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Tudor Revival architecture

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1267: 255: 431:. At this time the style was known as "Old English", and considered especially appropriate for vicarages and rectories, partly because they were usually next to the church, which was likely to be Gothic, and because the larger windows patrons wanted were easier to work into the style than into a "pointed" Gothic. At this stage it was essentially a style for the country rather than houses in towns. Tudor style was "almost infinitely adaptable, particularly to low, spreading houses", After about 1850 "Old English" came to mean a rather different style based on vernacular architecture, although some Tudor features such as tall brick chimneys often remained. 1464: 1324: 1184:
the house to have an individual presence, despite variations in the style of neighboring houses. Whether of older or recent origin, the appearance of solid beams and half-timbered exterior walls is only superficial. Artificially aged and blackened beams are constructed from light wood, bear no loads, and are attached to ceilings and walls purely for decoration, while artificial flames leap from wrought iron fire-dogs in an inglenook often a third of the size of the room in which they are situated. Occasionally, owners sought to replicate more closely the conditions of Tudor living; an example were
800: 508: 1449: 875:, which was a large mansion around a courtyard, complete with mock battlements, towers, half-timbered upper facades and tall chimneys â€“ all features quite readily associated with Tudor architecture; in Shaw's hands, this less fantastical style achieved immediate maturity. Confusingly, it was then promptly named "Queen Anne style", when in reality it combined a revival of Elizabethan and Jacobean design details including mullioned and oriel windows. The style later began to incorporate the classic pre-Georgian features that are generally understood to represent 1347: 271: 1419: 1286: 991: 1434: 1396: 1362: 523: 735: 1298: 69: 979: 1380: 38: 1248: 497: 1107:
The interiors of the Tudor style building have evolved considerably along with the style, often becoming truer to the replicated era than were the first examples of the revival style, where the style "rarely went far indoors". At Ascott House, Devey's great masterpiece constructed throughout the last
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The late 20th century has seen a change in the faithfulness of emulation of the style, since in a modern development it is common to have only a few basic floor plans for buildings, these combined with variations in interior surface treatment and in the exterior in rooflines and setbacks to provide a
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had this debased approach firmly in her sights when she attacked, "the rash of semi-detached villas, bedizened with Tudor gables, mock half-timber work, rough cast and bay windows of every shape which disfigures the outskirts of all our towns". It was also copied in many areas of the world, including
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such as fancy twisted brick chimney-stacks to make picturesque and comfortable middle-class homes. Several have thatched roofs, some at two levels in a completely unnecessary but very picturesque way. Nash published an illustrated book on the group; this was a formula with a future. In contrast with
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with a dark brown or wood effect finish. In the United States, the style is often further modified by painting the timbers colors such as blue or green. The Tudor Revival style was most popular for new American homes in the 1970s and 1980s. Today, it is rarely considered for residential construction
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Following the First World War many London outer suburbs had developments of houses in the style, all reflecting the taste for nostalgia for rural values. In the first half of the 20th century, increasingly minimal "Tudor" references for "instant" atmosphere in speculative construction cheapened the
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and facetted staircase tower, the shadowed windows under the eaves, or the prominent clustered chimneys were conventional Tudor Revival borrowings, some of which Lutyens was to remake in his own style, that already predominates in the dark recessed entryway, the confident massing, and his signature
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As the last and most recent phase of the Gothic period, the Tudor style had the most secular survivals in 17th and 18th-century England; many older buildings were rebuilt, added to, or redecorated with ornament in the Tudor period. As such, the Tudor style had perhaps an over-sized influence on the
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More often it is in the Tudor style houses of the very early 20th century that a greater devotion to the Tudor period is found, with appropriate interior layout, albeit coupled with modern-day comforts. This can be seen in older upscale neighbourhoods where the lots are sufficiently large to allow
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suggests that Ascott, "a half-timbered, heavily gabled, overgrown cottage, proves the appeal of Tudor to every era and condition of England". Devey's work at St Alban's Court and elsewhere incorporated other features of the Tudor Revival style such as "hung tiles and patterned brickwork". At St
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When the style was revived, the emphasis was typically on the simple, rustic, and the less impressive aspects of Tudor architecture, imitating in this way medieval houses and rural cottages. Although the style follows these more modest characteristics, items such as steeply
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describes as "the most extreme - and most successful - of all Tudor taste country houses". Lord Moyne's wife, Evelyn, a society hostess, employed the amateur architect Amyas Philips to create a house inspired by the medieval Baliffscourt Chapel which stood on the site. The
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in Kent. Pearson went to considerable lengths to source genuine Elizabethan building materials for the cottages, including stone, tiles and bricks, leading Astor to comment; "I could not believe they had been built a few short months ago, they looked so old and crooked".
199:. Elizabeth I herself built almost nothing, her father having left over 50 palaces and houses. Outside court circles styles were much more slow-moving, and essentially "Tudor" buildings continued to be built, eventually merging into a general English vernacular style. 575:
semi-circular terrace steps. This is Tudorbethan at its best, free in ground plan, stripped of cuteness, yet warmly vernacular in effect, familiar though new, eminently liveable. The Deanery was another example of the "naturalistic" approach; an anonymous reviewer for
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or blocks of various materials, stucco, or even simple studwall framing, with a lookalike "frame" of thin boards added on the outside to mimic the earlier functional and structural weight-bearing heavy timbers. An example of this is the "simple cottage" style of
1075:" building styles. The Tudor Revival, though, now concentrated on the picturesque. This combined with a desire for "naturalness", an intention to make buildings appear as if they had developed organically over the centuries, which the architectural historian 595:
who made their names as Tudor style architects. Lutyens though took the style away from what is generally understood as Tudor Revival creating a further highly personalised style of his own. His buildings coupled with their often accompanying gardens by
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In modern structures, usually on estates of private houses, a half-timbered appearance is obtained by applied decorative features over the "real" structure, typically wood stud framing or concrete block masonry. A combination of boards and
187:, considers the replacement of the private castle by the country house as "the seat of power and the centre of hospitality" to be "one of the great achievements of the Tudor age". Subsequent changes in court fashion saw the emergence of 718:), Tudor Revival may be placed directly next to an unrelated style such as French or Italian Provincial, resulting in an eclectic mix. The style has also been deployed for commercial developments; the architectural historian 1116:
fireplaces and heavy oak panelling. the large airy rooms are in fact more redolent of the 18th century than the 16th. Cragside is slightly more true to its theme, although the rooms are very large, some contain Tudor style
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in 1903 wrote; "So naturally has the house been planned that it seems to have grown out of the landscape rather than to have been fitted into it". An example of Tudorbethan architecture was that seen at
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and James VI. "Tudorbethan" took it a step further, eliminated the hexagonal or many-faceted towers and mock battlements of Jacobethan, and applied the more domestic styles of "
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considered "one of the most significant of English contributions to architecture". An example is the "Tudor Village" constructed by Frank Loughborough Pearson for his client
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in the UK, first manifested in domestic architecture in the United Kingdom in the latter half of the 19th century. Based on revival of aspects that were perceived as
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twenty years of the 19th century, the interior was remodelled thirty years later. The Tudor Revival style was considered passé and was replaced by the fashionable
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for John Calcott Horsley, who later introduced Shaw to Lord Armstrong. As well as those at Cragside, two notable examples were created for the now-demolished
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noted its derivation from "the Tudor style, both in its stone and its black-and-white versions". The half-timbering has been criticised as unfaithful to the
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in 1681, he noted; "I resolved it ought to be Gothic to agree with the Founder's work", adding that to do otherwise would lead to "an unhandsome medley".
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is applied to obtain the desired appearance, here seen in the upper image to the right. To minimise maintenance, the "boards" are now commonly made of
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explained Shaw's picturesque motivation; desiring it for "romantic effect, he reached out for it like an artist reaching out for a tube of colour".
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Some more enlightened landlords at this time became more aware of the needs for proper sanitation and housing for their employees, and some
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of several flights were often prominently positioned, based on Jacobean prototypes. It is this mingling of styles that has led to the term
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Victorian small household. An example of a Tudor Revival house where the exterior and interior were treated with equal care is Old Place,
312:) building additions and annexes were often designed to blend or harmonize rather than contrast with the archaic style of the older work. 296:. While domestic and palace architecture changed rapidly according to contemporary taste, few notable churches were constructed after the 1153:
asking whether "anything could be more English in character than Old Place", was written when much of the house was barely 10 years old.
