Tracey Emin - Knowledge

3059:, that her work revolves around class, sex and art itself. He writes that, "What she does do is present herself as culturally working class…She makes no attempt to engage in 'intellectual art speak' but sticks to unaffected everyday language," employing a strategy that doesn't place her in authority over her viewers or peers. However, her class background contradicts this tactic of equal understanding. Emin's mother until age seven owned a hotel in Margate, but bankruptcy and poverty ensued only when she broke up with Emin's father. While she may use street language, swear words, grammatical errors and misspellings to convey a primarily middle-class female experience, Emin now functions as a boss of her own art business and exists within the elite upper class. Her relationship with sex is a major theme and aspect of her work. Feminist writers have reviewed Emin's pieces as containing, "…no element of eroticism or titillation…unlike in Botticelli, Renoir or Klimt. Nor is it sexual fantasy or dreams, as we might find in surrealism, or the sex of the brothel featured so heavily in late 19th-century French art. It is real, everyday sex—as experienced by her, of course, but also by millions of other people". 3019:, north London. Pupils made the piece with her in Emin's style of sewing cut out letters onto a large piece of material. In 2004 the school enquired if Emin would sign the work so that the school could sell it as an original to raise funds. They planned to auction the piece for £35,000 for an arts unit, as it could not afford to display the large work. Emin and her gallery White Cube refused saying that it was not a piece of her art, therefore reducing its value, and requested it be returned. But Emin quickly came to an agreement with the school, where she paid £4,000 to create a perspex display box for the patchwork quilt to be showcased. Taking as her theme the title "Tell me something beautiful", Emin invited eight-year-olds to nominate their ideas of beauty and then to sew the keywords in felt letters on bright fabric squares. The resulting bold patchwork featured words such as "tree", "sunrise", "dolphin" and "nan". 2537:(1995) is a single-screen projection with sound, shot on Super 8. Duration: 6 minutes, 40 seconds. It was made in an edition of 10 and an edited transcript has been published by Tate. The film portrays the artist's early adolescence in Margate, where she grew up. The film begins with the title written across a wall, and then features a montage of views which are significant to Emin's past, including her school, the seaside and shops. The artist's voice narrates her story, opening with, "I never liked school / I was always late / In fact I hated it / So at thirteen I left." The video's final scenes show Emin's involvement in a local disco-dancing competition, in an attempt to escape to London to take part in the British Disco Dance Championship 1978. The last two minutes of the film consist of Emin dancing exuberantly around an empty studio with the song 2306:

too 'Timmy, Leo and Squashie posing beautifully for the camera'.As well as a small piece of card stuck onto a piece of blue wool which dangles making the shape of a handle below. A coloured photo of past photo of Emin holding a kitten standing next to her grandmother May Dodge sitting at a table in a Kitchen. A black and white photo of both Emin as a little girl and May Dodge her grandmother standing in a garden in the 1960s. A handmade scented pomander that resembles a doll that Emin's grandmother made. The relic made up of sections of soft knitted white cotton fabrics and lace gathered together over its scented stuffing and topped with a plastic doll's head. And lastly the hand written note by Emin herself in blue ink.

2050:(1994). Emin gave her readings sitting in the upholstered chair and "as she crossed the United States, the artist sewed the names of the places she visited – San Francisco, Los Angeles, San Diego, Las Vegas, Monument Valley, Detroit, Pittsburgh, New York – onto the front of the chair". Emin also posed in the chair for two of her photographic works (see Photography) while in Monument Valley, in the Arizona Desert. It is currently on public display at Pallant House Gallery until 6 March 2011 as part of the exhibition, 'Contemporary Eye: Crossovers', pallant.org.uk. Retrieved 6 May 2016. 1320:. The title is taken from her novel which has served as a catalyst for a series of works, created for a neoclassical house designed by Robert Adam in 1794. The exhibition also featured a series of embroidered texts and hand-woven tapestries which continued Emin's interest in domestic and handcrafted traditions. Emin herself has said that, "I called it that because I saw part of myself as drying and not there anymore and I wanted to question the whole idea of love and passion, whether love exists anymore...Why? Because I'm nearly 50, I'm single, because I don't have children." 1009: 532:). She graduated with a first class degree in Printmaking. Also, whilst at Maidstone college of Art, Tracey Emin encountered Roberto Navickas aka Roberto Navikas, a name which was later to feature prominently in her "tent". Emin however, mistakenly misspelled his name by dropping a C. Navickas used this error to promote two artworks of his own, some twenty odd years later when re-entering the art world. The works were titled "The Lost C of Emin: The Discovery" & "The Lost C of Emin: A Reliquary". (see tent below). 2807: 2468: 49: 3256: 3442:(2022), among the first paintings Emin made following her six-month recovery from cancer treatment, was sold by the artist in October 2022 at Christie's, to benefit the Tracey Emin Foundation, in support the work of TKE Studios, a subsidised professional artist's studios with an additional twenty residencies including a free arts educational program. The deeply personal large-scale canvas sold for £2,322,000 — a new record price for a painting by the artist. 842: 2326:. "Emin's work stands outside The Oratory, in Upper Duke Street just outside the Cathedral. The Roman Standard – which features a small bird on top of a four-metre high bronze pole – is a tribute to the city's famous symbol the Liver Bird. The sculpture was commissioned by the BBC as part of their contribution to the art05 festival and Liverpool's year as European Capital of Culture in 2008. Emin says the sculpture represents strength and femininity." 2552:

really something. I remember the first time someone asked me to grab their balls, I remember the power it gave me. But it wasn't always like that; sometimes they'd just cum, and then they'd leave me there, wherever I was, half naked." In the final scenes, the artist performs at a local dance competition and people begin to clap. A gang of men, "most of whom had sex with at one time or another" began to chant "slag, slag, slag".

3275:, stating "I'm simply not willing to pay tax at 50%", she is "very seriously considering leaving Britain", and suggests she will live in France. "The French have lower tax rates and they appreciate arts and culture." Emin has since denied that she intends to leave the country, stating that a journalist she spoke to previously exaggerated her comments, and that London is her home, and is the context in which she belongs. 2623: 2129: 1421: 1811:, in October 2014, discussed Emin's change of direction from conceptual pieces to painting and sculpture. Sooke claimed that although Emin was appointed Professor of Drawing at the Royal Academy in 2011, she has been taking drawing lessons privately for some years in New York, and that she had also been taking sculpture lessons for at least three years. Neither Emin or Jay Jopling have commented on the article. 688: 2454:). From the jury's assessment: 'With its immediate and visceral artistic approach it appears both intimate and majestic, vulnerable and grandiose. The title The Mother refers to a mature protector and the sculpture brings to mind the ubiquitous motifs of women and the nude in Munch's work. As a non‐idealised depiction of a woman made by a woman it can also be seen as a feminist statement.' 446: 761: 1861:(2000) show Emin with her "legs splayed on a red floor, clutching banknotes and coins to her crotch. Made at a time of public and financial success, the image connects the artist's desire for money and success and her sexual desire (her role as consumer) with her use of her body and her emotional life to produce her art (the object of consumption)", while 1865:(2000) pictures Emin lying alone in a bath. Both these works are examples of her using "large-scale photographs of herself to record and express moments of emotional significance in her life, frequently making reference to her career as an artist. The photographs have a staged quality, as though the artist is enacting a private ritual." 2763:(2001) was a video installation with a set consisting of a wooden birdhouse, a DVD (shot on Super 8), monitor, trestle, plants, wooden ladder. This installation has been exhibited at the Tate Britain in 2004 in their room dedicated to Emin's work and also White Cube in 2001. It was dedicated to her father, creating the bird house as 3068:

in." She felt there was no point in making art that someone had made decades or centuries before her, "I had to create something totally new or not at all". When asked by a reporter, when she decided that her life 'as Tracey Emin' was going to be her art, she replied '"I realised that I was much better than anything I'd ever made".

964:, had been mistakenly thrown out of a basement, owned by the craftsman who made the glass. The artwork was never collected by Moss and had therefore been stored for three years in the basement of a specialist artist used by Emin in the Spitalfields area. It was accidentally dumped when the craftsman moved. The term used in the work 1839:, a spectacular location on the southern border of Utah with northern Arizona, holding her book. Although it is open, it is not clear whether she is looking at the viewer or at the text in front of her. Emin gave her readings sitting in the chair, which she had inherited from her grandmother, which also became part of Emin's art, 838:

herself described the drawings, saying they "could be considered quite scrappy, fresh, kind of naïve looking drawings" and "It's pretty difficult for me to do drawings not about me and about someone else. But I have did have a lot of ideas. They're quite sentimental I think and there's nothing cynical about it whatsoever."

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likenesses were often produced and distributed in multiples as plaster casts could be taken from a bronze original. Death Masks were most usually made of male subjects. The red appliqué fabric on which Emin's bronze head is placed refers to the frequent use of quilting and embroidery in her work, associated with the

1131:. Emin spoke out angrily against what she perceived as a general public lack of sympathy, and even amusement, at the loss of the artworks in the fire. She commented, "I'm also upset about those people whose wedding got bombed last week , and people being dug out from under 400ft of mud in the Dominican Republic." 1584:] written with spelling mistakes intact in large capital letters alongside "forlorn figures surrounded by space, their outlines fragile on the page. Some are complete bodies, others only female torsos, legs splayed and with odd, spidery flows gushing from their vaginas. They are all accompanied by the legend 1245:, contemplating her role within the Royal Academy, the Academy's relationship to the contemporary art world, and her perspective, as an artist, on hanging and curating a gallery in the Summer Exhibition. She exhibited her famous "Space Monkey – We Have Lift Off" print at the 2009 Royal Academy Summer Exhibition. 3041:

Emin discusses sexism from the viewpoint of the being a female victim. Though Emin's subversion of feminine stereotypes, Sophie Lloyd in her article describes her work as, "… a change in perception of female sexuality that was in line with third-wave feminism, with women defining beauty and sexuality

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The death mask, which enjoyed a popular revival in the nineteenth century, was a method for preserving the final expression and physiognomy of the famous or infamous, largely based on the belief that facial features and proportion could explain personal attributes such as genius or criminality. These

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In the film, Emin describes leaving school at age 13 and spending her time on Margate's Golden Mile, dreaming and having sex. Sex "was something you could just do and it was for free". She was "13, 14" and having sex with men of "19, 20, 25, 26". In the film, the narration states: "It could be good,

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in Los Angeles' Beverly Hills included brand new sculpture works described by Emin as, "some very strange little sculptures. They are nearly all of animals, apart from one, which is a pineapple. They rest on mini-plinths made in a really brilliant LA, beach, California, Fifties surfer kind of style.

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written in orange-red letters across the banner made up of hand-sewn swimming sperm. Tracey Emin's flag, at 21 feet by 14 feet, flew above the Jubilee Gardens in the British capital until 31 July 2007, with the parliament building and the London Eye as backdrops. Emin called the artwork "a flag made

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in protective clothing walking through a minefield in Angola. Another work was a delicate sketch of a rose drawn next to the phrase "It makes perfect sence to know they killed you" (with Emin's trademark spelling mistakes) referring to the conspiracy theories surrounding Princess Diana's death. Emin

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due to her involvement in "an attack on 800 boys and men in the Argentinian navy" and other women for example women who steals their friends' boyfriends, Emin says of this work "about the kind of women I hate, the kind of women I have no respect for, women who betray and destroy the hearts of other

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Emin frequently works with fabric in the form of appliqués – material (often cut out into lettering) sewn onto other material. She collects fabric from curtains, bed sheets and linen and has done so for most of her life. She keeps such material that holds emotional significance for later use in her

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collection, consisting of 20 monoprints with "archetypal themes in Emin's art: sex, her family, her abortions, and Margate". This series of monoprints was displayed for the first time from August 2008 at the Edinburgh based gallery as part of her first major retrospective, which has been called the

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movement in 1999. Childish, who had mocked her new affiliation to conceptualism in the early 1990s, was told by Emin, "Your paintings are stuck, you are stuck! – Stuck! Stuck! Stuck!" (that is, stuck in the past for not accepting the YBA approach to art). He recorded the incident in the poem, "Poem

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In January 2008, Emin went to Uganda where she had set up the brand new "Tracey Emin Library" at the rural Forest High School. She explained in her newspaper column, "Schools here don't have libraries. In fact, rural areas have very little. Most have no doctor, no clinic, no hospital; schools are

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sculptures, stating the "high percentage" of teenage pregnancies in the Kent town had inspired this latest work. Emin said her contribution would be different pieces placed around the town, "I'm going to be making very tiny bronze-cast items of baby clothing. It's baby clothes that I have found in

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encompasses five condiments separately framed and mounted to the wall in the exhibition. Consisting of A handwritten page of manuscript, two relics and lastly two photographs. From left to right it views: Pasted onto a small paper doily is a magazine cut out of three kittens along with the caption

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I don't like it at all… I don't really want to talk about it. If your wife was stalked and hounded through the media by someone she'd had a relationship with when she was 18, would you like it? That's what happened to me. I don't find it funny, I find it a bit sick, and I find it very cruel, and I

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While studying painting at the Royal College of Art Emin became disenchanted with the art of painting, "the idea of being a bourgeois artist, making paintings that just got hung in rich people's houses was a really redundant, old fashioned idea that made no sense for the times that we were living

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for audiences and interviewers alike. She has been as saying that, "By realizing how separate I was from it, I separated myself from the bed. I wasn't there any more." This notion of a female using the domestic space and then removing herself from the environment, thus confronting stereotypes and

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Art critic John Slyce, who has worked on school collaborations with artists, supported Emin and White Cube's decision saying, "This is a horrific precedent for the school to try to set. They were lucky to have an artist of that stature spending that amount of time with them ... the artwork should

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included Emin in a piece about artists who are "Originals", with a new photograph with two sculptures, one of a small bird on a thin stand and a large seagull, both sculptures placed on wooden plinths. Gagosian further described the many different sculptures from the show as, "a group of delicate

1716:. Simon Wilson, spokesperson for the Tate, commented that Emin included the set of tiny Berlin watercolours "as a riposte to the accusation that there are no paintings" in the Turner Prize exhibitions. The bath theme seen in these watercolours was later revisited by Emin in her photographic work 1162:

for the exhibition. She produced new work especially for the British Pavilion, using a wide variety of media – from needlework, photography and video to drawing, painting, sculpture and neon. A promotional British Council flyer included an image of a previously unseen monoprint for the exhibition

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Andrea Rose, the British Pavilion commissioner, added to this commenting on the art Emin has produced, "It's remarkably ladylike. There is no ladette work – no toilet with a poo in it – and actually it is very mature I think, quite lovely. She is much more interested in formal values than people

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for many years, where she has offered for auction bespoke artworks and also drawing lessons with the artist. In December 2006, her lot raised £14,000 for a one-on-one drawing lesson, over champagne and cake, with the artist. The following year, in December 2007, her lot raised £25,150 for their

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In September 2008 she unveiled a neon work that was "installed in the well of the cathedral" Emin herself says of her continuing relationship of making public sculptures in the town, "When Liverpool is Capital of Culture in 2008, I'll be making a large work for the Anglican Cathedral, which I'm

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Often they incorporate text as well as image, although some bear only text and others only image. The text appears as the artist's stream of consciousness voice. Some critics have compared Emin's text-only monoprints to ransom notes. The rapid, one-off technique involved in making monoprints is

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There was considerable media attention regarding the apparently trivial and possibly unhygienic elements of the installation, such as yellow stains on the bedsheets, condoms, empty cigarette packets, and a pair of knickers with menstrual stains. The bed was presented as it had been when she had

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In the film, the natural beauty of the sea and the sunsets is connected to Margate's manmade pleasures. The film is scored with a selection of 1970s songs that were the soundtrack to the artist's own adolescence. It was shot during the summertime in Margate and London in England, as well as in

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of women, which challenges masculine frameworks of history and art history. Emin, whose work is often based on images of herself, once commented "It is like they have seen my art by seeing me". In this work she offers herself in perpetuity as an enclosed specimen or museum display, literally

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says the following about Tracey's work: "In her art she tells all, all the truths, both awful and wonderful, but mostly awful, about her life. Physical and psychic pain in the form of rejection, incest, rape, abortion and sex with strangers figure in this tale, as do love, passion and joy."

