584:
422:. Cambridge is represented in fictional form as Castleford throughout the book. At the time she was writing the book, the author was again living in Great Shelford, just across the road from the Mill House. The Kitsons' (in past, the Melbournes') house is thought to be based on a house in Cambridge, near where Pearce studied during her time at university. The theory of time of which the novel makes use is that of
272:
him and puts the events down to Tom sleepwalking. The following morning, Mrs
Bartholomew summons Tom to apologise, only to reveal herself as Hatty, having made the link when she heard him call her name. The events Tom experienced were real in Hatty's past; he has stepped into them by going into the garden at the times she dreamt of them. On the final night, she had instead been dreaming of her wedding with Barty.
596:
350:, also known as the Ghosts of Petit Trianon or Versailles. This was an event that occurred on 10 August 1901 in the gardens of the Petit Trianon, involving two female academics, Charlotte Anne Moberly (1846–1937) and Eleanor Jourdain (1863–1924). Moberly and Jourdain claimed to have slipped back to the last days of pre-Revolutionary France, reported in their later book
268:
Finally she grows up at a faster rate, until she is an adult and is being courted by an acquaintance of hers who is nicknamed "Barty." At this stage in the book, the season in the old garden tends to be winter. Tom ingeniously obtains ice skates by having Hatty conceal her old pair in his room, where he subsequently finds them and joins her skating on the next night.
251:. The former grounds of the big house have been sold for building and are occupied by modern houses. The elderly and reclusive landlady, Mrs Bartholomew, lives above them. Because Tom may be infectious, he is not allowed out to play, and he feels lonely. Without exercise he lies awake after midnight, restless, when he hears the communal
29:
192:. The story is about a twelve-year-old Tom who, while staying with his aunt and uncle, slips out at midnight and discovers a magical, mysterious Victorian garden where he befriends a young girl named Hatty. The novel has been reissued in print many times and also adapted for radio, television, cinema, and the stage.
263:
grounds. There he meets another lonely child, a girl called Hatty, and they become inseparable playmates. Tom sees the family occasionally, but only Hatty (and as is revealed later in the book, the gardener) sees him and the others believe she plays alone. Hatty is established to be an orphan sent to
323:
for "romanticizing the world of the 19th-century aristocratic mansions, making it a glittering 'lost paradise' contrasted with the drab reality of contemporary lower middle class
Britain.(...) A child deriving an image of Victorian England from this engaging and well-written fairy tale would get no
267:
Tom writes daily accounts to his brother Peter, who follows the adventures during his recovery – and afterward, for Tom contrives to extend the stay with Aunt and Uncle. Gradually at first, Hatty grows up and passes Tom's age; he comes to realise that he is slipping to different points in the past.
271:
On the final night before Tom is due to go home, he goes downstairs to find the garden is not there. He frantically tries to find it, but crashes into a set of bins from the present–day courtyard, waking up several residents. He shouts Hatty's name in desperation, before his Uncle Alan finds
294:
summarised, "If I were asked to name a single masterpiece of
English children's literature since ... it would be this outstandingly beautiful and absorbing book". He retained that judgment in the second edition of that magnum opus (1983) and in 2011 repeated it, in a retrospective review of the
524:
one of the top ten Medal-winning works, which composed the ballot for a public election of the nation's favourite. It finished second in the public vote from that shortlist, between two books that were about forty years younger. Among votes cast from the UK,
255:
strangely strike 13. He gets up to investigate and discovers that the back door now opens on a large sunlit garden. However, when Tom checks the back door the following morning, the garden is no longer there.
545:, graciously said: "Personally I feel they got the initials right but not the name. I don't know if the result would be the same in a hundred years' time; maybe Philippa Pearce would win then."
283:
The book is regarded as a classic. The final reunion between Tom, still a child, and the elderly Hatty is, many have argued, one of the most moving moments in children's fiction.
275:
After taking Tom home, Aunt Gwen comments on the strange way that Tom had said goodbye to Mrs
Bartholomew when he left: he hugged her as if she were a little girl.
