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Translation State

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256:, Leckie "thoughtfully explores an agender society", namely the Radchaai. However, the Radchaai Empire imposes their cultural norms onto others "with staggering imperial arrogance". The diversity of gender and sexuality outside the Radchaai Empire "helps to highlight how jarring it can be when Radchaai characters thoughtlessly refer to everyone as “she,” regardless of their gender identities and pronouns." Eventually, Qven and Reet declare themselves to be human. This draws attention to Leckie's belief that "individuals should have indisputable rights to self-determination and legal recognition around key categories of identity ... but that these categories are very often imposed by others." In this way, Higgins found, the novel critiques contemporary issues in the United States, such as anti-trans legislation supported by politicians like 229:
social machineries". When the Athtur family matriarch dies, Enae is "nearly sixty no career, no friends, no lovers, no marital partners, no children". Despite the fact that Enae is not female, sie is coded as a "maiden aunt". The new matriarch's desire to "provide for" Enae in a socially acceptable
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Various interest groups debate whether to classify Reet as legally human. The Radchaai wish to define human as narrowly as possible in order to exclude AI; this also means that they would turn Reet over to the Translators. Qven and Reet are summoned before a committee comprising different sentient
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Qven is a juvenile Presger Translator. As part of their life cycle, Translator offspring are supposed to “match”, a process by which they will completely merge with another individual. It is originally planned for Qven to merge into Translator Dlar, but Qven is attacked by another juvenile and the
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with no information about his biological family. He suffers from persistent desires to vivisect other humans. Reet learns that he could be a member of the royal Schan family, the former rulers of Lovehate Station. The station was populated by members of the Hikipi ethnic group. Many Hikipi believe
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After hir grandmother dies, Enae Athtur is forced to leave the family home. Sie is assigned to track down a Presger Translator who disappeared in human territory 200 years ago. When sie arrives at Rurusk Station, a local man named Reet Hluid is assigned to be hir liaison. Reet is a mechanic and an
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writes that one of the hallmarks of Leckie's work is "that small details (like a character’s obsession with trashy adventure serials) can ultimately shape and influence the largest possible events (such as the fall of an empire)". For example, Reet and Qven first bond by watching "a trashy pulp
27: 313:, Russell Letson praised the novel, calling it "a story about nature, identity, role – the need to belong – and pathological versions of that need: to invent an identity or place in the world, and to deny or control roles and identities of others". In another review for 173:
species. Presgers use Translators as intermediaries to communicate with humans. Translators can pass as human. Presgers do not view individuality in the same way that humans do; adult Translators have multiple bodies shared by a single mind. After the events of
279:(she/her), but the novel explores how language can be adapted for new purposes. Non-Radchaai characters speaking the Radchaai language often add new pronouns such as he/him, sie/hir, and e/em to their speech. While "sie/hir" and "e/em" are used to indicate 332:
called Leckie a "luminary of modern SFF", praising the novel's exploration of deep questions and its simultaneously relatable characters. Liz Bourke of Tor.com wrote that the novel is "rooted in more personal, bounded concerns" than Leckie's previous
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When Enae examines Reet’s DNA, sie suspects that he is not a Schan, but instead is a descendant of the missing Translator. When Enae’s report is published, Reet is arrested by the Radchaai and sent to the Presgers’ Treaty Administration Facility.