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Emin's monoprints are rarely displayed alone in exhibitions, they're particularly effective as collective fragments of intense emotional confrontation. Emin has made several works documenting painful moments of sadness and loneliness experienced when travelling to foreign cities for various

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consisted of work from all aspects of Emin's art practice, revealing facets of the artist and her work that are frequently overlooked. The exhibition included painting, drawing, photography, textiles, video and sculpture, with rarely before seen early works alongside more recent large-scale

400: – a readymade installation, consisting of her own unmade dirty bed, in which she had spent several weeks drinking, smoking, eating, sleeping and having sexual intercourse while undergoing a period of severe emotional flux. The artwork featured used condoms and blood-stained underwear. 237: 2392:

wood and jesmonite sculptures, which expand on the spirals, rollercoasters, and bridges of recent years. Others incorporate cast bronze figures – seagulls, songbirds, and frogs – or objects combining cement and glass, which are placed on tables or bundled bases made from found timbers."

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Her work has been analysed within the context of early adolescent and childhood abuse, as well as sexual assault. Emin was raped at the age of 13 while living in Margate, citing assaults in the area as "what happened to a lot of girls." Emin later said in an article she wrote for the

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might expect, and it shows in this exhibition. It's been revelatory working with her. Tracey's reputation for doing shows and hanging them is not good, but she's been a dream to work with. What it shows is that she's moved a long way away from the YBAs. She's quite a lady actually!"

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series (1998). These delicate, washed out but colourful watercolours include four portraits of Emin's face and were all painted by Emin in Berlin during 1998, adapted from Polaroids of the artist taking a bath. Each unique painting from this series share the same title,

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Rarely exhibited examples of monoprints gifted to friends and family of Emin form a niche but revealing body of work. These may show Emin's work in the most raw and uncensored from. Emin has gifted monoprints to individuals including her brother Paul Emin and the singer

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Tracey Emin is one of just two women professors to be appointed at London's Royal Academy of Arts since the Academy was founded in 1768. In February 2013, she was named as one of the 100 most powerful women in the United Kingdom by Woman's Hour on BBC Radio 4.

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At that time Sarah (Lucas) was quite famous, but I wasn't at all. Carl said to me that I should make some big work as he thought the small-scale stuff I was doing at the time wouldn't stand up well. I was furious. Making that work was my way at getting back at

1652:(2005) which were from a series of monoprints drawn directly onto the USA Mondrian hotel stationery. Emin herself has said, "Being an artist isn't just about making nice things, or people patting you on the back; it's some kind of communication, a message." 1275:(1996). The show displayed her unique appliquéd blankets, paintings, sculptures, films, neons, drawings and monoprints. The Scottish National Gallery of Modern Art was the only UK venue for the show which then went to the Centro de Arte Contemporáneo in 723:, which was first exhibited in the show. It was a blue tent, appliquéd with the names of everyone she has slept with. These included sexual partners, plus relatives she slept with as a child, her twin brother, and her two aborted children. 3998: 2897:(2003). Counter Editions, Cyprus/London, with author appearing as Tracey Karima Emin, limited edition, stamped on back cover. Brought together an ancient Arabic poem and a series of photographs taken around the northern part of Cyprus. 2600:

as being "about the moment of... understanding that you are walking into an adult world which means sex, which means often violence, which means that you may suddenly have some perspective on your own life that you never had before."

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Emin had previously been invited to include works at the R.A. Summer Exhibitions of 2007, 2006, 2005, 2004 and 2001. For 2004's Summer Exhibition, Emin was chosen by fellow artist David Hockney to submit two monoprints, one called

2785:(2005) was another large-scale installation, part of Emin's 2005 solo show at White Cube. Emin created a large rollercoaster track with reclaimed timber and metal. Displayed in the same show was a smaller installation work called 3332:

In 2007, London's Royal Academy of Arts elected Tracey Emin as a Royal Academician and four years later, the Academy appointed Emin a Professor of Drawing. The University of Kent also awarded Emin an honorary doctorate in 2007.

1567:, Emin said, "It's not cute affectation. If I could spell, then I would spell correctly, but I never bothered to learn. So, rather than be inhibited and say I can't write because I can't spell, I just write and get on with it." 415:

in London (2005) about the links between creativity and autobiography, and the role of subjectivity and personal histories in constructing art. In December 2011, she was appointed Professor of Drawing at the Royal Academy; with

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perfectly suited to (apparently) immediate expression, as is Emin's scratchy and informal drawing style. Emin frequently misspells words, deliberately or due to the speed at which she did each drawing. In a 2002 interview with

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In 2023 Tracey Emin opened TKE Studios in Margate housing affordable spaces for professional artists to work (TKE Studio Members), as well as the ‘Tracey Emin Artist Residency’ (TEAR) programme. TKE Studio Members include

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at White Cube which was mainly a drawings show. Emin said in an interview that "We actually looked at about 2000 drawings and then chose 1000 drawings ... I'd probably done, over that period of time about 4000 drawings".

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and was broadcast live. Emin said she was drunk, slurred and swore before walking out. From the interview: "Are they really real people in England watching this programme now, they really watching, really watching it?"

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taboos in a confessional work was a controversial event. Feminists critics have described Emin as using the historical notion of the bedroom and its importance for female experiences, as a site for crude intervention.

2745:(2005) made up of fabric hung off wooden and metal coat hangers and stands was a later creation for Emin. Both these installations touch further on Emin's relationship with pregnancy and abortion and can be related to 933:'s country estate Ashcombe and has been described by the singer, "Tracey is intelligent and wounded and not afraid to expose herself," she says. "She is provocative but she has something to say. I can relate to that." 1051:

Emin and Childish had remained on friendly terms up until 1999, but the activities of the Stuckist group offended her and caused a lasting rift with Childish. In a 2003 interview, she was asked about the Stuckists:

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Different woods put together in cute pattern formations. In some places the wood is 18th-century floorboards, some bits of cabin from tall ships or things which could have been found on the seashore – driftwood."

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Emin withdrew the film from general distribution in cinemas after it was rated with an 18 certificate. It was broadcast on BBC3 television in the UK in December 2004, and a DVD of the film was released in 2004.

2592:(2004), a feature-length non-fiction production mixing DV footage and Super 8 film into a montage. The title, "Top Spot", refers to a youth centre/disco in Margate, as well as being an explicit sexual reference. 870:

This was the inaugural exhibition for the gallery which displayed a variety of Emin works from a large blanket, video installations, prints, paintings and a number of neon works including a special neon piece

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had always been "a big supporter of my work". An exhibition catalogue included 50 illustrations: "a compilation of images and writings reflecting her life, her sexual experiences and her desires and fears."

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Emin's latest project, commissioned by Oslo Municipality Art Programme, is a 7-metre-tall bronze sculpture, The Mother, to be unveiled on Museum Island, outside the new Munch Museum, when it opens in 2020.

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on their own terms." By narrating such harrowed and tortured memories, Emin uses vulnerability to tell not only her own struggles, but the struggles that many women may face while finding themselves.

2851:(1994). Limited edition, 200 copies, signed inside, with two original colour photographs, provided in a hand-sewn white cloth bag with the two coloured cloth letters "TE" hand sewn in various colours. 1760:

exhibition at White Cube. Other works were nude self-portrait drawings. Emin was quoted as saying, "For this show I wanted to show that I can really draw, and I think they are really sexy drawings."

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Emin does not overtly appear as a feminist artist, nor does she believe so herself. In an interview with Schirn Kunsthalle Frankfurt, Emin stated that she is a feminist, but not a feminist artist.

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An autobiographical short story covering Emin's conception through her life at age 13. Re-released in 2003, in an edition of 1000 by Counter Editions, though without the photographs and cloth bag.

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exhibition in Los Angeles' Gagosian gallery from 2 November 2007, described in a recent interview as an 'exhibition of sculpture and painting'. A number of new paintings were on display including

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Her most commonly auctioned sculptural works are phrases in her own handwriting set in neon, usually issued in editions of three, with two artist's proofs. In 2011, British Prime Minister

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wrote: "Her latest writings are painfully honest, and certainly some of it should have been edited out by someone who loves her." Emin's editor for Strangeland was the British novelist

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in 1997. Andrea Rose, the commissioner for the British Pavilion, stated that the exhibition would allow Emin's work to be viewed "in an international context and at a distance from the

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it consisted of a sculpture of four meerkats "as a symbol of unity and safety" as "whenever Britain is in crisis or, as a nation, is experiencing sadness and loss (for example, after

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On 29 March 2007, Tracey Emin was made a Royal Academician by the Royal Academy of Arts. In becoming a member of the Royal Academy Emin joined an elite group of artists that includes

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In response to the question "oes society sufficiently value women artists?", Emin answered, "No. Of course not. But it's changing slowly. We probably just need another 200 years."

8713: 6748: 6372: 8663: 8689: 3186:'s annual glamorous White Tie & Tiara Ball to raise money for The Elton John AIDS Foundation. The piece of artwork sold for £800,000. Also in June 2007, Emin's neon work 8094: 7078: 6797: 239: 8409: 7017: 5519: 4755: 3418:

would sell between 800,000 and 1.2 million pounds. Before the sale, Emin said that "what I would really love is that someone did buy it and they donated it to the Tate."

9935: 4972: 8622: 8327:"Artists flinch at 'honour' of hanging in Tory offices – Culture minister Ed Vaizey says he ruffled feathers after selecting contemporary artworks to adorn Westminster" 5650: 2322:. It consists of a small bird perched on a tall bronze pole, and is designed so that the bird seems to disappear when viewed from the front. It was commissioned by the 2046:

Emin used the chair on a trip Emin made to the United States in 1994. Driving from San Francisco to New York stopping off along the way to give readings from her book,

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and those experiences led her to destroy all the art she had produced in graduate school and later described the period as "emotional suicide". Her influences included

5923: 3702: 543:, who asked her, "Which person do you think has had the greatest influence on your life?" She replied, "Uhmm... It's not a person really. It was more a time, going to 8156: 8039: 2288:(2004) included a plaster cast inside a vitrine, kept by the artist after she broke her leg, exhibited alongside a C-print photograph of the artist wearing the cast. 3171:. She frequently donates original artworks for charity auctions, and has often adopted the role of auctioneer on the charity night to help increase the highest bid. 3633: 3147:

In December 2023, Emin was travelling from Australia to Thailand on the way back to the United Kingdom, when she experienced complications from an operation on her

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A poster she photocopied and put up around her home when her cat Docket went missing became an object collected by people, but was excluded by Emin from her canon.

2572:(1997), an autobiographical work in which Emin narrates her story from childhood in Margate, through her student years, abortions and destruction of her early work. 2426:

The contenders were commissioned to produce a scale model of their idea. On 6 January 2008, it was revealed Emin's proposal was a lifesize model of a group of four

1352:, at the Royal Academy of Arts. Emin selected 19 pieces of Munch's work to be displayed alongside 25 pieces of her own. Simultaneously, she had a show at London's 229: 9905: 4803: 4052: 1790:(2007), as part of White Cube's stand at the Frieze Art Fair in London's Regent's Park on 10 October 2007. More new paintings are expected to be shown in Emin's 3838: 2911:. Emin's memoir, divided into three sections ("Motherland", "Fatherland" and "Traceyland"), written in the first person, and conveying her life from childhood. 2363:

sculptures, tall wooden towers consisting of small pieces of timber piled together, a new small bronze-cast sculpture work of a child's pink sock was revealed

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For the June 2008 Summer Exhibition, Emin was invited to curate a gallery. Emin also gave a public talk in June 2008 interviewed by art critic and broadcaster

960:. In 2004, it was reported that this unique piece had been discovered dumped in a skip in east London. The piece, consisting of neon tubing spelling the words 8066: 5423: 1539:

are a well documented part of her creative output. These unique drawings represent a diaristic aspect and frequently depict events from the past for example,

8326: 3615: 2103:(2005) with the phrase (monoprint on fabric), "I think my Dad should have gone out with someone older like Louise, Louise Bourgeois". She was interviewed by 585:, which is in the Royal College of Art Collection. Additionally, a series of photographs from her early work that was not destroyed was displayed as part of 7141: 5736: 1876:(2000) are a diptych although they are often exhibited and sold separately. They depict a naked Emin on her knees inside her beach hut which she and friend 1371:. Emin had suffered from cancer in the year before the exhibit, and was unsure whether she would be able to see it herself. The exhibition travelled to the 1290:(2005) comprises a 13-foot-tall (4.0 m) bronze pole, surmounted by a little bird, cast in bronze. The work has an estimated value of at least £75,000. 2395:

In late November 2007, it was announced that Emin was one of six artists to have been shortlisted to propose a sculpture for the fourth plinth in London's

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in November 2006. Emin showed Wark some work-in-progress, which included large-scale canvases with paintings of Emin's legs and vagina. Starting with the

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in London. In the same year, she gained considerable media exposure when she swore repeatedly when drunk on a live British TV discussion programme called

9945: 6495: 1190:(2004) acrylic watercolour series with their strong purple brush strokes depicting Emin's naked open legs, leading to Emin's paintings in 2005-6 such as 7123: 5593: 4922: 1336:

Olympic and Paralympic Games, one of only 12 British artists selected. On 19 July 2012, Emin carried the Olympic torch through her hometown of Margate.

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for 2.5 million pounds, including buyer's commission, once again to benefit the Saatchi Gallery's foundation. It was estimated that the price of

2559:, Emin commented on the incident: "I don't see why I was such a slag. All I did was sleep with a few people. It's not a crime, I didn't kill anyone." 9895: 5457: 4377:

Fanthome, Christine (2006). "The Influence and Treatment of Autobiography in Confessional Art: Observations on Tracey Emin's Feature Film Top Spot".

3361: 3240: 1850:(1996) documenting a painting performance Emin made in a room specially built in Galleri Andreas Brändström, Stockholm. Another photographic series, 278: 34: 7169: 6702: 6669: 5205: 6156: 5304: 3771: 3491: 3390:(1998) for £150,000 ($ 248,000) from Lehmann Maupin's "Every Part of Me's Bleeding," the exhibition that won the artist a nomination for the 1999 2043:, handwritten onto fabric, is appliquéd together with other dictums such as, "It's not what you inherit. It's what you do with your inheritance". 9048: 7601: 5555: 5253: 4632: 3857: 3668: 2605:

was given an 18 certificate by the British Board of Film Classification, much to Emin's dismay, as she intended the film for a teenage audience.

2367:(2007) on display on the steps of the British Pavilion. Her exhibition again attracted widespread UK media coverage, both positive and negative. 1218:, Peter Blake, Anthony Caro and Alison Wilding. Her Academician status entitles Emin to exhibit up to six works in the annual summer exhibition. 7216: 1367:

in Oslo, with Emin being the first artist to show alongside the Norwegian painter. Works included recent paintings, as well as her seminal work

312:; born 3 July 1963) is an English artist known for autobiographical and confessional artwork. She produces work in a variety of media including 8593: 5380: 4841: 2655: 2161: 1453: 8379: 5909: 5481: 2438:'s funeral), the next programme on television is 'Meerkats United.'" The successful proposal were announced in 2008 as Gormley, whose project 9393: 5006: 1115: 937:, a childhood inspiration of Emin's, also became friends with the artist. Bowie once described Emin as "William Blake as a woman, written by 734:

at the Royal Academy; it then toured to Berlin and New York. It, too, was destroyed by the fire in Saatchi's east London warehouse, in 2004.

