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Between 2007–2011 their focus went into research-based productions (Superenhanced, WOPPOW, KRAFT Series) and Rock Art productions such as TORTURE CLASSICS and CLICKISTAN (commissioned by the
Whitney Museum of American Art). They started to work extensively with video during this period.
502:
The collaboration with both their children (Superenhanced & Spielendes Baby – Schlafendes Baby (original title)), the inclusion of Luzius's mental illness and the merger of private and public life led some critics and academics to consider UBERMORGEN.COM as a
1316:
Inga
Reimers writes in her masters thesis "(Selbst-)Inszenierung – Praxis – Kunst. Eine kulturwissenschaftliche Annäherung an das „hybrid Gesamtkunstwerk ubermorgen.com“ about the relation of the "Gesamtkunstwerk" and Richard Wagner "Das Kunstwerk der Zukunft"
704:
Coded
Cultures – New Creative Practices out of Diversity", Series: Edition Angewandte, Russegger, Georg; Tarasiewicz, Matthias; Wlodkowski, Michal (Eds.), SpringerWienNewYork Publisher, 1st Edition., 2011, 384 p. 50 illus, Softcover,
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234:.com called them "Maverick Austrian Businessmen". The project resulted in an onslaught of lawsuits issued by Illinois, Texas, Arizona, California, Missouri, Massachusetts, and Wisconsin.
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Interview with Wolf Lieser about: "WOLF LIESER – DIGITAL ART – NEUE WEGE IN DER KUNST/THE WORLD OF DIGITAL ART", h.f. ullmann publisher / DAM Berlin – Galerie für
Digitale Kunst, 2010
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Over the last 15 years UBERMORGEN.COM has been part of the global contemporary technology art scene. Some mentionable connections and collaborations from this period: Net.Artists
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art project, which in 2000 invited
American citizens to put up their vote for auction. At the time an email injunction by an American court was sent to the Swiss
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Lizvlx and Luzius
Bernhard are an artist duo but also a couple in private life. They are engaged and have two children, Billie-Ada (2003) and Lola Mae (2007).
1087:, RC1 (release-copy 1) presented at "Positions in Flux" Symposium, The Netherlands Media Art Institute Amsterdam, 8.5.2009, published online Vienna, 28.7.2009
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Letters, photos, sales contract and the painting are in the ownership of the
Bernhard/Pernisch/Plattner family, archived in S-Chanf and Basel/Switzerland
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726:, "Pink Laser Beam" Paper, Plastic, Glue, Thread, Metal-foil, Edition of 666, 2009, "Amazon Noir project" (with Alessandro Ludovico and Paolo Cirio).
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AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.33-42, Reinhold
Grether on"Wie die
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TORTURECLASSICS.COM, UBERMORGEN.COM feat. James
Powderly, Korea music torture performance 2010 and Beerboarding Performance Ars Electronica Linz
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Christian Ulrik
Andersen, Soeren Bro Pold (eds), Interface Criticism. Aesthetics Beyond Buttons, Aarhus University Press, Aarhus 2011 (
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hosting the site, who immediately took them offline even though emailed documents aren't legally considered official and even though
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Adam Wishart, Regula Bochsler, Leaving Reality Behind: etoy vs eToys.com & other battles to control cyberspace, Ecco, 2003 (
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Bringing Capitalism and Democracy Closer Together, HANS BERNHARD / Ubermorgen Interviewed by Olga Goriunova and Alexei Shulgin
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OVERGADEN Institute of Contemporary Art in collaboration with Artnode, parallel solo exhibitions Heath Bunting/UBERMORGEN.COM
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is a Swiss-Austrian-American artist duo founded in 1995 and consisting of lizvlx and Luzius Bernhard. They live and work in
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AG Borderline-Kongress (ed), BORDERLINE – Strategien u. Taktiken f. Kunst u. soziale Praxis, Wiesbaden 2002, p.21-32 (
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This sarcastic provocation (a "public shutdown service") was conceived after experiencing a similar mishap during the
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in St. Moritz, and the long-time relationship (going back to 1916 during the first world war and the purchase of a
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administrators, to the site's owner and to some journalists to trick them into supporting the "public trial".