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Many British builders include variations on Tudorbethan in the range of styles they draw on, and the style tends to be associated with
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of their medieval past. Before the various phases of medieval architecture had been well identified and studied, and designers such as
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which inspired much of the Tudor Revival, calling Crowhurst, "an extreme example of the English flight from reality around the
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structures of the originals, in which the frame supported the whole weight of the house. Their modern counterparts consist of
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describes Wilkins' Dalmeny as "the finest of his houses in (the Tudor Gothic) style". The Roseberys originally lived at
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of the second half of the 19th century. Rejecting mass production that was introduced by industry at that time, the
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associated with the mid-20th century, few architects are known for buildings which could be called "Tudorbethan".
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tankards, and leaded lattice-windows of glass so antique that it was practically impossible to see out of them...
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villages were rebuilt to resemble what was thought to be an idyllic Elizabethan village, often grouped around a
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1835–1885 that had been called things like "Free English Renaissance". This was generally modelled on the grand
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visual variety to the street view. Owing to the smaller lots employed in modern developments (especially in the
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Inglenook fireplaces were a regular feature of Tudor Revival interiors and a particular speciality of
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period also influenced new institutional buildings beginning in the 1820s. The architect of Dalmeny,
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would be suggested by the reception hall, often furnished as a sitting or dining room. Large wooden
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which bore little if any resemblance to a building from either period. Hall notes the influence of
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on the walls held dim iron lamps, so that only those of the most acute vision were able to read".
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The style later became an influence elsewhere, especially the British colonies. For example, in
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In the early part of the 20th century, one of the exponents who developed the style further was
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suggests that he succeeded "to the extent that innocent visitors never notice the difference".
887: 503:' houses, here quite conventional in 1899, were to evolve still further from their Tudor roots 147:
is a subset of Tudor Revival architecture that eliminated some of the more complex aspects of
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Nash also undertook the design of a number of larger mansions in the Tudor style, of which
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rather than the perpendicular, Tudor elements figured heavily in the early examples of the
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Summerson, Chapter 1 to 4 cover this period; this brief summary is rather over-simplified.
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to create the impression of a Tudor mansion built "on the stone of medieval foundations".
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An Exuberant Catalogue of Dreams: The Americans Who Revived the Country House in Britain
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Tudorbethan represents a subset of Tudor Revival architecture; the word is modelled on
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periods, by the end of the 16th century, it had subsided completely in the wake of
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From the 1880s onward, Tudor Revival concentrated more on the simple but quaintly
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The Tudor style made one of its first appearances in Britain in the late 1860s at
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department store in London, built in 1924 to emulate a half-timbered mansion.
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The style was also utilised for public buildings; an early example was the
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demonstrated a remarkably forward-looking selective appropriation of Tudor
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Elizabethan cottage, rather than the brick and battlemented splendours of
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in a revival of the early Tudor palace style, drawing in particular from
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tradition of the North-East of England, but the architectural historian
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tracery and Jacobean carved porch brackets combine in the Tudor Revival
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writes, "inglenooks are the decorative pièce de résistance of the Shaw
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The English Country House: From the Archives of Country Life 1897–1939
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The Long Weekend: Life in the English Country House Between the Wars
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Although the Gothic style remained popular in Britain well into the
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Edward C. Cressett House (left) and the Parke T. Burrows House in
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A very well-known example of the idealised half-timbered style is
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Marble Halls - Drawings and Models of Victorian Secular Buildings
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is an example of this, Pevsner noting the "Arts-and-Crafts (and)
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described the rooms as "a series of pictures" and an article in
