Tony Gaudio - Knowledge

1485:, Gaudio used his process during three days, in which night scenes of an Algerian village street were taken during the day. Gaudio was never satisfied by artificial night lighting, and looked forward to the entire industry adopting his invention, which inevitably occurred. The invention was perfected after only five weeks of experiment, and can be applied to any camera, having few attachments. The working principle rests in the preparation of the raw film. The new process gives a black sky, a light foreground, a clearly defined skyline, perfect silhouettes and stereoscopic relief with high visibility, to figures both in close-ups and even until their disappearance on the skyline. The shadows of figures walking in moonlight are strongly outlined. Gaudio announced at the time of invention that he was willing to stake his cinematographic reputation on this invention. 1518: 749: 926: 796: 1221: 1072: 624: 569: 343:, Italy in 1883 to a famous photographic family. The son of one of Italy’s foremost photographic artists, the boy was quite literally brought up in the studio, where he learned at an early age to use the still camera and to develop negatives in the darkroom. His father also gave him a liberal education in lenses, cameras, composition and the manipulation of lights so that when the time came to take up motion photography, the young Tony had a head full of useful information to start with. 1443: 661: 1591:"It is the story of the first Italian winner of an Oscar, but it is also the discovery of an innovator in the field of photography; it is, at the same time, the story of the birth of cinema, in Italy and the United States, the discovery of techniques and perspectives; it is the story of the emigration of Italians; and it is also an investigation - punctuated by a fictional part - in search of the statuette won almost 90 years ago and of which traces have been lost." 1123: 410: 164: 1396: 31: 6484: 1534:"Picture making is picture making no matter what you’re shooting, and those of us who have spent years learning the fundamentals of the job ought to be competent to take a new development like color in our stride. Of course it means new tools to work with, new problems and new ways of expressing many new thoughts: but it is still the same basic job of putting entertainment on celluloid." 1439:, but Mitchell established a foothold and broke through by the end of the decade, propelled by cinematographers such as Gaudio who advocated for the Mitchell and its positive attributes. While the Bell and Howell produced a superior image due to its innovative pressure plate behind the lens, it was too noisy for sound work, which opened up the market to Mitchell. 1118:“Today’s cameramen are virtually a new race of artists. Sound, with its new requirements, brought a saner approach to motion picture photography. Camera work should be like that of the portrait artist, reality and character with only so much retouching as is necessary to smooth out the rougher spots. Realism and character must be preserved at all costs.” 1909:, The Fisher-Maid, In Old Madrid, Sweet Memories, The Stampede, The Fair Dentist, For Her Brother's Sake, The Master and the Man, At a Quarter of Two, The Lighthouse Keeper, A Gasoline Engagement, Science, The Skating Bug, The Call of the Song, The Toss of a Coin, The Sentinel Asleep, The Better Way, His Dress Shirt, From the Bottom of the Sea 1509:"In those days, everything was a problem. Certain colors had to be avoided, since the process wouldn’t reproduce them, others had to be achieved by showing the camera an entirely different tone. But the biggest problem was lighting. The two-color technicolor of those old days demanded an unbelievable amount of light." 496:, with Blanche Sweet and Marshall Nielan. Together, the stage and screen men were adapting plays, one of the earliest instances in which a staged play was converted to the screen. Gaudio remained here until 1915. Gaudio found a home at Metro Pictures by 1916, where his brother Eugene now worked as a director. 347:

play with photographic papers, making his own enlargements. After attending art school in Rome, he became an assistant to his father and older brother, Rafael (Ralph) Gaudio, a prominent portrait photographer in Italy who later became president of the Society of Photography in Europe, and was nominated as

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At two months old, Tony’s family moved from Cosenza to Rome for a short period in order for Tony to attend art school. He is indebted to his art training for his later interest in the camera as a medium of art, as opposed to a mere recording instrument. Tony was hardly nine years old when he began to

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They proposed the idea of a documentary, obtaining the contribution of the Calabria Film Commission and the support of its counterpart Piedmontese institution. Broken Typewriter Productions from Los Angeles, CA is proud to announce their collaboration with Open Fields Productions from Cosenza, Italy

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Gaudio was among the first cinematographers to experiment successfully with the idea of photographing exterior night-scenes in the daytime, with filters. Faced with a unified chorus of “It can’t be done”, he succeeded. In 1923, Gaetano Gaudio invented an epochal device in lighting sets for darkness,

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interview, Tony remembered that his only lighting problem in this film was the sun, which kept ducking behind the clouds. “It was quite bad,” Mr. Gaudio recalled. A young Gaudio shot hundreds of short subjects for Italian film companies, two or three features a week, before emigrating to America in

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Now, any time anyone looks through the focusing microscope of a Mitchell camera, Tony Gaudio invented it. In the 1920s, when you focused a professional camera, you viewed your image either on the film itself or on a removable ground-glass focusing screen. In either event, if you had a good camera,

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In 1939, Gaudio was nominated by King Victor Emmanuel III of Italy as a Knight of the Crown for his contributions to the art of motion picture photography. Gaudio declined to accept the honor and recognition for his work because it came from a foreign country, despite that country once being his

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In 1906 a young Gaudio arrived in the United States, moving to New York City. Tony was employed by Al Simpson to produce "song slides" that could be shown in theaters so patrons could sing along with the music. Twelve hand-colored slides were made for each new popular or near popular song. After

1167:“It is smoother, finer in grain and in speed.” the cameraman said in conclusion. “Yes, I am using Plus X in “The Old Maid”, the picture I am now on, another Bette Davis subject, and I expect to be using it as long as I am in pictures. No, I don’t think there ever will be anything really better.” 1407:

Gaudio was a revolutionary cinematographer, instituting and influencing many techniques and technologies in the craft. He has pioneered the use of “Dinky Inkies” and “precision lighting”, using spotlights almost to the exclusion of flood-lighting units. In addition, he pioneered the use of the

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Montage, invented the Mitchell Camera Viewfinder, worked on the first All-talkie and All-color film, as well as revolutionized photographing exterior night scenes during daylight. Gaudio's legacy lives on through his inventive and creative cinematographic mind that still impacts cinema today.

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opticians. Finally after many months of experimentation, a focusing optical system was perfected. For the first time in the history of cinematography, you could look into a camera and see, magnified some 10 diameters, the actual image cast by his lens. By a turn of a small control, the vital

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Gaudio’s direction of the Waldorf production did not interfere with his relations with Joseph M. Schenck. He continued as Chief Cinematographer for Norma Talmadge, filming her next feature and their last together, Graustark. All eyes were on Gaudio for his directorial debut, and Schenck was

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The documentary will feature interviews - combined with images of the works - from some American teachers and scholars and entertainment industry professionals of Italy and the US. These include Patrick Keating and Jonathan Kuntz, or personalities of US cinema, such as the Oscar winner

1091:“I am convinced there never has been one of my brother cameramen who was so happy over winning this award as I have been. For me, it has been a deep as it will be an abiding satisfaction. And my gratitude, deeper than words can express, goes to the men and women of this great industry 1630:“This documentary – explains the director – posed a series of problems from the beginning: very little repertoire, no private photos, perhaps due to a fire that would have destroyed all the albums, and less than 100 public photos. Involving the family was absolutely necessary." 1550:

and Hollywood, exploring the mystery behind the disappearance of his prized statuette, the first Italian Oscar. The story follows Tony Gaudio, little known until a few years ago, born from an initiative to rediscover this artist. The documentary was implemented by the

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Tony Gaudio has always been one of the most consistently progressive members of the camera profession. He has taken part in all of the ASC’s technical researches, such as those which smoothed the introduction of monochromatic film, Mazda lighting and modern make-up.

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picture, one of her better remembered vehicles that is distinguished by Gaudio's moody cinematography, especially the memorable opening shot, a slow track through a Malaysian rubber plantation that sets the tone for the whole picture. In 1941, Gaudio lit

1575:, was set up in efforts to fundraise and spread awareness about the documentary. The foundation’s CEO is Gino Gaudio, great nephew of Tony Gaudio, with the CFO being Chester Hipple, Tony Gaudio’s grandson. In a message on the website, it reads: 354:

Then it became necessary to take time out from the photographic side of his education to go to military school. It was 1900 when he bade good-bye to the army and returned home, where he worked as an apprentice alongside his younger brother

461:(1911), using his writing skills from the many films he wrote and directed in Italy before then. With IMP in 1910, Tony pioneered filming underwater, shooting the first submarine picture, titled “Submarine”. He went down in a submarine at 1375:

After the divorce from his first wife, Rosina Gaudio, which caused a scandal at the time, there was an estrangement with his children. After retiring from work in 1949, Gaudio moved to San Francisco with his second wife, Marie Gaudio.

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Gaudio believed that there was a better way of lining up a shot, and felt it would be easier if you could see your image right side up and laterally correct, and also rather highly magnified. He worked in close collaboration with the

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Gaudio commented that color did not slow the process down significantly, and on some days they were able to make as many as 22 different set ups, which for a major studio production was about as fast as a black-and-white picture.

1158:“The Eastman company is responsible for many improvements in photography,” he said, “but I am convinced this stock is not only a distinct advance. It is the best thing Eastman has done for the motion picture industry as a whole.” 1529:

production, making projected background process shots. This can be seen in a sequence played in an airplane, flying over the lumber country of the Northwest, and finally landing. Gaudio comments on the development of color in

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In 1925, Tony Gaudio turned to directing for a brief period of time, directing a total of two films. In July of 1925 it was announced that Gaudio would be directing the Waldorf special feature production in collaboration with

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In this work he retained the same balance between highlights, half tones and shadows as he had formerly with film that preceded Plus X. This level of illumination was reduced by exactly 50 percent, which saved costs in

973:, a picture that made records from the photographic side, as the film was exposed for two and a half years. By the time the picture was completed as a silent film, then came the revolution of sound. 637:

Over 1,500,000 candle-power were employed to light up this set, the greater part of the light being supplied by the fifteen sunlight arcs. Gaudio also used four generator sets on the scene. Producer

398:’s film development laboratories in New York. It was in 1908 that Tony acted as the cinematographer for his first film in the United States, Madame Nicotine. In 1909 the photographer moved to 7010: 425:, supervising the construction of IMP’s New York laboratories. He had complete charge of both positive and negative departments until perfectly organized when he was promoted to be a 1020:, a four time collaborator of Gaudio’s. The film was made in exactly 59 shooting days, which included a long and strenuous location trip to northern Washington. With German director 1634:

After Gaudio's death, all traces of the Oscar were lost, intersecting a line between the emotional story of the grandchildren and the artistic path of the pioneer cinematographer.

1110:, shooting aerial scenes as well as claustrophobic interiors. As of June 1938, Tony was the oldest cinematographer on features in the world at 55 years old. In an interview with 7287: 724:

production, the special arrangement was during the vacation of Norma Talmadge. In total, Gaudio photographed 10 Talmadge films from 1922 to 1925 as Chief Cinematographer of

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is the professional body his brother had helped create to promote standardization in the industry of cinematography, serving as a body of information for cameramen.

1579:"His name and contributions have been lost to the public. We would like the Gaudio name to live on and be remembered and celebrated from this day forward. “We trust 1473:

paving the way to save millions in film production a year by the elimination of night exterior filming, revolutionizing picture making at night time. While shooting

1008:(1934), the studio realized her histrionic talents, and Gaudio brought a stark realism to the seedy Mexican setting. In 1936, Gaudio shot Warners' first three-strip 1451:

you probably viewed this image through a simple, low-powered magnifying glass, which still gave you an image which was upside-down and turned around left or right.

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At the time of the election, A.S.C. cited Gaudio as one of the world’s foremost cinematographers and pioneers in the industry. Gaudio held the position until 1925.

1371:"It has nothing to with the present form of government in Italy. Nevertheless, I do not feel that it is right for me, now an American, to accept a foreign order." 7218:

Abenavoli, Di Paola. “From Cosenza to the American Dream: The Film About Tony Gaudio Arrives, On the Story of the First Italian to Win an Oscar (Exclusive).”

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for the new Mitchell Camera, as well as inventing the camera focusing microscope. In the 1920s, the Hollywood motion picture industry was dominated by

945:(1931), in a harsh style that fit the gritty subject matter. Gaudio contributed to two seminal war films in 1930, acting as second camera to A.S.C.’s 696:, a long time future collaborator of Gaudio. Arrangements were made whereby he was “farmed out” to other large producers, he having thus photographed 577:(1919): (from left) cinematographer Henry Cronjager, assistant director Alfred E. Green, director Marshall Neilan, and cinematographer Tony Gaudio 7262: 1322:

was a box office hit, winning the Honor Box for the Box Office Digest. In 1946 and 1947, Tony worked on 3 more films before his last film, being

7277: 7208:, catalog.afi.com/Person/148490-Tony-Gaudio?sid=6c79e45e-4a8e-4903-8668-8542deb492f3&sr=9.857439&cp=1&pos=0&isMiscCredit=false. 380:- a film company popular in Italy in the early days of cinema. In 1903, 19-year-old Tony filmed “Napoleon Crossing the Alps”. Years later in a 7222:, 9 Mar. 2024, www.hollywoodreporter.it/film/festival-e-premi/tony-gaudio-la-storia-vera-del-primo-italiano-che-vinse-un-premio-oscar/93985/. 429:. From 1910-1912 he became the Chief of Cinematography at IMP, shooting one picture a week and fifty a year. The leading players in the 6631:"From Cosenza to the American Dream: The Film About Tony Gaudio Arrives, On the Story of the First Italian to Win an Oscar (Exclusive)" 4341: 950: 7229:, edited by Sara Pendergast and Tom Pendergast, 4th ed., vol. 4: Writers and Production Artists, St. James Press, 2000, pp. 310-312. 1416:

Tony Gaudio was the first Hollywood photographer to use a montage. It was produced in a Douglas Fairbanks picture, “Mark of Zorro.”

