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slaves in particular, and aspiring with increasing success to emulate the saintly, martyred
Brother François. In the film, all this was chopped off and amputated by cutting off the book's plotline in the middle. The film's Anthony Adverse is in effect denied the spiritual redemption which his literary creator intended for him. Possibly this was simply due to the fact that a normal length film could not accommodate so many adventures and changes of fortune over three continents. But I have a sneaking suspicion that some of the film-makers considered 'too much Christianity' as endangering a film's box office success. Anyway, I strongly recommend to anyone seeing the film to also read the book and find for themselves what they missed.
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354:. Don Luis lies to Maria's father, wealthy merchant John Bonnyfeather, telling him that the infant also died. Ten years later, by chance, Anthony is apprenticed to Bonnyfeather, who discovers his relationship to the boy but keeps it a secret. The only explanation for Don Luis’ behavior is that Maria's child was illegitimate, and Bonnyfeather cannot bear to have his daughter—or his grandson—bear that stigma. He gives the boy the surname Adverse acknowledging the difficult start in life.
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its philosophy is vague, its characterization blurred and its story so loosely knit and episodic that its telling seems interminable. A few years back we devoted the better part of a
British week-end to the reading of Mr. Allen's little pamphlet and we enjoyed it. Yesterday we spent only a fraction more than two hours watching its progress on the screen and we squirmed like a small boy in Sunday school.
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marquis is away taking the cure, they meet in the woods, and after three months Maria tells him she is carrying his child. The marquis returns home, cured, and Maria is horrified at what awaits her. The lovers plan to flee that night, but the marquis discovers Maria waiting for Denis. Don Luis takes her away, but Denis pursues them to an inn, where Don Luis kills him in a sword duel.
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Debrulle reunites
Anthony with Angela, who bore him a son. A delighted Angela tells him that she is singing at the opera, and he goes, with Nolte. Searching the program in vain for her name, he hears her voice coming from the stage. He exclaims, “That's Angela” and Nolte replies, “That's Mademoiselle
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in Africa, so he can recover
Bonnyfeather's debt. Three years in the slave trade corrupts him, and he takes slave girl Neleta into his bed. After his friend, Brother François, is crucified and killed by natives, Anthony returns to Italy to find Bonnyfeather has died. His housekeeper, Faith Paleologus
618:
Speaking for ourselves, we found it a bulky, rambling and indecisive photoplay which has not merely taken liberties with the letter of the original but with its spirit...For all its sprawling length, was cohesive and well rounded. Most of its picaresque quality has been lost in the screen version;
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gives the picture a positive review of 3.5/4 stars, praising the "Blockbuster filmization of Hervey Allen bestseller ... of young man gaining maturity through adventures in various parts of early 19th-century Europe, Cuba, and Africa" and the film's cinematography and "rousing musical score", both
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In the book as written and published, Anthony
Adverse's far-ranging life was clearly intended to be a spiritual journey at least as much as a physical one. Befitting with his name, he goes through great adversity to emerge a better man - renouncing material possessions in general and the owning of
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to save
Bonnyfeather's fortune from a laggard debtor, the trading firm Gallego & Sons. On the day his ship sails, he and Angela are supposed to meet at the convent, but she arrives first, and he is late. Unable to wait any longer, she leaves a note outside the convent to inform him that she is
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In 1773, young
Scottish woman Maria Bonnyfeather is the new bride of middle-aged Spanish Marquis Don Luis. The consummation of their marriage is postponed until he is cured of gout at a famous spa. Meanwhile, Maria's true love, Denis Moore, follows them and stays near their château. While the
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Anthony and the cook's daughter, Angela
Guisseppi fall in love. Angela wants to become a great singer. Anthony wants to serve Bonnyfeather and marry Angela, but Angela's father wins the lottery and the family leaves Leghorn. Years later, Anthony finds her, singing in the opera chorus. Eventually,
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Anthony goes to Paris to claim his inheritance and is reunited with his friend, banker
Vincent Nolte. He saves Nolte from bankruptcy by loaning him his entire fortune, having learned from Brother François that "There's something besides money and power". Meanwhile, all Paris is buzzing with
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grandfather. Most important of all, Anthony believes that his beloved Angela abandoned him without a word, when in fact she left a note telling him that the theatrical troupe was going to Rome. The gust of wind that blows the note away is one of many fateful and fatal events in
Anthony's story.