4719: 4679: 4533: 3065:. The Buildings of England. Middlesex, England: Penguin Books. 1224: 1096: 767: 723: 613: 560:), where the client was the editor of the influential magazine 496: 305: 243: 239: 235: 2093: 1563:" and that, unusually for Tudor Revival buildings, they were " 898:
in central London, built in the late 1840s. The architect was
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are rarely requested to work in the style, and though current
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Ideal homes, 1918-39: Domestic design and suburban modernism
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the United States and Canada. New York City suburbs such as
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Robinson, John Martin, Ascott, 2008, Scala Publishers Ltd,
2439:"Titanic owner's massive white elephant lumbers on to eBay" 2221: 1911: 1646: 1597: 771: 1884: 686: 380:) features elements derived from late gothic precedents. 2553:
The Tudor and Jacobean Country House: A Building History
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The Tudor and Jacobean Country House: A Building History
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frontage were the "real article (sourced) from genuine
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the interiors are no different from those of any lower
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in Buckinghamshire. This was designed by Devey for the
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includes half-timbering on the second and third floors.
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describes the Broadway Centre in the London borough of
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at Twickenham (1749–76; designed in collaboration with
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The Tudor Revival style was a reaction to the ornate
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Willborough Tudor Revival Village in Burlingame, CA
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Aslet and Power, 152–153 (153 quoted), 158–159, 162
1742: 1730: 1588:on the Wirral. One of these now forms the porch of 1156:In some of the larger Tudor style houses the Tudor 863:At approximately the same time, Shaw also designed 3047: 2854: 2737: 2616: 2489: 2320: 2233: 1905: 556:(1864–1944). At The Deanery in Berkshire, 1899, ( 102:, in reality it usually took the style of English 3107: 2314: 1688: 974:appear as one Tudor-style house, built circa 1870 4879: 3384:Tudorbethan buildings in Australia and elsewhere 3021:. The Buildings of Scotland. Harmondsworth, UK: 1874:"133 homes planned for former Greaves Hall site" 791:style homes have superseded them in popularity. 246:, gave Tudor Revival its more striking effects. 3259: 3079: 2541: 2102: 1706: 758:includes a much wider range of styles than the 624:panelling and large amounts of half-timbering. 446:, Corpus Christi College, Cambridge (1822–27); 191:among the elite, who built what are now called 2701: 2365: 106:of the Middle Ages that had survived into the 4089: 3404: 2202:"New Hall Library (Grade II*) (1379299)" 848:and his guests were out on a shooting party. 3148:. Margate, Kent: Eyre and Spottiswoode Ltd. 3141: 2685:The National Trust Book of the English House 2227: 1515:in Shropshire is the only surviving example. 1410: 470:at St. John’s College, Cambridge (1826–31). 125:, then a British colony, architects such as 121:adapted the style for the local climate. In 2675: 1890: 1543:records that the timbers used on Liberty's 1021:Tudor Revival houses are dissimilar to the 450:, King’s College, Cambridge (1824–28); and 4096: 4082: 3411: 3397: 3328: 3309:Nineteenth Century Architecture in Britain 2991: 2436: 2350: 1929: 1917: 1291:Petwood Hotel, Woodall Spa, England (1905) 3016: 2740:The English House Through Seven Centuries 2253:"Modern era buildings: a spotters' guide" 2153:Architecture Styles of America and Europe 1769: 2849: 2577: 2302: 2114: 1871: 1760:Aslet and Power, 151–152; Summerson, 451 1477: 989: 977: 961: 798: 733: 521: 506: 495: 410:Archibald Primrose, 4th Earl of Rosebery 269: 253: 67: 36: 2963: 2278: 708:And daren't look up and see the stars. 616:, firstly for himself and latterly for 14: 4880: 3305: 3162: 3142:Physick, John; Darby, Michael (1973). 2935: 2555:. Bridgend, Wales: Sutton Publishing. 2437:Wainwright, Martin (19 January 2012). 2126: 2018: 1847: 685:Brewery companies designed "improved" 151:in favour of more domestic styles of " 4077: 3392: 3231: 2819: 2796: 2641: 2611: 2531: 2519: 2507: 2462: 2398: 2386: 2338: 2290: 2171:"New Hall (Grade II*) (1379298)" 2087: 1748: 1736: 1129:than Tudor. While in the cottages at 3206: 3168:The Traditional Buildings of England 2995:Twentieth Century Castles In Britain 2910: 2879: 2762: 2732: 2547: 2495: 2483: 2326: 2239: 2044:"Tudor Style Homes with Faux Planks" 2030: 1944: 1859: 1694: 1673: 1652: 1490:Wren consciously set out to imitate 699:, where "bald young clerks" gather: 3426:in architecture and decorative arts 704:And talk of sport and makes of cars 526:Tudor Revival features on the 1899 129:pioneered what became known as the 24: 3293:Architecture in Britain, 1530-1830 2583:George Devey, Architect: 1820-1886 2207:National Heritage List for England 2176:National Heritage List for England 408:near Edinburgh, built in 1817 for 391:banker for his retired employees, 25: 4914: 4105:Architecture of the United States 3369:Various styles at certain periods 3362: 1872:Bona-SOU, Emilia (July 6, 2016). 1168:which resulted in houses such as 957: 902:, better known for the classical 570:brick balustrade, the many-paned 383:In the group of nine cottages at 356:had advocated for the use of the 230:(overhanging) first floors above 162: 3111:; Williamson, Elizabeth (2003). 1906:Nairn, Pevsner & Cherry 1971 1837:DykerHeightsCivicAssociation.com 1494:architectural style. Writing to 1462: 1447: 1432: 1417: 1394: 1378: 1360: 1345: 1322: 1315: 1296: 1284: 1265: 1246: 1217:satirised the style in his book 806:, after the architect's drawings 61: 4418:Sarasota School of Architecture 2468: 2430: 2404: 2371: 2263: 2245: 2190: 2159: 2141: 2132: 2072: 2054: 2036: 1994: 1984:"Brewery History: 119, pp. 2–9" 1976: 1950: 1865: 1818: 1809: 1800: 1775: 1754: 1721: 1570: 1534: 1518: 1505: 946:is also used synonymously with 729: 485: 2970:England's Thousand Best Houses 2824:. London: Longacre Press Ltd. 1712: 1679: 1658: 1622: 1484: 1145:from the 1870s. The architect 909: 776:fibre reinforced cement siding 387:, built around 1810–1811 by a 13: 1: 4543:Building types and vernacular 2942:The Life of Sir Edwin Lutyens 2822:The Architecture of John Nash 2315:Pevsner & Williamson 2003 1783:Historic Environment Scotland 1596:and the other went unsold on 425: 50: 4903:Revival architectural styles 3241:. New Haven, US and London: 2861:. New Haven, US and London: 2799:Arts and Crafts Architecture 2744:. Harmondsworth, Middlesex: 2710:. The Buildings of England. 