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della Calabria, which aroused the interest of a group of young authors from Cosenza and their production company "Open Fields".

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Throughout the 1930s, Gaudio collaborated with many directors repeatedly, all under the banner of Warner Bros. Tony Gaudio and

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He died at his home on August 10, 1951 in Burlingame, California at the age of 66 of a heart attack. and is interred in the

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documentary will be a beautiful reminder for all film lovers of the important role of the cinematographer in films.”

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feature in which Tony lost the little finger of his left hand when he fell on the set. Tony continued to work with

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Tony was at the forefront of technical innovation in the craft of cinematography. A longtime fan and owner of the

5452: 821:. Schenck waived Gaudio’s contract in what he hoped to be a promising directorial career for the camera veteran. 359:

in the family photography studio owned by Rafael, "Foto Gaudio", in the historic center of the Calabrian city.

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is an upcoming 2024 documentary that is about to hit festival screens that tells the story of Tony Gaudio from

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In April, in Gaetano Gaudio’s hometown, the first screening of the trailer of the documentary will be played.

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film. Not an inch of any other brand was used in the production, declares Tony Gaudio in an interview with

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homeland. In an interview with The American Cinematographer in their April, 1939 Issue, Gaudio explained:

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della Calabria, Eugenio Attanasio, and from the Calabrian director of photography and Oscar winner for

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The years of 1938 and 1939 are busy times for Gaudio, completing his 1000th picture. Gaudio acted as

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1906 at the age of 22 together with his brother Eugene, who would follow him to the United States.

1079:; Mervyn LeRoy (seated right) directing costars March and DeHavilland; behind LeRoy is Tony Gaudio 5669: 5555: 5412: 5360: 5076: 5050: 4962: 4904: 4872: 4840: 4782: 4747: 4724: 4450: 4386: 4318: 4268: 4048: 4017: 3986: 3873: 3805: 3788: 3758: 3728: 3697: 3666: 3636: 3602: 3507: 3477: 3415: 3384: 3352: 3306: 3207: 3067: 3003: 2971: 2942: 2849: 2823: 2763: 2434: 1791: 1674: 1099: 1045: 962: 954: 910: 842: 810: 669: 620:

The Brahman temple scenes in the film were said to be among the most artistic shots ever made.

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becoming the first Italian to have won an Oscar, and was nominated five additional times for

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Gallagher, John A. (2000). "Gaudio, Tony, International Dictionary of Film and Filmmakers".

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was so pleased with Gaudio’s work on this film that he retained him for his next project,

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Beginning in 1919 and transitioning into the 1920s, Gaudio began his collaboration with

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impressed, clearing the way for Gaudio to direct his second feature film with Waldorf,

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in an ultra realistic, documentary-like fashion that was a precursor of film noir.

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center-area of the image could be scanned, with the magnification almost doubled.

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scenes with the smoky interiors of the boxing ring. Another main collaborator was

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In addition, Gaudio’s team pioneered something that had not yet been done in a

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Eventually he segued into cinema, starting with several years with the famous

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Francesco "Frank" Gaudio, Tony Gaudio, Elena Gaudio Hipple, Vera Gaudio Woods.

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In 1916, Gaudio made the transition to California with a troupe of the early

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Tennoe, Mariam T., Surhone, Lambert M., Henssonow, Susan F. et al.

7028:"Honor Box, This Week REPUBLIC Wins With: I've Always Loved You (1946)". 6105: 6053: 5999: 5973: 5921: 5895: 5843: 5790: 5764: 5426: 5165: 5087: 5011: 4973: 4941: 4599: 4547: 4054: 4043: 3981: 3641: 3577: 3512: 3420: 2580: 1906: 1902: 1894: 1623: 1526: 1253: 1229: 1210: 1205: 1131: 1049: 1009: 997: 977: 890: 886: 838: 521: 466: 438: 267:(20 November 1883 – 10 August 1951) was a pioneer Italian-American 7188:

Destination Hollywood, The Influence of Europeans on American Filmmaking

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Gaudio began the decade of the 1940s while still in collaboration with

858: 781: 537: 446: 804:(1925) with film director Tony Gaudio, Florence Turner, and Alice Lake 6311: 2338: 1323: 613:. In 1921, Gaudio photographed “A Bride of the Gods”, later known as 1122: 688:. Gaudio was given lavish praise for the photographic excellence of 480:, where he was engaged with the specials the company was making for 409: 163: 7080:

Blanchard, Walter. "Aces of the Camera XV: "Tony" Gaudio, A.S.C.".

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Blanchard, Walter. “Aces of the Camera XV: ‘Tony’ Gaudio, A.S.C.”

1614:. In addition, there will be interviews from the president of the 1497:,” the first “all-talkie” musical in color. In a person essay for 829:

This directorial streak did not last for long, as Gaudio returned

7088:(March, 1942): 112–138 – via Media History Digital Library. 6924:

Gaudio, Gaetano. "Lighting Color on a Black-and-White Schedule".

6524:"Long Record and More Honor for Tony Gaudio on His Screen Work". 6487:

This article incorporates text from this source, which is in the

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pictures in which he de-glamorized the actress. This includes

645:. In total, Gaudio and Frothingham collaborated five times on 6984:"Tony Gaudio Photographed Two of the Best Pictures of 1939". 1468:

Device for Photographing Exterior Night Scenes in the Daytime

1248:(1942). Their collaboration stopped in 1943 when Gaudio left 1147: 760:, the highest honor at the disposal of the cinematographers. 377: 66: 7174:

American Cinematographer,: February, 1937 (Classic Reprint)

7135:(November, 1923) – via Media History Digital Library. 7107:(December, 1921) – via Media History Digital Library. 752:

The American Cinematographer. 1923-01 Vol. III no. 10 cover

1052:

joint which gave him the opportunity to contrast high-key

508:, one of the three organizations which would later become 1064:, for which he won his first and only oscar for the 1936 484:, stage producers in New York. Among these specials were 6958:(April, 1939) – via Media History Digital Library. 788:, with ASC’s Sam Landers as the cinematographer, titled 457:. In addition to being her cameraman, Gaudio also wrote 1130:

At the end of the decade, Gaudio photographed two more

957:, handling the dialogue scenes with co-cinematographer 552:

in order to photograph the company’s first production,

7288:

Presidents of the American Society of Cinematographers

1066:

Academy Award for Best Cinematography, Black-and-White

1600:, special visual effects supervisor of films such as 1521:"On With the Show" ad in The Film Daily, Jan-Jun 1929 1302:(1944) before winning his last Oscar nomination for 1200:

picture that gave Tony his 4th Oscar nomination for

885:. The Gaucho featured one of the earliest two-strip 413:

Frame from the previously lost 1911 film Pictureland

1488: 1024:, Gaudio photographed eight pictures, most notably 909:was the first all-talking, all-color feature. When 188:. Unsourced material may be challenged and removed. 756:In 1924, Tony Gaudio was elected president of the 676:under the management of her husband and producer, 7239:ASC Holding Corp., Vol 1 (1920) to Vol. 32 (1951) 7156:The Tony Gaudio Foundation For The Cinematic Arts 6988:. 1939 – via Media History Digital Library. 6973:. 1939 – via Media History Digital Library. 6678:The Tony Gaudio Foundation For The Cinematic Arts 6599:The Tony Gaudio Foundation For The Cinematic Arts 1573:The Tony Gaudio Foundation for The Cinematic Arts 7244: 7227:International Dictionary of Films and Filmmakers 1346:. Tony Gaudio’s last film was shot in 1949 with 1228:In the 40s, he photographed seven pictures with 327:, and served as President from 1924 until 1925. 1786:International Dictionary of Film and Filmmakers 7190:, Jefferson, North Carolina, and London, 2000. 996:. Gaudio was a regular cameraman for starlett 7204:“AFI Catalog of Feature Films, Tony Gaudio.” 1419: 1083:Upon winning the Oscar, in an interview with 680:. He was also a cameraman for Norma’s sister 668:After this collaboration, Gaudio stayed with 312:. He is cited as the first to have created a 1503:Lighting Color on a Black-and-White Schedule 1358:. It was renowned for its mastery of color. 548:. Dawn would also loan would loan Gaudio to 528:. At Metro, Tony shot 10 films for director 417:Then he moved across the Brooklyn Bridge to 1060:, with whom Gaudio shot six films, notably 516:now worked as a director. In his unit were 330: 7273:Best Cinematographer Academy Award winners 7127:"Gaudio Inventor of Epoch-making Device". 1263:His first film that he shot freelance was 824: 29: 6715: 6628: 1637: 1271:, for which he was nominated for his 5th 1114:in their June, 1938 issue, Tony comments: 933:Gaudio hit his stride after signing with 394:quitting Simpson in 1908, Tony worked in 351:in Italy for photographic achievement. 248:Learn how and when to remove this message 6950:"Juarez Declared Really Great Picture". 6896:"Tony Gaudio, A.S.C. Becomes Director". 1516: 1441: 1394: 1224:Tony Gaudio on Experiment Perilous, 1944 1219: 1121: 1070: 924: 794: 747: 659: 622: 567: 408: 271:of more than 1000 films. Gaudio won the 1252:to go freelance after shooting another 980:shot four pictures together, including 7263:Italian emigrants to the United States 7245: 7146: 7144: 7142: 7122: 7120: 7118: 7116: 7114: 7075: 7073: 7071: 7069: 7067: 7065: 7063: 7061: 7005: 7003: 7001: 6999: 6997: 6995: 6945: 6943: 6941: 6939: 6919: 6917: 6915: 6913: 6911: 6891: 6889: 6887: 6885: 6827: 6825: 6823: 1505:from December 1936, Gaetano explained: 1383:in Hollywood, California. His brother 961:as well as the aerial cinematography. 889:sequences. Gaudio also shot two-strip 585:, starting with films A Man of Honor, 7278:Burials at Hollywood Forever Cemetery 7079: 7041: 7039: 6765: 6763: 6761: 6759: 6757: 6742:Whitman, Philip H. "Pans and Tilts". 6711: 6709: 6707: 6668: 6666: 6664: 6629:ABENAVOLI, DI PAOLA (March 9, 2024). 6624: 6622: 6620: 6618: 6616: 6614: 6612: 6610: 6608: 6567: 6565: 6563: 6561: 6559: 6519: 6517: 273:Academy Award for Best Cinematography 151:Academy Award for Best Cinematography 6832:"Way Cleared for Gaudio to Direct". 6737: 6735: 6733: 6731: 6705: 6703: 6701: 6699: 6697: 6695: 6693: 6691: 6689: 6687: 6662: 6660: 6658: 6656: 6654: 6652: 6650: 6648: 6646: 6644: 6589: 6587: 6557: 6555: 6553: 6551: 6549: 6547: 6545: 6543: 6541: 6539: 6515: 6513: 6511: 6509: 6507: 6505: 6503: 6501: 6499: 6497: 6465: 6463: 6461: 6459: 6457: 6441: 6439: 6437: 6435: 6433: 6431: 1744:Best Cinematography, Black-and-White 1726:Best Cinematography, Black-and-White 1708:Best Cinematography, Black-and-White 1688:Best Cinematography, Black-and-White 1569:American Society of Cinematographers 1277:Best Cinematography, Black-and-White 1202:Best Cinematography, Black-and-White 1192:. Also in 1940, Gaudio photographed 1144:Best Cinematography, Black-and-White 758:American Society of Cinematographers 325:American Society of Cinematographers 186:adding citations to reliable sources 157: 7225:Gallagher, John A. "Gaudio, Tony." 7193:“Tony Gaudio, 66, Film Cameraman.” 7139: 7111: 7058: 6992: 6936: 6908: 6882: 6820: 6741: 6446:"Tony Gaudio, 66, Film Cameraman". 1040:collaborated six times, notably on 627:Still from the American drama film 13: 7166: 7036: 6923: 6754: 6605: 6572:"Tony Gaudio Wins Camera Honors". 4234:1st all-talking all-color feature 833:as a cinematographer in 1926 with 14: 7299: 7183:. Mager and Quinn’s Bookselllers. 6728: 6684: 6641: 6584: 6536: 6494: 6454: 6428: 1126:"Juarez" 1939 Title, from Trailer 323:He was among the founders of the 6482: 6471:"Little Close-Ups of the A.S.C." 1489:First All-Talkie, All-Color Film 1361: 540:’s company for such pictures as 162: 16:Italian-American cinematographer 7186:Langman, Larry. “Tony Gaudio.” 7092: 7021: 6977: 6962: 6863: 6844: 6801: 6782: 877:, for businessman and producer 865:. Also with First National was 857:, in addition to photographing 601:. In 1920, Gaudio photographed 449:, among others. There, he shot 335:Born Gaetano Antonio Gaudio in 173:needs additional citations for 6770:"A.S.C. Elects New Officers". 4342:All Quiet on the Western Front 1777: 1581:The Lost Legacy of Tony Gaudio 1561:The Lost Legacy of Tony Gaudio 1544:The Lost Legacy of Tony Gaudio 1538: 1411: 1087:in April, 1937, Gaudio gushes: 1030:Academy Award for Best Picture 951:All Quiet on the Western Front 423:Independent Moving Picture CO. 1: 6421: 6254:The Bandit of Sherwood Forest 1610:, director of photography of 953:, and as cinematographer for 743: 726:Joseph M. Schenck productions 472:He then left IMP to work for 7213:The American Cinematographer 7129:The American Cinematographer 7101:The American Cinematographer 7082:The American Cinematographer 7048:The American Cinematographer 6952:The American Cinematographer 6926:The American Cinematographer 6898:The American Cinematographer 6872:The American Cinematographer 6853:The American Cinematographer 6834:The American Cinematographer 6810:The American Cinematographer 6791:The American Cinematographer 6772:The American Cinematographer 6744:The American Cinematographer 6635:The Hollywood Reporter, Roma 6474:The American Cinematographer 6040:Action in the North Atlantic 5503:The Amazing Dr. Clitterhouse 5466:The Adventures of Robin Hood 5335:The King and the Chorus Girl 1961:Their First Misunderstanding 1812:Production/Distribution Co. 1565:The Margaret Herrick Academy 1559:for the feature documentary 1499:The American Cinematographer 1310:(1945).In 1946, the Gaudio, 1152:The American Cinematographer 1112:The American Cinematographer 1085:The American Cinematographer 1042:The Adventures of Robin Hood 1036:(1939). Guadio and director 929:Poster- Hell's Angels (1930) 499: 357:Eugenio (Eugene) Gaudio 7: 7220:The Hollywood Reporter Roma 5230:God's Country and the Woman 3442:J.L. FrothinghamProductions 3380:J.L. FrothinghamProductions 3348:J.L. FrothinghamProductions 3247:J.L. FrothinghamProductions 2090:Independent Motion Pictures 2060:Independent Motion Pictures 2030:Independent Motion Pictures 2000:Independent Motion Pictures 1970:Independent Motion Pictures 1944:Independent Motion Pictures 1917:Independent Motion Pictures 1877:Independent Motion Pictures 1294:(1944). Gaudio joined with 1148:Eastman Plus X Panchromatic 1028:(1937), which one the 1937 1014:God's Country and the Woman 770: 465:, taking pictures inside a 388: 10: 7304: 5934:The Man Who Came to Dinner 5777:Knute Rockne, All American 5283:The Story of Louis Pasteur 5152:The Case of the Lucky Legs 5042:Oil for the Lamps of China 3495:The Voice from the Minaret 2164:The Cricket on the Hearth 1827:Napoleon Crossing the Alps 1762:Best Cinematography, Color 1446:Mitchell Camera circ 1930s 1420:Mitchell Camera Viewfinder 1381:Hollywood Forever Cemetery 1304:Best Cinematography, Color 994:The Case of the Lucky Legs 476:, a studio established in 7268:American cinematographers 7237:American Cinematographer. 4170:Pr. Inspiration Pictures 2253:Pr. Quality Pictures Co. 1612:The Marvelous Mrs. Maisel 1390: 433:studio at that time were 362: 145: 134: 126: 118: 110: 99: 91: 73: 40: 28: 21: 7176:. FORGOTTEN BOOKS, 2022. 6574:American Cinematographer 6526:American Cinematographer 6012:You Can't Escape Forever 4005:An Affair of the Follies 3841:Pr. Waldorf Productions 3813:Pr. Waldorf Productions 3156:Pr. Waldorf Productions 1171: 920: 855:An Affair of the Follies 664:Tony Gaudio, August 1925 609:, pioneering the use of 563: 463:Newport News in Virginia 367: 331:Early Life and Education 7206:American FIlm INstitute 7015:American Film Institute 4044:Sam E. Rork Productions 3982:Sam E. Rork Productions 3825:U.S. Directorial Debut 3307:The Sin of Martha Queed 3208:The Sin of Martha Queed 3031:Harry Garson Production 2082:The Rose of California 2022:In the Sultan's Garden 1883:1st underwater feature 1437:Bell and Howell cameras 1431:In 1922, he invented a 1100:Director of Photography 825:Returning to the Camera 670:First National Pictures 653:, A Bride of the Gods, 583:First National Pictures 316:sequence for a film in 6532:(June, 1938): 230–232. 5439:Torchy Blane in Panama 5309:The Life of Emile Zola 4954:The Man with Two Faces 4864:The Dragon Murder Case 4014:Al Rockett Productions 3187:Allan Dwan Productions 3128:Yorke Film Corporation 2790:Hary Garson Production 2760:Yorke Film Corporation 2728:Yorke Film Corporation 2698:Yorke Film Corporation 2666:Yorke Film Corporation 2634:Yorke Film Corporation 2602:Yorke Film Corporation 2570:Yorke Film Corporation 2538:Yorke Film Corporation 2506:Yorke Film Corporation 2476:Yorke Film Corporation 2444:Yorke Film Corporation 2412:Yorke Film Corporation 2380:Yorke Film Corporation 2348:Yorke Film Corporation 2316:Yorke Film Corporation 2284:Yorke Film Corporation 1933:For the Queen's Honor 1638:Awards and Nominations 1632: 1593: 1585: 1536: 1522: 1511: 1447: 1400: 1373: 1225: 1169: 1160: 1127: 1120: 1096: 1080: 1026:The Life of Emile Zola 986:The Man with Two Faces 930: 881:in collaboration with 805: 753: 665: 657:and Pilgrim of Night. 