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Abandoned at a convent as an infant, Anthony comes of age in the tumultuous turn of the 18th to the 19th century, the age of Napoleon. The audience is privy to many truths in Anthony's life, including the tragic story of his origins and the fact that the wealthy merchant who adopts him is his
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provided some statistics: a shooting script of 250 pages; 1,098 camera set-ups, plus another 200 scenes prepared by special effects (including superimposed titles); 600,000+ feet of positive print film delivered to his cutting room, yielding a finished film of 12,250 feet.
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annual critics' poll. In a much later review, however, Reverend Austin Spencer also found the film adaptation—when compared to the novel—inadequate, especially in its portrayal of the personal challenges that confronted the story's
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The film was Warner Bros.' most popular release of 1936. It was also the studio's most expensive production that year, with an overall budget of $ 1,192,000. That hefty expense, however, proved to be a wise investment, for
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described it as "a bit choppy" and "a bit long-winded" as well; but the popular trade magazine praised Fredric March's performance, adding that he was "an ace choice, playing the role to the hilt."
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Scheuer, Philip K (October 4, 1934). "Walter Connolly Selected to Play Title Role in "Father Brown, Detective": Long Search for Correct Type Ends "Vampire of Prague" Lead Scheduled for Fay Webb".
853:(1925–2010), who was born Bernard Schwartz, named himself for the titular character: The novel from which this film was adapted was the actor's favorite. Curtis, who was established as a star in
995:
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Warner Bros financial information in The William Schaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 16 DOI: 10.1080/01439689508604551
655:"easily ranks among the leading pictures of the talking screen" and called the production's acting "flawless". "I don't think Mr. March has done any better piece of work than this", noted
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Shaken, he returns home to find his son, with a letter from Angela saying that Anthony is better suited to raise the boy. Anthony and the boy sail for America hoping for a better life.
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Georges!” Angela continues the aria and emerges from the shadows, descending a staircase. Wearing Napoleon's gift, she whispers “Goodbye, Anthony,” as he stands and leaves the box.
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leaving for Rome with her opera company, but the note is blown away. Confused and upset, he sails without her. Meanwhile, assuming he has abandoned her, she continues her career.
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plays the young Anthony Adverse in the earlier scenes. Warner Bros. discovered Mauch had a twin, and it put them both under contract. They were given a starring vehicle in
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generated $ 1,558,000 in profits at the box office for Warner Bros., earning the studio $ 1,783,000 domestically and $ 967,000 in foreign markets.
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expressed similar views, acerbically noting of the film that it "goes on too long, otherwise it might have been the funniest film since
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Rev. Austin James Spencer, "Christianity and Twentieth Century American Culture", p. 125, Spiritual Guidance Press, Kansas City, 1983
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859:(1951), was buried with a Stetson hat, an Armani scarf, driving gloves, an iPhone and a copy of his favorite novel
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Hervey Allen Papers, 1831–1965, South Carolina.1952.01, Special Collections Department, University of Pittsburgh
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The American Film Institute Catalog of Motion Pictures Produced in the United States: Feature Films, 1931–1940
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Mervyn LeRoy (seated right) directing March and De Havilland; behind LeRoy is cinematographer Tony Gaudio
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Gallego has quit Havana. Anthony leaves to take control of Gallego & Sons' only remaining asset—a
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Dawson, Ralph. "How Anthony Adverse Was Cut." American Cinematographer 17:8 (August 1936), 345.