2542:General and cited references 1826:Saitta House – Report Part 1 1615: 1600:in 2012. Shaw's biographer, 1102: 1043:Alban's he also made use of 794: 651:Pevsner Buildings of England 195:in a distinctive version of 7: 3329:Tinniswood, Adrian (2016). 3215:Manchester University Press 3207:Ryan, Deborah Sugg (2018). 2992:de Moubray, Amicia (2013). 2949:: Antique Collectors Club. 2914:The Victorian Country House 2857:The Victorian Country House 2412:"The Pantheon, Portmeirion" 2103:Pevsner & Richmond 2002 1727:Summerson, 366–376, 447–452 1707:Sherwood & Pevsner 2002 1456:Unley Park, South Australia 706:In various bogus-Tudor bars 304:and at the Universities of 10: 4919: 4888:Tudor Revival architecture 4509:New Classical architecture 4141:Colonial and post-colonial 3000:Frances Lincoln Publishers 2366:Bradley & Pevsner 2003 1234: 942:. Outside North America, 930:built by the courtiers of 489: 249: 127:Regent Alfred John Bidwell 92:Tudor Revival architecture 29: 4854: 4728: 4542: 4446: 4306: 4258: 4232: 4194: 4139: 4111: 3990: 3974: 3958: 3927: 3911: 3895: 3869: 3838: 3822: 3801: 3785: 3700: 3659: 3588: 3431: 3306:Turnor, Reginald (1950). 3017:McWilliam, Colin (1978). 1471:Adelaide, South Australia 1411:Australia and New Zealand 1239: 589:Mackay Hugh Baillie Scott 434:Examples of the Tudor or 338:All Souls College, Oxford 277:near Edinburgh, 1817, by 60:, is an early example of 4428:Spanish Colonial Revival 4268:Richardsonian Romanesque 4058:Richardsonian Romanesque 3660:Germany, Austria-Hungary 3570:Spanish Colonial Revival 3083:; Richmond, Ian (2002). 2886:Reed International Books 2623:. New Haven and London: 2228:Physick & Darby 1973 2138:Aslet and Power, 162–164 2002:"Slough - John Betjeman" 1815:Aslet and Power, 162–163 1580:. He built his first at 1545:Great Marlborough Street 1441:Killara, New South Wales 1401:The Atrium mini-mall in 1336:, designed by architect 1016:arts and crafts movement 940:Arts and Crafts movement 918:'s 1933 coinage of the " 881:commonly used in the USA 819:Arts and Crafts movement 197:Renaissance architecture 189:Elizabethan architecture 157:Arts and Crafts movement 4893:Architecture in England 3966:Serbo-Byzantine Revival 3928:Russian Empire and USSR 3851:National Romantic style 3777:Black-and-white Revival 2820:Davis, Terence (1960). 2619:The Last Country Houses 1891:Aslet & Powers 1985 1454:Tudor Revival house in 1426:Mosman, New South Wales 1147:George Frederick Bodley 877:"Queen Anne" in Britain 756:postmodern architecture 397:vernacular architecture 104:vernacular architecture 4361:Dutch Colonial Revival 4048:Polish cathedral style 4013:Dutch Colonial Revival 3733:Indo-Saracenic Revival 2911:Hall, Michael (2009). 2880:Hall, Michael (1994). 2768:Victorian Architecture 1372:Long Beach, California 1213:' monk". The novelist 1139:Lindfield, West Sussex 999: 987: 982:Built circa 1934, the 975: 807: 774:faux wood, plastic or 743: 711: 646:, in the 1971 revised 549: 519: 516:Minneapolis, Minnesota 504: 318:St Dunstan-in-the-East 281: 267: 88: 65: 4605:Hall and parlor house 4565:Central-passage house 4386:Mediterranean Revival 4112:Native and indigenous 4033:Mediterranean Revival 3887:Soft Portuguese style 3830:Traditionalist School 3272:Yale University Press 3243:Yale University Press 3117:Yale University Press 3091:Yale University Press 2863:Yale University Press 2797:Davey, Peter (1995). 2716:Yale University Press 2708:London 6: Westminster 2625:Yale University Press 2587:The Lutterworth Press 2259:. September 10, 2011. 1567:, not just stuck on". 1478:Explanatory footnotes 1387:Westover Hills, Texas 1260:, England (1865–1897) 1110:Curzon Street Baroque 1081:William Waldorf Astor 993: 981: 965: 802: 737: 701: 525: 510: 499: 370:Strawberry Hill House 326:Christ Church, Oxford 320:(London,1668–71) and 273: 257: 131:Black and White House 71: 41:This simple cottage, 40: 4585:Critical regionalism 4278:American Renaissance 3998:American Renaissance 3940:Neoclassical Revival 3641:Louis Philippe style 3260:Sherwood, Jennifer; 2770:. Newton Abbot, UK: 2377:Aslet and Power, 248 2066:antiquehomestyle.com 2006:www-cdr.stanford.edu 1962:Westchester Magazine 1308:Bray, County Wicklow 1095:department store in 738:Mock Tudor house in 653:, note the sense of 480:Perpendicular Gothic 436:Perpendicular Gothic 354:George Gilbert Scott 344:image formed by the 242:, and even at times 211:often infilled with 177:Hampton Court Palace 4433:Territorial Revival 4376:International style 4346:California bungalow 4336:American Foursquare 4063:Territorial Revival 3646:Second Empire style 3518:Renaissance Revival 3238:Richard Norman Shaw 2937:Hussey, Christopher 2772:David & Charles 2764:Curl, James Stevens 2155:. October 17, 2011. 1772:, pp. 170–172. 1709:, pp. 110–111. 1578:Richard Norman Shaw 1565:pegged and mortised 1330:East Lake Golf Club 1279:, Germany 1913–1917 1143:Charles Eamer Kempe 1123:Italian Renaissance 984:J. Deryl Hart House 779:in that country as 618:Consuelo Vanderbilt 566:, details like the 492:Stockbroker's Tudor 472:St. Luke's, Chelsea 27:Architectural style 4484:Mid-century modern 4331:American Craftsman 4320:Streamline Moderne 3763:Romanesque Revival 3753:Queen Anne Revival 3575:Swiss chalet style 3545:Romanesque Revival 3374:1930s Architecture 3213:. Manchester, UK: 2687:. Penguin/Viking. 2048:Faux Wood Workshop 1988:breweryhistory.com 1831:2008-12-16 at the 1718:Summerson, 235–236 1385:Westover Manor in 1112:sweeping away the 1077:James Stevens Curl 1000: 988: 976: 808: 744: 672:Westchester County 665:style. The writer 550: 520: 505: 418:East Barsham Manor 376:, John Chute, and 336:and Front Quad at 334:Codrington Library 330:Nicholas Hawksmoor 282: 268: 169:Tudor architecture 100:Tudor architecture 89: 66: 32:Mock Tudor (album) 4875: 4874: 4447:Post–World War II 4159:Colonial Georgian 4071: 4070: 4003:Collegiate Gothic 3861:Nordic Classicism 3793:Mycenaean Revival 3768:Scottish Baronial 3718:Edwardian Baroque 3713:Bristol Byzantine 3682:Nazi architecture 3479:French Provincial 3346:978-1-448-19124-6 3262:Pevsner, Nikolaus 3172:Thames and Hudson 3109:Pevsner, Nikolaus 3081:Pevsner, Nikolaus 3053:Pevsner, Nikolaus 2781:978-0-7153-9144-0 2725:978-0-300-09595-1 2704:Pevsner, Nikolaus 2078:Dean, pp. 250–251 1964:. 