634: 578: 534:Yorke Film Corporation 526:Richard (Dick) Rowland 414: 85:Burlingame, California 45:Gaetano Antonio Gaudio 7172:VERHALEN, CHARLES J. 7030:The Box Office Digest 6595:"Who Is Tony Gaudio?" 6373:Bryan Foy Productions 6286:I've Always Loved You 4501:The Mask of Fu Manchu 3339:Pilgrims of the Night 3321:Associated Exhibitors 3221:Associated Exhibitors 3132:Republic Distributing 2929:Her Kingdom of Dreams 2220:The Unpardonable Sin 1628: 1589: 1577: 1532: 1520: 1507: 1493:Gaudio photographed “ 1445: 1398: 1369: 1320:I’ve Always Loved You 1223: 1165: 1156: 1125: 1116: 1089: 1074: 965:won Gaudio his first 928: 798: 751: 663: 626: 595:Her Kingdom of Dreams 571: 459:For the Queen’s Honor 451:Mary Pickford’s films 412: 261:Gaetano (Tony) Gaudio 106:President (1924–1925) 7099:"In Camera Fornia". 6870:"In Camera Fornia". 6851:"In Camera Fornia". 6808:"In Camera Fornia". 6789:"In Camera Fornia". 6364:Love from a Stranger 6092:Background to Danger 5882:Affectionately Yours 4884:H. Bruce Humberstone 4638:Private Detective 62 3870:Talmadge Productions 3834:The Price of Success 3755:Talmadge Productions 3725:Talmadge Productions 3663:Talmadge Productions 3633:Talmadge Productions 3599:Talmadge Productions 3567:Talmadge Productions 3504:Talmadge Productions 3474:Talmadge Productions 3412:Talmadge Productions 3289:Associated Producers 3270:The Ten Dollar Raise 3191:Associated Producers 3054:Fighting Shepherdess 2908:Nazimova Productions 2781:The Unpardonable Sin 2275:The River of Romance 2203:General Film Company 1340:Love From a Stranger 1282:Next, he filmed two 1258:Background to Danger 1242:Affectionately Yours 1213:'s crime masterwork 955:Hell’s Angels (1930) 941:’s gangster classic 937:. in 1930, shooting 801:The Price of Success 790:The Price of Success 728:, most notably with 647:The Ten Dollar Raise 404:Vitagraph laboratory 182:improve this article 111:Board member of 7283:People from Cosenza 7046:"Gaudio Declines". 6173:Experiment Perilous 5986:Wings for the Eagle 4516:Metro-Goldwyn-Mayer 4067:Two Arabian Knights 3956:Metro-Goldwyn-Mayer 3926:Metro-Goldwyn-Mayer 3900:Metro-Goldwyn-Mayer 3879:Dimitri Buchowetzki 3684:Husbands and Lovers 3316:Mayflower Photoplay 3217:Mayflower Photoplay 3178:The Forbidden Thing 2968:Pr. Chaplin-Mayers 2887:William J. Humphrey 2593:The Square Deceiver 2561:The Hidden Children 2467:The Haunted Pajamas 2142:Klaw & Erlanger 1799: 1670:Best Cinematography 1648: 1288:Experiment Perilous 1246:Wings for the Eagle 1204:. This was another 971:Best Cinematography 873:, both directed by 867:Two Arabian Knights 702:Husbands and Lovers 542:The Forbidden Thing 510:Metro-Goldwyn-Mayer 349:Knight of the Crown 7195:The New York Times 6816:(April, 1924): 26. 6450:. August 11, 1951. 6448:The New York Times 6321:Universal Pictures 6226:A Song to Remember 6199:I'll Be Seeing You 6182:RKO Radio Pictures 6156:RKO Radio Pictures 6129:Universal Pictures 6066:The Constant Nymph 5719:'Til We Meet Again 5529:Garden of the Moon 5068:Go into Your Dance 4986:The White Cockatoo 4699:Universal Pictures 4475:Pr. The Caddo Co. 4378:The Lady Who Dared 4356:Universal Pictures 4204:George Fitzmaurice 4145:Paramount Pictures 4035:The Notorious Lady 3624:Ashes of Vengeance 3540:Paramount Pictures 3447:American Releasing 3433:The Woman He Loved 3252:Hodkinson Pictures 2720:Lend Me Your Name 2625:The Avenging Trail 2189:The Woman in Black 2095:Francis J. Grandon 1782: 1767:A Song to Remember 1642: 1523: 1457:Mitchell engineers 1448: 1401: 1308:A Song To Remember 1300:I’ll Be Seeing You 1269:Universal Pictures 1226: 1128: 1081: 990:Go into Your Dance 931: 851:The Notorious Lady 806: 754: 738:Ashes of Vengeance 682:Constance Talmadge 666: 655:The Man Who Smiled 643:The Woman He Loved 635: 579: 415: 309:A Song to Remember 6932:(December, 1936). 6904:(July, 1925): 13. 6878:(December, 1924). 6797:(December, 1921). 6419: 6418: 6407:Republic Pictures 6347:Republic Pictures 6295:Republic Pictures 6263:Columbia Pictures 6236:Columbia Pictures 5693:The Fighting 69th 4716:The World Changes 4612:The Narrow Corner 4510:Cosmopolitan Prod 4485:Edward Sutherland 4351:Universal Studios 4216:On with the Show! 4108:Douglas Fairbanks 3845:Columbia Pictures 3817:Columbia Pictures 3794:Robert G. Vignola 3546:Robert G. Vignola 3534:Cosmopolitan Prod 3403:The Eternal Flame 3137:Fred J. Balshofer 3095:Douglas Fairbanks 3086:The Mark of Zorro 3022:Whispering Devils 2876:Humphrey Pictures 2829:Fred J. Balshofer 2739:Fred J. Balshofer 2677:Fred J. Balshofer 2613:Fred J. Balshofer 2549:Fred J. Balshofer 2517:Fred J. Balshofer 2487:Fred J. Balshofer 2403:The Hidden Spring 2391:Fred J. Balshofer 2295:Fred J. Balshofer 2263:Fred J. Balshofer 2228:Shubert Film Corp 2052:The Rose's Story 1775: 1774: 1567:archives and the 1495:On With the Show! 1399:Gaudio circa 1919 1352:Republic Pictures 1316:Republic Pictures 1186:The Fighting 69th 907:On with the Show! 895:On with the Show! 778:Columbia Pictures 730:The Eternal Flame 607:The Mark of Zorro 603:Douglas Fairbanks 546:The Sin of Martha 530:Fred J. Balshofer 482:Klaw and Erlanger 319:The Mark of Zorro 258: 257: 250: 232: 156: 155: 55:November 20, 1883 7295: 7197:, 11 Aug. 1951. 7160: 7159: 7148: 7137: 7136: 7124: 7109: 7108: 7096: 7090: 7089: 7077: 7056: 7055: 7043: 7034: 7033: 7025: 7019: 7018: 7007: 6990: 6989: 6981: 6975: 6974: 6966: 6960: 6959: 6947: 6934: 6933: 6921: 6906: 6905: 6893: 6880: 6879: 6867: 6861: 6860: 6848: 6842: 6841: 6829: 6818: 6817: 6805: 6799: 6798: 6786: 6780: 6779: 6767: 6752: 6751: 6750:(October, 1921). 6739: 6726: 6725: 6724:(2000): 310–312. 6713: 6682: 6681: 6670: 6639: 6638: 6626: 6603: 6602: 6591: 6582: 6581: 6569: 6534: 6533: 6521: 6492: 6486: 6485: 6481: 6480:(February 1922). 6467: 6452: 6451: 6443: 6402:Cinematographer 6378:Eagle-Lion Films 6368:Cinematographer 6342:Cinematographer 6316:Cinematographer 6290:Cinematographer 6258:Cinematographer 6231:Cinematographer 6213:William Dieterle 6203:Cinematographer 6177:Cinematographer 6151:Cinematographer 6124:Cinematographer 6096:Cinematographer 6070:Cinematographer 6044:Cinematographer 6016:Cinematographer 5990:Cinematographer 5964:Cinematographer 5948:William Keighley 5938:Cinematographer 5912:Cinematographer 5886:Cinematographer 5860:Cinematographer 5834:Cinematographer 5807:Cinematographer 5781:Cinematographer 5755:Cinematographer 5723:Cinematographer 5707:William Keighley 5697:Cinematographer 5665:Cinematographer 5661:We Are Not Alone 5639:Cinematographer 5622:William Dieterle 5612:Cinematographer 5586:Cinematographer 5560:Cinematographer 5533:Cinematographer 5507:Cinematographer 5486:William Keighley 5471:Cinematographer 5443:Cinematographer 5417:2nd Photography 5401:William Dieterle 5391:Cinematographer 5365:Cinematographer 5339:Cinematographer 5323:William Dieterle 5313:Cinematographer 5297:William Dieterle 5287:Cinematographer 5260:Cinematographer 5244:William Keighley 5234:Cinematographer 5218:William Dieterle 5208:Cinematographer 5192:William Dieterle 5182:Cinematographer 5156:Cinematographer 5130:Cinematographer 5126:Front Page Woman 5104:Cinematographer 5072:Cinematographer 5046:Cinematographer 5016:Cinematographer 4990:Cinematographer 4958:Cinematographer 4932:Cinematographer 4900:Cinematographer 4868:Cinematographer 4852:William Dieterle 4836:Cinematographer 4810:Cinematographer 4778:Cinematographer 4752:Cinematographer 4720:Cinematographer 4694:Cinematographer 4690:Ladies Must Love 4668:Cinematographer 4642:Cinematographer 4616:Cinematographer 4590:Cinematographer 4586:The Silk Express 4564:Cinematographer 4538:Cinematographer 4505:Cinematographer 4472:Cinematographer 4446:Cinematographer 4414:Cinematographer 4398:William Beaudine 4382:Cinematographer 4314:Cinematographer 4275:Cinematographer 4247:Cinematographer 4220:Cinematographer 4194:Cinematographer 4167:Cinematographer 4135:Cinematographer 4119:F. Richard Jones 4103:Cinematographer 4071:Cinematographer 4039:Cinematographer 4009:Cinematographer 3977:Cinematographer 3973:The Blonde Saint 3951:Cinematographer 3921:Cinematographer 3917:The Gay Deceiver 3895:Cinematographer 3865:Cinematographer 3784:Cinematographer 3750:Cinematographer 3720:Cinematographer 3688:Cinematographer 3658:Cinematographer 3628:Cinematographer 3594:Cinematographer 3590:The Song of Love 3562:Cinematographer 3529:Cinematographer 3499:Cinematographer 3469:Cinematographer 3437:Cinematographer 3407:Cinematographer 3375:Cinematographer 3343:Cinematographer 3311:Cinematographer 3279:J.L. Frothingham 3274:Cinematographer 3242:Cinematographer 3212:Cinematographer 3182:Cinematographer 3166:Louis J. Gasnier 3153:Cinematographer 3123:Cinematographer 3090:Cinematographer 3058:Cinematographer 3026:Cinematographer 2994:Cinematographer 2965:Cinematographer 2961:The Inferior Sex 2933:Cinematographer 2917:Albert Capellani 2903:Cinematographer 2881:Pioneer Pictures 2871:Cinematographer 2845:Cinematographer 2819:Cinematographer 2785:Cinematographer 2755:Cinematographer 2723:Cinematographer 2693:Cinematographer 2661:Cinematographer 2629:Cinematographer 2597:Cinematographer 2565:Cinematographer 2533:Cinematographer 2501:Cinematographer 2471:Cinematographer 2439:Cinematographer 2407:Cinematographer 2375:Cinematographer 2343:Cinematographer 2311:Cinematographer 2279:Cinematographer 2250:Cinematographer 2246:The Masked Rider 2223:Cinematographer 2209:Lawrence Marsten 2198:Biograph Company 2193:Cinematographer 2177:Lawrence Marsten 2172:Biograph Company 2167:Cinematographer 2147:Biograph Company 2137:Cinematographer 2116:Biograph Company 2111:Cinematographer 2055:Cinematographer 2025:Cinematographer 1995:Cinematographer 1965:Cinematographer 1936:Cinematographer 1912:Cinematographer 1872:Cinematographer 1853:Cinematographer 1850:Madame Nicotine 1842:1st film, Italy 1833:Cinematographer 1800: 1781: 1649: 1641: 1483:The Song of Love 1479:Joseh M. Schenck 1182:William Keighley 1048:(1937), another 1022:William Dieterle 1018:William Keighley 1016:, with director 913:was acquired by 847:The Blonde Saint 722:Corrine Griffith 706:Corrine Griffith 639:J.L. Frothingham 478:Brooklyn Heights 253: 246: 242: 239: 233: 231: 190: 166: 158: 80: 54: 52: 35:Tony Gaudio, ASC 33: 19: 18: 7303: 7302: 7298: 7297: 7296: 7294: 7293: 7292: 7243: 7242: 7169: 7167:Further reading 7164: 7163: 7150: 7149: 7140: 7126: 7125: 7112: 7098: 7097: 7093: 7078: 7059: 7045: 7044: 7037: 7027: 7026: 7022: 7009: 7008: 6993: 6983: 6982: 6978: 6968: 6967: 6963: 6949: 6948: 6937: 6922: 6909: 6895: 6894: 6883: 6869: 6868: 6864: 6850: 6849: 6845: 6840:(August, 1925). 