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She incorporated stones and rocks which had been thrown through her window in a mixed media piece in her 2005 show. The work consists of a

1230:(1995), as that year's theme celebrated the art of drawing as part of the creative process, while 2007 saw Emin exhibit a neon work called 6513: 5677:"Press release dated 5 November 2008 'Tracey Emin Gifts Major Sculpture as Visitors Have a Last Chance to See Record Breaking Exhibition'" 5500: 4905: 2919:. This book also attracted considerable media coverage, and Billy Childish publicly questioned some of its accounts in newspaper articles. 2092:'s annual glamorous White Tie & Tiara Ball to raise money for The Elton John AIDS Foundation. The piece of artwork sold for £800,000. 9900: 9885: 9875: 8710: 8571: 6840: 5535: 4587: 3307:

In April 2014, Emin, who has a home and studio in Spitalfields, publicly called to save an East London newsagent who faced eviction from

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solo show of that year. Consisting of reclaimed wood and steel, Emin created a wooden "look-out" house upon a long, broken, wooden pier.

1827:(1995) which resulted "from a trip Emin made to the United States in 1994. She and her then boyfriend, writer, curator and gallery owner 1663:. As the title suggests, the book contains 1000 drawings of Emin's career since 1988. The book was released to coincide with Emin's show 6745: 6369: 5285: 4612: 4313: 4274: 1390:

An exhibition of Emin's work produced post-cancer diagnosis began on May 24th 2024 and will continue until July 27th. The show includes

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few and far between. Education cannot afford to be a priority, but it should be... I think this library may be just the beginning."

2029:, referring to the passing of time. An exchange between the artist and her grandmother using the nicknames they had for each other: 8818: 8686: 7670: 7237: 7069: 3430: 1671:

Monoprint drawings of mothers and children that Emin drew during a pregnancy in 1990 were included in a 2010 joint exhibition with

6078: 5327: 4673: 8546: 7051: 3311:, after 22 years in business. She started a petition to save newsagent Ashok Patel's business, which was signed by 1,000 people. 2631: 2137: 1628: 1429: 1283: 1261: 494: 8406: 8299: 4749: 9880: 9870: 3975: 3795: 3227:. The work sold for a record price $ 220,000, which was much higher than the guide estimates of between $ 60,000 and $ 80,000. 2247:

in her work from the early use of a cigarette box found in a car crash in which her uncle died. The most well known example is

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is a recurring theme of Emin's to describe those dear to her, her loved ones. Other examples can be seen in a monoprint called

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The needlework which is integral to this work was used by Emin in a number of her other pieces. This piece was later bought by

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appeal offering a special unique drawing of the highest bidder's pet embroidered onto a cushion in Emin's trademark style.

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Emin's use of fabric is diverse, one of her most famous works came from sewing letters onto her grandmother's armchair in

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works in total, six of which were shown at the Biennale. These were accompanied by two canvases of a similar style called

1735:(2004) acrylic watercolour series of purple brush strokes depicting her naked open legs, and leading to paintings such as 1503: 9910: 9041: 8974: 7822: 7034: 6275: 4074: 3641: 7750: 6794: 4474: 2677: 2183: 1475: 5695: 4536: 4258: 2741:(2001) which was made up of two hanging frames, hospital gowns, a water bottle and wire. A similar installation called 1915:(2001) which consists of those words in blue neon inside a neon heart-shape. Another neon piece is made from the words 8229: 5395: 4049: 3344:

for services to the arts. In February 2013, she was named one of the 100 most powerful women in the United Kingdom by

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newspaper in February 2007 with the same title. Goss and Michael (died 25 December 2016), acquired 25 works by Emin.

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Emin is well known for her charity work; she has raised over a million pounds for children's charities such as the

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is also an installation piece that displays relics of personal items significant to Emin. It was exhibited at the

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announced that they had chosen Emin to produce a show of new and past works for the British Pavilion at the 52nd

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Remes, Outi. "After Bad Taste: Tracey Emin's Work on Abortion and Other Confessions" in Harris, Jonathan (ed.),

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exhibition in September 2007 at their Dallas-based museum, the Goss-Michael Foundation (formerly Goss Gallery).

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The large-scale exhibition included the full range of Emin's art from the rarely seen early work to the iconic

575: 520:. Emin and Childish were a couple until 1987, during which time she was the administrator for his small press, 7577: 6492: 6448: 4562: 7116: 6636: 5150: 4930: 3893: 3526: 2691: 2197: 1953:

reached the highest price ever made for one of her neon works of over £60,000. A brand new neon piece called

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said “It captures that sense of loneliness I've struggled to put into words, and left me emotionally spent".

587: 145: 7932: 6227: 3581: 3406:(2002) sold for $ 778,900, establishing a new record for the artist. At another Christie's auction in 2014, 2374:

Triennial which took place in the Kent town from June until September 2008. In June 2008 Emin discussed the

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is a well documented friend of Emin whose own paintings are inspired by Emin's work. In 2004 Emin presented

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Video footage and interview with Emin from The Blue Gallery exhibition is included in the 1999 documentary

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along with a voice overed narration of her saying 'Shane, Eddy, Tony, Doug, Richard this one's for you'.

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in pencil by the artist. In 2006 the same image was released as a limited edition etching, but renamed as

794:, jumped onto the bed with bare torsos to "improve" the work, which they thought had not gone far enough. 9970: 8975:

Film about joint 2010 exhibition with Paula Rego and Mat Collishaw at the Foundling Museum – The Guardian

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Emin has made a large number of smaller-scale works, often including hand sewn words and images, such as

246: 7849:"Tracey Emin, Sarah Lucas & Rachael Whiteread: Did feminism feature as a part of Young British Art?" 7773: 6667:

The image of the neon is being used in publicity surrounding the forthcoming exhibition of new Emin work

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Taken from the British Council flyer to promote the 52nd International Art Exhibition in Venice Biennale

5250: 2673: 2179: 1831:, drove from San Francisco to New York, stopping off along the way to give readings from her 1994 book, 1595:

series which document Emin's childhood memories of sexual awakening and other experiences growing up in

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remain in context with the kids. Children's primary experience of art should not be as a commodity."

1551:(1995), which relate to a traumatic experience after an abortion or other personal events as seen in 875:(2007) which was the centrepiece of the exhibition, developed by Emin after she wrote an article for 791: 505:

that she had "no memory of being a virgin", citing numerous times she was raped as a young teenager.

420:, she is one of the first two female professors since the Academy was founded in 1768. Emin lived in 8504: 8248: 6950: 6921: 6585: 6560: 5454: 9803: 9575: 9196: 7641: 5478: 5033: 3320:

expressing their hope that Scotland would vote to remain part of the United Kingdom in September's

2636: 2142: 2013:(2004), part of the Tate's collection of Emin's work, is a large-scale blanket inspired in part by 1640:

set was exhibited in Los Angeles in November 2007 as part of Emin's solo show at Gagosian gallery.

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Tracey Emin RA in Conversation with Matthew Collings – Evening lectures – Exhibitions & events

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from wishful thinking". The flag was commissioned by the South Bank Centre in London's Waterloo.

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Tracey Emin "Space Monkey – We Have Lift Off" Summer Exhibition 2009 – Exhibitions & events

5225: 2789:(2005) which consisted of a tin bath, bamboo, wire and neon light. Another related installation 1147:

in 2007. Emin was the second woman to produce a solo show for the UK at the Biennale, following

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Remes, Outi. "Replaying the Old Stereotypes into an Artistic Role: the case of Tracey Emin" in

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Teeman, Tim. "Get into Bed with Tracey Emin for $ 2 Million: The Sale of a British Art Icon."

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reached the highest price ever (at that time) made for one of her neon works of over £60,000.

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In September 2007, Emin announced she would be exhibiting new sculpture work in the inaugural

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On 13 April 2007, Emin launched a specially designed flag made out of fabric with the message

1202:(2006) amongst others, these works were a significant new development in her artistic output. 661:

to New York, and making stops en route where she gave readings from her autobiographical book

10005: 9763: 9605: 9539: 9287: 9186: 9057: 6898: 5776:"Tracey Emin goes back to her Margate roots but her art goes in an interesting new direction" 4795: 4616: 4518: 4282: 3698: 3365: 3341: 2416: 1372: 1152: 930: 919: 408: 372: 349: 345: 214: 7617: 6975: 6390: 5985:"The radical, ravishing rebirth of Tracey Emin: 'I didn't want to die as some mediocre YBA'" 5100: 5046: 4889:"Art World Superstar Tests Sensational, Confessional and Cultural Boundaries in Dallas Show" 3398:

London sale that raised a total of 3.1 million pounds ($ 5 million) in aid of the

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Emin's primary galleries are White Cube in London (since 1993), Lorcan O'Neill in Rome and

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from Paris, Brussels, and Amsterdam arrive at the station every day underneath the work.

1854:(1997), shows the artist trying on her friends' clothes offering up questions of identity. 1306:

installations. Emin made a new series of outdoor sculptures especially for this solo show.

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on a song called "Burning Up", released on an 18 track audio CD that accompanied the book

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Two years later, in 1999, Emin was shortlisted for the Turner Prize herself and exhibited

524:, which published Childish's confessional poetry. From 1983–86 she studied printmaking at 8: 9722: 9400: 9328: 8767: 8013: 6611:"The British Pavilion for the 56th International Art Exhibition – la Biennale di Venezia" 5814: 4888: 3754: 2698: 2319: 2204: 1807: 1496: 9671: 7701: 7667: 7241: 6129: 5833:"Turner Prize-nominated artist Tracey Emin calls Olympic torch run a surreal experience" 5125: 3223:, which helps women and children affected by HIV/AIDS in Africa. The auction was called 9793: 9231: 8463: 8177: 6765: 6086: 5885:"After fighting cancer, Tracey Emin returns to the art world with raw, emotional works" 5680: 5374: 5324: 4670: 4402: 4394: 4223: 3919: 3314:

In August 2014, Emin was one of 200 public figures who were signatories to a letter to

3212: 3129: 3102: 2912: 2793:(2005) consisted of painted reclaimed timber and a thin neon light across a dark wall. 2544: 2284:

of herself sitting on a chair with the stones lined up below the drawing in a vitrine.

2261:(1999). She revisited the theme of the bed in 2002, with the mixed media installation, 902: 681: 559: 460:

and Russell Wilkins at the Rochester Adult Education Centre 11 December 1987 to record

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For the Venice Biennale, she produced a series of new purple neon works, for example,

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stayed in it for several days, feeling suicidal because of relationship difficulties.

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and released as an aquatint limited edition in 1997. Emin created a nude drawing of

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Tracey Emin I Egon Schiele "Where I Want to Go" Exhibition at Leopold Museum Vienna

9020: 8979: 8937:(Liverpool: Liverpool University Press and Tate Liverpool, 2010), pp. 119–43; 8528:, released as part of a response from Charter Trustees of the Town of Margate to a 6188: 6108: 5178: 5022: 4386: 3729: 3244: 3141: 2916: 2746: 2396: 2383: 2347: 2096: 1752: 1680: 1242: 1148: 517: 461: 289: 198: 114: 6818: 6418:"Tracey Emin, The Last Great Adventure Is You, review: 'Emin goes back to school'" 4649: 3730:"Art, Memory and Autobiography: Tracey Emin, Christopher Bollas and Gillian Slovo" 3436:

In April 2014, Emin participated at The Other Art Fair for unrepresented artists.

3116:. The front cover depicts an aeroplane, drawn in Emin's scratchy monoprint style. 1767:

included large-scale canvases of her legs and vagina. A watercolour series called

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Emin's focus on painting has developed over the past few years, starting with the

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Inside the Death Drive Excess and Apocalypse in the World of the Chapman Brothers

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added an artwork with 'more passion' in neon by Emin in his private apartment at

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On 6 October 2011, Emin opened a site-specific exhibition at a Georgian house on

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in Brussels. In 2017, Emin and Lehmann Maupin ended their working relationship.

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newspaper reported in August 2010 that Emin is thought of as a supporter of the

3128:. She underwent an operation to remove her bladder and several adjacent organs ( 1899:

and have been mass produced as postcards sold in museum shops around the world.

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as a "thank you" to both the gallery and the city of Edinburgh. The work called

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series). Emin summed up her Biennale exhibition work as "Pretty and hard-core".

1175:(2007) that was on display (directly inspired by Emin's 2004 purple watercolour 9819: 9768: 9661: 9595: 9580: 9365: 9323: 9292: 9272: 9226: 9146: 9136: 9091: 8722: 8672: 8533: 8529: 6356: 6329: 5344: 3377: 3125: 3073: 3015:, to collaborate with children on an artwork at Ecclesbourne Primary School in 2510: 2439: 2435: 2404: 1993:

work. Many of her large-scale appliqués are made on hotel linens, for example,

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between August and November 2008 attracting over 40,000 visitors, breaking the

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just wish people would get on with their own lives and let me get on with mine.

1029: 945: 915: 889: 856: 806: 513: 457: 383: 133: 7906: 7795: 7447: 6514:"'The Last Thing I Said to You was Don't Leave Me Here II', Tracey Emin, 2000" 9854: 9778: 9676: 9651: 9585: 9524: 9338: 9267: 9221: 9201: 9166: 9151: 9106: 8912: 8753: 7266: 5996: 5366: 4848: 4588:"Tracey Emin, 'The Last Thing I Said to You was Don't Leave Me Here II' 2000" 3505: 3422: 3395: 3292: 3264: 3260: 3011:

In 2000, Emin was commissioned, as part of a scheme throughout London titled

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Other photographic works include a series of nine images comprising the work

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It was reported on 6 November 2008 that Emin gifted a major sculpture to the

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In 2009, Emin designed the album artwork for a release by singer/songwriter

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transforming herself into an object for the scrutiny of generations to come.

2337:(2002) which is a bronze cast of her own head. Emin loaned this work to the 1607:(1994). Emin further produced a set of monoprints detailing her memories of 9839: 9788: 9717: 9686: 9666: 9318: 9171: 9156: 9141: 9101: 9071: 8071: 5962: 5262: 4345:

Heartney, Eleanor; Posner, Helaine; Princenthal, Nancy; Scott, Sue (2013).

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Emin has produced many photographic works throughout her career, including

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One of the paintings that survive from her time at Royal College of Art is

571: 567: 548: 475: 421: 412: 391: 8433:"Celebrities' open letter to Scotland – full text and list of signatories" 8067:"Tracey Emin recovering in Thailand after her 'intestine nearly exploded'" 6276:"Video: Tracey Emin, Paula Rego and Mat Collishaw at the Foundling Museum" 4390: 4158: 3839:"Tracey Emin to auction work to fund Margate studios for emerging artists" 9707: 9641: 9565: 9529: 9379: 9343: 9282: 9181: 9176: 9116: 8547:"The King's Birthday Honours list 2024 in full - Manchester Evening News" 8478: 3598: 3411: 3351: 3236: 3151:, which she said "nearly exploded". She was subsequently hospitalised in 2104: 1976:

Emin stated that the work was a message to the rest of europe during the

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hangs below the large central clock in the station. In an interview with

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What's on?: Death Mask by Tracey Emin, npg.org.uk; accessed 10 May 2016.