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Exhibition Catalogue Connessioni Leggendarie, Net.Art 1995–2005, ready+made publisher, online version, PDF,
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project in Zurich: NAZI~LINE, a bigger than life fake neo-Nazi helpline and exit strategy finding agency.
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projects using low-tech tools to reach very large audiences. During the work on their best known project
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and personalized documentation in .rtf/.pdf format to force a website into taking its contents offline.
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The Guardian, Excerpted from Leaving Reality Behind by Adam Wishart and Regula Bochsler (Fourth Estate)
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painting by the grand-grandfather of Luzius Bernhard) with the Giacometti family (Giovanni Giacometti,
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Alessandro Ludovico (ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag,
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Domenico Quaranta, Yves Bernard (eds), Holy Fire. Art of the Digital Age, FPEditions, Brescia 2008 (
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Oldest and most prestigious Award for Swiss Artists, exhibition and award ceremony during ART Basel
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Carina Plath, Westfälischer Kunstverein (ed), Futurologischer Kongress, Frankfurt am Main 2006 (
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Scriptum, first UM.COM/Hans Bernhard lecture on "Drugs&Art" after the manic episode 2002,
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HOLY FIRE, Art at the digital age, Psych|OS project, Courtesy Fabio Paris Art Gallery, Brescia
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Olga Goriunova, Alexei Shulgin (eds), THE READ_ME Software Art & Cultures, Aarhus 2004 (
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UBERMORGEN.COM lizvlx & Luzius Bernhard with Guantanamo Bay Prison Guard Chris Arendt
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GWEI – Google Will Eat Itself – Installation, The Premises Gallery, Johannensburg, 2005
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Authorized copy of 194.152.164.137, a collaborative project by lizvlx and Andrea Mayr
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Lizvlx & Billie-Ada from UBERMORGEN.COM during a performance in Damascus, Syria
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689:(ed), UBERMORGEN.COM – MEDIA HACKING VS. CONCEPTUAL ART, Christoph Merian Verlag,
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413:(Upstate New York). Luzius Bernhard was born at the Yale University Hospital in
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Art Daily "Artist Duo Ubermorgen.com Celebrate Tenth Anniversary with New Book"
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Carrying on with their principles of "radical corporative marketing strategy" (
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In 2005 they started the EKMRZ Trilogy, a series of conceptual hacks (GWEI –
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Lentos Museum of Modern Art (ed), Just do it!, Edition Selene, Vienna 2005 (
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1495:.NewArt { foundation;}, “ARCO – BEEP Electronic Art Award”, Fourth edition.
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Since 1999 their work has been shown in museums and galleries in Europe,
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Project website and images, Installation exhibited 18.2. – 29.2.2004 at
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and Eberhard W. Kornfeld in the Basel art scene of the 1980s and with
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Important personal and artistic influences were early meetings with
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Haas, Liz Univ.-Prof. Mag. rer. soc. oec. - Contact - dieAngewandte
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Media Art Net / Medienkunstnetz, artist biography UBERMORGEN.COM
379:), revisited as "Internet Partnership for No Internet Content".
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Christine Böhler, Literatur im Netz, Triton Verlag, Wien 2001 (
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Bernhard, Luzius Univ.-Prof. Mag.art. - Contact - dieAngewandte
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module by Ubermorgen which claims to generate on request legal
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Luzius Bernhard inside Sound of eBay Installation, Madrid, 2009
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Vote-Auction Seal, 200 x 200 cm, digital print on canvas, 2000
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Funding and collaboration "Salzburg" WTO/GATT.ORG Stunt, 2000
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Niki de Saint Phalle 29.10.1930 Neuilly – 21.5.2002 San Diego
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AWARD FOR NEW MEDIA/Stuttgarter Filmwinter, 2007, Amazon Noir
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1016:"Coercive Disobedience: Art and Simulated Transgression"
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271:, Africa, Australia and Asia and include venues such as
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TORTURE CLASSICS Installation Basel, mixed media, 2011
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Cornelia Sollfrank, 2009, "Das Genie von ĂĽbermorgen"
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Keynote & Superenhanced Installation at 09 in ,
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WMMNA/we-make-money-not-art UBERMORGEN.COM Interview
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Domenico Quaranta (ed), UBERMORGEN.COM, FPEditions,
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UBERMORGEN.COM at CRE/Chaos Radio with Tim Pritlove
371:, an acronym which mimics the official protocols (
471:Their earliest works were part of the avantgarde
360:request, which is then automatically sent to the
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1238:Kampagne gefuehrt wurde – ein Agentenbericht" (
1074:Culture Jamming – Interview with Hans Bernhard
1304:, 2010 Annual Fund Project, About the artists
1468:, Münchenstein/Basel, “PAX Art Awards 2023”.