21 January 2015 1920:, pp. 62–64. 1529:Barnbougle Castle 1492:Cardinal Wolsey's 1403:Waterloo, Ontario 1368:Leonie Pray House 1093:Liberty & Co. 1036:Rothschild family 1018:became apparent. 996:Liberty & Co. 602:George A. Crawley 518:, built 1928–1930 302:Church of England 220:mullioned windows 167:Today, the term ' 16:(Redirected from 4910: 4846:Washington, D.C. 4464:Deconstructivism 4366:Georgian Revival 4356:Colonial Revival 4309:mid-20th century 4233:Mid-19th century 4179:Spanish Colonial 4098: 4091: 4084: 4075: 4074: 4053:Queen Anne style 4008:Colonial Revival 3919:Romanian Revival 3839:Nordic countries 3728:Georgian Revival 3723:Egyptian Revival 3631:Directoire style 3606:Louis XIII style 3474:Egyptian Revival 3469:Carpenter Gothic 3413: 3406: 3399: 3390: 3389: 3358: 3325: 3285: 3281:978-0-30009-6392 3256: 3252:978-0-30015-5266 3228: 3224:978-0-71906-8850 3193: 3181:978-0-50034-1100 3159: 3155:978-0-90148-6684 3138: 3126:978-0-30009-5845 3104: 3100:978-0-30009-6385 3076: 3044: 3032:978-0-14071-0663 3013: 3009:978-0-71123-1788 2988: 2984:978-0-71399-5961 2960: 2956:978-0-90746-2590 2932: 2928:978-1-84513-4570 2907: 2895:978-1-85732-5300 2876: 2872:978-0-30002-3909 2860: 2833: 2816: 2812:978-07148-2874-9 2793: 2759: 2755:978-0-14006-7385 2743: 2729: 2702:Bradley, Simon; 2698: 2672: 2660:978-1-78131-0946 2638: 2634:978-0-30003-4745 2622: 2608: 2596:978-0-71882-7854 2574: 2562:978-0-75091-7889 2535: 2529: 2523: 2517: 2511: 2505: 2499: 2493: 2487: 2481: 2475: 2472: 2466: 2460: 2454: 2453: 2451: 2449: 2434: 2428: 2427: 2425: 2423: 2408: 2402: 2396: 2390: 2384: 2378: 2375: 2369: 2363: 2354: 2348: 2342: 2336: 2330: 2324: 2318: 2312: 2306: 2300: 2294: 2288: 2282: 2276: 2270: 2267: 2261: 2260: 2249: 2243: 2237: 2231: 2225: 2219: 2218: 2216: 2214: 2198:Historic England 2194: 2188: 2187: 2185: 2183: 2167:Historic England 2163: 2157: 2156: 2145: 2139: 2136: 2130: 2124: 2118: 2112: 2106: 2100: 2091: 2085: 2079: 2076: 2070: 2069: 2058: 2052: 2051: 2040: 2034: 2028: 2022: 2016: 2010: 2009: 1998: 1992: 1991: 1980: 1974: 1973: 1971: 1969: 1954: 1948: 1942: 1933: 1927: 1921: 1915: 1909: 1903: 1894: 1888: 1882: 1881: 1878:southportvisiter 1869: 1863: 1857: 1851: 1845: 1839: 1822: 1816: 1813: 1807: 1804: 1798: 1797: 1795: 1793: 1779: 1773: 1767: 1761: 1758: 1752: 1746: 1740: 1734: 1728: 1725: 1719: 1716: 1710: 1704: 1698: 1692: 1686: 1683: 1677: 1671: 1665: 1662: 1656: 1650: 1644: 1643: 1641: 1640: 1634:Oxford Reference 1626: 1609: 1574: 1568: 1538: 1532: 1522: 1516: 1509: 1503: 1488: 1466: 1451: 1436: 1421: 1398: 1382: 1364: 1349: 1334:Atlanta, Georgia 1326: 1300: 1288: 1269: 1250: 1196:, a house which 1012:Compton Wynyates 640:Nikolaus Pevsner 591:(1865–1945) and 462:contributed the 456:Henry Hutchinson 430: 427: 358:Decorated gothic 314:Christopher Wren 232:pillared porches 179:. The historian 117:, the architect 94:, also known as 81:Beaney Institute 55: 52: 21: 4918: 4917: 4913: 4912: 4911: 4909: 4908: 4907: 4878: 4877: 4876: 4871: 4850: 4724: 4538: 4442: 4391:Mission Revival 4308: 4302: 4254: 4228: 4190: 4174:German Colonial 4169:French Colonial 4135: 4107: 4102: 4072: 4067: 4038:Mission Revival 3986: 3970: 3954: 3945:Russian Revival 3923: 3907: 3891: 3865: 3856:Gustavian style 3834: 3818: 3809:Stile Umbertino 3797: 3781: 3696: 3655: 3621:Louis XVI style 3611:Louis XIV style 3584: 3503:Moorish Revival 3454:Baroque Revival 3449:Arts and Crafts 3427: 3417: 3365: 3347: 3289:Summerson, John 3282: 3253: 3225: 3182: 3164:Quiney, Anthony 3156: 3127: 3113:Buckinghamshire 3101: 3073: 3057:Cherry, Bridget 3033: 3010: 2985: 2957: 2929: 2896: 2873: 2813: 2782: 2756: 2726: 2695: 2661: 2635: 2597: 2563: 2544: 2539: 2538: 2530: 2526: 2518: 2514: 2506: 2502: 2494: 2490: 2482: 2478: 2473: 2469: 2461: 2457: 2447: 2445: 2435: 2431: 2421: 2419: 2410: 2409: 2405: 2397: 2393: 2385: 2381: 2376: 2372: 2364: 2357: 2351:de Moubray 2013 2349: 2345: 2337: 2333: 2325: 2321: 2313: 2309: 2301: 2297: 2289: 2285: 2277: 2273: 2268: 2264: 2251: 2250: 2246: 2238: 2234: 2226: 2222: 2212: 2210: 2195: 2191: 2181: 2179: 2164: 2160: 2147: 2146: 2142: 2137: 2133: 2125: 2121: 2113: 2109: 2101: 2094: 2086: 2082: 2077: 2073: 2060: 2059: 2055: 2042: 2041: 2037: 2029: 2025: 2017: 2013: 2000: 1999: 1995: 1982: 1981: 1977: 1967: 1965: 1956: 1955: 1951: 1943: 1936: 1930:Tinniswood 2016 1928: 1924: 1918:Tinniswood 2016 1916: 1912: 1904: 1897: 1889: 1885: 1870: 1866: 1858: 1854: 1846: 1842: 1833:Wayback Machine 1823: 1819: 1814: 1810: 1805: 1801: 1791: 1789: 1780: 1776: 1768: 1764: 1759: 1755: 1747: 1743: 1735: 1731: 1726: 1722: 1717: 1713: 1705: 1701: 1693: 1689: 1684: 1680: 1672: 1668: 1663: 1659: 1655:, Introduction. 1651: 1647: 1638: 1636: 1630:"Tudor Revival" 1628: 1627: 1623: 1618: 1613: 1612: 1575: 1571: 1539: 1535: 1523: 1519: 1510: 1506: 1489: 1485: 1480: 1473: 1467: 1458: 1452: 1443: 1437: 1428: 1422: 1413: 1406: 1399: 1390: 1383: 1374: 1365: 1356: 1354:Davenport, Iowa 1350: 1341: 1327: 1318: 1311: 1301: 1292: 1289: 1280: 1270: 1261: 1251: 1242: 1237: 1170:Harlaxton Manor 1105: 1067:Buckinghamshire 960: 912: 900:Philip Hardwick 797: 732: 710: 707: 705: 674:, New York and 610:Crowhurst Place 598:Gertrude Jekyll 494: 488: 468:Bridge of Sighs 440:William Wilkins 428: 374:Richard Bentley 328:(1681–82), and 279:William Wilkins 252: 183:, in his study 165: 87:, built in 1899 53: 47:Buckinghamshire 35: 28: 23: 22: 15: 12: 11: 5: 4916: 4906: 4905: 4900: 4895: 4890: 4873: 4872: 4870: 4869: 4864: 4858: 4856: 4852: 4851: 4849: 4848: 4843: 4838: 4833: 4828: 4823: 4818: 4813: 4808: 4803: 4798: 4793: 4788: 4783: 4778: 4773: 4768: 4763: 4758: 4753: 4748: 4743: 4738: 4732: 4730: 4726: 4725: 4723: 4722: 4717: 4712: 4707: 4702: 4697: 4692: 4687: 4682: 4677: 4672: 4667: 4662: 4657: 4652: 4650:Platform mound 4647: 4642: 4637: 4632: 4627: 4622: 4617: 4612: 4607: 4602: 4597: 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Revival 3481: 3476: 3471: 3466: 3461: 3456: 3451: 3446: 3441: 3435: 3433: 3429: 3428: 3416: 3415: 3408: 3401: 3393: 3387: 3386: 3381: 3376: 3371: 3364: 3363:External links 3361: 3360: 3359: 3345: 3326: 3312:. London, UK: 3303: 3286: 3280: 3257: 3251: 3229: 3223: 3204: 3194: 3180: 3160: 3154: 3139: 3125: 3105: 3099: 3086:Northumberland 3077: 3071: 3045: 3031: 3014: 3008: 2998:. London, UK: 2989: 2983: 2973:. London, UK: 2965:Jenkins, Simon 2961: 2955: 2933: 2927: 2917:. London, UK: 2908: 2894: 2877: 2871: 2851:Girouard, Mark 2847: 2834: 2817: 2811: 2794: 2780: 2760: 2754: 2730: 2724: 2699: 2693: 2673: 2659: 2639: 2633: 2609: 2595: 2579:Allibone, Jill 2575: 2561: 2543: 2540: 2537: 2536: 2534:, p. 174. 