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Emin has donated neon work to auction for charity and in 2007, her neon

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newspaper highlighted Emin's return to painting in their preview of her

1234:(2005). Her art was first exhibited at the Royal Academy as part of the 1092:

Emin commented that she decided to exhibit in Oxford as museum director

337: 48: 9727: 9610: 9474: 9333: 9236: 9206: 9131: 9076: 7642:"A£35,000 Tracey Emin quilt – but worthless if school tries to sell it" 6614: 4865: 3492:"Tracey Emin on life after cancer: 'I desire to be part of this world'" 3301: 3183: 3113: 3087: 2375: 2371: 2318:, a bronze sculpture, went on display outside the Oratory, adjacent to 2295: 2254: 2089: 1908: 1672: 1536: 1353: 949: 938: 897: 885: 860: 852: 841: 669: 623: 479: 6703:"Tracey Emin sends a message of love to rest of Europe via St Pancras" 1591:

Other key monoprints include a series from 1994 and 1995 known as the

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Other celebrities and musicians who support Emin's art include models

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who bought a number of Emin's works at charity auctions and pop band

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Tracey Emin makes her own crumpled bed and lies in it, on Merseyside

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In December 2020, Emin had a gallery exhibition containing works by

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in London, the Art Gallery of New South Wales in Sydney (2010), the

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In 1999, Emin had her first solo exhibition in the United States at

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Trying on Clothes From My Friends (She Took The Shirt Off His Back)

1825:

Outside Myself (Monument Valley, reading "Exploration of the Soul")

1559:(1995) which are both part of the Tate's collection of Emin's art. 1033: 1023: 1012: 654: 563: 464: 317: 8113:"Emin artwork goes for 25,150 as auction raises more than 100,000" 7896: 7257:(1982), 11 mins, 16 mm, written and directed by Eugene Doyen. 5013:, Independent.co.uk, 10 February 2001. Retrieved 25 February 2008. 4639:, University of Brighton, 3 December 2003. Retrieved 2 April 2006. 3954:. National Galleries of Scotland. 1 January 2008. pp. 20–21. 2451: 1069:

From November 2002 to January 2003, Tracey Emin's solo exhibition

263: 9457:

The Physical Impossibility of Death in the Mind of Someone Living

8605: 7881: 5859:"Tracey Emin / Edvard Munch | Exhibition | Royal Academy of Arts" 5800: 2844:

The following books or book chapters have been authored by Emin:

2442:

occupied the plinth in summer 2009 and Shonibare, and whose work

2427: 2095:

Emin's works on fabric has been related to other artists such as

1608: 1596: 1357: 900:, whose lead singer collects Emin's art, named their debut album 818: 642: 612: 508:

She studied fashion at Medway College of Design (now part of the

487: 471: 425: 313: 83: 7724: 6317:

List of Works in the Turner Prize 1999 brochure, Tate Publishing

3705:. Geological Society Lecture Theatre, Piccadilly. Archived from 3560: 952:

neon, Emin created a unique neon work for her supermodel friend

493:

Emin shares a paternal great-grandfather with her second cousin

9829: 9414: 8968: 8249:"Tracey Emin: Stuff your 50% tax, I'm taking my tent to France" 5583: 5093: 4717:"Still unmade ... Tracey Emin's My Bed is back at Tate Britain" 4475:"Tracey Emin, Sarah Lucas, 'The Last Night of the Shop 3.7.93'" 3837:

Sherwood, Harriet; Arts, Harriet Sherwood (22 September 2022).

3152: 3047: 2737:

Emin has created a number of installation art pieces including

2249: 1368: 1332:. She also produced a poster and limited edition print for the 1109:

storage warehouse in East London destroyed many works from the

1106: 775: 765: 742:

Emin was largely unknown by the public until she appeared on a

396: 175: 8897:(25th anniversary ed.). Köln: Taschen. pp. 100–103. 8794:"Tracey Emin Creates 'Affordable' Work for The Other Art Fair" 8282:"Tracey Emin: She's not about to leave Britain as a tax exile" 6300: 4344: 3662: 2777:(2002) was a large-scale installation created by Emin for her 2661:

from the article and its talk page, especially if potentially

2167:

from the article and its talk page, especially if potentially

1570:

Emin created a key series of monoprints in 1997 with the text

1459:

from the article and its talk page, especially if potentially

760: 445: 403:

Emin is also a panellist and speaker: she has lectured at the

7394: 5737:"Tracey Emin: Love Is What You Want, Hayward Gallery, review" 5636: 3858:"Tracey Emin to launch 'revolutionary' art school in Margate" 3178:, Emin donated a piece of artwork, a handsewn blanket called 3164: 2259:

The Last Thing I Said To You Is Don't Leave Me Here (The Hut)

2115:

about Louise Bourgeois, aired in the UK on 13 November 2007.

2084:, Emin donated a piece of artwork, a handsewn blanket called 1885:

The Last Thing I Said To You Is Don't Leave Me Here (The Hut)

1293: 1085:, and sculptures including a large-scale wooden pier, called 821:, while other monoprints included affectionate texts such as 676:

that she uprooted and turned into art in 1999 with the title

8594:"Tracey Emin Lured Buyers From Kate Moss to Charles Saatchi" 4613:"Minky Manky | Exhibitions | South London Gallery" 2859:—, Brown, Neal; Kent, Sarah & Collings, Matthew (1998). 1182:

Emin was interviewed about the Venice Biennale by the BBC's

8742:

to £99 Million Night." artnetnews 1 July 2014. 3 March 2017

3215:

2008, Emin donated a red, heart-shaped neon artwork called

1961:

exhibition in 2007 at the Gagosian Gallery in Los Angeles.

1605:

Illustrations from Memory, the year 1974. In The Livingroom

1375:

in London in 2021. Reviewing the exhibition for Londonist,

1323: 325: 295: 25: 8711:"Emin's Record Messy Bed Boosts Christie's London Auction" 8380:"Tracey Emin: I'm abused by other artists for voting Tory" 5761:

Garnett, Natasha. "Reformed Bad-Girl Artist Tracey Emin."

5586:"Emin gives £75,000 sculpture as thank-you for Scots show" 5556:"National Galleries of Scotland − What's On − Tracey Emin" 4563:"Monument Valley (Grand Scale), Tracey Emin 1995–7 | Tate" 3097:

In 2005, Emin compiled a CD of her favourite music called

2943:

Borrowed Light: the British Pavilion, Venice Biennale 2007

1309: 1301:

In May–August 2011, a major survey exhibition at London's

1226:(1997) and another on the topic of Emin's abortion called 752:. The show comprised a group discussion about that year's 637:, who had been an early friend of, and collaborator with, 8230:"Tracey Emin threatens to quit Britain over top tax rate" 6804:. telegraph.co.uk, June 2006. Retrieved 25 February 2008. 5910:"Tracey Emin / Edvard Munch - the Loneliness of the Soul" 5004:"Madonna: The most famous woman in the world interviewed" 4903:"$ 200m collection of British contemporary art for Texas" 3296:

she revealed that she voted for the Conservatives at the

2323: 1964:

In 2018 Emin's largest neon work was displayed at London

1580: 1256:

The first major retrospective of Emin's work was held in

1127:

and shared with her boyfriend of the time, the gallerist

1089:, with a wooden shack on top made from reclaimed timber. 1015:

use a cut-out of Emin in 2001 to demonstrate against the

301: 8687:"London contemporary sales put their best faces forward" 8661:"Tracey Emin's Bed Sells for Record $ 778,900 in London" 5944:"Tracey Emin / Edvard Munch: The Loneliness of the Soul" 5558:. Nationalgalleries.org. 9 November 2008. Archived from 5203:

Tracey Emin's This Is Another Place at Modern Art Oxford

5079: 3357:

Emin was made an honorary freewoman of Margate in 2022.

1783:

series, painted in 1990, had ever been shown in public.

1264:'s record for an exhibition of work by a living artist. 992:(2006). Emin's work was included in the 2022 exhibition 9023:. Interview with exhibition co-curator Diethard Leopold 8768:"Tracey Emin requests No 10 take down her neon artwork" 6250:"Latest UK & World News – Videos – Special Reports" 4099: 2989:(2011). A survey of work from Emin's major show at the 2979: 1113:, including Emin's famous tent with appliquéd letters, 8893:

Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).

8892: 8178:"Tracey Emin: 'I'm a much better artist after cancer'" 7018:"Sir Paul McCartney and Tracey Emin are Culture stars" 3856:

Khomami, Nadia; Arts, Nadia Khomami (6 January 2022).

3703:"Tracey Emin RA in Conversation with Matthew Collings" 3631: 2767:

and Emin thought of the works' title from the idea of

2582:

Sometimes the Dress Is Worth More Money Than the Money

1887:(1999). They are part of museum collections including 1874:

The Last Thing I Said To You Is Don't Leave Me Here II

1868:

Emin's two self-portraits taken inside her beach hut,

1048:, who knew them both, later coined the term Stuckism. 626:, a contemporary art gallery in London. It was called 8588: 8586: 8584: 8407:"Tracey Emin steps in to save Spitalfields newsagent" 7956:(London: Booth-Clibborn Editions/Candy Records, 1998) 5292:, Modern Art Oxford, 2002. Retrieved 3 February 2009. 5235:, Modern Art Oxford, 2005. Retrieved 1 February 2009. 4842:"Tracey Emin says her work is feminine, not feminist" 4450:

Art and Design: 100 Years at the Royal College of Art

3124:

In spring 2020 Emin was diagnosed with squamous-cell

3062: 1942:(2007) directly follows the watercolour lines of the 1870:

The Last Thing I Said To You Is Don't Leave Me Here I

1779:. The Venice Biennale was also the first time Emin's 1724:(2005) series. With all these works, Emin explores a 1691:(Yusuf Islam) with whom she shares Cypriot heritage. 653:. In 1994, they toured the US together, driving in a 562:

in painting. After graduation, she had two traumatic

304: 8881:(Minneapolis: University of Minnesota Press, 2006); 6676:, gagosian.com, November 2007. Retrieved 6 May 2016. 1248: 805:

drawings inspired by the public and private life of

696:

by Tracey Emin (1995). An interior view of the work.

547:, hanging around with Billy Childish, living by the 7774:"Tracey Emin: I'm Not Flaky And I Don't Compromise" 7058:, britishcouncil-venice.org. Retrieved 10 May 2016. 5584:Phil Miller, Arts Correspondent (6 November 2008). 4821: 4748:Kim Min Su and Stephen Mallinder (1 February 2010) 4296:Ltd, Hymns Ancient & Modern (1 December 2006). 3542:Ltd, Hymns Ancient & Modern (1 December 2006). 2257:to be displayed in a gallery. This work was titled 2099:, who Emin actually mentions in a sewn work called 1121:

The Last Thing I Said To You Is Don't Leave Me Here

678:

The Last Thing I Said to You is Don't Leave Me Here

298: 292: 9936:Dames Commander of the Order of the British Empire 8954:(Vol. 18, No. 4, September 2009), pp. 561–77. 8738:Milliard, Coline. "Christie's Rides Tracey Emin's 8581: 8505:"BBC Radio 4 – Woman's Hour – The Power List 2013" 8378: 8300:"ICorrect – The Universal Website for Corrections" 8014:"Tracey Emin reveals she has had cancer operation" 7635: 7633: 7370:"'Why I Never Became a Dancer', Tracey Emin, 1995" 7281:is discussed in an article on Childish's films in 7068: 7006:, LiverpoolCathedral.org.uk. Retrieved 6 May 2016. 6999: 6997: 6814: 6812: 6810: 6648: 6646: 6416: 6325: 6323: 6149: 6147: 6145: 5735: 5579: 5577: 5413: 4750:Tracey Emin media coverage vs. Cabaret Voltaire's 4347:The Reckoning: Women Artists of the New Millennium 4249:Kokoli, Alexandra; Cherry, Deborah (14 May 2020). 3772:Tracey Emin appointed as RA's Professor of Drawing 1703:exhibition in 1999, and also in her New York show 1339: 1077:and marked the museum's reopening and renaming to 622:In November 1993, Emin had her first solo show at 7677:, BBC, 30 March 2004. Retrieved 25 February 2008. 7627:, BBC, 28 March 2002. Retrieved 25 February 2008. 7608:, jeanettewinterson.com. Retrieved 28 March 2006. 6847:, BBC, November 2007. Retrieved 25 February 2008. 4837: 4835: 4775:Work illustrated on page 21 of Neal Brown's book 3697: 3362:Dame Commander of the Order of the British Empire 1384:By The Time You See Me There Will Be Nothing Left 1028:Emin's relationship with the artist and musician 611:, which sold works by the two of them, including 9852: 7395:"Tracey Emin: Why I Never Became a Dancer, 1995" 7298:. London: Thames and Hudson. 2002. p. 219. 7117:Comment taken from Tracey Emin's column for the 4970:Ronnie wood in Artists and Illustrators magazine 4075:"Tracey Emin: I was raped many times as a child" 3755:Tracey Emin to become Professor of Drawing at RA 3219:(2007) for a charity auction to raise money for 2757:(2007), a series of standing bronze sculptures. 2359:exhibition, as well as the central exhibition's 1363:The exhibition was re-shown at the newly opened 1171:newspaper featured a photo of a new purple neon 1167:(1994) that was included in the show, while the 1155:generation with which she came to prominence.". 813:held at The Blue Gallery, London. Works such as 8620:Tracey Emin and Lehmann Maupin no longer in bed 8519: 8351: 8246: 7931:. lehmannmaupin.com. 1 May 1999. Archived from 7630: 7015: 6994: 6807: 6643: 6320: 6269: 6267: 6142: 5574: 5198: 5196: 5194: 5192: 5056:, BBC, 9 June 2004. Retrieved 25 February 2008. 4680:, BBC, 26 May 2004. Retrieved 25 February 2008. 2576:Homage to Edvard Munch and all My Dead Children 2314:In February 2005, Emin's first public artwork, 633:In the mid-1990s, Emin had a relationship with 599:In 1993, Emin opened a shop with fellow artist 9906:Alumni of the University for the Creative Arts 6838:"Episode Guide: Louise Bourgeois, Spiderwoman" 6449:"'Monument Valley (Grand Scale)', Tracey Emin" 6414: 6139:, nationalgalleries.org. Retrieved 6 May 2016. 5763:WSJ: The Magazine from the Wall Street Journal 5510: 5343: 5266:, 12 November 2002. Retrieved 3 February 2009. 4832: 4537:"Catch of the day: the Zelig of the art world" 4202:Inc, Encyclopaedia Britannica (1 March 2012). 3968: 3582:Sensation at the Royal Academy of Arts, London 1576:There Must Be Something Terebley Wrong With Me 1064: 554:In 1987, Emin moved to London to study at the 9042: 8879:Sex Objects: Art and the Dialectics of Desire 8734: 8732: 8279: 8040:"Tracey Emin opens up about cancer diagnosis" 7688:"The Times – UK News, World News and Opinion" 7347:. London: Tate Publishing. 2006. p. 78. 7214:"Artists vie for Trafalgar plinth commission" 7070:"Teenage mothers inspire Tracey Emin artwork" 5696:"Tracey Emin: Love is what you want – review" 5693: 5545:, royalacademy.org.uk. Retrieved 10 May 2016. 5529: 5526:, royalacademy.org.uk. Retrieved 10 May 2016. 5507:, royalacademy.org.uk. Retrieved 10 May 2016. 4929:. London, UK. 2 November 2007. Archived from 4302:. Hymns Ancient & Modern Ltd. p. 20. 4208:. Encyclopaedia Britannica, Inc. p. 79. 3810:"Stop 5: Christ Church & Fournier Street" 1699:Emin displayed six small watercolours in her 1623:(1995). Other drawings from 1994 include the 1061:Childish left the Stuckist movement in 2001. 7320:"'Why I Never Became a Dancer', Tracey Emin" 6700: 6379:, ThisisLondon.co.uk. Retrieved 10 May 2016. 6264: 5815:"Tracey Emin to design 2012 Olympic posters" 5651:"Kunstmuseum Bern | Schweiz – Upcoming" 5189: 4979:, limelightagency.com. Retrieved 6 May 2016. 4248: 3836: 3727: 3338:Commander of the Order of the British Empire 3045:Emin openly discusses her 1998 installation 1728:quality of the "woman in a private moment". 512:) (1980–82). There she met expelled student 8642: 8640: 8324: 7929:"Tracey Emin – Every Part of Me's Bleeding" 7471:"JONATHAN ROMNEY ON TRACEY EMIN'S TOP SPOT" 6951:"'May Dodge, My Nan', Tracey Emin, 1963–93" 6922:"'May Dodge, My Nan', Tracey Emin, 1963-93" 6882: 6613:. britishcouncil-venice.org. Archived from 6273: 6154:Gagosian Gallery – Exhibition – Tracey Emin 5982: 5757: 5755: 4990:"UK Music Hall of Fame: Speech and tribute" 3855: 3466: 1786:Jay Jopling presented a new Emin painting, 1209: 574:, and for a time she studied philosophy at 440: 9946:Academic staff of European Graduate School 9049: 9035: 8864:Tracey Emin (Tate's Modern Artists Series) 8729: 8467:(Supplement). 29 December 2012. p. 7. 7592: 7188:"Emin gives meerkats a brush with stardom" 6828:, lehmannmaupin.com. Retrieved 6 May 2016. 6502:, Tate.org.uk. Retrieved 25 November 2014. 5882: 5714:"Love IS What You Want | Dating Blog" 5379:: CS1 maint: location missing publisher ( 5314:, 30 May 2004. Retrieved 25 February 2008. 4777:Tracey Emin (Tate's Modern Artists Series) 4050:"Emin on the Everyday Horror of Teen Rape" 2654:about living persons that is unsourced or 2160:about living persons that is unsourced or 1883:The hut itself later became the sculpture 1452:about living persons that is unsourced or 53:Emin at Lighthouse Gala auction in aid of 47: 9931:English people of Turkish Cypriot descent 9394:Everyone I Have Ever Slept With 1963–1995 9056: 8227: 7426:"WHAT TRACEY EMIN'S BED DID FOR FEMINISM" 6789: 6787: 6539:"White Cube – You forgot to kiss my soul" 6391:"Tracey Emin at the 2007 Venice Biennale" 5245: 5243: 5241: 4822:"MAIN : The Goss-Michael Foundation" 4692:"Sixty Minutes, Noise: by art's bad girl" 4181:. National Museums Liverpool. p. 8. 4152: 4150: 4126: 4063:, 3 October 2008. Retrieved 7 April 2015. 3894:"Who Do You Think You Are? – Tracey Emin" 3410:was sold to White Cube founding director 3167:and for HIV/AIDS charities including the 3136:) that summer 2020, and this left her in 2753:(1996), a mobile of hanging clothes, and 2725:Learn how and when to remove this message 2231:Learn how and when to remove this message 1934:neon works were directly inspired by the 1523:Learn how and when to remove this message 1273:Exorcism of the Last Painting I Ever Made 1134: 1116:Everyone I Have Ever Slept With 1963–1995 720:Everyone I Have Ever Slept With 1963–1995 693:Everyone I Have Ever Slept With 1963–1995 358:Everyone I Have Ever Slept With 1963–1995 168:Everyone I Have Ever Slept With 1963–1995 9896:Alumni of Birkbeck, University of London 8919:Merck, Mandy and Townsend, Chris (eds). 8851:(National Galleries of Scotland, 2008); 8637: 8457: 8354:"Preview: NS Interview with Tracey Emin" 7882:"Emin matters – International Socialism" 7797:INTIMATE WITH TRACEY EMIN – MY BED, 2012 7618:"Emin's cat posters taken by collectors" 6944: 6942: 5752: 4689: 4447:Frayling, Christopher (1 January 1999). 4446: 4376: 4372: 4370: 4368: 4366: 4127:Weidemann, Christiane (1 January 2008). 4100:"UCA – University for the Creative Arts" 3532:. Tate website. Retrieved 15 April 2020. 3431:Westminster lockdown parties controversy 3254: 2863:(London: Jay Jopling/White Cube, 1998); 2796: 1938:(2004) watercolour series. For example, 1880:had bought in Whitstable, Kent in 1992. 1655:In 2009, Emin along with book publisher 1324:London 2012 Olympic and Paralympic Games 1007: 906:, inspired by passages from Emin's book 840: 759: 686: 444: 8572:"Awards for Birthday Honours List 2024" 7771: 7725:"Tracey Emin is made Royal Academician" 7722: 6203:"'Sad Shower in New York', Tracey Emin" 5068:, Invaluable.com. Retrieved 6 May 2016. 4992:. madonnalicious.com. 15 November 2004. 4912:, SKY Arts. Retrieved 25 February 2008. 4744: 4742: 4740: 4738: 4253:. Bloomsbury Visual Arts. p. 101. 3561:"Tracey Emin is made Royal Academician" 3480:(BBC Radio 4). Retrieved 15 April 2020. 3250: 1629:Scottish National Gallery of Modern Art 1402:"It's the best show I have ever done." 1311:The Vanishing Lake – Frieze Fair (2011) 1284:Scottish National Gallery of Modern Art 1271:(1998) and the room-sized installation 1262:Scottish National Gallery of Modern Art 972:dedicated to her then boyfriend artist 831:The things you did to help other people 495:Meral Hussein-Ece, Baroness Hussein-Ece 9853: 8847:Elliot, Patrick and Schnabel, Julian. 7876: 7874: 7872: 7870: 7823:"Two Beds and the Burdens of Feminism" 7468: 7420: 7418: 7416: 7414: 7412: 7185: 6784: 6685: 6488: 6486: 6484: 6482: 6480: 6388: 6186: 5978: 5976: 5634: 5238: 5077: 4534: 4174: 4156: 4147: 3656: 3614:Jones, Jonathan. (16 September 2016). 3489: 3086:In 1998, Emin duetted with pop singer 3055:John Molyneux explains in his article 2379:the street, like a mitten or a sock." 2011:Hate And Power Can Be A Terrible Thing 825:and a description of Princess Diana's 797:In July 1999, at the height of Emin's 9030: 8923:(London: Thames & Hudson, 2002); 7804:from the original on 11 December 2021 7428:. untitled-magazine.com. 23 June 2015 7176:, Gagosian.com. Retrieved 6 May 2016. 7004:Installation by Tracey Emin (1 month) 6939: 6163:, gagosian.com. Retrieved 6 May 2016. 5479:Tracey Emin is made Royal Academician 5269: 5212:, Scott Henderson, 11 November 2002. 4886: 4419: 4363: 4349:. New York: Prestel. pp. 40–45. 4340: 4338: 4336: 4334: 4122: 4120: 4022: 3996: 3944: 3942: 3940: 3826:. SpitalfieldsLife.com. 1 March 2010. 3691: 3625: 3591: 3558: 3327: 2977:(2009). A selection of Tracey Emin's 2509:(1982), featuring Emin and boyfriend 2399:. The other shortlisted artists were 2277:hanging down alongside the mattress. 1720:(2000) and in monoprints such as the 1100: 833:written next to a drawing by Emin of 737: 680:, and that was destroyed in the 2004 490:, Kent, with her twin brother, Paul. 432:with workspace for aspiring artists. 8479:"New Year Honours 2013: At a glance" 8471: 8387:from the original on 12 January 2022 8152:Gleadall, Colin (19 February 2008), 8092: 8064: 8006: 7723:Roberts, Geneviève (29 March 2007). 7639: 7081:from the original on 12 January 2022 6654:"Art Market Watch – artnet Magazine" 5653:. Kunstmuseumbern.ch. Archived from 5498:Summer Exhibition 2008 – Exhibitions 5488:", independent.co.uk, 29 March 2007. 5426:from the original on 24 October 2010 5393: 5276:Emin, Tracey "This Is Another Place" 5226:1965–2005 Modern Art Oxford Timeline 4735: 4072: 3721: 3603:The Hitchhiker's Guide to the Galaxy 3174:In June 2007, on returning from the 3026: 2800: 2616: 2461: 2265:(2002), another installation with a 2122: 2080:In June 2007, on returning from the 1414: 1037:for a Pissed Off Wife" published in 730:and included in the successful 1997 668:The couple spent time by the sea in 594: 535:In 1995, she was interviewed in the 7907:"Tracey Emin – The South Bank Show" 7867: 7841: 7528:"Emin film gets debut in home town" 7469:Romney, Jonathan (1 January 2005). 7409: 7016:Catherine Jones (6 December 2007). 6856: 6477: 6429:from the original on 7 October 2014 5973: 5455:"From party girl to Biennale queen" 5415:"52 International Biennale, Venice" 4866:"MAIN: The Goss-Michael Foundation" 4690:Longrigg, Clare (4 December 1997). 4453:. Collins & Brown. p. 56. 4295: 4201: 3675:, Sydney, Australia. Archived from 3605:(website). Retrieved 15 April 2020. 3541: 1796:Get Ready for the Fuck of Your Life 817:(1999) related to Princess Diana's 700:In 1995, Freedman curated the show 424:, East London, before returning to 348:in the 1980s, Tracey Emin is now a 13: 9901:Alumni of the Royal College of Art 9886:21st-century English women artists 9876:20th-century English women artists 8965:8 artworks by or after Tracey Emin 8841: 8650:28 May 2014 ProQuest. 3 March 2017 8592:Colin Gleadell (20 January 2013), 8352:Sophie Elmhirst (8 October 2010). 8280:David Usborne (26 November 2009). 8247:Brooks, Richard (4 October 2009). 8154:"Art sales: Bono breaks the mould" 8130:"Tracey Emin: My Life In A Column" 8095:"Emin's art lessons in record bid" 7702:"Emin pays to show school's quilt" 7506:"Emin withdraws film from cinemas" 7449:Tracey Emin on The South Bank Show 7186:Thorpe, Vanessa (6 January 2008). 