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species and their ambassadors; both Reet and Qven claim to be human. The hearing is interrupted when a Hikipi protester stabs Translator Dlar. The Hikipi also attack the station; Dlar is able to move some of the characters into a
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gave the novel 4.5 out of 5 stars. Hinchliff called the book "a coming-of-age novel for all who need a reminder that our ongoing quest to find where we belong doesn’t stop when we turn twenty, or thirty, or even fifty."
317:, Adrienne Martini states that Leckie "asks big questions about trauma, power, and secrets". Martini predicted that the novel would deservedly "be on most of the award slates at the end of the year". A review for 184:
declared themselves to be a sentient species and demanded a new conclave from the Presger. This conclave will allow the renegotiation of the Presgers’ relationships with all sentient species, including humans.
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Presger Translators do not have gender, considering this to be a "human thing". Later in the novel, when Qven appears before the committee and asks to be considered as human, Qven's pronouns are e / em /
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The story is told from the perspective of three point of view characters: Enae, Reet, and Qven. Enae's and Reet's chapters are narrated in third person. Qven's chapters are narrated in first person.
242:". This sparks Qven's desire to be known by e/em pronouns, and eventually to declare emself to be human and have that identity recognized by the committee. Higgins also writes that 493: 583: 283:, "they/them" pronouns are used to indicate genderless identities. In one scene, a Presger Translator states that "gender is something humans have". 202:
plan is scrapped. Qven is then told that they will match with Reet. Qven and Reet become friends, but both desire to maintain their individuality.
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also gave the novel a starred review, praising Leckie's "humane, emotionally intelligent, and deeply perceptive writing ". Isabel Hinchliff of
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Reet and Qven disable the attacking Hikipi ship. They decide to merge into a single entity spread across two bodies. Enae returns home.
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trilogy, and that the "intimate, personal stakes ... give it even more power and force than its predecessors."
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that the Presger are a hoax created by the Radchaai to maintain their cultural supremacy over human groups.
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called the novel "another of Leckie’s beautiful mergings of the political, philosophical, and personal".
494:"And Something More, Something That Is Lost in Translation: Review of Translation State by Ann Leckie" 158: 301: 275:, "language is an important backdrop for the novel". The Radchaai language has only one gendered 181: 384: 584:"Ann Leckie's Translation State Is a Fascinating Space Opera with Intensely Personal Stakes" 210:. Qven and Reet rescue everyone; as a result, the committee declares that they are human. 8: 150: 252: 246:"represents an extraordinary leap forward in Leckie’s approach to representations of 144: 106: 280: 207: 537: 247: 176: 135: 605: 257: 226: 169:
The Presger are a dangerous alien race; nevertheless, they respect other
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called the novel "daring" and "thoughtful", stating that novels such as
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The novel has received critical acclaim. In a starred review,
561:"Adrienne Martini Reviews Translation State by Ann Leckie" 414:"Russell Letson Reviews Translation State by Ann Leckie" 465: 603: 558: 491: 439: 353:Enae's personal pronouns are sie / hir / hirself 411: 387:. World Science Fiction Society. 2024-03-29. 581: 487: 485: 25: 230:way leads to the beginning of hir quest. 407: 405: 250:". In her initial novels beginning with 142:. It is set in the same universe as her 16:2023 science fiction novel by Ann Leckie 552: 482: 461: 459: 604: 435: 433: 431: 325:are performing "vital cultural work". 508: 402: 377: 157:The novel was nominated for the 2024 456: 225:, the novel opens with "a dollop of 575: 428: 13: 14: 633: 530: 466:Alana Joli Abbott (15 Jun 2023). 