203:, recognising the year's outstanding children's book by a British author. In 2007, for a celebration of the Carnegie Medal's 70th anniversary, a panel named
1027:
1062:
664:
330:
would be a popular device in
British children's novels in this period, although this device arguably started with Mark Twain's adult satirical comedy
709:
1037:
638:
933:
414:
The historical part of the book is set in the grounds of a mansion, which resembles the house in which the author grew up: the Mill House in
557:
is the right book by the right author. Philip is accurate in saying that the only contention was from the other PP. And, it must be said,
833:
1047:
346:(1935, with a time-slip back to the era of Bonnie Prince Charlie). Time-slip was a popular theme in paranormal discussion, such as the
520:
won the 1958 Medal. For the 70th anniversary celebration in 2007, a panel of experts appointed by the children's librarians named
1042:
1017:
1012:
1032:
917:
512:
Since 1936, the professional association of
British librarians has recognised the year's best new book for children with the
1002:
973:
319:
Researcher Ward
Bradley, in his review of various modern stories and books depicting Victorian British society, criticized
759:
997:
1057:
1052:
1022:
747:
500:
489:
478:
141:
891:
962:
588:
527:
513:
441:
196:
324:
idea of the crushing poverty in the factories and slums from where mansion owners often derived their wealth".
347:
1007:
992:
661:
398:
207:
one of the top ten Medal-winning works and the
British public elected it the nation's second-favourite.
574:
717:
419:
227:
to the old garden where he finds a girl playmate, called Hatty. Hatty is a princess or so she says.
428:
313:
185:
95:
671:. The CILIP Carnegie & Kate Greenaway Children's Book Awards. CILIP. Retrieved 2012-07-09.
635:
841:
686:
363:
8:
806:
78:
461:
291:
928:
743:
496:
485:
474:
308:
148:
136:
28:
546:
162:
338:(1906, with a succession of slips back into Britain's past), and Margaret Irwin's
239:, Tom is sent to stay with his Uncle Alan and Aunt Gwen. They live in an upstairs
937:
668:
642:
403:
393:
264:
live with her aunt and three older male cousins after the death of her parents.
181:
85:
42:
219:
with his aunt and uncle in a city flat, part of a converted building that was a
896:
600:
542:
415:
383:
252:
986:
375:
355:
260:
220:
913:
623:(second edition?). Library of Congress Catalog Record. Retrieved 2012-09-08.
954:
367:
354:(1911). Other successful examples of time-slip in children's books include
189:
52:
740:
Written for
Children: An Outline of English-Language Children's Literature
796:
Bradley, Ward D. "Literary
Depictions of Victorian Britain", pp. 87, 115.
455:
423:
382:(1963, with a final chapter slipping back to the making of Stone Henge),
327:
244:
155:
922:
873:
855:
306:
and describe its use of imagination and metaphor, also comparing it to
216:
819:
Roni Natov and Geraldine DeLuca; “An Interview with Philippa Pearce”,
240:
224:
766:. Retrieved 2012-11-18. This is Townsend's retrospective review of
645:. Living Archive: Celebrating the Carnegie and Greenaway Winners.
302:, Margaret and Michael Rustin analyse the emotional resonances of
785:
Narratives of Love and Loss: Studies in Modern Children's Fiction
537:
388:
300:
Narratives of Love and Loss: Studies in Modern Children's Fiction
248:
236:
81:
481:), Publication date: 31 December 1958, hardcover (first edition)
620:
342:(1924, combining ghosts and time slip), and Elizabeth Goudge's
787:
by Margaret and Michael Rustin, Karnac Books, 2002, pp. 27-39.
823:, Vol.9 1985, Johns Hopkins University Press, 1986, pp.75-78.
646:
200:
149:
451:
three times, in 1968, 1974, and 1988 (which aired in 1989).