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in support of March, but Flynn became so popular with moviegoers after his performance in
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Before casting Frederic March to costar with Olivia de Havilland, Warner Bros. considered
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This article is about the 1936 film. For the 1933 novel on which this film was based, see
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1093:, New York, N.Y., May 12, 1936, page 12. Internet Archive; retrieved November 17, 2017.
886:) is told to throw out the anchor, he tosses out a rope attached to a huge book titled
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adopted the name of the film's main character when recording for the London-based
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in 1935 that Warner Bros. assigned him to star instead in the 1936 film
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The initial theme of the second movement of Erich Wolfgang Korngold's
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they wed. Soon after the ceremony, Bonnyfeather sends Anthony to
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was drawn from the music he composed for the film. English singer
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on the October 11 and 18 episodes of his "Jell-O Show" in 1936.
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1019:(September 25, 1936). "The Song of Freedom/Anthony Adverse".
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Film editor Ralph Dawson with film reels and canisters for
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Films whose editor won the Best Film Editing Academy Award
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1077:, San Francisco, California; retrieved November 17, 2017.
672:'s Top Ten pictures of the year and ranked eighth in the
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for her performance as the villainous Faith Paleologus.
1217:"The 40 Lowest-Rated Best Picture Nominees of all time"
882:, when their plane lands in "Indian Country" and Gus (
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Months later, Maria dies giving birth to her son at a
1274:"The Jack Benny Show at OTR.Network (Old Time Radio)"
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Films that won the Best Original Score Academy Award
1243:"The 9th Academy Awards (1937) Nominees and Winners"
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Academy Award for Best Actress in a Supporting Role
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1006:, August 27, 1936; retrieved November 17, 2017.
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1147:"Anthony Adverse (1936) – Overview – TCM.com"
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1106:(August 29, 1936). "The Current Cinema".
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319:Fredric March and Olivia de Havilland in
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1157:from the original on October 1, 2020
338:. Don Luis leaves the infant in the
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1253:from the original on March 21, 2016
916:Hanson, Patricia King, ed. (1993).
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614:panned "Warner's gargantuan film":
16:1936 film directed by Mervyn LeRoy
14:
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1624:I Am a Fugitive from a Chain Gang
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1223:from the original on July 5, 2023
757:Best Actress in a Supporting Role
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519:as Angela as a child (uncredited)
2114:1930s historical adventure films
1360:Complete volume one of the novel
846:record label in the late 1980s.
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787:, head of department (Score by
562:The Charge of the Light Brigade
507:as Florence Udney (as an adult)
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2149:Films directed by Mervyn LeRoy
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2124:Films based on American novels
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1752:The King and the Chorus Girl
1343:AFI Catalog of Feature Films
714:Best Picture Oscar-nominated
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189: (Los Angeles, premiere)
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2109:1930s adventure drama films
1271:Jack Benny's "Jell-O Show"
701:winners of Academy Awards.
659:in his positive review for
477:as Anthony Adverse (age 10)
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1728:Oil for the Lamps of China
856:The Prince Who Was a Thief
299:, including the inaugural
284:'s 1933 historical novel,
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1851:Thirty Seconds Over Tokyo
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876:In the 1934 short comedy
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597:Olivia de Havilland in
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295:The film received four
181:July 29, 1936
143:Erich Wolfgang Korngold
21:Anthony Adverse (novel)
2169:Films set in the 1800s
2049:The Devil at 4 O'Clock
2033:Wake Me When It's Over
1942:Million Dollar Mermaid
991:Nugent, Frank (1936).
