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Tony Taccone

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153:. Over Taccone's tenure there, the Eureka's annual budget grew from $ 60,000 to $ 780,000 as their subscriber number grew to 2,400 and the repertory moved to a new building because their theater was destroyed by an arsonist. Despite the growth, they required $ 1.3 million in order to stay afloat, and talks began that the repertory could not sustain its artists with growing families. Taccone was extremely reluctant to leave, but announced his resignation in 1988. 118:
Taccone, attended Boston College as an English major. He frequently participated in poetry readings, which led to performance art. After marrying, he accompanied his wife to the University of Colorado and became involved in the drama department. His acting troupe asked him to fill in for their sick
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When White became artistic director of the Eureka Theatre, a converted warehouse in San Francisco's Mission District, he invited Taccone along. In 1981, White left and Taccone replaced him as the artistic director. It was there that Taccone began his partnership with
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You can have a healthy, happy life and still be indelibly connected to the deeper sorrow of the world. You don't need to create personal trauma to experience darkness. In fact, in some rarefied theological schools of thought, one could argue the opposite.
166:, which ended up becoming a two-part, seven-hour epic, was becoming a national sensation critically and otherwise, and a boon to the Eureka. Four years later (in 1992), he and Oskar Eustis co-directed the world premiere of the complete work at the 299:
Playbill recently asserted that "Tony Taccone may very well be the most prominent artistic director in America right now." During his tenure, Berkeley Rep has emerged as the source of many important Broadway shows, including Green Day's
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director and stage the next play. Taccone called the gig the "closest thing I ever had to an epiphany," and permanently went behind the curtain. After graduating, Taccone enrolled in UC Berkeley in the doctoral directing program.
863: 930: 950: 115:, to an Italian-American father and a Puerto Rican mother. They encouraged their children to go into the arts; their daughter became a photographer, and both sons found careers in theater. 281: 804: 860: 970: 1139: 210:. He also staged the show’s record-breaking off-Broadway run at Culture Project, workshopped it for Broadway at Berkeley Rep and directed Jones’ previous hit, 990: 1075: 847: 212: 1134: 342:
Taccone has been called a "theatrical midwife" because he often encourages and fosters new talent. Examples include his work with Sarah Jones on
1144: 892: 265: 1129: 801: 293: 1097: 931:"BWW Review: KISS MY AZTEC! at Berkeley Repertory Theatre is a Hilarious, Socially Hip Historical Romp Through the Aztec Empire" 879: 910: 1124: 182:. He has collaborated with Kushner on six projects. Their latest piece featured designs by beloved children’s author, 174:, and Taccone became full artistic director, where he has staged more than 35 shows, including the world premieres of 360:
Taccone made his playwriting debut in May 2011 with his solo show for Rita Moreno and followed this up with his show
284:, where he served six years as artistic director before coming to Berkeley Rep. Taccone has served on the faculty of 170:. In 1997, Berkeley Rep won a Tony for Best Regional Theater. That year, Ott left to become artistic director of 1091: 951:"Review: John Leguizamo's 'Kiss My Aztec!' a splashy and entertaining musical ode that puts a twist on history" 1036: 666: 1049: 354: 289: 261: 955: 217: 201: 861:"Lemony Snicket, Rita Moreno, The Great Game Will Be Part of Berkeley Rep in 2010-11; Season Announced" 395: 384: 96: 179: 667:"Tony Taccone: Riding high on his recent successes, theater veteran has big plans for Berkeley Rep" 241: 206: 353:, a play performed by persons who were previously homeless. The play was done as a fundraiser for 440:, a musician and sometimes collaborator with his brother. Asa is a founding member of the band 1119: 915: 1114: 336: 100: 147:, who he commissioned to write what Kushner thought would be a short chamber piece called 8: 971:"La Jolla Playhouse's 'Kiss My Aztec!' Takes a Wildly Satirical Look at Colonial History" 432: 197: 975: 388: 364:
at the Oregon Shakespeare Festival in 2011, which he co-created with Jonathan Moscone.
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HURWITT, ROBERT (October 16, 2009), "Berkeley Rep a big success on Broadway".
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WEBER, BRUCE (October 25, 2009), "Two Tonys and Their 'Tiny' Five-Act Play".
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in the 1980s. He favors clown artistry that is a reaction to tragedy.
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Taccone, Tony (Winter/Spring 2007), "Culture Clash's Zorro in Hell".
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D'SOUZA, KAREN (May/June 2009), "Looking for Laughs with Amy Freed".