7139: 6976:"Emin unveils 'sparrow' sculpture" 6766:"Artist Emin unveils cryptic flag" 6586:"Is Legal Sex Anal by Tracey Emin" 6561:"Is Anal Sex Legal by Tracey Emin" 5983:Hattenstone, Simon (29 May 2024). 5126:"The Stuckism Art History Archive" 5047:Emin artwork found dumped in skip" 4923:"Tracey Emin: My Life In A Column" 4671:"Fire devastates Saatchi artworks" 4525:(Scotland). Retrieved 12 May 2020. 4501:"My Major Retrospective 1963-1993" 4331: 4117: 4073:Emin, Tracey (15 September 2023). 3937: 3474:Cultural exchange with Tracey Emin 3063:Confessional nature of Emin's work 2983:poems, with accompanying drawings. 1848:Naked Photos – Life Model Goes Mad 1714:Berlin The Last Week in April 1998 1707:held that same year, known as the 101:Medway College of Design (1980–82) 14: 10027: 8958: 8659:Scott Reyburn (18 October 2013), 8111:Dugan, Emily (21 December 2007), 8093:Jury, Louise (22 December 2006). 7989:"UK News, World News and Opinion" 7668:Emin wants school quilt returned" 7240:. 12 January 2008. Archived from 7238:"The Fourth Plinth - Tracey Emin" 7101:Emin joins major new art festival 6415:Alastair Sooke (6 October 2014). 5748:from the original on 18 May 2011. 3999:"UK peer traces roots to slavery" 3978:. The Genealogist. 1 October 2011 3584:(press release mentioning Emin). 3548:. Hymns Ancient & Modern Ltd. 2945:(2007). London: British Council. 2925:(2005). New York: Lehmann Maupin. 641:, and who had co-curated seminal 8811: 8786: 8760: 8745: 8703: 8679: 8653: 8612: 8564: 8539: 8497: 8451: 8425: 8399: 8371: 8345: 8318: 8292: 8273: 8268:Mark Lawson Talks to Tracey Emin 8261: 8240: 8221: 8196: 8170: 8146: 8128:Emin, Tracey (25 January 2008), 8122: 8105: 8086: 8058: 8032: 7981: 7959: 7947: 7921: 7815: 7788: 7772:Groskop, Viv (15 October 2015). 7765: 7743: 7716: 7694: 7680: 7660: 7611: 7570: 7545: 7520: 7498: 7488: 7462: 7440: 7387: 7367: 7361: 7337: 7312: 7288: 7272: 7260: 7248: 7230: 7206: 7179: 7159: 7133: 7110: 7093: 7061: 7039: 7028: 7009: 6968: 6948: 6919: 6913: 6891: 6876: 6850: 6831: 6758: 6738: 6713: 6694: 6679: 6660: 6629: 6603: 6578: 6553: 6531: 6511: 6505: 6459: 6441: 6408: 6382: 6363: 6341: 6311: 6293: 6242: 6220: 6195: 6180: 6166: 6123: 6101: 6071: 6059: 6050: 6028: 6010: 5960: 5954: 5936: 5916: 5902: 5876: 5851: 5825: 5807: 5793: 5325:Emin art show planned for Venice 4560: 4535:Hooper, Mark (10 October 2007). 4423:Tate Modern Artists: Tracey Emin 4205:Britannica Book of the Year 2012 4175:Milner, Frank (1 January 2004). 4130:50 Women Artists You Should Know 4026:Tate Modern Artists: Tracey Emin 3824:"Hugo Glendinning, photographer" 3728:Tate Britain (27 January 2005). 3394:. In 2013, on the occasion of a 2805: 2621: 2612: 2570:Tracey Emin's CV Cunt Vernacular 2466: 2127: 2118: 2074:One Secret Is To Save Everything 2023:There's A Lot of Money in Chairs 1999:Sometimes I Feel So Fucking Lost 1841:There's A Lot of Money in Chairs 1419: 1405: 619:'s picture stuck to the bottom. 558:, where in 1989 she obtained an 530:University for the Creative Arts 510:University for the Creative Arts 288: 234: 8551:www.manchestereveningnews.co.uk 8065:Cain, Sian (18 December 2023). 7967:"Tracey Emin – Music To Cry To" 7599:"The Times: Books: Tracey Emin" 6688:"2018: I WANT MY TIME WITH YOU" 6274:Alex Healey (27 January 2010). 5883:Nick Glass (12 December 2020). 5768: 5728: 5706: 5687: 5669: 5643: 5628: 5548: 5491: 5471: 5447: 5438: 5422:. London, UK. 8 December 2008. 5406: 5387: 5337: 5317: 5295: 5219: 5171: 5143: 5118: 5105:Modern Art Museum of Fort Worth 5071: 5059: 5039: 5016: 4996: 4982: 4963: 4945: 4915: 4895: 4880: 4858: 4814: 4789: 4769: 4709: 4683: 4664: 4642: 4630:"Tracey Emin with Barry Barker" 4623: 4605: 4580: 4554: 4528: 4511: 4493: 4467: 4440: 4426:. Harry N. Abrams. p. 54. 4420:Brown, Neal (1 November 2006). 4413: 4306: 4289: 4267: 4242: 4195: 4168: 4092: 4066: 4043: 4029:. Harry N. Abrams. p. 28. 4023:Brown, Neal (1 November 2006). 4016: 3990: 3912: 3886: 3868: 3849: 3830: 3816: 3802: 3781: 3764: 3747: 3158: 2452:http://www.themuseumisland.com/ 2333:Other sculptures have included 1356:gallery which included a short 1340:Joint exhibit with Edvard Munch 998:Modern Art Museum of Fort Worth 815:They Wanted You To Be Destroyed 809:for a themed exhibition called 8709:Katya Kazakina (2 July 2014), 8325:Arifa Akbar (30 August 2010). 6701:The Guardian (10 April 2018). 5765:03 2012 ProQuest. 3 March 2017 5066:Lot 110: Tracey Emin (b. 1963) 4804:"Mad Tracey Emin From Margate" 4157:Bendel, Graham (3 July 2000), 3608: 3574: 3552: 3535: 3519: 3483: 3247:, Helen Teede and Emmie Nume. 3003: 2929:Tracey Emin: Works 1963 – 2006 2783:It's Not the Way I Want to Die 2430:, the desert mammal. Entitled 2269:with embroidered text such as 1919:(1998). to complement another 1814: 1771:were displayed. There are ten 1763:Work for her 2007 show at the 1398:gallery in Brussels. She told 801:fame, she created a number of 746:television programme in 1997, 576:Birkbeck, University of London 486:father. She was brought up in 1: 9881:21st-century English painters 9871:20th-century English painters 9016:"Mad Tracey From Margate" dvd 8536:, accessed 30 September 2022. 6755:. Retrieved 17 February 2017. 6389:Levene, David (7 June 2007). 6109:"Family Suite by Tracey Emin" 5694:Laura Cumming (21 May 2011). 5216:. Retrieved 17 December 2009. 5036:. Retrieved 25 February 2008. 4766:. Retrieved 13 February 2010. 4178:The Stuckists: Punk Victorian 3997:Woolf, Marie (18 July 2010). 3669:"Tracey Emin in conversation" 3459: 3371: 2821:an introduction, with sources 2739:Poor Thing (Sarah and Tracey) 2482:an introduction, with sources 1821:Monument Valley (Grand Scale) 1801:An article by the art critic 1410: 855:collects Emin's work, as did 829:. Other drawings highlighted 607:at 103 Bethnal Green Road in 390:. Later that year, she was a 146:Birkbeck University of London 9926:English installation artists 9916:English contemporary artists 8618:Georgina Adam (6 May 2017), 8228:Sam Jones (4 October 2009). 8167:. Retrieved 17 January 2010. 8143:. Retrieved 16 January 2010. 8119:. Retrieved 17 January 2010. 7640:Ward, Lucy (30 March 2004). 7077:. London, UK. 11 June 2008. 6541:. Whitecube.com. 26 May 2001 4891:. gossmichaelfoundation.org. 3634:"Tracey Emin. Evening Talks" 3632:Victoria and Albert Museum. 3263:in 2010. Both are prominent 3243:. Graduates of TEAR include 2632:biography of a living person 2330:really looking forward to." 2309: 2138:biography of a living person 2059:It Could Have Been Something 1957:was shown as part of Emin's 1930:(2007). This 2007 series of 1611:'s iconic buildings such as 1601:Fucking Down An Ally 16/5/95 1430:biography of a living person 1105:On 24 May 2004, a fire in a 984:(2000), signed and dated as 435: 7: 9996:21st-century women painters 9991:20th-century women painters 9981:BRIT Award trophy designers 9011:h2g2 article on Tracey Emin 9002:Tracey Emin interviewed in 8526:Photograph of honours board 8405:Anny Shaw (25 April 2014), 6370:The bare truth about Tracey 5349:Seven Days in the Art World 4868:. gossmichaelfoundation.org 4650:"R.I.P. Tracey Emin's Tent" 3453:What Do Artists Do All Day? 3445: 3273:Britain's income tax regime 3265:Britons of Turkish heritage 2659:must be removed immediately 2534:Why I Never Became a Dancer 2419:– the professional name of 2243:Emin has often made use of 2165:must be removed immediately 1737:Asleep Alone With Legs Open 1705:Every Part of Me's Bleeding 1694: 1457:must be removed immediately 1192:Asleep Alone With Legs Open 1065:Modern Art Oxford (2002–03) 1003: 388:Every Part of Me's Bleeding 10: 10032: 9911:British conceptual artists 9692:Poju and Anita Zabludowicz 7884:. isj.org.uk. 6 April 2005 7853:chalkjournal.wordpress.com 7578:"Exhibitions – White Cube" 6795:"White tie and tiara ball" 6656:. artnet.com. 30 May 2007. 6228:"Exhibitions – White Cube" 4251:Tracey Emin: Art into Life 3778:. Retrieved 26 April 2020. 3761:. Retrieved 26 April 2020. 3638:Victoria and Albert Museum 3622:. Retrieved 15 April 2020. 3588:. Retrieved 15 April 2020. 3271:Emin has been a critic of 2903:(2005). London: Scepter5. 1980:. Passengers disembarking 1913:You Forgot To Kiss My Soul 1907:Emin has also worked with 1863:Sometimes I Feel Beautiful 1777:How I Think I Feel 1 and 2 1718:Sometimes I Feel Beautiful 1360:film in tribute to Munch. 1350:The Loneliness of the Soul 1330:BA Great Britons Programme 1224:And I'd Love To Be The One 1083:Fuck off and die, you slag 1021: 859:. Michael and his partner 717:The result was her "tent" 478:, to an English mother of 405:Victoria and Albert Museum 16:English artist (born 1963) 9812: 9756: 9700: 9619: 9548: 9512: 9466: 9357: 9306: 9260: 9064: 8849:Tracey Emin: Twenty Years 8692:12 September 2014 at the 8685:Anny Shaw (3 July 2014), 8358:The Independent on Sunday 8331:The Independent on Sunday 7553:"BT Series – Tracey Emin" 6843:14 September 2013 at the 6721:"BT Series – Tracey Emin" 6637:"Art Galleries on artnet" 6335:14 September 2013 at the 5592:. Glasgow. Archived from 5541:16 September 2013 at the 5522:16 September 2013 at the 5156:The Sydney Morning Herald 5130:www.arthistoryarchive.com 3789:"Crossrail Bill petition" 3528:The Perfect Place to Grow 3402:'s policy of free entry, 3193:Emin has participated in 3119: 2931:(2006). London: Rizzoli. 2761:The Perfect Place to Grow 2444:Nelson's Ship in a Bottle 2382:Emin's 2007 solo show at 2339:National Portrait Gallery 2298:in Emins first solo show 1987: 1897:National Portrait Gallery 1593:Illustrations from Memory 1545:From The Week of Hell '94 1328:Emin was a mentor on the 792:Yuan Chai and Jian Jun Xi 790:Two performance artists, 258: 223: 207: 186: 157: 91: 62: 46: 23: 9976:Women conceptual artists 9951:British feminist artists 9576:Karsten Schubert Gallery 8726:. Retrieved 10 May 2016. 8716:18 December 2014 at the 8666:13 November 2013 at the 8609:. Retrieved 10 May 2016. 8135:4 September 2008 at the 7107:. Retrieved 12 May 2020. 7054:23 February 2012 at the 6744:Lehmann Maupin Gallery, 6375:10 December 2008 at the 6135:19 February 2012 at the 5288:19 February 2010 at the 5256:14 November 2012 at the 5034:European Graduate School 5028:8 September 2015 at the 4908:16 November 2007 at the 4855:. Retrieved 10 May 2016. 4133:. Prestel. p. 162. 3322:referendum on that issue 3081: 2432:Something for the Future 2292:May Dodge, My Nan (1993) 1210:Royal Academician (2007) 1119:("The Tent") (1995) and 865:A Tribute To Tracey Emin 835:Diana, Princess of Wales 827:dress with puffy sleeves 545:Maidstone College of Art 516:and was associated with 441:Early life and education 111:Maidstone College of Art 9632:Janet Wolfson de Botton 9556:Anthony d'Offay Gallery 8439:. London. 7 August 2014 8270:, BBC 4, 14 March 2010. 7604:12 January 2008 at the 7172:30 October 2011 at the 7126:19 October 2007 at the 6800:11 October 2007 at the 6672:30 October 2011 at the 6159:30 October 2011 at the 5863:www.royalacademy.org.uk 5484:12 October 2007 at the 5334:", BBC, 25 August 2006. 5009:20 January 2008 at the 4798:Mad Tracey From Margate 4061:Kent and Sussex Courier 3309:Old Spitalfields Market 2877:(2002), Booth-Clibborn. 2849:Exploration of the Soul 2457: 2300:My Major Retrospective. 2048:Exploration of the Soul 2041:Exploration of the Soul 1970:I Want My Time With You 1955:With You I Want To Live 1902: 1833:Exploration of the Soul 1659:released a book titled 1613:Margate Harbour 16/5/95 1586:There's Something Wrong 1032:led to the name of the 908:Exploration of The Soul 663:Exploration of the Soul 371:exhibition held at the 275:Dame Tracey Karima Emin 245:from the BBC programme 9941:English women painters 9482:East Country Yard Show 9252:Jane and Louise Wilson 9097:Jake and Dinos Chapman 8951:Women's History Review 8921:The Art of Tracey Emin 8866:(London: Tate, 2006); 8208:Tracey Emin Foundation 7731:. The Independent (UK) 7296:The Art of Tracey Emin 7283:No Focus: Punk on Film 7219:6 October 2008 at the 6863:www.saatchigallery.com 6189:"Artists – White Cube" 5330:5 October 2007 at the 5307:1 October 2012 at the 5151:"Eminently Outrageous" 5101:"Women Painting Women" 4779:(London: Tate, 2006); 3880:Tracey Emin Foundation 3490:Januszczak, Waldemar. 3268: 3169:Terrence Higgins Trust 2765:a tiny home for my dad 2646:Please help by adding 2446:was unveiled in 2010. 2353: 2152:Please help by adding 2034:Ok Puddin, Thanks Plum 2007:Helter Fucking Skelter 1758:When I Think About Sex 1750:In May 2005, London's 1747:(2006), among others. 1636:exhibition. A further 1557:Sad Shower in New York 1444:Please help by adding 1158:Emin picked the title 1135:Venice Biennale (2007) 1059: 1019: 849: 770: 715: 697: 628:My Major Retrospective 588:My Major Retrospective 467: 428:, where she funds the 394:nominee and exhibited 384:Lehmann Maupin Gallery 55:Terrence Higgins Trust 10001:English Romani people 9891:Young British Artists 9606:Victoria Miro Gallery 9058:Young British Artists 8757:, 4 April 2015, p. 5. 