495:
2001, Adapted for the stage by David Wood, Samuel French (
163:
448:
259:
Every night the clock strikes 13 and Tom returns to the
561:
has lasted almost 60 years ... and we don't know that
334:(1889), followed by Rudyard Kipling's children's book
621:"Tom's midnight garden. Illustrated by Susan Einzig."
572:
435:
278:
565:will do the same. But, yes. A very good winner."
984:
687:"Pullman children's book voted best in 70 years"
492:), Publication date: 1 February 1992, hardcover
180:is a children's fantasy novel by English author
33:Classic Einzig cover thought to be first edition
874:"Tom's Midnight Garden (TV Mini-Series 1989)"
834:"Tom's Midnight Garden (1968, 1974 and 1989)"
662:"70 Years Celebration: Anniversary Top Tens"
753:
631:
629:
332:A Connecticut Yankee in King Arthur's Court
243:of a big house with no garden, only a tiny
1028:Carnegie Medal in Literature winning works
856:"Tom's Midnight Garden (TV Series 1974– )"
681:
679:
677:
27:
884:
760:"Writer's choice 317: John Rowe Townsend"
378:in the fourteenth century), Clive King's
703:
701:
699:
657:
655:
626:
674:
1063:Children's books set in Cambridgeshire
985:
892:"Pullman wins 'Carnegie of Carnegies'"
707:
467:
362:(1939, slipping back to the period of
1038:British supernatural television shows
918:Internet Speculative Fiction Database
779:"Loneliness, Dreaming and Discovery:
708:Tucker, Nicholas (23 December 2006).
696:
652:
934:Tom's Midnight Garden House for Sale
764:normblog: The weblog of Norman Geras
742:. Second edition, Lippincott, 1983 (
223:during the 1880s–1890s. At night he
184:. It was first published in 1958 by
507:
473:1958, UK, Oxford University Press (
235:When Tom Long's brother Peter gets
13:
770:under a short preface by the host.
614:
436:Film, TV or theatrical adaptations
14:
1074:
1048:British novels adapted into films
907:
553:newspaper, continued the theme: "
215:Tom is a modern boy living under
890:Pauli, Michelle (21 June 2007).
594:
582:
454:1999 Full-length movie starring
279:Themes and literary significance
123:Print (hardback & paperback)
866:
848:
826:
813:
799:
230:
790:
773:
732:
549:, Children's Books Editor for
460:2001 Adapted for the stage by
1:
1043:Oxford University Press books
607:
16:1958 novel by Philippa Pearce
1033:Novels set in Cambridgeshire
710:"Philippa Pearce (obituary)"
685:Ezard, John (21 June 2007).
442:Tom's Midnight Garden (film)
409:
374:(1951, slipping back to the
340:Still She Wished for Company
7:
1003:1958 science fiction novels
568:
10:
1079:
439:
210:
1018:Children's fantasy novels
1013:British children's novels
969:
960:
950:
945:
924:Tom's Midnight Garden
484:1992, UK, HarperCollins (
426:'s influential 1927 work
348:Moberly–Jourdain incident
161:
147:
135:
127:
119:
111:
101:
91:
74:
66:
58:
48:
38:
26:
1058:Fiction set in the 1890s
1053:Fiction set in the 1880s
1023:Novels about time travel
963:Carnegie Medal recipient
821:The Lion and the Unicorn
541:8%. The winning author,
298:In the first chapter of
900:. Retrieved 2012-11-18.
693:. Retrieved 2012-11-18.
667:27 October 2016 at the
649:. Retrieved 2018-02-27.
429:An Experiment with Time
314:Frances Hodgson Burnett
186:Oxford University Press
96:Oxford University Press
641:7 January 2013 at the
636:(Carnegie Winner 1958)
516:. Philippa Pearce and
406:(1969, back to 1918).
195:Pearce won the annual
188:with illustrations by
131:229 pp (first edition)
22:Tom's Midnight Garden
998:1958 children's books
781:Tom's Midnight Garden
768:Tom's Midnight Garden
738:Townsend, John Rowe.