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McLaughlin, Ellen (September 2006), "In Cahoots with Tony Taccone".
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In 2019, Taccone ended his 33 year tenure as Artistic Director of
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under Sharon Ott, again replacing White. Right around that time,
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Goodwin, Joy (March 2, 2008), "Left Coast Ideas, Floating East".
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and has composed music for his father's productions, such as for
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Taccone is married to Morgan Forsey. Taccone's children include
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The one thing you cannot do in comedy is to go for the laugh.
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That year, Taccone became the associate artistic director of
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Kiss My Aztec, (2019), Berkeley Repertory Theatre - director
260:. His other regional credits include noted theatres such as 320:
Two of Taccone’s recent shows also transferred to London:
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in New York City. Taccone made his Broadway debut with
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Tony Taccone, Berkeley Rep Theatre's artistic director
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Taccone's professional career has included fostering
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BroadwayWorld.com (accessed 2009-05-19) 848:"This week: Arts and entertainment picks" 779: 768: 766: 764: 762: 693: 659: 657: 655: 653: 651: 649: 647: 645: 643: 641: 379:and David Kamp). It was developed at the 577:, Oregon Shakespeare Festival - director 569:, Oregon Shakespeare Festival - director 558:, Oregon Shakespeare Festival - director 426:, (a member of the sketch-comedy troupe 216:. Taccone frequently works at Ashland’s 1135:American people of Puerto Rican descent 1039:. 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(SFGate.com. (accessed 2009-05-19) 1048:SCHIFFMAN, JEAN (January 22, 2006), 676: 600:, Mark Taper Forum (1992) - director 1052:. Variety.com (accessed 2009-05-19) 91:(born July 4, 1951) is an American 13: 1130:American people of Italian descent 1074:Hurwitt, Robert (April 30, 2009), 1061:BWW News Desk (January 21, 2009), 1037:"BRT@40: A chat with Tony Taccone" 850:. SFGate.com (accessed 2009-05-19) 451: 14: 1156: 1085: 878:Hughley, Marty (March 12, 2010), 349:In 2009, Taccone participated in 324:played the Barbican in 2004, and 846:Rubien, David (April 19, 2009), 665:Hurwitt, Robert (July 5, 2006), 401: 1068: 1055: 1042: 1035:Jones, Chad (August 30, 2007), 1029: 983: 963: 943: 923: 903: 885: 872: 859:Jones, Kenneth (March 3, 2010) 853: 840: 742: 282:San Francisco’s Eureka Theatre 1: 355:Community Housing Partnership 106: 583:, Berkeley Repertory Theatre 290:Theatre Communications Group 262:Actors Theatre of Louisville 72:Suellen Ehnebuske (divorced) 7: 956:The San Diego Union-Tribune 248:, which also played at the 232:, the American premiere of 218:Oregon Shakespeare Festival 10: 1161: 1125:American theatre directors 512:The Caucasian Chalk Circle 396:Berkeley Repertory Theatre 385:Berkeley Repertory Theater 97:Berkeley Repertory Theatre 518:Endgame/Act Without Words 488:Culture Clash in AmeriCCa 383:in 2018 and premiered at 371:, which he co-wrote with 180:Culture Clash in AmeriCCa 122: 78: 68: 60: 50: 28: 21: 671:Chronicle Theater Critic 631: 430:and a former-writer for 240:, and his production of 220:, where he has directed 1016:San Francisco Chronicle 822:San Francisco Chronicle 673:. 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September 9, 2019. 800:(October 30, 2009), 530:The Convict’s Return 337:Pickle Family Circus 314:Bridge & Tunnel, 101:Berkeley, California 624:, (2009) - director 598:, Parts One and Two 446:Bridge & Tunnel 433:Saturday Night Live 207:Bridge & Tunnel 198:New Victory Theater 45:New York City, U.S. 976:Times of San Diego 866:2010-03-06 at the 807:2011-02-10 at the 464:Continental Divide 389:La Jolla Playhouse 357:in San Francisco. 322:Continental Divide 270:La Jolla Playhouse 252:and in England at 246:Continental Divide 176:Continental Divide 1101: 612:(2006) - director 596:Angels in America 591:(1989) - director 588:Waiting for Godot 548:Waiting for Godot 506:Pentecost, Slavs! 448:and Taking Over. 428:the Lonely Island 310:Wishful Drinking, 172:Seattle Repertory 163:Angels in America 150:Angels in America 86: 85: 61:Years active 1152: 1095: 1079: 1072: 1066: 1059: 1053: 1046: 1040: 1033: 1027: 1026: 1024: 1022: 1007: 1001: 1000: 987: 981: 980: 967: 961: 960: 947: 941: 940: 939:. 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Index

Theatre director
theater director
Berkeley Repertory Theatre
Berkeley, California
Queens, New York
Tony Kushner
Angels in America
Berkeley Rep
Angels in America
Mark Taper Forum
Seattle Repertory
Continental Divide
Culture Clash in AmeriCCa
Maurice Sendak
Brundibar
Yale Rep
New Victory Theater
Sarah Jones
Bridge & Tunnel
Surface Transit
Oregon Shakespeare Festival
Coriolanus
Othello
Pentecost
Seamus Heaney
The Cure at Troy
David Edgar
Continental Divide
Berkeley Rep
Birmingham Rep

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