7751:"The Power List 2013" 7673:30 March 2006 at the 7099:(25 September 2007). 6746:I Can Feel Your Smile 6353:www.lehmannmaupin.com 6056:Terrebly Wrong (1997) 5948:Royal Academy of Arts 5724:on 24 September 2015. 5718:love is what you want 5503:8 August 2008 at the 5477:Roberts, Geneviève. " 5394:Emin, Tracey (2007). 5231:27 March 2009 at the 5052:29 March 2007 at the 5023:Tracey Emin Biography 4957:zxlcreative.blogs.com 4887:Staff (5 July 2007). 4391:10.1353/bio.2006.0020 4055:14 April 2015 at the 3951:Tracey Emin: 20 Years 3699:Royal Academy of Arts 3580:(12 September 1997). 3525:(n.d.). Tracey Emin. 3440:Like A Cloud of Blood 3368:for services to art. 3366:2024 Birthday Honours 3342:2013 New Year Honours 3298:2010 general election 3290:In an interview with 3258: 3217:I Promise To Love You 2987:Love Is What You Want 2975:Those Who Suffer Love 2963:One Thousand Drawings 2957:You Left Me Breathing 2923:I Can Feel Your Smile 2895:Details of Depression 2797:Selected publications 2749:' sculptures such as 2555:In an interview with 2523:A Hangman Triple Bill 2513:—once available with 2417:Bob and Roberta Smith 2343: 1959:You Left Me Breathing 1792:You Left Me Breathing 1665:Those who suffer love 1661:One Thousand Drawings 1373:Royal Academy of Arts 1295:Love Is What You Want 1071:This Is Another Place 1054: 1011: 924:UK Music Hall of Fame 844: 823:Love Was on Your Side 763: 710: 690: 682:Momart warehouse fire 665:to finance the trip. 526:Maidstone Art College 448: 409:Royal Academy of Arts 377:The Death of Painting 346:Young British Artists 215:Young British Artists 9601:South London Gallery 9329:Gilbert & George 9278:Michael Craig-Martin 8412:20 July 2014 at the 8383:. 28 December 2011. 8159:9 March 2008 at the 7800:, 28 November 2012, 7623:20 June 2004 at the 6824:12 June 2008 at the 6751:30 July 2018 at the 6498:15 June 2016 at the 6359:on 22 February 2012. 6176:. lehmannmaupin.com. 4975:8 March 2008 at the 4764:Art Design Publicity 4758:10 July 2012 at the 4676:4 March 2016 at the 4635:23 June 2006 at the 3812:. worldwrite.org.uk. 3770:(14 December 2011). 3753:(14 December 2011). 3709:on 12 September 2010 3599:Tracey Emin – Artist 3559:Geneviève, Roberts. 3251:Political activities 3013:Art in Sacred Spaces 2881:The Is Another Place 2743:Feeling Pregnant III 2652:Contentious material 2158:Contentious material 1911:. One such piece is 1857:Other works such as 1781:Abortion Watercolour 1644:exhibitions such as 1627:series, part of the 1450:Contentious material 1297:retrospective (2011) 1252:retrospective (2008) 1238:exhibition in 1997. 1139:In August 2006, the 994:Women Painting Women 929:Emin was invited to 732:Sensation exhibition 706:South London Gallery 556:Royal College of Art 264:traceyeminfoundation 130:Royal College of Art 9986:English monarchists 9966:People from Margate 9961:People from Croydon 9956:Artists from London 9743:Sir Nicholas Serota 9723:Andrew Graham-Dixon 9401:For the Love of God 8751:"Passion, please", 8599:29 May 2016 at the 7244:on 12 January 2008. 7140:Muhlke, Christine. 7075:The Daily Telegraph 6819:Tracey Emin profile 6793:Alexander, Hilary. 6471:SimmonsContemporary 6423:The Daily Telegraph 6089:on 27 December 2011 5780:www.itsnicethat.com 5742:The Daily Telegraph 5637:"News – White Cube" 5596:on 10 December 2008 5460:5 July 2008 at the 5420:The Daily Telegraph 5347:(2 November 2009). 5208:11 May 2013 at the 4853:Dallas Morning News 4847:14 October 2007 at 3667:(6 November 2010). 3360:Emin was appointed 3336:Emin was appointed 3182:to be auctioned at 2997:My Life in a Column 2971:(2009), White Cube. 2596:Emin has described 2527:The Hangman Trilogy 2320:Liverpool Cathedral 2316:The Roman Standard 2088:to be auctioned at 1808:The Daily Telegraph 1621:Light House 15/5/95 1394:and is held in the 1392:You Keep Fucking Me 749:"Is Painting Dead?" 230:Tracey Emin's voice 9971:Royal Academicians 9794:Julian Stallabrass 9314:Art & Language 9232:Sam Taylor-Johnson 8986:on her debut film 8625:6 May 2017 at the 8485:. 29 December 2012 8464:The London Gazette 7285:(Headpress, 2006). 7146:The New York Times 6982:. 24 February 2005 6857:Gallery, Saatchi. 5620:has generic name ( 4959:. 16 January 2008. 4619:on 9 October 2015. 4285:on 9 October 2015. 4234:has generic name ( 3328:Awards and honours 3285:Conservative Party 3269: 3130:radical cystectomy 2913:Jeanette Winterson 2769:nature and nurture 2630:This section of a 2389:The New York Times 2136:This section of a 1968:, the work called 1966:St Pancras Station 1769:The Purple Virgins 1743:(2005) series and 1709:Berlin Watercolour 1634:Summer Blockbuster 1428:This section of a 1198:(2005) series and 1111:Saatchi collection 1101:Momart fire (2004) 1039:Big Hart and Balls 1020: 903:The Invisible Line 873:George Loves Kenny 850: 771: 738:Public recognition 698: 672:together, using a 615:and ashtrays with 539:show catalogue by 468: 355:In 1997, her work 67:Tracey Karima Emin 10011:Romanichal people 9921:English feminists 9848: 9847: 9561:Curtain Road Arts 9298:Richard Wentworth 9192:Richard Patterson 9082:Christine Borland 9007:about Momart Fire 8943:978-1-84631-192-5 8877:Doyle, Jennifer. 8857:978-1-906270-08-7 8825:. 14 October 2022 8774:. 20 January 2022 8631:The Art Newspaper 8419:The Art Newspaper 8046:. 28 October 2020 8020:. 28 October 2020 7776:. RedOnline.co.uk 6885:"Saatchi Gallery" 6883:Saatchi Gallery. 6493:"Monument Valley" 5801:"British Airways" 5683:on 12 April 2012. 5302:"They said what?" 5159:. 3 February 2003 4933:on 6 January 2008 4356:978-3-7913-4759-2 3900:. 13 October 2011 3671:. Art Gallery of 3597:(18 March 2005). 3472:(22 April 2013). 3427:10 Downing Street 3259:Tracey Emin with 3180:Star Trek Voyager 3071:Roberta Smith of 3027:Emin and feminism 2969:Monoprint Diaries 2959:(2008), Gagosian. 2842: 2841: 2791:Sleeping With You 2779:Modern Art Oxford 2735: 2734: 2727: 2709: 2635:needs additional 2503: 2502: 2303:May Dodge, My Nan 2241: 2240: 2233: 2215: 2141:needs additional 2107:during the BBC's 2086:Star Trek Voyager 2015:Margaret Thatcher 1921:Is Legal Sex Anal 1917:Is Anal Sex Legal 1572:Something's Wrong 1533: 1532: 1525: 1507: 1433:needs additional 1079:Modern Art Oxford 1075:Modern Art Oxford 1044:1994, from which 595:Career beginnings 528:(now part of the 470:Emin was born in 350:Royal Academician 272: 271: 240: 10023: 10016:Romani feminists 9804:Charles Thomson 9774:James Heartfield 9748:Matthew Slotover 9738:Norman Rosenthal 9713:Matthew Collings 9672:François Pinault 9657:Pauline Karpidas 9571:Gagosian Gallery 9535:Norman Rosenthal 9387:Documents Series 9247:Rachel Whiteread 9051: 9044: 9037: 9028: 9027: 8916: 8835: 8834: 8832: 8830: 8815: 8809: 8808: 8806: 8804: 8790: 8784: 8783: 8781: 8779: 8764: 8758: 8749: 8743: 8736: 8727: 8707: 8701: 8683: 8677: 8657: 8651: 8644: 8635: 8616: 8610: 8590: 8579: 8578: 8576: 8568: 8562: 8561: 8559: 8557: 8543: 8537: 8523: 8517: 8516: 8514: 8512: 8501: 8495: 8494: 8492: 8490: 8475: 8469: 8468: 8455: 8449: 8448: 8446: 8444: 8429: 8423: 8403: 8397: 8396: 8394: 8392: 8382: 8375: 8369: 8368: 8366: 8364: 8349: 8343: 8342: 8340: 8338: 8322: 8316: 8315: 8313: 8311: 8302:. 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Emin has said, 518:The Medway Poets 503:Evening Standard 474:, a district of 462:The Medway Poets 411:(2008), and the 311: 310: 307: 306: 303: 300: 297: 294: 285: 268: 265: 242: 241: 199:Installation art 160: 80: 76: 74: 51: 41: 21: 20: 10031: 10030: 10026: 10025: 10024: 10022: 10021: 10020: 9851: 9850: 9849: 9844: 9825:Frieze Art Fair 9808: 9752: 9696: 9682:Charles Saatchi 9647:Steven A. Cohen 9627:Bernard Arnault 9615: 9591:Saatchi Gallery 9544: 9520:Joshua Compston 9508: 9496:Modern Medicine 9462: 9436:26 October 1993 9429:No Woman No Cry 9353: 9349:Lawrence Weiner 9302: 9256: 9242:Gillian Wearing 9217:Alessandro Raho 9197:Simon Patterson 9127:Angus Fairhurst 9060: 9055: 8961: 8905: 8844: 8842:Further reading 8839: 8838: 8828: 8826: 8817: 8816: 8812: 8802: 8800: 8792: 8791: 8787: 8777: 8775: 8766: 8765: 8761: 8750: 8746: 8737: 8730: 8718:Wayback Machine 8708: 8704: 8694:Wayback Machine 8684: 8680: 8668:Wayback Machine 8658: 8654: 8648:The Daily Beast 8645: 8638: 8627:Wayback Machine 8617: 8613: 8601:Wayback Machine 8591: 8582: 8574: 8570: 8569: 8565: 8555: 8553: 8545: 8544: 8540: 8524: 8520: 8510: 8508: 8503: 8502: 8498: 8488: 8486: 8477: 8476: 8472: 8456: 8452: 8442: 8440: 8431: 8430: 8426: 8414:Wayback Machine 8404: 8400: 8390: 8388: 8377: 8376: 8372: 8362: 8360: 8350: 8346: 8336: 8334: 8323: 8319: 8309: 8307: 8306:on 24 June 2013 8298: 8297: 8293: 8286:The Independent 8278: 8274: 8266: 8262: 8245: 8241: 8226: 8222: 8212: 8210: 8202: 8201: 8197: 8187: 8185: 8176: 8175: 8171: 8161:Wayback Machine 8151: 8147: 8141:The Independent 8137:Wayback Machine 8127: 8123: 8117:The Independent 8110: 8106: 8099:The Independent 8091: 8087: 8077: 8075: 8063: 8059: 8049: 8047: 8044:The Independent 8038: 8037: 8033: 8023: 8021: 8012: 8011: 8007: 7997: 7995: 7987: 7986: 7982: 7972: 7970: 7965: 7964: 7960: 7952: 7948: 7938: 7936: 7927: 7926: 7922: 7912: 7910: 7905: 7904: 7897: 7887: 7885: 7880: 7879: 7868: 7858: 7856: 7855:. 19 April 2012 7847: 7846: 7842: 7832: 7830: 7821: 7820: 7816: 7807: 7805: 7794: 7793: 7789: 7779: 7777: 7770: 7766: 7756: 7754: 7749: 7748: 7744: 7734: 7732: 7729:The Independent 7721: 7717: 7707: 7705: 7700: 7699: 7695: 7686: 7685: 7681: 7675:Wayback Machine 7665: 7661: 7651: 7649: 7638: 7631: 7625:Wayback Machine 7616: 7612: 7606:Wayback Machine 7597: 7593: 7583: 7581: 7580:. whitecube.com 7576: 7575: 7571: 7561: 7559: 7551: 7550: 7546: 7536: 7534: 7526: 7525: 7521: 7511: 7509: 7504: 7503: 7499: 7493: 7489: 7479: 7477: 7467: 7463: 7454: 7452: 7446: 7445: 7441: 7431: 7429: 7424: 7423: 7410: 7400: 7398: 7393: 7392: 7388: 7378: 7376: 7366: 7362: 7355: 7343: 7342: 7338: 7328: 7326: 7318: 7317: 7313: 7306: 7294: 7293: 7289: 7277: 7273: 7265: 7261: 7253: 7249: 7236: 7235: 7231: 7221:Wayback Machine 7211: 7207: 7197: 7195: 7184: 7180: 7174:Wayback Machine 7164: 7160: 7150: 7148: 7142:"The Originals" 7138: 7134: 7128:Wayback Machine 7115: 7111: 7098: 7094: 7084: 7082: 7067: 7066: 7062: 7056:Wayback Machine 7044: 7040: 7033: 7029: 7014: 7010: 7002: 6995: 6985: 6983: 6974: 6973: 6969: 6959: 6957: 6947: 6940: 6930: 6928: 6918: 6914: 6904: 6902: 6901:. 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Woman's Hour 7742: 7715: 7693: 7679: 7659: 7629: 7610: 7591: 7569: 7544: 7519: 7497: 7487: 7461: 7439: 7408: 7386: 7360: 7353: 7336: 7311: 7304: 7287: 7271: 7259: 7247: 7229: 7205: 7178: 7158: 7132: 7109: 7092: 7060: 7038: 7027: 7008: 6993: 6967: 6938: 6912: 6890: 6875: 6849: 6830: 6806: 6783: 6757: 6737: 6712: 6693: 6678: 6659: 6642: 6628: 6602: 6577: 6552: 6530: 6504: 6476: 6458: 6440: 6407: 6381: 6362: 6340: 6319: 6310: 6292: 6263: 6241: 6219: 6194: 6179: 6165: 6141: 6122: 6100: 6070: 6058: 6049: 6027: 6009: 5972: 5961:Khan, Tabish. 5953: 5935: 5932:. 13 May 2021. 5915: 5901: 5875: 5850: 5839:. 20 July 2012 5824: 5806: 5792: 5767: 5751: 5727: 5705: 5686: 5668: 5642: 5627: 5573: 5562:on 19 May 2011 5547: 5528: 5509: 5490: 5470: 5468:, 3 June 2007. 5453:Barber, Lynn, 5446: 5437: 5405: 5386: 5357: 5345:Sarah Thornton 5336: 5316: 5294: 5268: 5237: 5218: 5188: 5170: 5142: 5117: 5092: 5070: 5058: 5038: 5015: 5002:Jones, Dylan. 