617:LGBTQ speculative fiction novels 559:Adrienne Martini (30 May 2023). 540:. Publishers Weekly. 10 Mar 2023 492:Isabel Hinchliff (28 Apr 2023). 440:David M. Higgins (28 Jun 2023). 240:Pirate Exiles of the Death Moons 391:from the original on 2024-03-29 216: 412:Russell Letson (29 Jun 2023). 356: 347: 1: 518:. Kirkus Reviews. 13 Mar 2023 444:. Los Angeles Review of Books 370: 286: 7: 319:Los Angeles Review of Books 235:Los Angeles Review of Books 10: 638: 582:Liz Bourke (13 Jun 2023). 221:According to a review for 496:. Berkeley Fiction Review 159:Hugo Award for Best Novel 117: 105: 97: 87: 77: 69: 59: 51: 43: 33: 24: 340: 263: 238:adventure series called 233:David M. Higgins of the 182:artificial intelligences 302:Berkeley Fiction Review 273:Berkeley Fiction Review 164: 148:trilogy and her novel 612:Books about adoption 538:"Translation State" 516:"Translation State" 21: 622:Space opera novels 385:"2024 Hugo Awards" 20:Translation State 19: 323:Translation State 297:Publishers Weekly 281:nonbinary genders 271:According to the 253:Ancillary Justice 244:Translation State 131:Translation State 127: 126: 629: 596: 595: 593: 591: 579: 573: 572: 570: 568: 556: 550: 549: 547: 545: 534: 528: 527: 525: 523: 512: 506: 505: 503: 501: 489: 480: 479: 477: 475: 463: 454: 453: 451: 449: 437: 426: 425: 423: 421: 409: 400: 399: 397: 396: 381: 364: 360: 354: 351: 309:In a review for 208:pocket dimension 122:Provenance  118:Preceded by 89:Publication date 29: 22: 18: 637: 636: 632: 631: 630: 628: 627: 626: 602: 601: 600: 599: 589: 587: 580: 576: 566: 564: 557: 553: 543: 541: 536: 535: 531: 521: 519: 514: 513: 509: 499: 497: 490: 483: 473: 471: 464: 457: 447: 445: 438: 429: 419: 417: 410: 403: 394: 392: 383: 382: 378: 373: 368: 367: 361: 357: 352: 348: 343: 289: 266: 248:gender identity 219: 177:Ancillary Mercy 167: 136:science fiction 101:432 (hardcover) 90: 73:Science Fiction 62: 17: 12: 11: 5: 635: 625: 624: 619: 614: 598: 597: 574: 551: 529: 507: 481: 455: 427: 401: 375: 374: 372: 369: 366: 365: 355: 345: 344: 342: 339: 335:Imperial Radch 330:Paste Magazine 293:Kirkus Reviews 288: 285: 265: 262: 218: 215: 166: 163: 145:Imperial Radch 125: 124: 119: 115: 114: 109: 103: 102: 99: 95: 94: 91: 88: 85: 84: 79: 75: 74: 71: 67: 66: 63: 61:Release number 60: 57: 56: 55:Imperial Radch 53: 49: 48: 45: 41: 40: 35: 31: 30: 15: 9: 6: 4: 3: 2: 634: 623: 620: 618: 615: 613: 610: 609: 607: 585: 578: 562: 555: 539: 533: 517: 511: 495: 488: 486: 469: 462: 460: 443: 436: 434: 432: 415: 408: 406: 390: 386: 380: 376: 359: 350: 346: 338: 336: 331: 328:A review for 326: 324: 320: 316: 312: 307: 304: 303: 298: 294: 284: 282: 278: 274: 269: 261: 259: 255: 254: 249: 245: 241: 236: 231: 228: 224: 214: 211: 209: 203: 199: 195: 192: 186: 183: 179: 178: 172: 162: 160: 155: 153: 152: 147: 146: 141: 137: 133: 132: 123: 120: 116: 113: 112:9780316289719 110: 108: 104: 100: 96: 92: 86: 83: 80: 76: 72: 68: 64: 58: 54: 50: 46: 42: 39: 36: 32: 28: 23: 588:. Retrieved 577: 565:. Retrieved 554: 542:. Retrieved 532: 520:. Retrieved 510: 498:. Retrieved 472:. Retrieved 446:. Retrieved 418:. Retrieved 393:. Retrieved 379: 358: 349: 334: 329: 327: 322: 318: 314: 310: 308: 300: 296: 292: 290: 272: 270: 267: 258:Ron DeSantis 251: 243: 239: 234: 232: 222: 220: 217:Major themes 212: 204: 200: 196: 187: 175: 168: 156: 149: 143: 130: 129: 128: 121: 82:Orbit Books 606:Categories 395:2024-03-29 371:References 151:Provenance 140:Ann Leckie 134:is a 2023 93:6 Jun 2023 38:Ann Leckie 586:. Tor.com 287:Reception 227:Austenian 138:novel by 78:Publisher 389:Archived 171:sentient 44:Language 563:. Locus 470:. Paste 416:. Locus 363:emself. 277:pronoun 191:adoptee 47:English 52:Series 34:Author 590:6 Nov 567:6 Nov 544:6 Nov 522:6 Nov 500:6 Nov 474:6 Nov 448:6 Nov 420:6 Nov 341:Notes 315:Locus 311:Locus 264:Style 223:Locus 98:Pages 70:Genre 592:2023 569:2023 546:2023 524:2023 502:2023 476:2023 450:2023 422:2023 165:Plot 107:ISBN 608:: 484:^ 458:^ 430:^ 404:^ 260:. 180:, 161:. 154:. 594:. 571:. 548:. 526:. 504:. 478:. 452:. 424:. 398:. 65:5

Index


Ann Leckie
Orbit Books
ISBN
9780316289719
science fiction
Ann Leckie
Imperial Radch
Provenance
Hugo Award for Best Novel
sentient
Ancillary Mercy
artificial intelligences
adoptee
pocket dimension
Austenian
gender identity
Ancillary Justice
Ron DeSantis
pronoun
nonbinary genders
Berkeley Fiction Review
"2024 Hugo Awards"
Archived


"Russell Letson Reviews Translation State by Ann Leckie"


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