6831: 6830: 6821: 6807: 6806: 6802: 6788: 6787: 6783: 6778:(May, 1924): 5. 6769: 6768: 6755: 6740: 6729: 6718:St. James Press 6714: 6685: 6674:"Tony in Focus" 6672: 6671: 6642: 6627: 6606: 6593: 6592: 6585: 6571: 6570: 6537: 6523: 6522: 6495: 6483: 6469: 6468: 6455: 6445: 6444: 6429: 6424: 6412:Lewis Milestone 6187:Jacques Tourner 6161:Jacques Tourner 6080:Edmund Goulding 6030:James Van Trees 5870:Edmund Goulding 5733:Edmund Goulding 5681:Edmund Goulding 5649:Edmund Goulding 5596:Edmund Goulding 5582:The Dawn Patrol 5453:William Clemens 5256:Anthony Adverse 5204:The White Angel 5100:Little Big Shot 5032:James Van Trees 5026:Alfred E. Green 4896:Happiness Ahead 4832:Fog Over Frisco 4626:Alfred E. Green 4534:Blondie Johnson 4430:Lewis Milestone 4362:Lewis Milestone 4163:She Goes to War 4151:Lewis Milestone 4087:Lewis Milestone 3483:Sidney Franklin 3371:Shattered Idols 3238:The Other Woman 3036:Equity Pictures 3010:Marshall Neilan 2990:In Old Kentucky 2978:Joseph Henabery 2949:Marshall Neilan 2899:The Red Lantern 2816:A Man of Honor 2801:Marshall Neilan 2529:Paradise Garden 2498:Under Handicap 2423:E. Mason Hopper 1780: 1693:Anthony Adverse 1640: 1608:M. David Mullen 1571:. The website, 1541: 1491: 1470: 1461:Bausch and Lomb 1426:Mitchell camera 1422: 1414: 1393: 1364: 1348:Lewis Milestone 1284:Jacques Tourner 1174: 1108:The Dawn Patrol 1104:Edmund Goulding 1077:Anthony Adverse 1075:On set of 1936 1062:Anthony Adverse 969:nomination for 923: 875:Lewis Milestone 827: 773: 746: 651:The Other Woman 630:Shattered Idols 615:Shattered Idols 599:In Old Kentucky 591:The Red Lantern 574:In Old Kentucky 566: 518:Harold Lockwood 502: 431:Eleventh Avenue 391: 370: 365: 333: 278:Anthony Adverse 269:cinematographer 254: 243: 237: 234: 191: 189: 179: 167: 87: 82: 78: 77:August 10, 1951 69: 56: 50: 48: 47: 46: 36: 24: 17: 12: 11: 5: 7301: 7291: 7290: 7285: 7280: 7275: 7270: 7265: 7260: 7255: 7241: 7240: 7234: 7223: 7216: 7209: 7202: 7191: 7184: 7177: 7168: 7165: 7162: 7161: 7138: 7110: 7091: 7057: 7054:(April, 1939). 7035: 7020: 6991: 6986:The Film Daily 6976: 6971:The Film Daily 6961: 6935: 6907: 6881: 6862: 6843: 6819: 6800: 6781: 6753: 6727: 6683: 6640: 6604: 6583: 6580:(April, 1937). 6535: 6493: 6453: 6426: 6425: 6423: 6420: 6417: 6416: 6414: 6409: 6403: 6400: 6393: 6389: 6388: 6386: 6381: 6369: 6366: 6361: 6357: 6356: 6354: 6349: 6343: 6340: 6335: 6331: 6330: 6328: 6323: 6317: 6314: 6309: 6305: 6304: 6302: 6297: 6291: 6288: 6283: 6279: 6278: 6276: 6273:George Sherman 6265: 6259: 6256: 6251: 6247: 6246: 6243: 6238: 6232: 6229: 6222: 6218: 6217: 6215: 6210: 6208:United Artists 6204: 6201: 6196: 6192: 6191: 6189: 6184: 6178: 6175: 6170: 6166: 6165: 6163: 6158: 6152: 6149: 6144: 6140: 6139: 6136: 6134:Richard Rosson 6131: 6125: 6122: 6119:Corvette K-225 6115: 6111: 6110: 6108: 6103: 6097: 6094: 6089: 6085: 6084: 6082: 6077: 6071: 6068: 6063: 6059: 6058: 6056: 6051: 6045: 6042: 6037: 6033: 6032: 6026: 6023: 6017: 6014: 6009: 6005: 6004: 6002: 5997: 5991: 5988: 5983: 5979: 5978: 5976: 5971: 5965: 5962: 5957: 5953: 5952: 5950: 5945: 5939: 5936: 5931: 5927: 5926: 5924: 5919: 5913: 5910: 5905: 5901: 5900: 5898: 5893: 5887: 5884: 5879: 5875: 5874: 5872: 5867: 5861: 5858: 5853: 5849: 5848: 5846: 5841: 5835: 5832: 5827: 5823: 5822: 5819: 5814: 5808: 5805: 5800: 5796: 5795: 5793: 5788: 5782: 5779: 5774: 5770: 5769: 5767: 5762: 5756: 5753: 5751:Brother Orchid 5748: 5744: 5743: 5741: 5738:Anatole Litvak 5730: 5724: 5721: 5716: 5712: 5711: 5709: 5704: 5698: 5695: 5690: 5686: 5685: 5683: 5678: 5670:First National 5666: 5663: 5658: 5654: 5653: 5651: 5646: 5640: 5637: 5632: 5628: 5627: 5624: 5619: 5613: 5610: 5605: 5601: 5600: 5598: 5593: 5587: 5584: 5579: 5575: 5574: 5572: 5570:Anatole Litvak 5567: 5561: 5558: 5553: 5549: 5548: 5545: 5543:Bubsy Berkeley 5540: 5534: 5531: 5526: 5522: 5521: 5519: 5517:Anatole Litvak 5514: 5508: 5505: 5500: 5496: 5495: 5489: 5481:Michael Curtiz 5478: 5472: 5469: 5462: 5458: 5457: 5455: 5450: 5444: 5441: 5436: 5432: 5431: 5429: 5424: 5418: 5415: 5410: 5406: 5405: 5403: 5398: 5392: 5389: 5384: 5380: 5379: 5377: 5375:Michael Curtiz 5372: 5366: 5363: 5358: 5354: 5353: 5351: 5346: 5340: 5337: 5332: 5328: 5327: 5325: 5320: 5314: 5311: 5306: 5302: 5301: 5299: 5294: 5288: 5285: 5280: 5276: 5275: 5272: 5267: 5261: 5258: 5253: 5249: 5248: 5246: 5241: 5235: 5232: 5227: 5223: 5222: 5220: 5215: 5209: 5206: 5201: 5197: 5196: 5194: 5189: 5183: 5180: 5175: 5171: 5170: 5168: 5163: 5157: 5154: 5149: 5145: 5144: 5142: 5140:Michael Curtiz 5137: 5131: 5128: 5123: 5119: 5118: 5116: 5114:Michael Curtiz 5111: 5105: 5102: 5097: 5093: 5092: 5090: 5085: 5077:First National 5073: 5070: 5065: 5061: 5060: 5058: 5053: 5051:First National 5047: 5044: 5039: 5035: 5034: 5028: 5023: 5017: 5014: 5009: 5005: 5004: 5002: 4997: 4991: 4988: 4983: 4979: 4978: 4976: 4971: 4963:First National 4959: 4956: 4951: 4947: 4946: 4944: 4939: 4933: 4930: 4925: 4921: 4920: 4918: 4913: 4905:First National 4901: 4898: 4893: 4889: 4888: 4886: 4881: 4873:First National 4869: 4866: 4861: 4857: 4856: 4854: 4849: 4841:First National 4837: 4834: 4829: 4825: 4824: 4822: 4817: 4811: 4808: 4803: 4799: 4798: 4796: 4794:Michael Curtiz 4791: 4783:First National 4779: 4776: 4771: 4767: 4766: 4764: 4759: 4753: 4750: 4745: 4741: 4740: 4738: 4733: 4725:First National 4721: 4718: 4713: 4709: 4708: 4706: 4701: 4695: 4692: 4687: 4683: 4682: 4680: 4678:John G. Adolfi 4675: 4669: 4666: 4661: 4657: 4656: 4654: 4652:Michael Curtiz 4649: 4643: 4640: 4635: 4631: 4630: 4628: 4623: 4617: 4614: 4609: 4605: 4604: 4602: 4597: 4591: 4588: 4583: 4579: 4578: 4576: 4571: 4565: 4562: 4557: 4553: 4552: 4550: 4545: 4539: 4536: 4531: 4527: 4526: 4524: 4522:Charles Brabin 4519: 4506: 4503: 4498: 4494: 4493: 4491: 4489:Busby Berkeley 4482: 4479:First National 4473: 4470: 4465: 4461: 4460: 4458: 4453: 4451:First National 4447: 4444: 4439: 4435: 4434: 4432: 4427: 4424:United Artists 4415: 4412: 4410:The Front Page 4407: 4403: 4402: 4400: 4395: 4387:First National 4383: 4380: 4375: 4371: 4370: 4364: 4359: 4347: 4346:2nd Cameraman 4344: 4339: 4335: 4334: 4332: 4327: 4319:First National 4315: 4312: 4307: 4303: 4302: 4293: 4288: 4276: 4273: 4266: 4262: 4261: 4259: 4254: 4248: 4245: 4240: 4236: 4235: 4232: 4227: 4221: 4218: 4213: 4209: 4208: 4206: 4201: 4195: 4192: 4187: 4183: 4182: 4180:John P. Fulton 4176: 4171: 4168: 4165: 4160: 4156: 4155: 4153: 4148: 4136: 4133: 4128: 4124: 4123: 4121: 4116: 4113:United Artists 4104: 4101: 4096: 4092: 4091: 4089: 4084: 4081:United Artists 4072: 4069: 4064: 4060: 4059: 4057: 4052: 4049:First National 4040: 4037: 4032: 4028: 4027: 4025: 4020: 4018:First National 4010: 4007: 4002: 3998: 3997: 3995: 3990: 3987:First National 3978: 3975: 3970: 3966: 3965: 3963: 3958: 3952: 3949: 3944: 3940: 3939: 3933: 3928: 3922: 3919: 3914: 3910: 3909: 3907: 3902: 3896: 3893: 3888: 3884: 3883: 3881: 3876: 3874:First National 3866: 3863: 3858: 3854: 3853: 3851: 3848: 3839: 3836: 3831: 3827: 3826: 3823: 3820: 3811: 3808: 3803: 3799: 3798: 3796: 3791: 3789:First National 3785: 3782: 3773: 3769: 3768: 3766: 3761: 3759:First National 3751: 3748: 3743: 3739: 3738: 3736: 3731: 3729:First National 3721: 3718: 3716:The Only Woman 3713: 3709: 3708: 3706: 3701: 3698:First National 3693:Louis B. Mayer 3689: 3686: 3681: 3677: 3676: 3674: 3669: 3667:First National 3659: 3656: 3651: 3647: 3646: 3644: 3639: 3637:First National 3629: 3626: 3621: 3617: 3616: 3614: 3605: 3603:First National 3595: 3592: 3587: 3583: 3582: 3580: 3575: 3572:First National 3563: 3560: 3558:Within the Law 3555: 3551: 3550: 3548: 3543: 3530: 3527: 3522: 3518: 3517: 3515: 3510: 3508:First National 3500: 3497: 3492: 3488: 3487: 3485: 3480: 3478:First National 3470: 3467: 3462: 3458: 3457: 3455: 3450: 3438: 3435: 3430: 3426: 3425: 3423: 3418: 3416:First National 3408: 3405: 3400: 3396: 3395: 3393: 3388: 3385:First National 3376: 3373: 3368: 3364: 3363: 3361: 3356: 3353:First National 3344: 3341: 3336: 3332: 3331: 3329: 3324: 3312: 3309: 3304: 3300: 3299: 3297: 3292: 3275: 3272: 3267: 3263: 3262: 3260: 3255: 3243: 3240: 3235: 3231: 3230: 3228: 3223: 3213: 3210: 3205: 3201: 3200: 3198: 3193: 3183: 3180: 3175: 3171: 3170: 3168: 3163: 3160:Robertson-Cole 3154: 3151: 3146: 3142: 3141: 3139: 3134: 3124: 3121: 3119:An Adventuress 3116: 3112: 3111: 3108: 3103: 3100:United Artists 3091: 3088: 3083: 3079: 3078: 3076: 3071: 3068:First National 3063:Louis B. Mayer 3059: 3056: 3051: 3047: 3046: 3044: 3039: 3027: 3024: 3019: 3015: 3014: 3012: 3007: 3004:First National 2999:Louis B. Mayer 2995: 2992: 2987: 2983: 2982: 2980: 2975: 2972:First National 2966: 2963: 2958: 2954: 2953: 2951: 2946: 2943:First National 2938:Louis B. Mayer 2934: 2931: 2926: 2922: 2921: 2919: 2914: 