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to chapter with grace and ease. Transitions in fiction also refer to how the trajectory of characters changes according to the various factors that affect them. The spatial and temporal changes affecting the characters help in the plot development. This shift can also denote a parallel transition
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and keep narratives engaging. The "but and therefore" rule consists of an approach of replacing the words “and then” with “but" and "therefore” in a story. Thus, because all events become portrayed as challenges and solutions, the narrative has tension, and thus becomes engaging. The "but and
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therefore" rule applies for all transitions between scenes as well as transitions between actions and reactions within scenes.
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that may be used to signal various changes in a story, including changes in time, location,
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Between the Lines: Master the Subtle
Elements of Fiction Writing
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Transitions in fiction may take any of several forms, including
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that takes place regarding the state of mind of the character.
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Make a Scene: Crafting a
Powerful Story One Scene at a Time
214:"What is the But and Therefore Rule in Screenwriting?"
47:. Transitions are sometimes listed as one of various
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84:Screenwriters Trey Parker and Matt Stone created
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23:are words, phrases, sentences, paragraphs, or
63:flow as a story shifts in time, location, or
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88:to create transitions that eliminate
274:The Marshall Plan for Novel Writing
59:Transitions provide for a seamless
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212:Scripts, Industrial (2022-11-22).
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128:Transition (linguistics)
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29:point-of-view character
358:Rosenfeld, JE (2008).
49:fiction-writing modes
402:Fiction-writing mode
270:Marshall, E (1998).
329:Polking, K (1990).
239:, 2008, p. 258-265.
218:Industrial Scripts®
362:. Cincinnati, OH:
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300:Morrell, JP
251:, 1998, p.
198:, 2021, p.
182:, 2006, p.
154:, 2006, p.
25:punctuation
17:Transitions
386:Categories
263:References
223:2023-01-05
80:Techniques
237:Rosenfeld
139:Footnotes
61:narrative
302:(2006).
249:Marshall
117:See also
105:breaks,
392:Writing
366:Books.
341:Books.
312:Books.
282:Books.
200:163-170
180:Morrell
168:Polking
152:Morrell
133:Writing
103:chapter
73:chapter
55:Purpose
41:emotion
21:fiction
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196:Mathew
109:, and
43:, and
253:137-8
184:281-2
156:281-2
97:Types
69:scene
368:ISBN
343:ISBN
314:ISBN
284:ISBN
45:pace
37:tone
33:mood
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