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1998:No Time for Sergeants
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1867:Without Reservations
1811:Blossoms in the Dust
1744:Three Men on a Horse
1656:Gold Diggers of 1933
1576:Local Boy Makes Good
1030:Taylor, John Russell
893:In the 1949 cartoon
781:Best Music (Scoring)
604:In his 1936 review,
438:as John Bonnyfeather
381:Mademoiselle Georges
2184:Films set in Africa
2179:Films set in Havana
1891:Any Number Can Play
1859:The House I Live In
1485:Little Johnny Jones
1087:"'Anthony Adverse'"
830:Cultural references
763:Best Cinematography
501:as Brother François
465:as Faith Paleologus
444:as Marquis Don Luis
420:as Angela Guisseppi
418:Olivia de Havilland
278:Olivia de Havilland
261:is a 1936 American
109:Olivia de Havilland
2189:Films set in Paris
2174:Films set in Italy
2129:Warner Bros. films
1990:Toward the Unknown
1779:(1939, uncredited)
1763:(1937, uncredited)
1552:Too Young to Marry
1412:Films directed by
1373:at Virtual History
1331:TCM Movie Database
1280:on August 11, 2014
1004:The New York Times
971:The Times of India
820:Best Art Direction
759:: Gale Sondergaard
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607:The New York Times
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452:Napoleon Bonaparte
414:as Anthony Adverse
385:Napoleon Bonaparte
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2041:A Majority of One
1934:Lovely to Look At
1768:Fools for Scandal
1760:They Won't Forget
1672:The World Changes
1364:Project Gutenberg
1067:"Anthony Adverse"
1036:The Pleasure Dome
973:March 7, 1936: 9.
957:Los Angeles Times
772:Best Film Editing
706:review aggregator
352:Anthony the Great
268:film directed by
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2073:Moment to Moment
2006:Home Before Dark
1776:The Wizard of Oz
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1608:Three on a Match
1584:Tonight or Never
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767:Gaetano Gaudio
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696:, film critic
662:The New Yorker
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2014:The FBI Story
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368:slave trading
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272:and starring
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174:Release dates
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105:Fredric March
103:
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58:Screenplay by
56:
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39:
34:
29:
26:
22:
2079:
2071:
2063:
2055:
2047:
2039:
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2012:
2004:
1996:
1988:
1982:The Bad Seed
1980:
1972:
1964:
1956:
1950:Latin Lovers
1948:
1940:
1932:
1924:
1907:Little Women
1905:
1897:
1889:
1881:
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1857:
1849:
1843:Madame Curie
1841:
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1827:Johnny Eager
1825:
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1520:Numbered Men
1518:
1510:
1502:
1483:
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1461:Naughty Baby
1459:
1451:
1443:
1435:
1427:
1414:Mervyn LeRoy
1369:
1349:
1336:
1325:
1314:
1303:
1282:. Retrieved
1278:the original
1267:
1257:February 14,
1255:. Retrieved
1246:
1237:
1225:. Retrieved
1211:
1194:. Retrieved
1184:
1178:
1171:
1159:. Retrieved
1150:
1141:
1132:
1123:
1118:
1107:
1104:Mosher, John
1098:
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806:Warner Bros.
776:Ralph Dawson
744:
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723:
703:
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673:
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636:The Crusades
634:
624:
623:Writing for
622:
617:
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598:
582:Ralph Dawson
580:Film editor
579:
572:
567:
560:
554:
547:George Brent
539:Robert Donat
536:
487:Ralph Morgan
442:Claude Rains
436:Edmund Gwenn
430:Anita Louise
424:Donald Woods
400:
393:
377:
370:post on the
365:
356:
329:
325:
320:
294:
285:
282:Hervey Allen
270:Mervyn LeRoy
257:
256:
255:
214:Running time
133:Ralph Dawson
81:Hervey Allen
71:
63:Milton Krims
52:Mervyn LeRoy
25:
1600:Two Seconds
1560:Broadminded
1445:Harold Teen
1196:February 4,
1040:. pp.
851:Tony Curtis
796:Nominations
681:protagonist
657:John Mosher
651:wrote that
569:Billy Mauch
551:Errol Flynn
517:Anne Howard
489:as Debrulle
475:Billy Mauch
469:Steffi Duna
448:Rollo Lloyd
391:wanted it.