2912:Metro Pictures 2904: 2901: 2896: 2892: 2891: 2889: 2884: 2872: 2869: 2864: 2860: 2859: 2857: 2855:James Kirkwood 2852: 2850:First National 2846: 2843: 2838: 2834: 2833: 2831: 2826: 2824:First National 2820: 2817: 2814: 2810: 2809: 2803: 2798: 2795:World Pictures 2786: 2783: 2778: 2774: 2773: 2771: 2766: 2764:First National 2756: 2753: 2748: 2744: 2743: 2741: 2736: 2733:Metro Pictures 2724: 2721: 2718: 2714: 2713: 2711: 2706: 2703:Metro Pictures 2694: 2691: 2686: 2682: 2681: 2679: 2674: 2671:Metro Pictures 2662: 2659: 2654: 2650: 2649: 2647: 2642: 2639:Metro Pictures 2630: 2627: 2622: 2618: 2617: 2615: 2610: 2607:Metro Pictures 2598: 2595: 2590: 2586: 2585: 2583: 2578: 2575:Metro Pictures 2566: 2563: 2558: 2554: 2553: 2551: 2546: 2543:Metro Pictures 2534: 2531: 2526: 2522: 2521: 2519: 2514: 2511:Metro Pictures 2502: 2499: 2496: 2492: 2491: 2489: 2484: 2481:Metro Pictures 2472: 2469: 2464: 2460: 2459: 2457: 2452: 2449:Metro Pictures 2440: 2437: 2432: 2428: 2427: 2425: 2420: 2417:Metro Pictures 2408: 2405: 2400: 2396: 2395: 2393: 2388: 2385:Metro Pictures 2376: 2373: 2368: 2364: 2363: 2361: 2356: 2353:Metro Pictures 2344: 2341: 2336: 2332: 2331: 2329: 2324: 2321:Metro Pictures 2312: 2309: 2304: 2300: 2299: 2297: 2292: 2289:Metro Pictures 2280: 2277: 2272: 2268: 2267: 2265: 2260: 2257:Metro Pictures 2251: 2248: 2243: 2239: 2238: 2236: 2231: 2224: 2221: 2218: 2214: 2213: 2211: 2206: 2194: 2191: 2186: 2182: 2181: 2179: 2174: 2168: 2165: 2162: 2158: 2157: 2155: 2153:James Kirkwood 2150: 2138: 2135: 2130: 2126: 2125: 2123: 2121:James Kirkwood 2118: 2112: 2109: 2104: 2100: 2099: 2097: 2092: 2086: 2083: 2080: 2076: 2075: 2073: 2062: 2056: 2053: 2050: 2046: 2045: 2043: 2032: 2026: 2023: 2020: 2016: 2015: 2013: 2002: 1996: 1993: 1990: 1986: 1985: 1983: 1972: 1966: 1963: 1958: 1954: 1953: 1951: 1946: 1940: 1934: 1931: 1927: 1926: 1924: 1919: 1913: 1910: 1889: 1885: 1884: 1881: 1879: 1873: 1870: 1865: 1861: 1860: 1858: 1856: 1854: 1851: 1848: 1844: 1843: 1840: 1837: 1835: 1829: 1824: 1820: 1819: 1816: 1813: 1810: 1807: 1804: 1779: 1776: 1773: 1772: 1769: 1764: 1759: 1755: 1754: 1751: 1749:Corvette K-225 1746: 1741: 1737: 1736: 1733: 1728: 1723: 1719: 1718: 1715: 1710: 1705: 1701: 1700: 1695: 1690: 1685: 1681: 1680: 1677: 1672: 1667: 1663: 1662: 1659: 1656: 1653: 1645:Academy Awards 1639: 1636: 1598:Richard Edlund 1540: 1537: 1490: 1487: 1475:Norma Talmadge 1469: 1466: 1421: 1418: 1413: 1410: 1392: 1389: 1363: 1360: 1318:collaboration 1265:Corvette K-225 1238:Brother Orchid 1190:The Film Daily 1173: 1170: 1038:Michael Curtiz 922: 919: 911:First National 883:United Artists 843:First National 826: 823: 815:Dorothy Revier 772: 769: 745: 742: 692:, directed by 678:Joseph Schenck 674:Norma Talmadge 565: 562: 532:, produced by 501: 498: 455:Thomas H. Ince 427:studio manager 390: 387: 382:New York Times 374:Ambrosio Films 369: 366: 364: 361: 332: 329: 303:Corvette K-225 256: 255: 170: 168: 161: 154: 153: 147: 143: 142: 136: 132: 131: 128: 124: 123: 120: 116: 115: 112: 108: 107: 101: 97: 96: 93: 89: 88: 83: 81:(aged 67) 75: 71: 70: 57: 44: 42: 38: 37: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 7300: 7289: 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7269: 7266: 7264: 7261: 7259: 7256: 7254: 7251: 7250: 7248: 7238: 7235: 7232: 7228: 7224: 7221: 7217: 7214: 7210: 7207: 7203: 7200: 7196: 7192: 7189: 7185: 7182: 7178: 7175: 7171: 7170: 7157: 7153: 7152:"Documentary" 7147: 7145: 7143: 7134: 7130: 7123: 7121: 7119: 7117: 7115: 7106: 7102: 7095: 7087: 7083: 7076: 7074: 7072: 7070: 7068: 7066: 7064: 7062: 7053: 7049: 7042: 7040: 7031: 7024: 7016: 7012: 7011:"TONY GAUDIO" 7006: 7004: 7002: 7000: 6998: 6996: 6987: 6980: 6972: 6965: 6957: 6953: 6946: 6944: 6942: 6940: 6931: 6927: 6920: 6918: 6916: 6914: 6912: 6903: 6899: 6892: 6890: 6888: 6886: 6877: 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6332: 6329: 6327: 6324: 6322: 6318: 6315: 6313: 6310: 6307: 6306: 6303: 6301: 6300:Frank Borzage 6298: 6296: 6292: 6289: 6287: 6284: 6281: 6280: 6277: 6275: 6274: 6269: 6266: 6264: 6260: 6257: 6255: 6252: 6249: 6248: 6244: 6242: 6241:Charles Vidor 6239: 6237: 6233: 6230: 6228: 6227: 6223: 6220: 6219: 6216: 6214: 6211: 6209: 6205: 6202: 6200: 6197: 6194: 6193: 6190: 6188: 6185: 6183: 6179: 6176: 6174: 6171: 6168: 6167: 6164: 6162: 6159: 6157: 6153: 6150: 6148: 6147:Days of Glory 6145: 6142: 6141: 6137: 6135: 6132: 6130: 6126: 6123: 6121: 6120: 6116: 6113: 6112: 6109: 6107: 6104: 6102: 6098: 6095: 6093: 6090: 6087: 6086: 6083: 6081: 6078: 6076: 6072: 6069: 6067: 6064: 6061: 6060: 6057: 6055: 6052: 6050: 6046: 6043: 6041: 6038: 6035: 6034: 6031: 6027: 6024: 6022: 6018: 6015: 6013: 6010: 6007: 6006: 6003: 6001: 5998: 5996: 5992: 5989: 5987: 5984: 5981: 5980: 5977: 5975: 5972: 5970: 5966: 5963: 5961: 5960:Larceny, Inc. 5958: 5955: 5954: 5951: 5949: 5946: 5944: 5940: 5937: 5935: 5932: 5929: 5928: 5925: 5923: 5920: 5918: 5914: 5911: 5909: 5906: 5903: 5902: 5899: 5897: 5894: 5892: 5888: 5885: 5883: 5880: 5877: 5876: 5873: 5871: 5868: 5866: 5862: 5859: 5857: 5856:The Great Lie 5854: 5851: 5850: 5847: 5845: 5842: 5840: 5836: 5833: 5831: 5828: 5825: 5824: 5820: 5818: 5817:William Wyler 5815: 5813: 5809: 5806: 5804: 5801: 5798: 5797: 5794: 5792: 5789: 5787: 5783: 5780: 5778: 5775: 5772: 5771: 5768: 5766: 5763: 5761: 5757: 5754: 5752: 5749: 5746: 5745: 5742: 5740: 5739: 5734: 5731: 5729: 5725: 5722: 5720: 5717: 5714: 5713: 5710: 5708: 5705: 5703: 5699: 5696: 5694: 5691: 5688: 5687: 5684: 5682: 5679: 5677: 5676: 5671: 5667: 5664: 5662: 5659: 5656: 5655: 5652: 5650: 5647: 5645: 5641: 5638: 5636: 5633: 5630: 5629: 5625: 5623: 5620: 5618: 5614: 5611: 5609: 5606: 5603: 5602: 5599: 5597: 5594: 5592: 5588: 5585: 5583: 5580: 5577: 5576: 5573: 5571: 5568: 5566: 5562: 5559: 5557: 5554: 5551: 5550: 5546: 5544: 5541: 5539: 5535: 5532: 5530: 5527: 5524: 5523: 5520: 5518: 5515: 5513: 5509: 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5071: 5069: 5066: 5063: 5062: 5059: 5057: 5054: 5052: 5048: 5045: 5043: 5040: 5037: 5036: 5033: 5029: 5027: 5024: 5022: 5018: 5015: 5013: 5010: 5007: 5006: 5003: 5001: 5000:Alan Crosland 4998: 4996: 4992: 4989: 4987: 4984: 4981: 4980: 4977: 4975: 4972: 4970: 4969: 4964: 4960: 4957: 4955: 4952: 4949: 4948: 4945: 4943: 4940: 4938: 4934: 4931: 4929: 4926: 4923: 4922: 4919: 4917: 4914: 4912: 4911: 4906: 4902: 4899: 4897: 4894: 4891: 4890: 4887: 4885: 4882: 4880: 4879: 4874: 4870: 4867: 4865: 4862: 4859: 4858: 4855: 4853: 4850: 4848: 4847: 4842: 4838: 4835: 4833: 4830: 4827: 4826: 4823: 4821: 4818: 4816: 4812: 4809: 4807: 4804: 4801: 4800: 4797: 4795: 4792: 4790: 4789: 4784: 4780: 4777: 4775: 4772: 4769: 4768: 4765: 4763: 4760: 4758: 4754: 4751: 4749: 4746: 4743: 4742: 4739: 4737: 4734: 4732: 4731: 4726: 4722: 4719: 4717: 4714: 4711: 4710: 4707: 4705: 4702: 4700: 4696: 4693: 4691: 4688: 4685: 4684: 4681: 4679: 4676: 4674: 4670: 4667: 4665: 4662: 4659: 4658: 4655: 4653: 4650: 4648: 4644: 4641: 4639: 4636: 4633: 4632: 4629: 4627: 4624: 4622: 4618: 4615: 4613: 4610: 4607: 4606: 4603: 4601: 4598: 4596: 4592: 4589: 4587: 4584: 4581: 4580: 4577: 4575: 4574:Robert Florey 4572: 4570: 4566: 4563: 4561: 4558: 4555: 4554: 4551: 4549: 4546: 4544: 4540: 4537: 4535: 4532: 4529: 4528: 4525: 4523: 4520: 4518: 4517: 4511: 4507: 4504: 4502: 4499: 4496: 4495: 4492: 4490: 4486: 4483: 4481: 4480: 4474: 4471: 4469: 4466: 4463: 4462: 4459: 4457: 4454: 4452: 4448: 4445: 4443: 4440: 4437: 4436: 4433: 4431: 4428: 4426: 4425: 4420: 4419:Howard Hughes 4416: 4413: 4411: 4408: 4405: 4404: 4401: 4399: 4396: 4394: 4393: 4388: 4384: 4381: 4379: 4376: 4373: 4372: 4369: 4365: 4363: 4360: 4358: 4357: 4352: 4348: 4345: 4343: 4340: 4337: 4336: 4333: 4331: 4328: 4326: 4325: 4320: 4316: 4313: 4311: 4310:Little Caesar 4308: 4305: 4304: 4301: 4298: 4294: 4292: 4291:Howard Hughes 4289: 4287: 4286: 4281: 4280:Howard Hughes 4277: 4274: 4272: 4271: 4270:Hell's Angels 4267: 4264: 4263: 4260: 4258: 4257:Alan Crosland 4255: 4253: 4249: 4246: 4244: 4243:General Crack 4241: 4238: 4237: 4233: 4231: 4230:Alan Crosland 4228: 4226: 4222: 4219: 4217: 4214: 4211: 4210: 4207: 4205: 4202: 4200: 4196: 4193: 4191: 4188: 4185: 4184: 4181: 4177: 4175: 4172: 4169: 4166: 4164: 4161: 4158: 4157: 4154: 4152: 4149: 4147: 4146: 4141: 4140:Howard Hughes 4137: 4134: 4132: 4129: 4126: 4125: 4122: 4120: 4117: 4115: 4114: 4109: 4105: 4102: 4100: 4097: 4094: 4093: 4090: 4088: 4085: 4083: 4082: 4077: 4076:Howard Hughes 4073: 4070: 4068: 4065: 4062: 4061: 4058: 4056: 4053: 4051: 4050: 4045: 4041: 4038: 4036: 4033: 4030: 4029: 4026: 4024: 4021: 4019: 4015: 4011: 4008: 4006: 4003: 4000: 3999: 3996: 3994: 3991: 3989: 3988: 3983: 3979: 3976: 3974: 3971: 3968: 3967: 3964: 3962: 3959: 3957: 3953: 3950: 3948: 3945: 3942: 3941: 3938: 3934: 3932: 3931:John M. Stahl 3929: 3927: 3923: 3920: 3918: 3915: 3912: 3911: 3908: 3906: 3903: 3901: 3897: 3894: 3892: 3891:The Temptress 3889: 3886: 3885: 3882: 3880: 3877: 3875: 3871: 3867: 3864: 3862: 3859: 3856: 3855: 3852: 3849: 3847: 3846: 3840: 3837: 3835: 3832: 3829: 3828: 3824: 3821: 3819: 3818: 3812: 3809: 3807: 3804: 3801: 3800: 3797: 3795: 3792: 3790: 3786: 3783: 3781: 3780: 3779: 3774: 3771: 3770: 3767: 3765: 3764:Frank Borzage 3762: 3760: 3756: 3752: 3749: 3747: 3744: 3741: 3740: 3737: 3735: 3734:Sidney Olcott 3732: 3730: 3726: 3722: 3719: 3717: 3714: 3711: 3710: 3707: 3705: 3704:John M. Stahl 3702: 3700: 3699: 3694: 3690: 3687: 3685: 3682: 3679: 3678: 3675: 3673: 3672:Frank Borzage 3670: 3668: 3664: 3660: 3657: 3655: 3652: 3649: 3648: 3645: 3643: 3640: 3638: 3634: 3630: 3627: 3625: 3622: 3619: 3618: 3615: 3613: 3609: 3606: 3604: 3600: 3596: 3593: 3591: 3588: 3585: 3584: 3581: 3579: 3576: 3574: 3573: 3568: 3564: 3561: 3559: 3556: 3553: 3552: 3549: 3547: 3544: 3542: 3541: 3535: 3531: 3528: 3526: 3523: 3520: 3519: 3516: 3514: 3511: 3509: 3505: 3501: 3498: 3496: 3493: 3490: 3489: 3486: 