2524: 2522:, p. 179. 2512: 2510:, p. 173. 2500: 2488: 2486:, p. 164. 2476: 2467: 2465:, p. 137. 2455: 2429: 2416:coflein.gov.uk 2403: 2401:, p. 290. 2391: 2379: 2370: 2368:, p. 456. 2355: 2343: 2331: 2319: 2317:, p. 475. 2307: 2305:, p. 101. 2295: 2283: 2271: 2269:Robinson, p. 8 2262: 2244: 2232: 2230:, p. 153. 2220: 2189: 2158: 2140: 2131: 2129:, p. 101. 2119: 2117:, p. 312. 2107: 2105:, p. 244. 2092: 2080: 2071: 2053: 2035: 2033:, p. 146. 2023: 2021:, p. 214. 2011: 1993: 1975: 1949: 1947:, p. 307. 1934: 1922: 1910: 1908:, p. 177. 1895: 1893:, p. 248. 1883: 1864: 1862:, p. 178. 1852: 1840: 1817: 1808: 1799: 1774: 1770:McWilliam 1978 1762: 1753: 1741: 1729: 1720: 1711: 1699: 1687: 1678: 1666: 1657: 1645: 1620: 1619: 1617: 1614: 1611: 1610: 1569: 1533: 1517: 1504: 1482: 1481: 1479: 1476: 1475: 1474: 1468: 1461: 1459: 1453: 1446: 1444: 1438: 1431: 1429: 1423: 1416: 1412: 1409: 1408: 1407: 1400: 1393: 1391: 1384: 1377: 1375: 1366: 1359: 1357: 1351: 1344: 1342: 1328: 1321: 1317: 1314: 1313: 1312: 1304:Bray Town Hall 1302: 1295: 1293: 1290: 1283: 1281: 1271: 1264: 1262: 1252: 1245: 1241: 1238: 1236: 1233: 1174:Burghley House 1104: 1101: 959: 958:Half-timbering 956: 936:Merrie England 928:prodigy houses 911: 908: 846:Lord Armstrong 815:Gothic Revival 796: 793: 731: 728: 720:Anthony Quiney 702: 644:Bridget Cherry 487: 484: 460:Thomas Rickman 366:Horace Walpole 362:Gothic Revival 316:'s steeple of 258:Vine Cottage, 251: 248: 244:thatched roofs 236:dormer windows 209:half-timbering 193:prodigy houses 173:Tudor monarchs 164: 163:Identification 161: 153:Merrie England 77:Gothic Revival 73:Half-timbering 26: 9: 6: 4: 3: 2: 4915: 4904: 4901: 4899: 4896: 4894: 4891: 4889: 4886: 4885: 4883: 4868: 4865: 4863: 4860: 4859: 4857: 4853: 4847: 4844: 4842: 4839: 4837: 4834: 4832: 4829: 4827: 4826:San Francisco 4824: 4822: 4819: 4817: 4814: 4812: 4809: 4807: 4804: 4802: 4801:New York City 4799: 4797: 4794: 4792: 4789: 4787: 4784: 4782: 4779: 4777: 4774: 4772: 4769: 4767: 4764: 4762: 4759: 4757: 4754: 4752: 4749: 4747: 4744: 4742: 4739: 4737: 4734: 4733: 4731: 4727: 4721: 4718: 4716: 4713: 4711: 4708: 4706: 4703: 4701: 4698: 4696: 4693: 4691: 4688: 4686: 4683: 4681: 4678: 4676: 4675:Shotgun house 4673: 4671: 4668: 4666: 4663: 4661: 4658: 4656: 4653: 4651: 4648: 4646: 4643: 4641: 4638: 4636: 4633: 4631: 4628: 4626: 4623: 4621: 4618: 4616: 4613: 4611: 4608: 4606: 4603: 4601: 4598: 4596: 4593: 4591: 4590:Dogtrot house 4588: 4586: 4583: 4581: 4580:Cowboy church 4578: 4576: 4573: 4571: 4568: 4566: 4563: 4561: 4558: 4556: 4553: 4551: 4548: 4547: 4545: 4541: 4535: 4532: 4530: 4527: 4525: 4522: 4520: 4517: 4515: 4512: 4510: 4507: 4505: 4502: 4500: 4497: 4495: 4492: 4490: 4487: 4485: 4482: 4480: 4477: 4475: 4472: 4470: 4467: 4465: 4462: 4460: 4457: 4455: 4452: 4451: 4449: 4445: 4439: 4438:Tudor Revival 4436: 4434: 4431: 4429: 4426: 4424: 4421: 4419: 4416: 4414: 4411: 4409: 4406: 4402: 4399: 4398: 4397: 4394: 4392: 4389: 4387: 4384: 4382: 4381:Mayan Revival 4379: 4377: 4374: 4372: 4369: 4367: 4364: 4362: 4359: 4357: 4354: 4352: 4349: 4347: 4344: 4342: 4339: 4337: 4334: 4332: 4329: 4327: 4324: 4321: 4317: 4314: 4313: 4311: 4305: 4299: 4296: 4294: 4291: 4289: 4286: 4284: 4281: 4279: 4276: 4274: 4273:Second Empire 4271: 4269: 4266: 4265: 4263: 4261: 4257: 4251: 4248: 4246: 4243: 4241: 4240:Greek Revival 4238: 4237: 4235: 4231: 4223: 4220: 4219: 4218: 4215: 4213: 4210: 4208: 4205: 4203: 4200: 4199: 4197: 4193: 4185: 4182: 4181: 4180: 4177: 4175: 4172: 4170: 4167: 4165: 4162: 4160: 4157: 4155: 4152: 4150: 4147: 4146: 4144: 4142: 4138: 4132: 4129: 4125: 4122: 4121: 4120: 4117: 4116: 4114: 4110: 4106: 4099: 4094: 4092: 4087: 4085: 4080: 4079: 4076: 4064: 4061: 4059: 4056: 4054: 4051: 4049: 4046: 4044: 4041: 4039: 4036: 4034: 4031: 4029: 4026: 4024: 4021: 4019: 4018:Federal style 4016: 4014: 4011: 4009: 4006: 4004: 4001: 3999: 3996: 3995: 3993: 3991:United States 3989: 3983: 3980: 3979: 3977: 3973: 3967: 3964: 3963: 3961: 3957: 3951: 3948: 3946: 3943: 3941: 3938: 3936: 3935:Neo-Byzantine 3933: 3932: 3930: 3926: 3920: 3917: 3916: 3914: 3910: 3904: 3901: 3900: 3898: 3894: 3888: 3885: 3883: 3880: 3878: 3877:Neo-Manueline 3875: 3874: 3872: 3868: 3862: 3859: 3857: 3854: 3852: 3849: 3847: 3844: 3843: 3841: 3837: 3831: 3828: 3827: 3825: 3821: 3815: 3812: 3810: 3807: 3806: 3804: 3800: 3794: 3791: 3790: 3788: 3784: 3778: 3774: 3773:Tudor Revival 3771: 3769: 3766: 3764: 3761: 3759: 3756: 3754: 3751: 3749: 3748:Neo-Palladian 3746: 3744: 3741: 3737:British India 3736: 3735: 3734: 3731: 3729: 3726: 3724: 3721: 3719: 3716: 3714: 3711: 3709: 3706: 3705: 3703: 3701:Great Britain 3699: 3693: 3692:Rundbogenstil 3690: 3688: 3685: 3683: 3680: 3678: 3675: 3673: 3670: 3668: 3665: 3664: 3662: 3658: 3652: 3649: 3647: 3644: 3642: 3639: 3637: 3634: 3632: 3629: 3627: 3626:Neoclassicism 3624: 3622: 3619: 3617: 3614: 3612: 3609: 3607: 3604: 3602: 3599: 3597: 3594: 3593: 3591: 3587: 3581: 3578: 3576: 3573: 3571: 3568: 3564: 3561: 3559: 3556: 3554: 3551: 3550: 3548: 3546: 3543: 3541: 3538: 3534: 3533:Palazzo style 3531: 3529: 3526: 3524: 3521: 3520: 3519: 3516: 3514: 3513:New Classical 3511: 3509: 3506: 3504: 3501: 3499: 3498:Mayan Revival 3496: 3494: 3490: 3489:Greek Revival 3487: 3485: 3482: 3480: 3477: 3475: 3472: 3470: 3467: 3465: 3464:Neo-Byzantine 3462: 3460: 3457: 3455: 3452: 3450: 3447: 3445: 3442: 3440: 3437: 3436: 3434: 3432:International 3430: 3425: 3421: 3414: 3409: 3407: 3402: 3400: 3395: 3394: 3391: 3385: 3382: 3380: 3377: 3375: 3372: 3370: 3367: 3366: 3356: 3352: 3348: 3342: 3338: 3337:Jonathan Cape 3334: 3333: 3327: 3323: 3319: 3315: 3311: 3310: 3304: 3302: 3298: 3294: 3290: 3287: 3283: 3277: 3273: 3269: 3268: 3263: 3258: 3254: 3248: 3244: 3240: 3239: 3234: 3233:Saint, Andrew 3230: 3226: 3220: 3216: 3212: 3211: 3205: 3203: 3199: 3195: 3191: 3187: 3183: 3177: 3173: 3169: 3165: 3161: 3157: 3151: 3147: 3146: 3140: 3136: 3132: 3128: 3122: 3118: 3114: 3110: 3106: 3102: 3096: 3092: 3088: 3087: 3082: 3078: 3074: 3072:0-300-09675-5 3068: 3064: 3063: 3058: 3054: 3050: 3046: 3042: 3038: 3034: 3028: 3024: 3023:Penguin Books 3020: 3015: 3011: 3005: 3001: 2997: 2996: 2990: 2986: 2980: 2976: 2975:Penguin Books 2972: 2971: 2966: 2962: 2958: 2952: 2948: 2944: 2943: 2938: 2934: 2930: 2924: 2920: 2916: 2915: 2909: 2905: 2901: 2897: 2891: 2887: 2883: 2878: 2874: 2868: 2864: 2859: 2858: 2852: 2848: 2846: 2845:9781905400492 2842: 2838: 2837:Dean, Ptolemy 2835: 2831: 2827: 2823: 2818: 2814: 2808: 2804: 2803:Phaidon Press 2800: 2795: 2791: 2787: 2783: 2777: 2773: 2769: 2765: 2761: 2757: 2751: 2747: 2746:Penguin Books 2742: 2741: 2735: 2731: 2727: 2721: 2717: 2713: 2709: 2705: 2700: 2696: 2690: 2686: 2682: 2678: 2674: 2670: 2666: 2662: 2656: 2652: 2648: 2644: 2640: 2636: 2630: 2626: 2621: 2620: 2614: 2610: 2606: 2602: 2598: 2592: 2588: 2585:. Cambridge: 2584: 2580: 2576: 2572: 2568: 2564: 2558: 2554: 2550: 2549:Airs, Malcolm 2546: 2545: 2533: 2528: 2521: 2516: 2509: 2504: 2498:, p. 26. 