372:Pongo River
303:, given to
250:$ 2,750,000
242:$ 1,192,000
218:141 minutes
123:Tony Gaudio
87:Produced by
48:Directed by
2104:1936 films
2098:Categories
2065:Mary, Mary
1958:Rose Marie
1883:Homecoming
1688:Hi Nellie!
1247:oscars.org
1051:0192812866
903:References
884:El Brendel
867:Jack Benny
824:Anton Grot
720:Box office
675:Film Daily
648:Film Daily
525:Production
505:Alma Lloyd
395:Impresario
247:Box office
201:1936-08-29
185:1936-07-29
150:Production
77:1933 novel
1926:Quo Vadis
1875:Desire Me
1528:Top Speed
1469:Hot Stuff
1227:August 9,
869:parodied
589:Reception
471:as Neleta
389:Josephine
205: (US)
129:Edited by
1453:Oh, Kay!
1320:AllMovie
1284:July 16,
1251:Archived
1221:Archived
1161:July 24,
1155:Archived
996:Archived
708:website
432:as Maria
231:Language
139:Music by
101:Starring
68:Based on
1340:at the
1329:at the
1071:Variety
1042:103-104
896:Hare Do
704:On the
642:Variety
610:critic
348:Leghorn
344:convent
234:English
223:Country
199: (
183: (
152:company
2084:(1968)
2076:(1966)
2068:(1963)
2060:(1962)
2052:(1961)
2044:(1961)
2036:(1960)
2017:(1959)
2009:(1958)
2001:(1958)
1993:(1956)
1985:(1956)
1977:(1955)
1969:(1955)
1961:(1954)
1953:(1953)
1945:(1952)
1937:(1952)
1929:(1951)
1910:(1949)
1902:(1949)
1894:(1949)
1886:(1948)
1878:(1947)
1870:(1946)
1862:(1945)
1854:(1944)
1846:(1943)
1838:(1942)
1830:(1941)
1822:(1941)
1814:(1941)
1806:(1940)
1803:Escape
1798:(1940)
1771:(1938)
1755:(1937)
1747:(1936)
1739:(1936)
1731:(1935)
1723:(1935)
1715:(1935)
1707:(1934)
1699:(1934)
1691:(1934)
1683:(1934)
1675:(1933)
1667:(1933)
1659:(1933)
1651:(1933)
1643:(1933)
1635:(1932)
1627:(1932)
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1603:(1932)
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1587:(1931)
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1571:(1931)
1563:(1931)
1555:(1931)
1547:(1931)
1539:(1931)
1531:(1930)
1523:(1930)
1515:(1930)
1507:(1930)
1488:(1929)
1480:(1929)
1472:(1929)
1464:(1928)
1456:(1928)
1448:(1928)
1440:(1928)
1432:(1927)
1048:
924:
751:Awards
545:, and
360:Havana
332:chalet
239:Budget
2057:Gypsy
2025:1960s
1918:1950s
1787:1940s
1496:1930s
1421:1920s
346:near
342:of a
1309:IMDb
1286:2014
1259:2013
1229:2023
1198:2024
1163:2020
1046:ISBN
922:ISBN
405:Cast
336:Alps
311:Plot
276:and
263:epic
1362:at
1353:at
1318:at
1307:at
694:TCM
692:On
639:".
450:as
79:by
2100::
1249:.
1245:.
1219:.
1189:.
1183:.
1153:.
1149:.
1044:.
936:^
890:.
863:.
844:Ă©l
822::
813::
804::
774::
765::
665:.
629:,
577:.
565:.
541:,
1405:e
1398:t
1391:v
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1231:.
1200:.
1181:"
1177:"
1165:.
1056:)
1054:.
1025:.
930:.
791:)
683::
289:.
203:)
187:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