3484: 3481: 3479: 3475: 3471: 3468: 3466: 3463: 3460: 3459: 3456: 3454: 3453:Edward Sloman 3451: 3449: 3448: 3443: 3439: 3436: 3434: 3431: 3428: 3427: 3424: 3422: 3419: 3417: 3413: 3409: 3406: 3404: 3401: 3398: 3397: 3394: 3392: 3391:Edward Sloman 3389: 3387: 3386: 3381: 3377: 3374: 3372: 3369: 3366: 3365: 3362: 3360: 3359:Edward Sloman 3357: 3355: 3354: 3349: 3345: 3342: 3340: 3337: 3334: 3333: 3330: 3328: 3325: 3323: 3322: 3317: 3313: 3310: 3308: 3305: 3302: 3301: 3298: 3296: 3295:Edward Sloman 3293: 3291: 3290: 3285: 3284: 3280: 3276: 3273: 3271: 3268: 3265: 3264: 3261: 3259: 3258:Edward Sloman 3256: 3254: 3253: 3248: 3244: 3241: 3239: 3236: 3233: 3232: 3229: 3227: 3224: 3222: 3218: 3214: 3211: 3209: 3206: 3203: 3202: 3199: 3197: 3194: 3192: 3188: 3184: 3181: 3179: 3176: 3173: 3172: 3169: 3167: 3164: 3162: 3161: 3155: 3152: 3150: 3147: 3144: 3143: 3140: 3138: 3135: 3133: 3129: 3125: 3122: 3120: 3117: 3114: 3113: 3109: 3107: 3104: 3102: 3101: 3096: 3092: 3089: 3087: 3084: 3081: 3080: 3077: 3075: 3072: 3070: 3069: 3064: 3060: 3057: 3055: 3052: 3049: 3048: 3045: 3043: 3040: 3038: 3037: 3032: 3028: 3025: 3023: 3020: 3017: 3016: 3013: 3011: 3008: 3006: 3005: 3000: 2996: 2993: 2991: 2988: 2985: 2984: 2981: 2979: 2976: 2974: 2973: 2967: 2964: 2962: 2959: 2956: 2955: 2952: 2950: 2947: 2945: 2944: 2939: 2935: 2932: 2930: 2927: 2924: 2923: 2920: 2918: 2915: 2913: 2909: 2905: 2902: 2900: 2897: 2894: 2893: 2890: 2888: 2885: 2883: 2882: 2877: 2873: 2870: 2868: 2865: 2862: 2861: 2858: 2856: 2853: 2851: 2847: 2844: 2842: 2839: 2836: 2835: 2832: 2830: 2827: 2825: 2821: 2818: 2815: 2812: 2811: 2808: 2804: 2802: 2799: 2797: 2796: 2791: 2787: 2784: 2782: 2779: 2776: 2775: 2772: 2770: 2767: 2765: 2761: 2757: 2754: 2752: 2749: 2746: 2745: 2742: 2740: 2737: 2735: 2734: 2729: 2725: 2722: 2719: 2716: 2715: 2712: 2710: 2709:George Irving 2707: 2705: 2704: 2699: 2695: 2692: 2690: 2689:The Landloper 2687: 2684: 2683: 2680: 2678: 2675: 2673: 2672: 2667: 2663: 2660: 2658: 2657:Broadway Bill 2655: 2652: 2651: 2648: 2646: 2643: 2641: 2640: 2635: 2631: 2628: 2626: 2623: 2620: 2619: 2616: 2614: 2611: 2609: 2608: 2603: 2599: 2596: 2594: 2591: 2588: 2587: 2584: 2582: 2579: 2577: 2576: 2571: 2567: 2564: 2562: 2559: 2556: 2555: 2552: 2550: 2547: 2545: 2544: 2539: 2535: 2532: 2530: 2527: 2524: 2523: 2520: 2518: 2515: 2513: 2512: 2507: 2503: 2500: 2497: 2494: 2493: 2490: 2488: 2485: 2483: 2482: 2477: 2473: 2470: 2468: 2465: 2462: 2461: 2458: 2456: 2453: 2451: 2450: 2445: 2441: 2438: 2436: 2433: 2430: 2429: 2426: 2424: 2421: 2419: 2418: 2413: 2409: 2406: 2404: 2401: 2398: 2397: 2394: 2392: 2389: 2387: 2386: 2381: 2377: 2374: 2372: 2371:Pidgin Island 2369: 2366: 2365: 2362: 2360: 2357: 2355: 2354: 2349: 2345: 2342: 2340: 2337: 2334: 2333: 2330: 2328: 2325: 2323: 2322: 2317: 2313: 2310: 2308: 2305: 2302: 2301: 2298: 2296: 2293: 2291: 2290: 2285: 2281: 2278: 2276: 2273: 2270: 2269: 2266: 2264: 2261: 2259: 2258: 2252: 2249: 2247: 2244: 2241: 2240: 2237: 2235: 2234:Barry O'Neill 2232: 2229: 2225: 2222: 2219: 2216: 2215: 2212: 2210: 2207: 2205: 2204: 2199: 2195: 2192: 2190: 2187: 2184: 2183: 2180: 2178: 2175: 2173: 2169: 2166: 2163: 2160: 2159: 2156: 2154: 2151: 2149: 2148: 2143: 2139: 2136: 2134: 2131: 2128: 2127: 2124: 2122: 2119: 2117: 2113: 2110: 2108: 2105: 2102: 2101: 2098: 2096: 2093: 2091: 2087: 2084: 2081: 2078: 2077: 2074: 2072: 2071: 2066: 2063: 2061: 2057: 2054: 2051: 2048: 2047: 2044: 2042: 2041: 2036: 2033: 2031: 2027: 2024: 2021: 2018: 2017: 2014: 2012: 2011: 2006: 2003: 2001: 1997: 1994: 1992:Second Sight 1991: 1988: 1987: 1984: 1982: 1981: 1976: 1973: 1971: 1967: 1964: 1962: 1959: 1956: 1955: 1952: 1950: 1947: 1945: 1941: 1939: 1935: 1932: 1929: 1928: 1925: 1923: 1920: 1918: 1914: 1911: 1908: 1904: 1900: 1896: 1893: 1890: 1887: 1886: 1882: 1880: 1878: 1874: 1871: 1869: 1866: 1863: 1862: 1859: 1857: 1855: 1852: 1849: 1846: 1845: 1841: 1838: 1836: 1834: 1830: 1828: 1825: 1822: 1821: 1817: 1814: 1811: 1808: 1805: 1802: 1801: 1798: 1795: 1793: 1788: 1787: 1770: 1768: 1765: 1763: 1760: 1757: 1756: 1752: 1750: 1747: 1745: 1742: 1739: 1738: 1734: 1732: 1729: 1727: 1724: 1721: 1720: 1716: 1714: 1711: 1709: 1706: 1703: 1702: 1699: 1696: 1694: 1691: 1689: 1686: 1683: 1682: 1678: 1676: 1675:Hell's Angels 1673: 1671: 1668: 1665: 1664: 1660: 1657: 1654: 1651: 1650: 1647: 1646: 1635: 1631: 1627: 1625: 1621: 1617: 1613: 1609: 1605: 1604: 1599: 1592: 1588: 1584: 1582: 1576: 1574: 1570: 1566: 1562: 1556: 1554: 1549: 1545: 1535: 1531: 1528: 1519: 1515: 1510: 1506: 1504: 1500: 1496: 1486: 1484: 1480: 1476: 1465: 1462: 1459:and with the 1458: 1452: 1444: 1440: 1438: 1434: 1429: 1427: 1417: 1409: 1405: 1397: 1388: 1386: 1385:Eugene Gaudio 1382: 1377: 1372: 1368: 1362:Personal Life 1359: 1357: 1353: 1349: 1345: 1344:Richard Whorf 1341: 1337: 1336:Frank Borzage 1333: 1332:That’s My Man 1329: 1325: 1321: 1317: 1313: 1309: 1305: 1301: 1297: 1293: 1292:Days of Glory 1289: 1285: 1280: 1278: 1274: 1273:Academy Award 1270: 1266: 1261: 1259: 1255: 1251: 1247: 1243: 1239: 1235: 1231: 1222: 1218: 1216: 1212: 1207: 1203: 1199: 1198:William Wyler 1195: 1191: 1187: 1183: 1179: 1168: 1164: 1159: 1155: 1153: 1149: 1145: 1141: 1137: 1133: 1124: 1119: 1115: 1113: 1109: 1105: 1101: 1095: 1094: 1088: 1086: 1078: 1073: 1069: 1067: 1063: 1059: 1055: 1051: 1047: 1043: 1039: 1035: 1031: 1027: 1023: 1019: 1015: 1011: 1007: 1003: 999: 995: 991: 987: 983: 979: 974: 972: 968: 964: 963:Hell’s Angels 960: 956: 952: 948: 947:Arthur Edeson 944: 943:Little Caesar 940: 936: 927: 918: 916: 912: 908: 904: 900: 899:General Crack 896: 892: 888: 884: 880: 879:Howard Hughes 876: 872: 868: 864: 860: 856: 852: 848: 844: 840: 836: 835:The Temptress 832: 822: 820: 819:Cullen Landis 816: 812: 803: 802: 797: 793: 791: 787: 783: 779: 768: 765: 763: 759: 750: 741: 739: 735: 731: 727: 723: 719: 715: 714:Marion Davies 711: 707: 703: 699: 698:John M. Stahl 695: 694:Frank Borzage 691: 687: 683: 679: 675: 671: 662: 658: 656: 652: 648: 644: 640: 632: 631: 625: 621: 618: 616: 612: 608: 604: 600: 596: 592: 588: 584: 576: 575: 570: 561: 559: 556:(1920), with 555: 551: 547: 543: 539: 535: 531: 527: 523: 519: 515: 511: 507: 506:Metro Company 497: 495: 494: 489: 488: 483: 479: 475: 470: 468: 464: 460: 456: 453:for director 452: 448: 444: 440: 436: 435:Mary Pickford 432: 428: 424: 420: 411: 407: 405: 401: 397: 386: 383: 379: 375: 360: 358: 352: 350: 344: 342: 338: 328: 326: 322: 320: 315: 311: 310: 305: 304: 299: 298: 293: 292: 287: 286: 285:Hell's Angels 281: 279: 274: 270: 266: 262: 252: 249: 241: 230: 227: 223: 220: 216: 213: 209: 206: 202: 199: – 198: 197:"Tony Gaudio" 194: 193:Find sources: 187: 183: 177: 176: 171:This article 169: 165: 160: 159: 152: 148: 144: 140: 139:Eugene Gaudio 137: 133: 129: 125: 122:Rosina Gaudio 121: 117: 113: 109: 105: 102: 98: 94: 90: 86: 76: 72: 68: 64: 60: 43: 39: 32: 27: 20: 7236: 7230: 7226: 7219: 7212: 7205: 7198: 7194: 7187: 7180: 7173: 7155: 7132: 7128: 7104: 7100: 7094: 7085: 7081: 7051: 7047: 7029: 7023: 7014: 6985: 6979: 6970: 6964: 6955: 6951: 6929: 6925: 6901: 6897: 6875: 6871: 6865: 6859:(May, 1924). 6856: 6852: 6846: 6837: 6833: 6813: 6809: 6803: 6794: 6790: 6784: 6775: 6771: 6747: 6743: 6721: 6717: 6677: 6634: 6598: 6577: 6573: 6529: 6525: 6477: 6473: 6447: 6397:The Red Pony 6396: 6375: 6326:Frank Tuttle 6271: 6224: 6117: 6101:Warner Bros. 6075:Warner Bros. 6049:Warner Bros. 6021:Warner Bros. 5995:Warner Bros. 5969:Warner Bros. 5943:Warner Bros. 5917:Warner Bros. 5891:Warner Bros. 5865:Warner Bros. 5839:Warner Bros. 5812:Warner Bros. 5786:Warner Bros. 5760:Warner Bros. 5736: 5728:Warner Bros. 5702:Warner Bros. 5675:Warner Bros. 5672: 5644:Warner Bros. 5635:The Old Maid 5617:Warner Bros. 5591:Warner Bros. 5565:Warner Bros. 5547:1000th film 5538:Warner Bros. 5512:Warner Bros. 5484: 5476:Warner Bros. 5464: 5448:Warner Bros. 5422:Warner Bros. 5396:Warner Bros. 5387:Another Dawn 5370:Warner Bros. 5349:Mervyn LeRoy 5344:Warner Bros. 5318:Warner Bros. 5292:Warner Bros. 5270:Mervyn LeRoy 5265:Warner Bros. 5239:Warner Bros. 5213:Warner Bros. 5187:Warner Bros. 5178:Dr. Socrates 5161:Warner Bros. 5135:Warner Bros. 5109:Warner Bros. 5082:Warner Bros. 5079: 5056:Mervyn LeRoy 5021:Warner Bros. 4995:Warner Bros. 4968:Warner Bros. 4965: 4937:Warner Bros. 4916:Mervyn LeRoy 4910:Warner Bros. 4907: 4878:Warner Bros. 4875: 4846:Warner Bros. 4843: 4815:Warner Bros. 4788:Warner Bros. 4785: 4757:Warner Bros. 4736:Mervyn LeRoy 4730:Warner Bros. 4727: 4704:E. A. Dupont 4673:Warner Bros. 4647:Warner Bros. 4621:Warner Bros. 4595:Warner Bros. 4569:Warner Bros. 4543:Warner Bros. 4513: 4476: 4456:Howard Hawks 4421: 4392:Warner Bros. 4389: 4353: 4330:Mervyn LeRoy 4324:Warner Bros. 4321: 4299: 4285:Warner Bros. 4282: 4269: 4252:Warner Bros. 4225:Warner Bros. 4199:Warner Bros. 4142: 4110: 4078: 4055:King Baggott 4046: 4023:Millard Webb 3984: 3850:Tony Gaudio 3842: 3822:Tony Gaudio 3814: 3776: 3775: 3695: 3569: 3537: 3525:Adam and Eva 3465:East is West 3444: 3382: 3350: 3318: 3286: 3281: 3249: 3157: 3097: 3065: 3042:Harry Garson 3033: 3001: 2969: 2940: 2878: 2792: 2769:Edwin Carewe 2730: 2700: 2668: 2645:Francis Ford 2636: 2604: 2572: 2540: 2508: 2478: 2446: 2414: 2382: 2350: 2318: 2307:Big Tremaine 2286: 2254: 2200: 2144: 2068: 2038: 2008: 1978: 1937: 1891: 1867: 1839:Tony Gaudio 1832: 1826: 1796: 1789: 1785: 1784: 1697: 1643: 1633: 1629: 1601: 1594: 1590: 1586: 1580: 1578: 1560: 1557: 1543: 1542: 1533: 1530:film-making: 1524: 1512: 1508: 1502: 1492: 1471: 1453: 1449: 1430: 1423: 1415: 1406: 1402: 1378: 1374: 1370: 1365: 1356:The Red Pony 1328:Frank Tuttle 1306:in 1946 for 1281: 1262: 1250:Warner Bros. 1244:(1942), and 1236:, including 1227: 1184:, Tony shot 1175: 1166: 1161: 1157: 1136:The Old Maid 1129: 1117: 1097: 1092: 1090: 1082: 1076: 1058:Mervyn Leroy 1044:(1938), and 975: 939:Mervyn LeRoy 932: 828: 807: 799: 786:Gaston