4995: 4981: 4962: 4944: 4914: 4894: 4879: 4857: 4831: 4813: 4788: 4768: 4734: 4708: 4682: 4663: 4641: 4622: 4604: 4579: 4553: 4527: 4510: 4492: 4466: 4459: 4439: 4432: 4412: 4362: 4355: 4330: 4305: 4288: 4266: 4260:978-1350160606 4259: 4241: 4214: 4194: 4187: 4167: 4146: 4139: 4116: 4091: 4065: 4042: 4035: 4015: 4003:The Australian 3989: 3967: 3960: 3936: 3911: 3885: 3867: 3848: 3829: 3815: 3801: 3780: 3763: 3746: 3720: 3690: 3679:on 22 May 2020 3655: 3644:on 28 May 2010 3624: 3607: 3590: 3573: 3551: 3534: 3518: 3482: 3464: 3463: 3461: 3458: 3457: 3456: 3447: 3444: 3378:Xavier Hufkens 3373: 3370: 3329: 3326: 3252: 3249: 3160: 3157: 3126:bladder cancer 3121: 3118: 3083: 3080: 3074:The New Yorker 3064: 3061: 3028: 3025: 3005: 3002: 3001: 3000: 2994: 2984: 2972: 2966: 2960: 2954: 2940: 2926: 2920: 2898: 2892: 2878: 2872: 2853: 2852: 2840: 2839: 2813: 2811: 2804: 2798: 2795: 2733: 2732: 2656:poorly sourced 2629: 2627: 2620: 2614: 2611: 2594: 2593: 2585: 2579: 2573: 2567: 2549: 2548: 2530: 2511:Billy Childish 2501: 2500: 2474: 2472: 2465: 2459: 2456: 2436:Princess Diana 2405:Antony Gormley 2311: 2308: 2239: 2238: 2162:poorly sourced 2135: 2133: 2126: 2120: 2117: 2003:Volcano Closed 1989: 1986: 1904: 1901: 1823:(1995–97) and 1816: 1813: 1803:Alastair Sooke 1696: 1693: 1531: 1530: 1454:poorly sourced 1427: 1425: 1418: 1412: 1409: 1407: 1404: 1396:Xavier Hufkens 1387: 1381: 1341: 1338: 1325: 1322: 1318:Fitzroy Square 1313: 1308: 1298: 1292: 1288:Roman Standard 1253: 1247: 1211: 1208: 1160:Borrowed Light 1136: 1133: 1102: 1099: 1066: 1063: 1030:Billy Childish 1022:Main article: 1005: 1002: 990:Kate Moss 2000 946:George Michael 916:Rolling Stones 910:. Rock legend 890:Naomi Campbell 857:George Michael 807:Princess Diana 769:by Tracey Emin 739: 736: 596: 593: 514:Billy Childish 482:descent and a 458:Billy Childish 442: 439: 437: 434: 270: 269: 260: 256: 255: 244: 233: 228: 227: 226: 225: 224: 221: 220: 218: 217: 211: 209: 205: 204: 202: 201: 196: 190: 188: 184: 183: 181: 180: 172: 163: 161: 155: 154: 152: 151: 149: 148: 142: 140: 138: 137: 126: 124: 122: 121: 107: 105: 103: 102: 98: 95: 93: 89: 88: 82: 66: 64: 60: 59: 52: 44: 43: 32: 29: 24: 15: 9: 6: 4: 3: 2: 10028: 10017: 10014: 10012: 10009: 10007: 10004: 10002: 9999: 9997: 9994: 9992: 9989: 9987: 9984: 9982: 9979: 9977: 9974: 9972: 9969: 9967: 9964: 9962: 9959: 9957: 9954: 9952: 9949: 9947: 9944: 9942: 9939: 9937: 9934: 9932: 9929: 9927: 9924: 9922: 9919: 9917: 9914: 9912: 9909: 9907: 9904: 9902: 9899: 9897: 9894: 9892: 9889: 9887: 9884: 9882: 9879: 9877: 9874: 9872: 9869: 9867: 9866:Living people 9864: 9862: 9859: 9858: 9856: 9841: 9838: 9836: 9833: 9831: 9828: 9826: 9823: 9821: 9818: 9817: 9815: 9811: 9805: 9802: 9800: 9797: 9795: 9792: 9790: 9787: 9785: 9782: 9780: 9779:Matthew Higgs 9777: 9775: 9772: 9770: 9767: 9765: 9762: 9761: 9759: 9755: 9749: 9746: 9744: 9741: 9739: 9736: 9734: 9733:Stuart Morgan 9731: 9729: 9726: 9724: 9721: 9719: 9716: 9714: 9711: 9709: 9706: 9705: 9703: 9699: 9693: 9690: 9688: 9685: 9683: 9680: 9678: 9677:Miuccia Prada 9675: 9673: 9670: 9668: 9665: 9663: 9660: 9658: 9655: 9653: 9652:Dakis Joannou 9650: 9648: 9645: 9643: 9640: 9638: 9635: 9633: 9630: 9628: 9625: 9624: 9622: 9618: 9612: 9609: 9607: 9604: 9602: 9599: 9597: 9594: 9592: 9589: 9587: 9586:Maureen Paley 9584: 9582: 9579: 9577: 9574: 9572: 9569: 9567: 9564: 9562: 9559: 9557: 9554: 9553: 9551: 9547: 9541: 9538: 9536: 9533: 9531: 9528: 9526: 9525:Carl Freedman 9523: 9521: 9518: 9517: 9515: 9511: 9505: 9504: 9500: 9498: 9497: 9493: 9491: 9490: 9486: 9484: 9483: 9479: 9477: 9476: 9472: 9471: 9469: 9465: 9459: 9458: 9454: 9452: 9451: 9447: 9445: 9444: 9440: 9438: 9437: 9433: 9431: 9430: 9426: 9424: 9423: 9419: 9417: 9416: 9412: 9410: 9409: 9405: 9403: 9402: 9398: 9396: 9395: 9391: 9389: 9388: 9384: 9382: 9381: 9377: 9375: 9374: 9370: 9368: 9367: 9363: 9362: 9360: 9356: 9350: 9347: 9345: 9342: 9340: 9339:John Stezaker 9337: 9335: 9332: 9330: 9327: 9325: 9322: 9320: 9317: 9315: 9312: 9311: 9309: 9305: 9299: 9296: 9294: 9291: 9289: 9286: 9284: 9281: 9279: 9276: 9274: 9271: 9269: 9268:Basil Beattie 9266: 9265: 9263: 9259: 9253: 9250: 9248: 9245: 9243: 9240: 9238: 9235: 9233: 9230: 9228: 9225: 9223: 9222:Jenny Saville 9220: 9218: 9215: 9213: 9210: 9208: 9205: 9203: 9202:Steven Pippin 9200: 9198: 9195: 9193: 9190: 9188: 9185: 9183: 9180: 9178: 9175: 9173: 9170: 9168: 9167:Michael Landy 9165: 9163: 9160: 9158: 9155: 9153: 9152:Marcus Harvey 9150: 9148: 9145: 9143: 9140: 9138: 9135: 9133: 9130: 9128: 9125: 9123: 9120: 9118: 9115: 9113: 9112:Ian Davenport 9110: 9108: 9107:Mat Collishaw 9105: 9103: 9100: 9098: 9095: 9093: 9090: 9088: 9085: 9083: 9080: 9078: 9075: 9073: 9070: 9069: 9067: 9063: 9059: 9052: 9047: 9045: 9040: 9038: 9033: 9032: 9029: 9022: 9019: 9017: 9014: 9012: 9009: 9006: 9005: 9000: 8998:about Margate 8997: 8996: 8993:Interview in 8991: 8989: 8985: 8983: 8980:Interview on 8978: 8976: 8973: 8970: 8966: 8963: 8962: 8953: 8952: 8947: 8944: 8940: 8936: 8932: 8930: 8929:0-500-28385-0 8926: 8922: 8918: 8914: 8910: 8906: 8904:9783822840931 8900: 8896: 8891: 8888: 8887:0-8166-4526-4 8884: 8880: 8876: 8873: 8872:1-85437-542-3 8869: 8865: 8862:Brown, Neal. 8861: 8858: 8854: 8850: 8846: 8845: 8824: 8820: 8814: 8799: 8798:Design Curial 8795: 8789: 8773: 8769: 8763: 8756: 8755: 8754:The Spectator 8748: 8741: 8735: 8733: 8725: 8724: 8719: 8715: 8712: 8706: 8699: 8695: 8691: 8688: 8682: 8675: 8674: 8669: 8665: 8662: 8656: 8649: 8643: 8641: 8633: 8632: 8628: 8624: 8621: 8615: 8608: 8607: 8602: 8598: 8595: 8589: 8587: 8585: 8573: 8567: 8552: 8548: 8542: 8535: 8531: 8527: 8522: 8506: 8500: 8484: 8480: 8474: 8466: 8465: 8460: 8454: 8438: 8434: 8428: 8421: 8420: 8415: 8411: 8408: 8402: 8386: 8381: 8374: 8359: 8355: 8348: 8332: 8328: 8321: 8305: 8301: 8295: 8287: 8283: 8276: 8269: 8264: 8256: 8255: 8250: 8243: 8235: 8231: 8224: 8209: 8205: 8199: 8184:. 2 June 2023 8183: 8179: 8173: 8166: 8165:The Telegraph 8162: 8158: 8155: 8149: 8142: 8138: 8134: 8131: 8125: 8118: 8114: 8108: 8101:. London, UK. 8100: 8096: 8089: 8074: 8073: 8068: 8061: 8045: 8041: 8035: 8019: 8015: 8009: 7994: 7990: 7984: 7968: 7962: 7955: 7950: 7935:on 6 May 2016 7934: 7930: 7924: 7908: 7902: 7900: 7883: 7877: 7875: 7873: 7871: 7854: 7850: 7844: 7828: 7824: 7818: 7803: 7799: 7798: 7791: 7775: 7768: 7752: 7746: 7730: 7726: 7719: 7703: 7697: 7689: 7683: 7676: 7672: 7669: 7663: 7647: 7643: 7636: 7634: 7626: 7622: 7619: 7614: 7607: 7603: 7600: 7595: 7579: 7573: 7558: 7554: 7548: 7533: 7529: 7523: 7507: 7501: 7491: 7476: 7472: 7465: 7451: 7450: 7443: 7427: 7421: 7419: 7417: 7415: 7413: 7396: 7390: 7375: 7371: 7364: 7356: 7354:1-85437-542-3 7350: 7346: 7340: 7325: 7321: 7315: 7307: 7305:0-500-28385-0 7301: 7297: 7291: 7284: 7280: 7275: 7268: 7267:Hangman Films 7263: 7256: 7251: 7243: 7239: 7233: 7226: 7222: 7218: 7215: 7212:Brown, Mark. 7209: 7193: 7189: 7182: 7175: 7171: 7168: 7162: 7147: 7143: 7136: 7129: 7125: 7122: 7120: 7113: 7106: 7102: 7096: 7080: 7076: 7071: 7064: 7057: 7053: 7050: 7048: 7042: 7036: 7031: 7023: 7022:liverpoolecho 7019: 7012: 7005: 7000: 6998: 6981: 6977: 6971: 6956: 6952: 6945: 6943: 6927: 6923: 6916: 6900: 6899:"Exhibitions" 6894: 6886: 6879: 6864: 6860: 6859:"Tracey Emin" 6853: 6846: 6842: 6839: 6834: 6827: 6823: 6820: 6815: 6813: 6811: 6803: 6799: 6796: 6790: 6788: 6771: 6767: 6761: 6754: 6750: 6747: 6741: 6726: 6722: 6716: 6708: 6704: 6697: 6689: 6682: 6675: 6671: 6668: 6663: 6655: 6649: 6647: 6638: 6632: 6616: 6612: 6606: 6591: 6587: 6581: 6566: 6562: 6556: 6540: 6534: 6519: 6515: 6508: 6501: 6497: 6494: 6489: 6487: 6485: 6483: 6481: 6472: 6468: 6462: 6454: 6450: 6444: 6428: 6424: 6419: 6411: 6396: 6392: 6385: 6378: 6374: 6371: 6366: 6358: 6354: 6350: 6344: 6338: 6334: 6331: 6326: 6324: 6314: 6306: 6302: 6296: 6281: 6277: 6270: 6268: 6251: 6245: 6229: 6223: 6208: 6204: 6198: 6190: 6183: 6175: 6169: 6162: 6158: 6155: 6150: 6148: 6146: 6138: 6134: 6131: 6126: 6111:. artfund.org 6110: 6104: 6088: 6084: 6080: 6074: 6067: 6062: 6053: 6037: 6031: 6023: 6019: 6018:"Tracey Emin" 6013: 5998: 5994: 5990: 5986: 5979: 5977: 5968: 5964: 5957: 5949: 5945: 5939: 5931: 5930: 5925: 5919: 5911: 5905: 5890: 5886: 5879: 5864: 5860: 5854: 5838: 5834: 5828: 5820: 5816: 5810: 5802: 5796: 5781: 5777: 5771: 5764: 5758: 5756: 5747: 5743: 5738: 5731: 5723: 5719: 5715: 5709: 5701: 5697: 5690: 5682: 5678: 5672: 5656: 5652: 5646: 5638: 5631: 5623: 5618:|author= 5611: 5595: 5591: 5587: 5580: 5578: 5561: 5557: 5551: 5544: 5540: 5537: 5532: 5525: 5521: 5518: 5513: 5506: 5502: 5499: 5494: 5487: 5483: 5480: 5474: 5467: 5463: 5459: 5456: 5450: 5441: 5425: 5421: 5416: 5409: 5401: 5397: 5390: 5382: 5376: 5368: 5364: 5360: 5358:9780393337129 5354: 5350: 5346: 5340: 5333: 5329: 5326: 5320: 5313: 5310: 5306: 5303: 5298: 5291: 5287: 5284: 5283:1-901352-15-3 5280: 5277: 5272: 5265: 5264: 5259: 5255: 5252: 5246: 5244: 5242: 5234: 5230: 5227: 5222: 5215: 5211: 5207: 5204: 5199: 5197: 5195: 5193: 5184: 5180: 5174: 5158: 5157: 5152: 5146: 5131: 5127: 5121: 5106: 5102: 5096: 5081: 5074: 5067: 5062: 5055: 5051: 5048: 5042: 5035: 5031: 5027: 5024: 5019: 5012: 5008: 5005: 4999: 4991: 4985: 4978: 4974: 4971: 4966: 4958: 4954: 4948: 4932: 4928: 4924: 4918: 4911: 4907: 4904: 4898: 4890: 4883: 4867: 4861: 4854: 4850: 4849:archive.today 4846: 4843: 4838: 4836: 4827: 4823: 4817: 4809: 4805: 4801:by ZCZ Films. 4800: 4799: 4792: 4786: 4785:1-85437-542-3 4782: 4778: 4772: 4765: 4761: 4757: 4754: 4753: 4745: 4743: 4741: 4739: 4722: 4718: 4712: 4697: 4693: 4686: 4679: 4675: 4672: 4667: 4651: 4645: 4638: 4634: 4631: 4626: 4618: 4614: 4608: 4593: 4589: 4583: 4568: 4564: 4557: 4542: 4538: 4531: 4524: 4520: 4514: 4506: 4502: 4496: 4481:. 3 July 1993 4480: 4476: 4470: 4462: 4460:9781855857254 4456: 4452: 4451: 4443: 4435: 4433:9781854375421 4429: 4425: 4424: 4416: 4408: 4404: 4400: 4396: 4392: 4388: 4384: 4380: 4373: 4371: 4369: 4367: 4358: 4352: 4348: 4341: 4339: 4337: 4335: 4319: 4315: 4314:"Tracey Emin" 4309: 4301: 4300: 4292: 4284: 4280: 4278: 4270: 4262: 4256: 4252: 4245: 4237: 4225: 4217: 4215:9781615356188 4211: 4207: 4206: 4198: 4190: 4188:9781902700274 4184: 4180: 4179: 4171: 4164: 4163:New Statesman 4160: 4153: 4151: 4142: 4140:9783791339566 4136: 4132: 4131: 4123: 4121: 4105: 4101: 4095: 4080: 4076: 4069: 4062: 4058: 4054: 4051: 4046: 4038: 4036:9781854375421 4032: 4028: 4027: 4019: 4004: 4000: 3993: 3977: 3976:"Tracey Emin" 3971: 3963: 3961:9781906270087 3957: 3953: 3952: 3945: 3943: 3941: 3925: 3921: 3920:"Tracey Emin" 3915: 3899: 3898:The Arts Desk 3895: 3889: 3881: 3877: 3876:"TKE STUDIOS" 3871: 3863: 3859: 3852: 3844: 3840: 3833: 3825: 3819: 3811: 3805: 3797: 3790: 3784: 3777: 3773: 3767: 3760: 3756: 3750: 3735: 3731: 3724: 3708: 3704: 3700: 3694: 3678: 3674: 3670: 3666: 3659: 3643: 3639: 3635: 3628: 3621: 3617: 3611: 3604: 3600: 3594: 3587: 3586:artdesigncafe 3583: 3577: 3562: 3555: 3547: 3546: 3538: 3531: 3529: 3522: 3507: 3503: 3499: 3498: 3493: 3486: 3479: 3475: 3469: 3465: 3455: 3454: 3450: 3449: 3443: 3441: 3437: 3434: 3432: 3428: 3424: 3423:David Cameron 3419: 3417: 3413: 3409: 3405: 3401: 3397: 3393: 3389: 3385: 3381: 3379: 3369: 3367: 3364:(DBE) in the 3363: 3358: 3355: 3353: 3349: 3348: 3343: 3340:(CBE) in the 3339: 3334: 3325: 3323: 3319: 3318: 3312: 3310: 3305: 3303: 3299: 3295: 3294: 3293:New Statesman 3288: 3286: 3282: 3281: 3276: 3274: 3266: 3262: 3261:Boris Johnson 3257: 3248: 3246: 3242: 3238: 3234: 3228: 3226: 3225:(Auction) RED 3222: 3218: 3214: 3209: 3205: 3202: 3198: 3197: 3191: 3189: 3185: 3181: 3177: 3172: 3170: 3166: 3156: 3154: 3150: 3145: 3143: 3140:, but with a 3139: 3135: 3131: 3127: 3117: 3115: 3111: 3106: 3104: 3100: 3095: 3093: 3089: 3079: 3076: 3075: 3069: 3060: 3058: 3053: 3050: 3049: 3043: 3039: 3036: 3033: 3024: 3020: 3018: 3014: 3009: 2998: 2995: 2992: 2988: 2985: 2982: 2981: 2976: 2973: 2970: 2967: 2964: 2961: 2958: 2955: 2952: 2951:0-86355-589-6 2948: 2944: 2941: 2938: 2937:0-8478-2877-8 2934: 2930: 2927: 2924: 2921: 2918: 2914: 2910: 2909:0-340-76944-0 2906: 2902: 2899: 2896: 2893: 2890: 2889:1-901352-15-3 2886: 2882: 2879: 2876: 2873: 2870: 2869:0-9522690-2-3 2866: 2862: 2858: 2857: 2856: 2850: 2847: 2846: 2845: 2836: 2827: 2823: 2822: 2817: 2814:This section 2812: 2808: 2803: 2802: 2794: 2792: 2788: 2787:Self Portrait 2784: 2780: 2776: 2772: 2770: 2766: 2762: 2758: 2756: 2752: 2748: 2744: 2740: 2729: 2726: 2718: 2707: 2704: 2700: 2697: 2693: 2690: 2686: 2683: 2679: 2676: – 2675: 2674:"Tracey Emin" 2671: 2670:Find sources: 2664: 2660: 2657: 2653: 2649: 2643: 2642: 2638: 2633: 2628: 2619: 2618: 2613:Installations 2610: 2606: 2604: 2599: 2591: 2590: 2586: 2583: 2580: 2577: 2574: 2571: 2568: 2565: 2562: 2561: 2560: 2558: 2553: 2546: 2542: 2541: 2536: 2535: 2531: 2528: 2524: 2520: 2519:Room for Rent 2516: 2512: 2508: 2505: 2504: 2497: 2488: 2484: 2483: 2478: 2475:This section 2473: 2469: 2464: 2463: 2455: 2453: 2447: 2445: 2441: 2437: 2433: 2429: 2424: 2422: 2421:Patrick Brill 2418: 2414: 2410: 2406: 2402: 2401:Jeremy Deller 2398: 2393: 2390: 2385: 2380: 2377: 2373: 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1797: 1793: 1789: 1784: 1782: 1778: 1774: 1773:Purple Virgin 1770: 1766: 1761: 1759: 1755: 1754: 1748: 1746: 1742: 1741:Reincarnation 1738: 1734: 1733:Purple Virgin 1729: 1727: 1723: 1719: 1715: 1710: 1706: 1702: 1692: 1690: 1684: 1682: 1678: 1677:Mat Collishaw 1674: 1669: 1666: 1662: 1658: 1653: 1651: 1647: 1641: 1639: 1635: 1630: 1626: 1622: 1618: 1614: 1610: 1606: 1602: 1598: 1594: 1589: 1587: 1583: 1582: 1577: 1573: 1568: 1566: 1560: 1558: 1554: 1553:Fuck You Eddy 1550: 1546: 1542: 1538: 1527: 1524: 1516: 1505: 1502: 1498: 1495: 1491: 1488: 1484: 1481: 1477: 1474: – 1473: 1472:"Tracey Emin" 1469: 1468:Find sources: 1462: 1458: 1455: 1451: 1447: 1441: 1440: 1436: 1431: 1426: 1417: 1416: 1406:Artistic work 1403: 1401: 1400:The Guardian, 1397: 1393: 1385: 1380: 1378: 1374: 1370: 1366: 1361: 1359: 1355: 1351: 1347: 1337: 1335: 1331: 1321: 1319: 1312: 1307: 1304: 1296: 1291: 1289: 1285: 1280: 1278: 1274: 1270: 1265: 1263: 1259: 1251: 1246: 1244: 1239: 1237: 1233: 1229: 1225: 1219: 1217: 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London. 8257:. London. 8254:The Times 8236:. London. 8204:"About 1" 7993:The Times 7969:. discogs 7909:. 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