2497: 2492: 2485: 2480: 2471: 2464: 2459: 2444: 2440: 2433: 2417: 2413: 2407: 2400: 2395: 2389:, p. 45. 2388: 2383: 2374: 2367: 2362: 2360: 2353:, p. 50. 2352: 2347: 2341:, p. 53. 2340: 2335: 2329:, p. 80. 2328: 2323: 2316: 2311: 2304: 2303:Allibone 1991 2299: 2293:, p. 90. 2292: 2287: 2281:, p. 21. 2280: 2275: 2266: 2258: 2254: 2248: 2242:, p. 98. 2241: 2236: 2229: 2224: 2209: 2208: 2203: 2199: 2193: 2178: 2177: 2172: 2168: 2162: 2154: 2150: 2144: 2135: 2128: 2123: 2116: 2115:Girouard 1979 2111: 2104: 2099: 2097: 2090:, p. 80. 2089: 2084: 2075: 2067: 2063: 2057: 2049: 2045: 2039: 2032: 2027: 2020: 2015: 2007: 2003: 1997: 1989: 1985: 1979: 1963: 1959: 1953: 1946: 1941: 1939: 1932:, p. 63. 1931: 1926: 1919: 1914: 1907: 1902: 1900: 1892: 1887: 1879: 1875: 1868: 1861: 1856: 1850:, p. 95. 1849: 1844: 1838: 1834: 1830: 1827: 1821: 1812: 1803: 1788: 1784: 1778: 1771: 1766: 1757: 1751:, p. 28. 1750: 1745: 1739:, p. 72. 1738: 1733: 1724: 1715: 1708: 1703: 1697:, p. 83. 1696: 1691: 1685:Summerson, 23 1682: 1675: 1670: 1661: 1654: 1649: 1635: 1631: 1625: 1621: 1607: 1606:country house 1603: 1599: 1595: 1591: 1587: 1583: 1579: 1573: 1566: 1562: 1561: 1556: 1555: 1550: 1546: 1542: 1537: 1530: 1526: 1521: 1514: 1508: 1501: 1497: 1493: 1487: 1483: 1472: 1465: 1460: 1457: 1450: 1445: 1442: 1435: 1430: 1427: 1420: 1415: 1414: 1404: 1397: 1392: 1388: 1381: 1376: 1373: 1369: 1363: 1358: 1355: 1348: 1343: 1339: 1338:Philip Shutze 1335: 1332:Clubhouse in 1331: 1325: 1320: 1319: 1316:North America 1309: 1305: 1299: 1294: 1287: 1282: 1278: 1274: 1268: 1263: 1259: 1255: 1249: 1244: 1243: 1232: 1230: 1226: 1222: 1221: 1216: 1212: 1208: 1207:Chips Channon 1204: 1199: 1195: 1191: 1187: 1181: 1179: 1178:Wollaton Hall 1175: 1171: 1167: 1163: 1159: 1154: 1152: 1148: 1144: 1140: 1136: 1132: 1128: 1124: 1120: 1115: 1111: 1100: 1098: 1094: 1089: 1086: 1082: 1078: 1074: 1073: 1068: 1064: 1060: 1059:village green 1056: 1051: 1049: 1046: 1041: 1040:Simon Jenkins 1037: 1033: 1028: 1024: 1023:timber-framed 1019: 1017: 1013: 1009: 1008:Hampton Court 1005: 997: 992: 985: 980: 973: 969: 968:semi-detached 964: 955: 953: 949: 948:Tudor Revival 945: 941: 937: 933: 929: 925: 921: 917: 916:John Betjeman 907: 905: 901: 897: 896:Lincoln's Inn 893: 889: 884: 882: 878: 874: 870: 866: 861: 859: 858:Mark Girouard 855: 851: 847: 843: 839: 834: 832: 828: 824: 820: 816: 813: 805: 801: 792: 790: 786: 785:Mediterranean 782: 777: 773: 769: 763: 761: 757: 753: 749: 741: 736: 727: 725: 721: 717: 709: 700: 698: 697: 693:'s 1937 poem 692: 691:John Betjeman 688: 683: 681: 677: 673: 668: 662: 660: 656: 652: 649: 645: 641: 637: 633: 632: 628:, writing in 627: 626:Martin Conway 623: 619: 615: 611: 607: 603: 599: 594: 590: 585: 583: 578: 573: 569: 565: 564: 559: 555: 554:Edwin Lutyens 548: 544: 540: 539:Dyker Heights 537:, located in 536: 533: 529: 524: 517: 513: 509: 502: 498: 493: 483: 481: 477: 473: 469: 465: 461: 457: 453: 449: 445: 441: 437: 432: 423: 419: 415: 412:, is a large 411: 407: 406:Dalmeny House 403: 402:Blaise Hamlet 398: 394: 390: 386: 385:Blaise Hamlet 381: 379: 375: 371: 367: 363: 359: 355: 351: 347: 341: 339: 335: 331: 327: 323: 319: 315: 311: 307: 303: 299: 295: 291: 287: 280: 276: 275:Dalmeny House 272: 265: 261: 260:Blaise Hamlet 256: 247: 245: 241: 238:supported by 237: 233: 229: 225: 221: 217: 214: 210: 206: 205:pitched-roofs 200: 198: 194: 190: 186: 182: 178: 174: 170: 160: 158: 154: 150: 146: 142: 140: 136: 132: 128: 124: 120: 119:Francis Petre 116: 111: 109: 105: 101: 97: 93: 86: 82: 78: 74: 70: 63: 59: 48: 44: 39: 33: 19: 18:Tudor Revival 4898:House styles 4811:Philadelphia 4771:Jacksonville 4660:Quiggly hole 4499:Neo-futurism 4494:Neo-eclectic 4454:Blobitecture 4437: 4307:Late-19th to 4217:Neoclassical 4212:Jeffersonian 4154:First Period 4028:Jeffersonian 3846:Dragon style 3772: 3687:Resort style 3651:Belle Époque 3636:Empire style 3523:Châteauesque 3508:Neoclassical 3331: 3308: 3292: 3266: 3237: 3209: 3167: 3144: 3112: 3085: 3061: 3018: 2994: 2969: 2941: 2913: 2881: 2856: 2821: 2798: 2767: 2739: 2714:and London: 2707: 2684: 2681:Powers, Alan 2677:Aslet, Clive 2646: 2643:Aslet, Clive 2618: 2613:Aslet, Clive 2582: 2552: 2527: 2515: 2503: 2491: 2479: 2474:Robinson, p9 2470: 2458: 2448:18 September 2446:. Retrieved 2443:The Guardian 2442: 2432: 2422:18 September 2420:. Retrieved 2415: 2406: 2394: 2382: 2373: 2346: 2334: 2322: 2310: 2298: 2286: 2279:Jenkins 2003 2274: 2265: 2257:The Guardian 2256: 2247: 2235: 2223: 2211:. Retrieved 2205: 2192: 2180:. Retrieved 2174: 2161: 2152: 2149:"Queen Anne" 2143: 2134: 2122: 2110: 2083: 2074: 2065: 2056: 2047: 2038: 2026: 2014: 2005: 1996: 1987: 1978: 1968:December 22, 1966:. Retrieved 1961: 1952: 1925: 1913: 1886: 1877: 1867: 1855: 1843: 1836: 1820: 1811: 1802: 1790:. Retrieved 1777: 1765: 1756: 1744: 1732: 1723: 1714: 1702: 1690: 1681: 1669: 1660: 1648: 1637:. Retrieved 1633: 1624: 1602:Andrew Saint 1590:The Pantheon 1589: 1586:Dawpool Hall 1572: 1558: 1552: 1536: 1520: 1513:Longner Hall 1507: 1486: 1218: 1215:E. F. Benson 1190:Baliffscourt 1182: 1155: 1151:Country Life 1150: 1135:middle-class 1106: 1090: 1085:Hever Castle 1072:cottage ornĂ© 1070: 1052: 1032:Ascott House 1020: 1001: 970:cottages at 951: 947: 943: 923: 913: 885: 862: 835: 809: 789:French villa 764: 745: 730:21st century 712: 703: 694: 684: 663: 647: 631:Country Life 629: 586: 582:Greaves Hall 577:Country Life 576: 572:oriel window 563:Country Life 561: 557: 551: 528:Saitta House 486:20th century 476:James Savage 433: 414:stately home 382: 350:A.W.N. Pugin 342: 283: 201: 184: 181:Malcolm Airs 166: 144: 143: 139:George Devey 112: 108:Tudor period 95: 91: 90: 58:George Devey 43:Ascott House 4821:San Antonio 4796:New Orleans 4786:Los Angeles 4776:Kansas City 4710:Town square 4695:Sweat lodge 4645:Plank house 4595:Earth lodge 4413:PWA Moderne 4288:Stick style 4184:Territorial 3982:Neo-MudĂ©jar 3882:Neo-MudĂ©jar 3823:Netherlands 3672:GrĂĽnderzeit 3667:Biedermeier 3444:Art Nouveau 3420:Historicism 3267:Oxfordshire 2919:Aurum Press 2734:Cook, Olive 2651:Aurum Press 2127:Turnor 1950 2019:Quiney 1990 1848:Hussey 1989 1676:, Foreword. 