Glass 774: 766: 755: 718:Adam and Eva 686:East is West 667: 636: 628: 619: 580: 572: 558:Otis Skinner 524:, headed by 503: 492: 486: 471: 458: 419:Carl Laemmle 416: 392: 371: 353: 345: 334: 317: 307: 301: 295: 289: 283: 276: 260: 259: 244: 235: 225: 218: 211: 204: 192: 180:Please help 175:verification 172: 79:(1951-08-10) 7258:1951 deaths 7253:1883 births 7231:Gale eBooks 7181:Tony Gaudio 6268:Henry Levin 6106:Raoul Walsh 6054:Lloyd Bacon 6000:Lloyd Bacon 5974:Lloyd Bacon 5922:Lloyd Bacon 5896:Lloyd Bacon 5844:Raoul Walsh 5830:High Sierra 5791:Lloyd Bacon 5765:Lloyd Bacon 5556:The Sisters 5427:Lloyd Bacon 5413:San Quentin 5361:Kid Galahad 5166:Archie Mayo 5088:Archie Mayo 5012:Sweet Music 4974:Archie Mayo 4942:Archie Mayo 4820:Roy D. Ruth 4806:Upper World 4762:Roy D. Ruth 4748:Lady Killer 4600:Ray Enright 4548:Ray Enright 4442:Tiger Shark 3806:Sealed Lips 3642:Frank Lloyd 3608:C. Franklin 3578:Frank Lloyd 3513:Frank Lloyd 3421:Frank Lloyd 3283:Productions 3074:Edward Jose 2581:Oscar Apfel 2435:The Promise 2133:Strongheart 2040:W. Clifford 2035:Thomas Ince 2005:Thomas Ince 1975:Thomas Ince 1949:Thomas Ince 1922:Thomas Ince 1907:A Manly Man 1903:Artful Kate 1895:Pictureland 1790:and as per 1778:Filmography 1624:Mauro Fiore 1539:Documentary 1527:Technicolor 1412:The Montage 1290:(1944) and 1267:(1943) for 1254:Raoul Walsh 1230:Lloyd Bacon 1215:High Sierra 1211:Raoul Walsh 1206:Bette Davis 1178:Warner Bros 1138:(1939) and 1132:Bette Davis 1050:Bette Davis 1046:Kid Galahad 1010:Technicolor 998:Bette Davis 978:Archie Mayo 959:Harry Perry 935:Warner Bros 915:Warner Bros 903:Warner Bros 901:(1929) for 897:(1929) and 893:scenes for 891:Technicolor 887:Technicolor 839:Greta Garbo 813:, starring 811:Sealed Lips 780:, starring 522:May Allison 487:Strongheart 467:submersible 439:King Baggot 92:Nationality 23:Tony Gaudio 7247:Categories 6422:References 6405:Pr./Dist. 6345:Pr./Dist. 6319:Pr./Dist. 6293:Pr./Dist. 6261:Pr./Dist. 6245:Oscar nom 6234:Pr./Dist. 6206:Pr./Dist. 6180:Pr./Dist. 6154:Pr./Dist. 6138:Oscar nom 6127:Pr./Dist. 6099:Pr./Dist. 6073:Pr./Dist. 6047:Pr./Dist. 6025:Jo Graham 6019:Pr./Dist. 5993:Pr./Dist. 5967:Pr./Dist. 5941:Pr./Dist. 5915:Pr./Dist. 5908:Navy Blues 5889:Pr./Dist. 5863:Pr./Dist. 5837:Pr./Dist. 5821:Oscar nom 5810:Pr./Dist. 5803:The Letter 5784:Pr./Dist. 5758:Pr./Dist. 5726:Pr./Dist. 5700:Pr./Dist. 5642:Pr./Dist. 5626:Oscar nom 5615:Pr./Dist. 5589:Pr./Dist. 5563:Pr./Dist. 5536:Pr./Dist. 5510:Pr./Dist. 5493:Sol Polito 5474:Pr./Dist. 5446:Pr./Dist. 5420:Pr./Dist. 5394:Pr./Dist. 5368:Pr./Dist. 5342:Pr./Dist. 5316:Pr./Dist. 5290:Pr./Dist. 5274:Oscar win 5263:Pr./Dist. 5237:Pr./Dist. 5211:Pr./Dist. 5185:Pr./Dist. 5159:Pr./Dist. 5133:Pr./Dist. 5107:Pr./Dist. 5049:Pr./Dist. 5019:Pr./Dist. 4993:Pr./Dist. 4935:Pr./Dist. 4928:Bordertown 4813:Pr./Dist. 4755:Pr./Dist. 4697:Pr./Dist. 4671:Pr./Dist. 4645:Pr./Dist. 4619:Pr./Dist. 4593:Pr./Dist. 4567:Pr./Dist. 4541:Pr./Dist. 4468:Sky Devils 4449:Pr./Dist. 4300:Oscar nom 4250:Pr./Dist. 4223:Pr./Dist. 4197:Pr./Dist. 4190:Tiger Rose 4174:Henry King 4131:The Racket 4099:The Gaucho 3993:Svend Gade 3961:Monta Bell 3954:Pr./Dist. 3937:Max Fabian 3924:Pr./Dist. 3905:Fred Niblo 3898:Pr./Dist. 3787:Pr./Dist. 3327:Allan Dwan 3226:Allan Dwan 3196:Allan Dwan 3106:Fred Niblo 2751:Pals First 2359:Henry Otto 2327:Henry Otto 2170:Pr./Dist. 2114:Pr./Dist. 2107:Classmates 2088:Pr./Dist. 2058:Pr./Dist. 2028:Pr./Dist. 1998:Pr./Dist. 1968:Pr./Dist. 1942:Pr./Dist. 1915:Pr./Dist. 1875:Pr./Dist. 1771:Nominated 1753:Nominated 1735:Nominated 1731:The Letter 1717:Nominated 1679:Nominated 1433:viewfinder 1298:again for 1286:pictures, 1194:The Letter 1006:Bordertown 982:Bordertown 871:The Racket 859:The Gaucho 782:Alice Lake 744:Presidency 720:. For the 672:, joining 493:Classmates 447:Owen Moore 443:Joe Smiley 297:The Letter 238:April 2024 208:newspapers 51:1883-11-20 6312:Swell Guy 3861:Graustark 3838:Director 3810:Director 3778:Déclassée 3612:F. Marion 2867:Atonement 2807:Cronjaner 2339:Mister 44 2070:G. Tucker 2065:J. Smiley 2010:J. Smiley 1980:G. Tucker 1899:The Dream 1868:Submarine 1831:Director 1815:Director 1655:Category 1603:Star Wars 1354:, titled 1324:Swell Guy 1163:lighting. 863:Fairbanks 710:Déclassée 538:Alan Dwan 500:Hollywood 396:Vitagraph 141:(brother) 135:Relatives 7199:Obituary 4774:Mandalay 4664:Voltaire 3746:The Lady 3110:Montage 2841:In Wrong 2455:Jay Hunt 1794:database 1783:(as per 1616:Cineteca 1553:Cineteca 1548:Calabria 1296:Dieterle 1240:(1940), 1054:Art Deco 771:Director 587:In Wrong 512:, where 474:Biograph 469:vessel. 400:Flatbush 389:New York 127:Children 7158:. 2023. 6680:. 2023. 6601:. 2023. 4560:Ex-Lady 4297:H.Perry 3947:Upstage 3654:Secrets 2085:Camera 1938:Writer 1892:Shorts: 1661:Result 1312:Borzage 1180:. With 1002:Ex-Lady 734:Secrets 690:Secrets 611:montage 341:Cosenza 314:montage 222:scholar 95:Italian 63:Cosenza 6376:Dist. 5673:Dist. 5608:Juarez 5080:Dist. 4966:Dist. 4908:Dist. 4876:Dist. 4844:Dist. 4786:Dist. 4728:Dist. 4514:Dist. 4477:Dist. 4422:Dist. 4390:Dist. 4368:Edeson 4354:Dist. 4322:Dist. 4283:Dist. 4143:Dist. 4111:Dist. 4079:Dist. 4047:Dist. 4016:Dist. 3985:Dist. 3872:Dist. 3843:Dist. 3815:Dist. 3757:Dist. 3727:Dist. 3696:Dist. 3665:Dist. 3635:Dist. 3601:Dist. 3570:Dist. 3538:Dist. 3506:Dist. 3476:Dist. 3445:Dist. 3414:Dist. 3383:Dist. 3351:Dist. 3319:Dist. 3287:Dist. 3250:Dist. 3219:Dist. 3189:Dist. 3158:Dist. 3149:Kismet 3130:Dist. 3098:Dist. 3066:Dist. 3034:Dist. 3002:Dist. 2970:Dist. 2941:Dist. 2910:Dist. 2879:Dist. 2848:Dist. 2822:Dist. 2793:Dist. 2762:Dist. 2731:Dist. 2701:Dist. 2669:Dist. 2637:Dist. 2605:Dist. 2573:Dist. 2541:Dist. 2509:Dist. 2479:Dist. 2447:Dist. 2415:Dist. 2383:Dist. 2351:Dist. 2319:Dist. 2287:Dist. 2255:Dist. 2201:Dist. 2145:Dist. 1818:Notes 1806:Title 1713:Juarez 1620:Avatar 1481:drama 1391:Legacy 1338:, and 1314:, and 1256:film, 1234:Warner 1232:under 1140:Juarez 1034:Juarez 1032:, and 1012:film, 1000:. For 992:, and 762:A.S.C. 736:, and 712:, and 633:(1922) 593:, and 554:Kismet 550:R.K.O. 544:, and 514:Eugene 490:, and 445:, and 378:Torino 363:Career 337:Celico 306:, and 291:Juarez 265:A.S.C. 224: 217: 210: 203: 195: 146:Awards 119:Spouse 114:A.S.C. 104:A.S.C. 59:Celico 6392:1949 6360:1947 6334:1947 6308:1946 6282:1946 6250:1946 6221:1945 6195:1944 6169:1944 6143:1944 6114:1943 6088:1943 6062:1943 6036:1943 6008:1942 5982:1942 5956:1942 5930:1941 5904:1941 5878:1941 5852:1941 5826:1941 5799:1940 5773:1940 5747:1940 5715:1940 5689:1940 5657:1939 5631:1939 5604:1939 5578:1938 5552:1938 5525:1938 5499:1938 5461:1938 5435:1938 5409:1937 5383:1937 5357:1937 5331:1937 5305:1937 5279:1936 5252:1936 5226:1936 5200:1936 5174:1935 5148:1935 5122:1935 5096:1935 5064:1935 5038:1935 5008:1935 4982:1935 4950:1934 4924:1934 4892:1934 4860:1934 4828:1934 4802:1934 4770:1934 4744:1933 4712:1933 4686:1933 4660:1933 4634:1933 4608:1933 4582:1933 4556:1933 4530:1933 4497:1932 4464:1932 4438:1932 4406:1931 4374:1931 4366:cin. 4338:1930 4306:1930 4265:1930 4239:1929 4212:1929 4186:1929 4159:1929 4127:1928 4095:1927 4063:1927 4031:1927 4001:1927 3969:1926 3943:1926 3913:1926 3887:1926 3857:1925 3830:1925 3802:1925 3772:1925 3742:1925 3712:1924 3680:1924 3650:1924 3620:1923 3586:1923 3554:1923 3521:1923 3491:1923 3461:1922 3429:1922 3399:1922 3367:1922 3335:1921 3303:1921 3266:1921 3234:1921 3204:1921 3174:1920 3145:1920 3115:1920 3082:1920 3050:1920 3018:1920 2986:1920 2957:1920 2925:1919 2895:1919 2863:1919 2837:1919 2813:1919 2777:1919 2747:1918 2717:1918 2685:1918 2653:1918 2621:1917 2589:1917 2557:1917 2525:1917 2495:1917 2463:1917 2431:1917 2399:1917 2367:1916 2335:1916 2303:1916 2271:1916 2242:1916 2217:1916 2185:1914 2161:1914 2129:1914 2103:1914 2079:1912 2049:1911 2019:1911 1989:1911 1957:1911 1930:1911 1888:1911 1864:1910 1847:1908 1823:1903 1809:Role 1803:Year 1792:AFI's 1758:1945 1740:1943 1722:1940 1704:1939 1684:1936 1666:1930 1658:Film 1652:Year 1606:, or 1342:with 1334:with 1326:with 1172:1940s 967:Oscar 921:1930s 831:Metro 564:1920s 368:Italy 229:JSTOR 215:books 149:1936 100:Title 67:Italy 6371:Pr. 6028:co. 5668:Pr. 5491:Co. 5075:Pr. 5030:co. 4961:Pr. 4903:Pr. 4871:Pr. 4839:Pr. 4781:Pr. 4723:Pr. 4508:Pr. 4417:Pr. 4385:Pr. 4349:Pr. 4317:Pr. 4295:co. 4278:Pr. 4178:Co. 4138:Pr. 4106:Pr. 4074:Pr. 4042:Pr. 4012:Pr. 3980:Pr. 3935:co. 3868:Pr. 3753:Pr. 3723:Pr. 3691:Pr. 3661:Pr. 3631:Pr. 3597:Pr. 3565:Pr. 3532:Pr. 3502:Pr. 3472:Pr. 3440:Pr. 3410:Pr. 3378:Pr. 3346:Pr. 3314:Pr. 3277:Pr. 3245:Pr. 3215:Pr. 3185:Pr. 3126:Pr. 3093:Pr. 3061:Pr. 3029:Pr. 2997:Pr. 2936:Pr. 2906:Pr. 2874:Pr. 2805:Co. 2788:Pr. 2758:Pr. 2726:Pr. 2696:Pr. 2664:Pr. 2632:Pr. 2600:Pr. 2568:Pr. 2536:Pr. 2504:Pr. 2474:Pr. 2442:Pr. 2410:Pr. 2378:Pr. 2346:Pr. 2314:Pr. 2282:Pr. 2226:Pr. 2196:Pr. 2140:Pr. 1350:and 1275:for 1196:, a 949:for 869:and 861:for 853:and 845:for 837:, a 817:and 784:and 617:. 597:and 520:and 275:for 201:news 74:Died 41:Born 1698:Won 1477:’s 1279:. 1106:’s 1102:on 740:. 716:in 708:’s 700:’s 684:in 421:’s 376:in 184:by 7249:: 7154:. 7141:^ 7131:. 7113:^ 7103:. 7086:23 7084:. 7060:^ 7052:20 7050:. 7038:^ 7013:. 6994:^ 6956:20 6954:. 6938:^ 6930:17 6928:. 6910:^ 6900:. 6884:^ 6874:. 6855:. 6836:. 6822:^ 6812:. 6793:. 6774:. 6756:^ 6746:. 6730:^ 6720:. 6686:^ 6676:. 6643:^ 6633:. 6607:^ 6597:. 6586:^ 6578:18 6576:. 6538:^ 6530:19 6528:. 6496:^ 6476:. 6456:^ 6430:^ 6270:, 5735:, 5483:, 4512:. 3610:, 3536:. 2230:. 2067:, 2037:, 2007:, 1977:, 1905:, 1897:, 1797:)) 1622:, 1501:, 1330:, 1093:". 1068:. 988:, 984:, 905:. 849:, 792:. 732:, 704:, 649:, 605:’ 589:, 560:. 441:, 437:, 406:. 339:, 300:, 294:, 288:, 263:, 65:, 61:, 7133:3 7105:1 7017:. 6902:6 6876:5 6857:5 6838:5 6814:5 6795:2 6776:5 6748:1 6722:4 6637:. 6491:. 6478:2 4487:, 1154:. 321:. 280:, 251:) 245:( 240:) 236:( 226:· 219:· 212:· 205:· 178:. 53:) 49:(

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Index