405:Lizvlx was born in Linz (AT) and grew up in
1212:Psych|OS Cycle by UBERMORGEN.COM, 2001–2010
767:2005, Award of Distinction for Vote-Auction
491:history and is researched at universities (
237:In 2001, they started a collaboration with
118:Beep, Ars Electronica, IBM, Swiss Art Award
67:Vienna University of Economics and Business
322:They have been represented by Fabio Paris
211:, performance and uses the convergence of
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1290:Digimag09/NOV05, Review by Marco Mancuso
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1099:, UBERMORGEN.COM feat. James Powderly
945:), p92, Interview with UBERMORGEN.COM
453:) and completed his studies in 1999.
394:is outside of American jurisdiction.
241:for the development and staging of a
1498:„Am Kunstmarkt von Übermorgen“, in:
1466:HEK (Haus der Elektronischen KĂĽnste)
483:/WWW). This work became part of the
464:2002, Luzius Bernhard was diagnosed
195:Their main body of work consists of
183:, where both are professors at the
13:
1014:Steinberg, Monica (July 3, 2021).
719:, Pink Laser Beam, Compendium #6,
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16:Swiss-Austrian-American artist duo
14:
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1200:University of Applied Arts Vienna
783:/digital hijack (Luzius Bernhard)
534:) in the nearby mountain valleys
445:and Prof. Bazon Brock (emeritus)
185:University of Applied Arts Vienna
83:, Video, Photography, Performance
63:University of Applied Arts Vienna
417:(USA), grew up in New Haven and
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1097:TORTURE CLASSICS PROJECT 2010
1032:10.1080/00043249.2021.1920288
999:. August 2000. Archived from
291:Linz, WRO Media Art Biennale
215:media to produce and publish
456:Due to his drug abuse and a
439:Art Center College of Design
367:The project is published at
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588:Free Art and Technology Lab
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429:, and later on with Prof.
377:Network Information Center
207:, video art, photography,
1314:Das Kunstwerk der Zukunft
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495:, thesis) and taught in (
425:(AT) to study with Prof.
388:internet service provider
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1085:UBERMORGEN.COM Manifesto
1349:Superenhanced Generator
1346:Superenhanced project,
1109:CLICKISTAN PROJECT 2010
1062:Will Google Eat Itself?
745:2011, TORTURE CLASSICS
239:Christoph Schlingensief
222:Their early works were
190:
779:1996, Golden Nica for
612:Johannes Grenzfurthner
256:Noir and The Sound of
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592:Graffiti Research Lab
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1523:Injunction Generator
1003:on October 23, 2012.
861:Gamescenes: the book
788:References and notes
644:Rafael Lozano-Hemmer
596:0100101110101101.org
524:Niki de Saint Phalle
336:Injunction Generator
330:Injunction generator
687:Alessandro Ludovico
528:Giovanni Giacometti
1543:Internet activists
1462:, “Award Winners”.
1460:Art Foundation Pax
717:This is a magazine
532:Alberto Giacometti
421:(CH) and moved to
309:Biennale of Sydney
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903:978-87-988440-4-4
808:978-3-86588-468-8
711:978-3-7091-0457-6
660:Nicolas Bourriaud
373:Internet Protocol
305:Lentos Art Museum
252:Will Eat Itself,
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620:Carsten Nicolai
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505:Gesamtkunstwerk
435:Peter Lunenfeld
409:, Salzburg and
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398:Life and career
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315:Madrid and the
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277:Centre Pompidou
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104:Media Hacking,
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580:James Powderly
556:Alexei Shulgin
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542:in the canton
520:Daniel Spoerri
481:World Wide Web
447:de:Bazon Brock
433:(UCSD), Prof.
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