1594:Portmeirion 1560:Impregnable 1273:Cecilienhof 1220:Queen Lucia 1198:Clive Aslet 1194:West Sussex 1004:picturesque 944:Tudorbethan 932:Elizabeth I 910:Tudorbethan 904:Euston Arch 873:East Sussex 842:Norman Shaw 827:Elizabethan 659:1914–18 war 593:Blair Imrie 587:Later came 448:Front Court 429: 1520 378:James Essex 298:Reformation 286:Renaissance 213:herringbone 145:Tudorbethan 135:Norman Shaw 115:New Zealand 62:Tudorbethan 54: 1876 4882:Categories 4685:Skyscraper 4640:Moki steps 4635:Longhouses 4529:Tiny-house 4524:Shed style 4514:Postmodern 4341:Beaux-Arts 4293:Queen Anne 4245:Italianate 4222:Antebellum 4023:Greco Deco 3743:Jacobethan 3677:Jugendstil 3580:Vernacular 3528:Italianate 3459:Beaux-Arts 3424:Revivalism 3335:. London: 3301:0140560033 3202:1857595041 3170:. London: 3049:Nairn, Ian 2947:Woodbridge 2884:. London: 2801:. London: 2694:0670801755 2649:. London: 2532:Aslet 1982 2520:Aslet 1982 2508:Aslet 1982 2463:Saint 2010 2399:Saint 2010 2387:Saint 2010 2339:Aslet 2013 2291:Davey 1995 2088:Saint 2010 1749:Davis 1960 1737:Davis 1960 1639:2024-01-18 1549:men-of-war 1186:the Moynes 1166:Jacobethan 1162:staircases 1158:great hall 1061:and pond; 952:mock Tudor 920:Jacobethan 888:Great Hall 854:vernacular 752:Architects 742:, Scotland 716:Western US 667:Olive Cook 606:hall house 532:Queen Anne 514:Museum in 512:The Bakken 490:See also: 294:classicism 149:Jacobethan 96:mock Tudor 85:Canterbury 4841:St. Louis 4781:Las Vegas 4690:Sod house 4630:Log cabin 4575:Corn crib 4504:Neomodern 4479:High-tech 4474:Earthship 4459:Brutalist 4260:Victorian 3950:Stalinist 3708:Adamesque 3355:951261677 3190:473283902 3135:835201226 3041:669710509 2939:(1989) . 2904:832426788 2830:559524050 2790:823781473 2712:New Haven 2669:840477309 2605:231443025 2571:963827785 2496:Hall 2009 2484:Hall 2009 2327:Curl 1990 2240:Hall 2009 2031:Ryan 2018 1945:Cook 1984 1860:Hall 1994 1695:Curl 1990 1674:Airs 1995 1653:Airs 1995 1616:Citations 1582:Cranbrook 1554:Hindustan 1496:Dean Fell 1469:House in 1439:House in 1424:House in 1310:, Ireland 1119:panelling 1114:inglenook 1103:Interiors 1045:rag-stone 812:Victorian 795:Evolution 760:modernism 676:Englewood 636:Ian Nairn 622:linenfold 535:Victorian 464:New Court 452:New Court 444:New Court 393:John Nash 346:Georgians 322:Tom Tower 310:Cambridge 264:John Nash 216:brickwork 123:Singapore 64:influence 49:designed 4816:Portland 4756:Columbus 4560:Cape Cod 4555:Barabara 4316:Art Deco 4124:Builders 3870:Portugal 3558:European 3493:Neo-Grec 3439:Art Deco 3314:Batsford 3264:(1996). 3235:(2010). 3166:(1990). 3059:(1971). 2967:(2003). 2853:(1979). 2766:(1990). 2736:(1984). 2706:(2003). 2683:(1985). 2645:(2013). 2615:(1982). 2581:(1991). 2551:(1995). 2418:. RCAHMW 1829:Archived 1557:and the 1370:(1927), 1258:Rothbury 1254:Cragside 1203:cloister 1131:Mentmore 1063:Mentmore 1048:footings 972:Mentmore 869:Withyham 865:Leyswood 838:Cragside 831:Jacobean 804:Leyswood 748:pastiche 740:Greenock 655:escapism 568:openwork 547:New York 543:Brooklyn 482:design. 424:, built 240:consoles 224:chimneys 4836:Spokane 4831:Seattle 4766:Houston 4761:Detroit 4751:Chicago 4746:Buffalo 4736:Atlanta 4700:Temples 4670:Saltbox 4610:I-house 4570:Chickee 4534:Usonian 4469:Dingbat 4326:Pre-war 4298:Shingle 4207:Federal 3912:Romania 3758:Regency 3019:Lothian 1792:14 July 1541:Pevsner 1525:Pevsner 1500:Pevsner 1405:in 2022 1389:in 2014 1340:in 1923 1277:Potsdam 1235:Gallery 1229:sconces 1127:Camelot 892:Library 850:Pevsner 781:Italian 680:Teaneck 501:Lutyens 422:Norfolk 400:Nash's 389:Bristol 290:Baroque 250:History 228:jettied 222:, high 218:, tall 4862:Hawaii 4855:States 4741:Boston 4729:Cities 4720:Wigwam 4680:Sipapu 4665:Ramada 4489:Modern 4423:Rustic 4371:Googie 4149:Creole 4131:Pueblo 3959:Serbia 3896:Poland 3786:Greece 3589:France 3553:French 3353:  3343:  3322:520344 3320:  3299:  3278:  3249:  3221:  3200:  3188:  3178:  3152:  3133:  3123:  3097:  3069:  3062:Surrey 3039:  3029:  3006:  2981:  2953:  2925:  2902:  2892:  2869:  2843:  2828:  2809:  2788:  2778:  2752:  2722:  2691:  2667:  2657:  2631:  2603:  2593:  2569:  2559:  2213:3 July 2182:3 July 1551:, the 1240:Europe 1225:pewter 1125:meets 1097:London 1055:estate 1027:bricks 787:, and 768:stucco 724:Ealing 696:Slough 648:Surrey 614:Surrey 458:& 306:Oxford 266:, 1812 4867:Texas 4806:Omaha 4791:Miami 4715:Tupiq 4655:Qargi 4620:Jacal 4615:Igloo 4600:Hogan 4550:Adobe 4519:Ranch 4119:Mound 3975:Spain 3814:Milan 3802:Italy 1211:pansy 924:circa 867:near 823:Tudor 558:right 4705:Tipi 4625:Kiva 4401:Deco 4283:Folk 4202:Adam 3422:and 3351:OCLC 3341:ISBN 3318:OCLC 3297:ISBN 3276:ISBN 3247:ISBN 3219:ISBN 3198:ISBN 3186:OCLC 3176:ISBN 3150:ISBN 3131:OCLC 3121:ISBN 3095:ISBN 3067:ISBN 3037:OCLC 3027:ISBN 3004:ISBN 2979:ISBN 2951:ISBN 2923:ISBN 2900:OCLC 2890:ISBN 2867:ISBN 2841:ISBN 2826:OCLC 2807:ISBN 2786:OCLC 2776:ISBN 2750:ISBN 2720:ISBN 2689:ISBN 2665:OCLC 2655:ISBN 2629:ISBN 2601:OCLC 2591:ISBN 2567:OCLC 2557:ISBN 2450:2018 2424:2018 2215:2019 2184:2019 1970:2018 1794:2019 1598:eBay 1176:and 994:The 966:Two 950:and 890:and 829:and 772:uPVC 687:pubs 678:and 642:and 530:, a 466:and 352:and 308:and 288:and 137:and 1592:at 1275:in 1192:in 1188:at 1083:at 1065:in 1010:or 894:at 871:in 661:". 612:in 474:by 420:in 368:'s 332:'s 324:at 56:by 45:in 4884:: 3775:/ 3491:/ 3349:. 3339:. 3316:. 3291:, 3274:. 3245:. 3217:. 3184:. 3174:. 3129:. 3119:. 3093:. 3055:; 3051:; 3035:. 3025:. 3002:. 2977:. 2945:. 2921:. 2898:. 2888:. 2865:. 2805:. 2784:. 2774:. 2748:. 2718:. 2679:; 2663:. 2653:. 2627:. 2599:. 2589:. 2565:. 2441:. 2414:. 2358:^ 2255:. 2204:. 2200:. 2173:. 2169:. 2151:. 2095:^ 2064:. 2046:. 2004:. 1986:. 1960:. 1937:^ 1898:^ 1876:. 1835:", 1785:. 1632:. 1608:". 1306:, 1256:, 954:. 833:. 825:, 783:, 750:. 638:, 608:, 545:, 541:, 426:c. 404:, 364:. 262:, 234:, 226:, 207:, 159:. 110:. 83:, 75:, 51:c. 4322:) 4318:( 4097:e 4090:t 4083:v 3412:e 3405:t 3398:v 3357:. 3324:. 3284:. 3255:. 3227:. 3192:. 3158:. 3137:. 3103:. 3075:. 3043:. 3012:. 2987:. 2959:. 2931:. 2906:. 2875:. 2832:. 2815:. 2792:. 2758:. 2728:. 2697:. 2671:. 2637:. 2607:. 2573:. 2452:. 2426:. 2217:. 2186:. 2068:. 2050:. 2008:. 1990:. 1972:. 1880:. 1824:" 1796:. 1642:. 34:. 20:)

Index

Tudor Revival
Mock Tudor (album)

Ascott House
Buckinghamshire
George Devey
Tudorbethan

Half-timbering
Gothic Revival
Beaney Institute
Canterbury
Tudor architecture
vernacular architecture
Tudor period
New Zealand
Francis Petre
Singapore
Regent Alfred John Bidwell
Black and White House
Norman Shaw
George Devey
Jacobethan
Merrie England
Arts and Crafts movement
Tudor architecture
Tudor monarchs
Hampton Court Palace
Malcolm Airs
Elizabethan architecture

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