1528:"雨月物語"
1451:Ugetsu
1431:Ugetsu
1415:Legacy
1254:Ref(s)
1238:Award
1213:Ugetsu
1202:Ugetsu
1192:Ugetsu
1167:Ugetsu
1155:Ugetsu
1153:added
1127:Ugetsu
1053:Ugetsu
1012:Ugetsu
971:Ugetsu
922:Ugetsu
920:title
900:Kannon
888:Ugetsu
869:Ugetsu
803:Themes
793:flutes
774:Kabuki
766:Ugetsu
729:kimono
373:Ugetsu
317:Ugetsu
256:period
247:Ugetsu
31:Ugetsu
3941:Sadko
2442:(PDF)
2397:(PDF)
1355:1953
1315:1953
1292:1953
1090:, in
992:when
789:drums
740:Music
725:props
721:Kyoto
345:Ōmizo
231:Japan
3570:IMDb
3544:ISBN
3525:ISBN
3506:ISBN
3483:ISBN
3460:ISBN
3441:ISBN
3428:2013
3415:ISBN
3391:ISBN
3372:ISBN
3353:ISBN
3334:ISBN
3311:ISBN
3292:ISBN
3273:ISBN
3254:ISBN
3235:ISBN
3214:ISBN
3195:ISBN
3173:ISBN
3154:ISBN
3135:ISBN
3054:2016
3024:2016
2994:2013
2964:2013
2927:2013
2885:2020
2859:2015
2833:2013
2803:2012
2770:2019
2738:2022
2708:2009
2678:2009
2648:2016
2600:2012
2573:2016
2547:2016
2514:2013
2484:2016
2456:2024
2418:ISBN
2380:2017
2337:2017
2312:2016
2282:2016
2234:2013
1996:2016
1687:2012
1599:ISBN
1574:ISBN
1540:2022
1465:and
1453:and
1408:Won
1393:Won
1366:Won
1345:Won
1328:Won
1303:Won
1106:and
1082:and
1069:and
797:harp
780:and
438:and
395:Cast
327:Plot
269:and
3590:at
3579:at
3568:at
3328:".
2952:NHK
1437:'s
1180:In
1147:sic
1133:on
990:DVD
975:VHS
719:in
696:of
651:Noh
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580:at
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88:by
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