589:Children's literature
559:Tom's Midnight Garden
533:Tom's Midnight Garden
522:Tom's Midnight Garden
440:Further information:
304:Tom's Midnight Garden
205:Tom's Midnight Garden
177:Tom's Midnight Garden
844:on 5 September 2015.
364:Mary, Queen of Scots
288:Written for Children
1008:1958 fantasy novels
993:1958 British novels
974:The Lantern Bearers
810:, Issue Number 689.
468:Publication history
399:Charlotte Sometimes
392:(1967, back to the
360:A Traveller in Time
336:Puck of Pook's Hill
201:Library Association
23:
762:. 16 August 2011.
447:Dramatised by the
420:Cambridge, England
292:John Rowe Townsend
225:slips back in time
21:
981:
980:
970:Succeeded by
838:Television Heaven
720:on 8 January 2007
344:The Middle Window
309:The Secret Garden
253:grandfather clock
173:
172:
112:Publication place
59:Cover artist
1070:
951:Preceded by
943:
942:
901:
888:
882:
881:
870:
864:
863:
852:
846:
845:
840:. Archived from
830:
824:
817:
811:
803:
797:
794:
788:
777:
771:
757:
751:
736:
730:
729:
727:
725:
716:. Archived from
705:
694:
683:
672:
659:
650:
633:
624:
618:
599:
598:
597:
587:
586:
585:
578:
547:Julia Eccleshare
508:2007 recognition
380:Stig of the Dump
165:
151:
107:31 December 1958
103:Publication date
31:
24:
20:
1078:
1077:
1073:
1072:
1071:
1069:
1068:
1067:
983:
982:
977:
966:
958:
938:The Independent
914:Philippa Pearce
910:
905:
904:
889:
885:
872:
871:
867:
854:
853:
849:
832:
831:
827:
818:
814:
804:
800:
795:
791:
778:
774:
758:
754:
737:
733:
723:
721:
714:The Independent
706:
697:
684:
675:
669:Wayback Machine
660:
653:
643:Wayback Machine
634:
627:
619:
615:
610:
605:
595:
593:
583:
581:
573:
571:
563:Northern Lights
555:Northern Lights
528:Northern Lights
510:
470:
444:
438:
412:
404:Penelope Farmer
394:First World War
321:Midnight Garden
281:
233:
213:
182:Philippa Pearce
120:Media type
104:
86:adventure novel
43:Philippa Pearce
34:
17:
12:
11:
5:
1076:
1066:
1065:
1060:
1055:
1050:
1045:
1040:
1035:
1030:
1025:
1020:
1015:
1010:
1005:
1000:
995:
979:
978:
971:
968:
959:
952:
948:
947:
941:
940:
931:
920:
909:
908:External links
906:
903:
902:
897:guardian.co.uk
883:
865:
847:
825:
812:
798:
789:
772:
752:
731:
695:
673:
651:
625:
612:
611:
609:
606:
604:
603:
591:
570:
567:
543:Philip Pullman
514:Carnegie Medal
509:
506:
505:
504:
493:
482:
469:
466:
465:
464:
458:
452:
437:
434:
416:Great Shelford
411:
408:
384:Barbara Sleigh
280:
277:
232:
229:
212:
209:
197:Carnegie Medal
171:
170:
167:
159:
158:
153:
145:
144:
139:
133:
132:
129:
125:
124:
121:
117:
116:
115:United Kingdom
113:
109:
108:
105:
102:
99:
98:
93:
89:
88:
76:
72:
71:
68:
64:
63:
60:
56:
55:
50:
46:
45:
40:
36:
35:
32:
15:
9:
6:
4:
3:
2:
1075:
1064:
1061:
1059:
1056:
1054:
1051:
1049:
1046:
1044:
1041:
1039:
1036:
1034:
1031:
1029:
1026:
1024:
1021:
1019:
1016:
1014:
1011:
1009:
1006:
1004:
1001:
999:
996:
994:
991:
990:
988:
976:
975:
965:
964:
957:
956:
949:
944:
939:
935:
932:
930:
926:
925:
921:
919:
915:
912:
911:
899:
898:
893:
887:
879:
875:
869:
861:
857:
851:
843:
839:
835:
829:
822:
816:
809:
808:
802:
793:
786:
782:
776:
769:
765:
761:
756:
749:
748:0-397-32052-3
745:
741:
735:
719:
715:
711:
704:
702:
700:
692:
688:
682:
680:
678:
670:
666:
663:
658:
656:
648:
644:
640:
637:
632:
630:
622:
617:
613:
602:
592:
590:
580:
579:
576:
566:
564:
560:
556:
552:
548:
544:
540:
539:
534:
530:
529:
523:
519:
515:
502:
501:0-573-05127-5
498:
494:
491:
490:0-397-30477-3
487:
483:
480:
479:0-19-271128-8
476:
472:
471:
463:
459:
457:
453:
450:
446:
445:
443:
433:
431:
430:
425:
421:
417:
407:
405:
401:
400:
395:
391:
390:
385:
381:
377:
376:Welsh Marches
373:
369:
365:
361:
357:
356:Alison Uttley
353:
349:
345:
341:
337:
333:
329:
325:
322:
317:
315:
311:
310:
305:
301:
296:
293:
289:
284:
276:
273:
269:
265:
262:
261:Victorian era
257:
254:
250:
246:
242:
238:
228:
226:
222:
221:country house
218:
208:
206:
202:
198:
193:
191:
187:
183:
179:
178:
169:PZ7.P3145 To2
168:
166:
164:LC Class
160:
157:
154:
152:
146:
143:
142:0-19-271128-8
140:
138:
134:
130:
126:
122:
118:
114:
110:
106:
100:
97:
94:
90:
87:
83:
80:
77:
73:
69:
65:
61:
57:
54:
51:
47:
44:
41:
37:
30:
25:
19:
972:
961:
955:A Grass Rope
953:
923:
895:
886:
877:
868:
859:
850:
842:the original
837:
828:
820:
815:
805:
801:
792:
784:
780:
775:
767:
763:
755:
739:
734:
722:. Retrieved
718:the original
713:
691:The Guardian
690:
616:
562:
558:
554:
551:The Guardian
550:
536:
532:
531:polled 40%,
526:
521:
517:
511:
427:
413:
397:
387:
379:
372:The Gauntlet
371:
368:Ronald Welch
359:
352:An Adventure
351:
343:
339:
335:
331:
326:
320:
318:
307:
303:
299:
297:
287:
285:
282:
274:
270:
266:
258:
234:
231:Plot summary
214:
204:
194:
190:Susan Einzig
176:
175:
174:
53:Susan Einzig
18:
724:27 December
456:Anthony Way
424:J. W. Dunne
49:Illustrator
987:Categories
750:), p. 247.
608:References
462:David Wood
217:quarantine
79:Children's
410:Allusions
328:Time slip
199:from the
92:Publisher
665:Archived
639:Archived
569:See also
290:(1965),
156:13537516
67:Language
946:Awards
916:at the
807:Varsity
601:Fantasy
575:Portals
538:Skellig
418:, near
396:), and
389:Jessamy
295:novel.
249:parking
237:measles
211:Premise
82:fantasy
70:English
746:
499:
488:
477:
62:Einzig
39:Author
967:1958
647:CILIP
535:16%;
128:Pages
75:Genre
929:IMDb
878:IMDb
860:IMDb
744:ISBN
726:2006
497:ISBN
486:ISBN
475:ISBN
247:for
245:yard
241:flat
150:OCLC
137:ISBN
936:at
927:at
783:",
518:Tom
449:BBC
402:by
386:'s
370:'s
366:),
358:'s
312:by
286:In
989::
894:.
876:.
858:.
836:.
712:.
698:^
689:.
676:^
654:^
628:^
432:.
316:.
84:,
880:.
862:.
728:.
577::
503:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.